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Tag: Typography

NYCTA Graphics Standards Manual Reissue

standards-manual

If you’ve been on Twitter for past couple of days you’ll have no doubt noticed that the design community (or the sizeable type-obsessed segment of it) is very excited that designers Jesse Reed and Hamish Smyth, founders of thestandardsmanual.com, have started a Kickstarter project to reissue the 1970 NYC Transit Authority Graphics Standards Manual by Unimark’s Massimo Vignelli and Bob Noorda as a full-size, limited edition book:

Every single day, millions of New Yorkers rely on the subway to get around the city, and you can’t use the subway without encountering the signage designed by Unimark. Over the years many changes have taken place (such as the switch from Standard Medium to Helvetica), but it is a testament to the quality of the work that, 44 years later, the signage holds up.

And perhaps on a deeper level, the signage has given the subway a voice. When a lot of people think of New York City, these signs pop into their head. We feel a tremendous responsibility to publish not only an important piece of design history, but an important part of New York City’s history.

Even if you can’t afford the book itself — it starts at $133USD if you live in Canada, more if you are in the EU —  you can back the project for as little as $3, and the project’s video featuring Pentagram‘s Michael Bierut on the graphic standards manual is well worth watching:

You can also see scans from a copy of the manual discovered the basement of design firm Pentagram in 2012 on thestandardsmanual.com.

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Type Safari with James Victore

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While I’m posting typography videos, this is pretty fun too — designer James Victore tours around Brooklyn and Queens (in a jeep!) passing judgement on the local signs and street typography:

[youtube:http://youtu.be/lnhBgpd0y1Q&w=620]

And if this is your thing, The Makeshift Society is organizing a series of evening events in Brooklyn about type and type design with a host of great speakers. (I guess we all need to move to Brooklyn!).

(via SwissMiss)

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Dan Rhatigan on type…Type on Dan Rhatigan

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This is kind of amazing… Type designer Dan Rhatigan talking about his love of type, and his typographic tattoos:

And if you didn’t catch all that, Dan helpfully posted a list of his tattoos (as August 2014) on his website:

  1. R from unknown wood type
  2. & from Poetica by Robert Slimbach
  3. ü from Meta Bold by Erik Spiekermann
  4. s from Fette Fraktur
  5. K from the old Krispy Kreme logo
  6. g from Baskerville, based on types of John Baskerville
  7. § from Champion Gothic Middleweight by Jonathan Hoefler
  8. 7 from Century Oldstyle Bold by Morris Fuller Benton
  9. y from Cooper Black Italic by Oswald Cooper
  10. W from Whitney Bold by Tobias Frere-Jones
  11. z from Stilla by François Boltana
  12. r from Maple Medium by Eric Olson
  13. 2 from Ingeborg Block by Michael Hochleitner
  14. w from Actium Black Italic by Gerben Dollen
  15. a from Dolly Italic by Underware
  16. e from Sodachrome (Left and Right) by Ian Moore and Dan Rhatigan
  17. Y from Banco by Roger Excoffon
  18. Å from Leyton by Ian Moore
  19. C from De Little 30-Line 196
  20. H from Calypso by Roger Excoffon
  21. é from Gill Sans Ultrabold (Gill Kayo) by Eric Gill
  22. B from Festival Titling by Phillip Boydell
  23. ø from Bell Centennial Bold Listing by Matthew Carter

In another recent video, Dan talks about the design of Monotype’s Ryman Eco, “the world’s most beautiful sustainable font”, which apparently uses 33% less ink than standard fonts:

This promotional video for Ryman Eco is also nicely done:

 

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Book Covers of Note September 2014

It’s hard to believe it is already September, but here we are… time for another round of book covers!

If you’re new to this feature, each month I collect together new and recent covers that have caught my eye in the previous few weeks. Although the focus is on books released in the current month, the posts also include covers I’ve missed earlier in the year. You can find the previous month’s posts here.

Thanks (as always) to my local bookstores — Type Books on Queen West, Book City on the Danforth, and Indigo Bay & Bloor — for fighting the good fight (and their wonderful displays!).

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Abbott Miller: Design and Content; design by Pentagram (Princeton Architectural Press / September 2014)

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Arvida by Samuel Archibald; design by Catherine D’Amours / Pointbarre (Le Quartanier / August 2014)
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(this is an obvious miss from last month’s post about maps. Sorry Catherine!)

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The Assassination of Margaret Thatcher by Hilary Mantel; design by Rodrigo Corral Design; photograph Demurez/Glasshouse (Henry Holt / September 2014)

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The City Under the Skin by Geoff Nicholson; design by Oliver Munday; photograph by George Baier IV (FSG / June 2014)

(Another one that should have been in the maps post. And yes, that really is someone’s back apparently)

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The Establishment by Owen Jones; design by Richard Green (Allen Lane / September 2014)

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Forensic Songs by Mike McCormack; design by Jason Booher (SOHO / July 2014)

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God Telling a Joke by David Margoshes; design by David Drummond (Oolichan Books / May 2014)

Hack-Attack
Hack Attack by Nick Davies; design by David Drummond (Faber & Faber / August 2014)

herodotus
The Histories by Herodotus; design by Coralie Bickford-Smith (Penguin Classics / September 2014)

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Invisible Man by Ralph Ellison; design by JP King (Penguin / August 2014)

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Lippy by Bush Moukarzel; design by Jason Booher (Oberon Books / August 2014)

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The Most Dangerous Animal of All by Gary L. Stewart with Susan Mustafa; design by Jarrod Taylor (HarperCollins / June 2014)

(I’m not endorsing the content of this book at all, but the red acetate cover does need to be seen in person to be fully appreciated)

smoke-gets-in
Smoke Gets in Your Eyes by Caitlin Doughty; design by David High / High Design (W. W. Norton / September 2014)

transcriptionist
The Transcriptionist by Amy Rowland; design by Keith Hayes (Algonquin Books / May 2014)

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Wolf in White Van by John Darnielle; design by Timothy Goodman (FSG / September 2014)

wittgenstein-jr
Wittgenstein Jr by Lars Iyers; design by Christopher Brian King (Melville House / September 2014)

you
You by Zoran Drvenkar; design by Kelly Blair (Knopf / August 2014)

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Kern Your Enthusiasm

Thanks to Jacob Covey for kindly pointing me in the direction Kern Your Enthusiasm, a new series of short posts at HiLobrow about typefaces.

Matthew Battles, author of Library: An Unquiet History (and co-founder of HiLobrow), kicked off the series on Friday with a fascinating post about Aldine Italic:

Aldus Manutius was a printer in sixteenth-century Venice, and he was looking to shake things up. The roman typefaces, based on manuscript letterforms the humanists thought dated back to Roman times (but which were in fact medieval in origin) had offered Italian counterpoint to the black-letter typefaces of the first German printers, but already they were old hat. When Aldus put the first version of a typeface we call italic to use in 1501, the printing press had been proliferating in Europe for half a century. In other words, it was about as old as the computer is now. It was a time of immense invention and swiftly spun variety in the printed book, and a time of new mobility and independence of thought and activity among certain classes of people as well — and the combination of new ways and new tools meant new kinds of books. Crucially, the book was getting smaller, small enough to act not only as a desktop, but as a mobile device.

There is also a rather lovely short piece by Mark Kingwell, posted today, on Gill Sans.

Jacob himself has contributed a post, scheduled to appear at the end of the series, about Gotham. Can’t wait.

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Church of Type

church-of-type
Church of Type is the new letterpress studio in Santa Monica, California, of veteran designer and printmaker Kevin Bradley. In this lovely short film, Bradley talks about relocating to Los Angeles, typography, the printing press, and making things by hand:

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Book Covers by Moker Ontwerp

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I do like these book covers by Dutch design studio Moker Ontwerp:

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You can see more of their handiwork here.

(via Theo Inglis)

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Hello, I Am Erik

hello-erik
Next month, the fine folks at Gestalten are publishing Hello, I Am Erik,  a ‘visual biography’ of typographer and designer Erik Spiekermann. In this new interview with GestaltenTV, Spiekermann talks about his 30 year career, and how working with blocks of movable type is different from designing on a screen:

 

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Times New Roman: Designing The Times

Originally designed for The Times in 1931, Times New Roman is now virtually ubiquitous — a default most people don’t even think about. In this lovely looking film — part of a series of beautifully produced short films about the history Times and Sunday Times newspapers — designers and typographers re-evaluate the font and its legacy.

(via Creative Review)

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Self Initiated: Daren Newman

Self Initiated is a lovely and inspiring short film about the seemingly very down-to-earth designer, illustrator and typographer Daren Newman:

(via Quipsologies)

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Tim O’Brien Redesign — Cardon Webb

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I love Cardon Webb’s bold typographic design of the Tim O’Brien reprints for Broadway Books:

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Vintage Malamud

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Available in the UK this month, Vintage Classics has released a series of Bernard Malamud novels with beautiful new covers designed in-house by Matt Broughton, with additional title type by Ruth Rowland.

Dubin's Lives

The Vintage Classics series includes Pictures of Fidelman, The Natural, The Magic Barrel, The Tenants, and Dubin’s Lives.

In the US, art director Charlotte Strick and typographer Jude Landry have also redesigned the Farrar, Straus & Giroux editions of Bernard Malamud’s novels.

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At FSG’s Work in Progress blog, Charlotte and Jude talk about their work on the new covers.

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