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Tag: rodrigo corral

Book Covers of Note April 2016

All Things Cease design Mario Hugo
All Things Cease to Appear by Elizabeth Brundage; design by Mario Hugo (Knopf / March 2016)

Assault design Oliver Munday
The Assault by Harry Mulisch; design by Oliver Munday (Pantheon / April 2016)

Association-Small-Bombs design Matt Vee
The Association of Small Bombs by Karan Mahajan; design by Matt Vee (Viking / March 2016)

Beloved Poison Jordan Metcalf
Beloved Poison by E. S. Thomson; cover art Jordan Metcalf (Little, Brown & Co / March 2016)

black hole blues design Janet Hansen
Black Hole Blues and Other Songs from Outer Space by Janna Levin; design by Janet Hansen (Knopf / March 2016)

Dada design Anne Jordan
Dada Presentism by Maria Stavrinaki; design by Anne Jordan & Mitch Goldstein (Stanford University Press / April 2016)

Five Rivers Met on a Wooded Plain design James Paul Jones
Five Rivers Met on a Wooded Plain by Barney Norris; design James Paul Jones (Doubleday / April 2016)

In the Name of Editorial Freedom design Isaac Tobin
In the Name of Editorial Freedom edited by Stephanie Steinberg; design by Isaac Tobin (University of Michigan Press / September 2015)

I’m so embarrassed that I missed this great type-only cover by the brilliant Isaac Tobin last year that I’m including it here.

Speaking of which, I also missed this rather fine David Drummond cover from late last 2015 too…

Life and Other Near-Death Experiences design David Drummond Nov 2015
Life and Other Near-Death Experiences by Camille Pagán; design by David Drummond (Lake Union Publishing / November 2015)

Man Lies Dreaming design Marina Drukman
A Man Lies Dreaming by Lavie Tidhar; design by Marina Drukman (Melville House / March 2016)

Ben Summers’ cover design for the UK edition of A Man Lies Dreaming published by Hodder and Stoughton was a book cover of note waaaaay back in October 2014!

The Miles Between Me design Alban Fischer
The Miles Between Me by Toni Neale; design by Alban Fischer (Curbside Splendor / April 2016)

Model Disciple design David Drummond
Model Disciple by Michael Prior; design by David Drummond (Vehicule Press / April 2016)

Olio design Jeff Clark
Olio by Tyehimba Jess; design by Jeff Clark / Quemadura (Wave / April 2016)

one in a million design CS Neal
The One-In-Million Boy by Monica Wood; design by C. S. Neal (Houghton Mifflin Harcourt / April 2016)

Pillow Book design Alysia Shewchuk
A Pillow Book by Suzanne Buffam; design by Alysia Shewchuk (House of Anansi / April 2016)

She Weeps design Joan Wong
She Weeps Each Time You’re Born by Quan Barry; design by Joan Wong (Vintage / February 2016)

Study in Charlotte jacket art Dan Funderburgh design Katie Fitch
A Study in Charlotte by Brittany Cavallaro; jacket art Dan Funderburgh; design Katie Fitch (Katherine Tegen Books / March 2016)

Sudden Death
Sudden Death by Álvaro Enrigue; design by Stephen Parker; photograph Mark Vessey (Harvill Secker / April 2016)

The cover of the US edition published by Riverhead and designed by Rachel Willey was in last month’s post.

Susuzluk (Thirst)_Steven Mithen
Susuzluk (Thirst) by Steven Mithen; design by James Paul Jones (Koc University Press / April 2016)

Tempest design David Pearson
The Tempest by William Shakespeare; design by David Pearson (Penguin / April 2016)

tuesday-nights-in-1980 design Rodrigo Corral
Tuesday Nights in 1980 by Molly Prentiss; design by Rodrigo Corral (Gallery/Scout Press / April 2016)

to the left of time design Jackie Shepherd
To the Left of Time by Thomas Lux; design by Jackie Shepherd (Houghton Mifflin Harcourt / April 2016)

Well Always Have Paris design Justine Anweiler
We’ll Always Have Paris by Emma Beddington; design by Justine Anweiler; lettering by Cocorrina (Macmillan / April 2016)

What Belongs To You design Justine Anweiler
What Belongs to You by Garth Greenwell; design by Justine Anweiler (Picador / April 2016)

This is a variant on the cover of the US edition from FSG designed by Jennifer Carrow, which is also very nice (especially the zig-zag of the type), but I especially like the Andreas Gursky-like edge-to-edge grid and hyper-real colour of the UK edition.

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Book Covers of Note November 2015

Next month I’ll say goodbye to 2015 with my annual list of my favourite covers of the year. Until then, here’s November’s book covers of note, my last monthly covers post for the 2015:

baddeley brothers design David Pearson
Baddeley Brothers by The Gentle Author; design David Pearson (October 2015)

9780374166670
The Big Green Tent by Ludmila Ulitskaya; design by Devin Washburn (FSG / November 2015)

(I previously included Devin’s cover in my November 2014 post before discovering that publication had been postponed until 2015. It’s so good that I figure it deserved a second shot now the book is finally coming out this month.)

A Brief History of Seven Killings Special Edition design James Paul Jones
A Brief History of Seven Killings by Marlon James (Special Edition); design James Paul Jones (Oneworld / November 2015)

Book of Magic design Matthew Young
The Book of Magic by Brian Copenhaver; design Matthew Young (Penguin / November 2015)

Dont Suck Dont Die design by Lindsay Starr
Don’t Suck, Don’t Die: Giving Up Vic Chesnutt by Kristin Hersh; design by  Lindsay Starr (University of Texas; October 2015)

Drinking in America Rex Bonomelli
Drinking in America by Susan Cheever; design by Rex Bonomelli (Twelve Books / October 2015)

Early Stories of Truman Capote design David Pearson
Early Stories of Truman Capote; design by David Pearson (Penguin / November 2015)

Eternal Zero design by Peter Mendelsund
The Eternal Zero Naoki Hyakuta; design by Peter Mendelsund (Vertical / November 2015)

Hausfrau design by Gabrielle Bordwin Photographer Mihaela Ninic
Hausfrau by Jill Alexander Essbaum; design by Gabrielle Bordwin; Photographer Mihaela Ninic (Random House / August 2015)

Home is Burning design by Rodrigo Corral
Home is Burning by Dan Marshall; design by Rodrigo Corral (Flatiron / October 2015)

Just an Ordinary Day design Edel Rodriguez

Just an Ordinary Day by Shirley Jackson; design Edel Rodriguez (Random House / August 2015?)1

Let Me Tell You design by Edel Rodriguez
Let Me Tell You by Shirley Jackson; design by Edel Rodriguez (Random House / August 2015)

The Mare design by Oliver Munday
The Mare by Mary Gaitskill; design by Oliver Munday (Pantheon / November 2015)

Mass Disruption design CS RIchardson
Mass Disruption by John Stackhouse; design by Scott Richardson (Random House Canada / October 2015)

Norwegian Wood
Norwegian Wood by Lars Mytting; design by John Gall (Abrams / October 2015)

Only Street in Paris design by Strick&Williams
The Only Street in Paris by Elaine Schiolino; design by Strick & Williams (W.W. Norton / November 2015)

The Reflection design by Adly Elewa
The Reflection by Hugo Wilcken; design by Adly Elewa (Melville House / September 2015)

busylife_cover_hi-res
Some Recollections of a Busy Life by T.S. Hawkins; design by Jessica Hische; illustration by Wesley Allsbrook (McSweeney’s / November 2015)

Souffles-Anfas design Anne Jordan and Mitch Goldstein
Souffles-Anfas edited by Olivia C. Harrison and Teresa Villa-Ignacio; design Anne Jordan and Mitch Goldstein (Stanford University Press / November 2015)

Southern Insurgency design by Jamie Keenan
Southern Insurgency by Immanuel Ness; design by Jamie Keenan (Pluto Press / November 2015)

trace design by Debbie Berne
Trace by Lauret Savory; design by Debbie Berne (Counterpoint / November 2015)

Unfaithful Music design by Spencer Kimble
Unfaithful Music & Disappearing Ink by Elvis Costello; design by Spencer Kimble (Blue Rider Press / October 2015)

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Salman Rushdie and Adult-YA Crossovers

rushdie

The cover of the US edition of Salman Rushdie’s first adult novel in seven years. Two Years Eight Months and Twenty-Eight Nights (Random House, September 2015), was revealed on Buzzfeed last week.1 While the cover itself is perfectly fine, the most remarkable thing about it is how much it looks like a novel for young adults.

I was immediately reminded of the cover of The Fault in Our Stars by John Green, designed by Rodrigo Corral (Penguin 2012)…

fault-in-stars-nyt

…and the lovely hand-lettered YA covers of Australian designer and illustrator Allison Colpoys:

why-we-took-the-car-design-allison-colpoys

After some further thought, however, I realised that it is even more reminiscent of the cover for the novel Waiting for Doggo by Mark B. Mills, designed by Yeti Lambregts (Headline, November 2014), which made me wonder if, perhaps, we are starting to see more adult covers that look like YA?

Since the success of Harry Potter, publishers have known that adults read ‘children’s books’ for pleasure, and they will often try to appeal these to older readers with more mature covers. On Twitter last week, American YA cover designer Erin Fitzsimmons (interviewed on the blog here), identified this as ‘crossover appeal.’ But crossover appeal can go both ways, and it seems that adult covers are being designed to reach the widest possible audience too.

This trend is more pronounced in the UK where bright and whimsical illustrated covers are common for commercial fiction. The vibrant cover of the UK edition of Two Years Eight Months and Twenty-Eight Nights (and the accompanying backlist) — beautifully illustrated by Sroop Sunar and unveiled today — is a perfect example:

two-years-illustration-sroop-sunar

According to CMYK, the Vintage Books design blog, Sunar was inspired by printed ephemera found in India around the time of Independence, and the brightly coloured covers would work equally well for YA as for adult fiction:

rushdie-uk-backlist-illustration-sroop-sunar

US publishers have (I think) been slower to market adult fiction to younger readers in this way. Although hand-lettering has become very common on US covers for a while now, photographic images still dominate commercial fiction covers. Compare, for example, the UK cover of Station Eleven by Emily St. John Mandel, illustrated by Nathan Burton (left), with US edition designed by Abby Weintraub (on the right):

From my own experience, I can also think of at least one quirky illustrated cover — for an upcoming literary novel that the publisher has very high hopes for — that was killed at the last minute in favour of a more traditional photographic one. The original design could easily have been for a gothic Young Adult fantasy. The new cover, much less ambiguous, is clearly intended for adult book clubs.

Even so, Two Years Eight Months and Twenty-Eight Nights and a few other recent covers suggest that US publishers are willing to experiment, and as audiences for YA and adult fiction become harder to differentiate, we will only see more covers that blur those lines.

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Today in Micro-Trends: Neon Signs

bright-shiny-morning

Inspired by the recent Blur album cover designed by Tony Hung (read more about it here) amongst other things, here are a selection of (relatively) recent books cover designs using lettering inspired by neon signs (pictured above: Bright Shiny Morning by James Frey, designed by the one and only Gray318 in 2008):

9780375424991-brothers
Brothers by Yu Hua; design by Jonathan Sainsbury (Random House / January 2009)

ham on rye design by Steve Attardo


Bukowski series; design by Steve Attardo (Ecco / July 2014)

event-design-cb-king
Event by Slavoj Žižek; design by Christopher King (Melville House / August 2014)

extreme-centre-tariq-ali-design-dan-mogford
The Extreme Centre by Tariq Ali; design by Dan Mogford (Verso / March 2015)

the-girl-who-was-saturday-night-design-leo-nickolls
The Girl Who Was Saturday Night by Heather O’Neill; design by Leo Nickolls (Quercus / March 2015)

9780385352604
Glow by Ned Beauman; design by Oliver Munday (Knopf / January 2015)

hotel life design by simon pates
The Hotel Life by Javier Montes; design by Simon Pates (Hispabooks / October 2013)

inherent-vice-design-haggar-goretsky
Inherent Vice by Thomas Pynchon; design by Darren Haggar and Tal Goretsky; illustration by Darshan Zenith / Cruiser Art (Penguin / August 2009)

9780143573258
Kissing in America by Margo Rabb; design by Erin Fitzsimmons; art by Thomas Burden (HarperCollins / May 2015 )

last-days-of-shanghai-design-jason-snyder
Last Days in Shanghai by Casey Walker; design by Jason Snyder (Counterpoint / December 2014)

978-0-385-53807-7
Love Me Back by Merritt Tierce; design by Emily Mahon; illustration by Rizon Parein (Doubleday / September 2014)

make-something-up-design-james-paul-jones
Make Something Up by Chuck Palahniuk; design by James Paul Jones (Jonathan Cape / May 2015)

mammons-kingdom
Mammon’s Kingdom by David Marquand; cover art by Mr Whaite (Allen Lane / May 2014)

milk-bar-life-tosi
Milk Bar Life by Christina Tosi; design by Walter Green (Clarkson Potter / April 2015)

musical-brain
The Musical Brain by César Aira; design by Rodrigo Corral (New Directions / March 2015)

no-regrets-design-jennifer-heuer
No Regrets Coyote; design by John Dufresne; design by Jennifer Heuer (W. W. Norton / July 2014)

pluto-design-jonathan-pelham
Pluto by Glyn Maxwell; design by Jonathan Pelham (Picador / April 2013)

yes-please-design-tbd
Yes Please by Amy Poehler; design by Mary Schuck (Dey Street Books / October 2014)

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Book Covers of Note November 2014

This is the last of the monthly cover round-ups for 2014, and I have a lot to cram in before I start on my big end of year list, so it’s a bit of corker (if I do say so myself) with lots of gold foil and other fancy finishes:

Amnesia
Amnesia by Peter Carey; design by Alex Kirby (Faber & Faber / October 2014)

(The dust jacket is actually acetate)

betrayers
The Betrayers by David Bezmozgis; illustration by Matt Taylor; type design and art direction by Richard Bravery (Viking / August 2014)

9780374166670
The Big Green Tent by Ludmila Ulitskaya; design by Devin Washburn (FSG / December 2014)

convulsing-bodies-anne-jordan
Convulsing Bodies by Mark D. Jordan; design by Anne Jordan (Stanford University Press / October 2014)

Critical_Journeys
Critical Journeys by Robert Schroeder; design Jana Vukovic (Library Juice Press / September 2014)

dear-reader
Dear Reader by Paul Fournel; illustration by Jean Jullien (Pushkin Press / November 2014)

9780871409287
The Enormous Room by E. E. Cummings; design by Devin Washburn (Liveright / October 2014)

Fiddler-on-the-Roof-Cover
Fiddler on the Roof by Joseph Stein; design Christopher Silas Neal (Crown / September 2014)

forgive me leonard peacock
Forgive Me, Leonard Peacock by Matthew Quick; design by Gray318 (Little Brown & Co / July 2014)

girl-defective
Girl Defective by Simmone Howell; design by Debra Sfetsios-Conover; illustration Jeffrey Everett (Atheneum / September 2014)

(I also really like Sandy Cull’s design for the Australian edition published by Pan Macmillan in 2013)

9780226171715
The Hoarders by Scott Herring; design by David Drummond (University of Chicago Press / November 2014)

9781940450261
In Case of Emergency by Courtney Moreno; design by Sunra Thompson (McSweeney’s / September 2014)

Wint_9780385677851_jkt_all_r6.indd
Into the Blizzard by Michael Winter; design by Scott Richardson (Doubleday Canada / November 2014)

its-not-me
It’s Not Me It’s You by Mhairi McFarlane; design by Heike Schüssler; illustration by Gianmarco Magnani / Silence Television (HarperCollins / November 2014)

little-failure-pb
Little Failure by Gary Shteyngart; design by Rodrigo Corral Design (Random House / October 2014)

9781554471416_a
Smoke Proofs by Andrew Steeves; design by Andrew Steeves (Gaspereau Press / September 2014)

9780141394664
The Portrait of a Lady by Henry James; design by Coralie Bickford-Smith (Penguin / November 2014)

rabbit
The Rabbit Back Literature Society by Pasi Ilmari Jääskeläinen; design by Nathan Burton (Pushkin Press / September 2014)

(The hardcover edition, designed by David Pearson, is also amazing)

sailing-the-forest-9781447274049
Sailing the Forest by Robin Robertson; design by Neil Lang (Picador / September 2014)

(The skull is gold foil on the finished book)

sense-of-style
The Sense of Style by Steven Pinker; design by Louise Fili; illustration by R. O. Blechman (Viking / September 2014)

9781846145506
The Sense of Style by Steven Pinker; design by Jim Stoddart & Isabelle de Cat; photograph by Kayla Varley (Penguin / September 2014)

9780141395036
Tales of the Marvellous and the Strange translated by Malcolm C. Lyons; design by Coralie Bickford-Smith Isabelle de Cat; illustration by Nina Chakrabarti (Penguin / November 2014)

(Just look at all that gold!)

9780374533861
Ugly Girls by Lindsay Hunter; design by Charlotte Strick; photograph by Natalie Dirks (FSG / November 2014)

0889713065
What I Want to Tell You Goes Like This by Matt Rader; design by Ben Didier / Pretty/Ugly Design (Nightwood Editions / October 2014 )

you
You by Caroline Kepnes; design by Natalie Sousa (Atria / September 2014)

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Beasts!

beasts
Lions and tigers and bears! Oh my! I’m kicking off a new series today on animal book covers. The first post is on ‘beasts’ — mostly ‘wild’ beasts, but one or two more domesticated (and dead) animals may have nosed their way in. Other posts series will look at birds, bugs, reptiles and amphibians, and quite possibly sea creatures and farm animals (unless someone pays me a large amount of money to stop before that). Thanks to all the designers, ADs, publicists and others who have been helping me with images and credits. If you notice that some information about a cover is missing, please let me know.

KENNEDY_American-gabrielle-bordwin
American Spirit by Dan Kennedy; design by Gabrielle Bordwin (New Harvest / May 2013)

animals-of-my-own-kind-drummond
Animals of My Own Kind by Harry Thurston; design by David Drummond (Vehicule Press / April 2010)

Untitled
Annabel by Kathleen Winter; design by Bill Douglas (Anansi / June 2010)

beasts-jacob-covey
Beasts! by Jacob Covey; design by Jacob Covey / Unflown (Fantagraphics / February 2007)

bedside-book-of-beasts-richardson
The Bedside Book of Beasts by Graeme Gibson; design by Scott Richardson (Doubleday Canada / October 2009)

brothers-beasts
Brothers & Beasts edited Kate Bernheimer; design by Isaac Tobin; illustration by Lauren Nassef (Wayne State University Press / January 2008)

9780374119027
Caribou by Charles Wright; design by Jeff Clark / Quemadura (FSG / March 2014)


Charm and Strange by Stephanie Kuehn; design by Sharon King-Chai (Electric Monkey / June 2013)

chronic city
Chronic City by Jonathan Lethem; design by Miriam Rosenbloom (Faber & Faber / December 2009)

Company-of-Liars
Company of Liars by Karen Maitland; design by gray318 (Penguin / January 2008)

9781770893009_HR
Doppler by Erlend Loe; design by Nicolas Cheetham (Anansi / October 2012)

eeeee-kelly-blair
Eeeee Eee Eeee by Tao Lin; design by Kelly Blair (Melville House / April 2007)

ExtinctionClub
The Extinction Club by Jeffrey Moore; design by Michel Vrana (Hamish Hamilton Canada / April 2010)

feral
Feral by George Monbiot; design by Jim Stoddart (Penguin / May 2013)


The Good Suicides by Antonio Hill; design by Christopher Brand (Crown / June 2014)


Gottland: Mostly True Stories from Half of Czechoslovakia by Mariusz Szczygiel; design by Christopher King (Melville House / May 2014)

Penguin-Goya-Hi_res
Goya’s Dog by Damian Tarnopolsky; design by David Gee (Penguin Canada / August 2007)

Hope A Tragedy
Hope A Tragedy by Shalom Auslander; design by John Gall (Riverhead Books / January 2012)

baskervilles
The Hound of the Baskervilles by Arthur Conan Doyle; design by Emily Mahon; illustration by SHOUT (Modern Library / October 2002)

9780141034324
Hound of the Baskervilles by Arthur Conan Doyle; design by Coralie Bickford-Smith; illustration by Despotica (Penguin / March 2008)

JOYLAND-Haunt-Hi_res
How I Came to Haunt My Parents by Natalee Caple; design by David Gee (ECW / May 2011)

hunger
Hunger by Lincoln Townley; design by Matt Johnson (Simon & Schuster / May 2014)

jaguars-eels
Jaguars and Electric Eels by Alexander Von Humboldt; design by David Pearson; illustration by Victoria Sawdon (Penguin / February 2007)

Knife Throwing Through Self-Hypnosis
Knife Throwing Through Self-Hypnosis by Robin Richardson; design by Natalie Olsen / Kisscut Design (ECW / September 2013)

jamrachs-menagerie
Jamrach’s Menagerie by Carol Birch; design by gray318 (Canongate / March 2011)

jungle-book
The Jungle Book by Rudyard Kipling; design by Alice Stevenson (Penguin India / 2014)

leopard
The Leopard by Giuseppe Tomasi Di Lampedusa; illustration by Hans Tillman (Vintage / September 2007)

TEARSoftheGIRAFFE_B2
Tears of the Giraffe by Alexander McCall Smith; design by Mark Ecob (Abacus / August 2003)

me-and-the-devil
Me and the Devil by Nick Tosches; design by Keith Hayes (Little Brown & Co / December 2012)

9781594488078B
Mr. Fox by Helen Oyeyemi design by Helen Yentus with Jason Booher (Riverhead / September 2011)

978-0-7710-0833-7
Morning in the Burned House by Margaret Atwood; design by Kelly Hill (McClelland & Stewart / September 2009)

natural-acts-fulbrook
Natural Acts by David Quammen; design by John Fulbrook III (W. W. Norton / May 2009)

9780865477735
The Night Guest by Fiona McFarlane; design by Charlotte Strick; illustration by Ariana Nehmad Ross (Faber & Faber / October 2013)

Layout 1
Off Course by Michelle Huneven; design by Rodrigo Corral; photograph by Gregori Maiofis (FSG / March 2014)

orphan-master
The Orphan Masters Son by Adam Johnson; design by Lynn Buckley (Random House / January 2012)

panther
Panther by David Owen; design by gray318 (Constable and Robinson / May 2015)

pastoralia-rodrigo-corral
Pastoralia by George Saunders; design by Rodrigo Corral (Riverhead / June 2001)


The Psychopath Test by Jon Ronson; design by Matt Dorfman (Riverhead / December 2011)

sharp-teeth-dean
Sharp Teeth by Toby Barlow; design by Susan Dean; illustration Natasha Michaels (William Heinemann / August 2007)

short-history-bill-douglas
A Short History of Progress by Ronald Wright; design by Bill Douglas (Anansi / October 2004)

9781447268963
Station Eleven by Emily  St. John Mandel; design by Nathan Burton (Picador / September 2014)

stories-ii
Stories II by T. C. Boyle; design by Greg Heinimann (Bloomsbury / October 2013)

tattooed-soldier
The Tattooed Soldier by Hector Tobar; design by Jim Tierney (Picador / October 2014)

tell-the-wolves
Tell the Wolves I’m Home by Carol Rifka Brunt; Roberto de Vicq de Cumptich (Dial Press / June 2012)

this-book
This Book Will Save Your Life by A. M. Homes; design by Paul Buckley (Penguin / April 2007)

Tiger-in-Eden
Tigers in Eden by Chris Flynn; design by W.H. Chong (Text Publishing Co. / October 2013)

The Tiger's Wife-Tea Obreht
The Tiger’s Wife by Téa Obreht; design by James Paul Jones; illustration Wuon Gean Ho (Phoenix / March 2011)

3796386738_ef71a142a3_o
Tooth and Claw by T. C. Boyle; design by Paul Buckley (Penguin / September 2005)


The Transcriptionist by Amy Rowland; design by Keith Hayes (Algonquin Books / May 2014)

9780143125020
The Unchangeable Spots of Leopards by Kristopher Jansma; design by Alison Forner (Penguin / March 2014)

Wolves-tpb
Wolves by Simon Ings; design and Illustration by Jeffrey Alan Love (Gollancz / January 2014)

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Books on Book Covers

9781594203367B (1)
It started, innocently enough, with a tweet from my friend Steven Beattie, book review editor of Canada’s Quill & Quire magazine, about the cover of The Most Dangerous Book, Kevin Birmingham’s new ‘biography’ of Ulysses by James Joyce, designed by Ben Wiseman (Penguin June 2014).

steven-tweet

That sparked a conversation with designer David Gee and Joseph Sullivan of The Book Design Review about books on book covers. Joe wrote a  a post on the subject in 2009 on the subject, and I rather naïvely thought it would be easy (EASY!) to post a few contemporary examples of the trend, completely underestimating what an undertaking such a project would become.

What follows is an attempt to showcase some of different ways designers incorporate books into their cover designs. Along side covers from the past five years, I’ve included some earlier examples from Joe’s post, and this post about ‘meta-covers’ from HTML Giant. Many of the images of the older titles are small (and some are just not very good), but where I have been able to source a larger image, I’ve included it at full (or close to full) size. I’m indebted to the Book Cover Archive, which is still an invaluable resources after all this time, Ferran Lopez‘s (also mothballed) Jacket Museum, and all the designers and book folk who sent me cover images, and helped me in numerous other ways. Thank you. This isn’t comprehensive survey but, to be honest, I had to stop somewhere…

Front and Center

seven-hundred-penguins-full
Seven Hundred Penguins; design David Pearson / illustration Clare Skeats (Penguin Sept 2007)

cover
Cover by Peter Mendelsund; design by Peter Mendelsund (powerHouse Books August 2014)


Kapitalismus und Hautkrankheiten by Jasmin Ramadan; design by Books We Made (Klett-Cotta Verlag April 2014)

The Knowledge
The Knowledge by Lewis Dartnell; design by Kris Potter (Penguin April 2014)
priceless
Priceless by William Poundstone; design by Jennifer Carrow (Hill & Wang January 2010)

publish-your-photography-book
Publish Your Photography Book by Darius D. Himes & Mary Virginia Swanson; design by David Chickey & Masumi Shibata (Princeton Architectural Press March 2011)

yarn-whisperer
The Yarn Whisperer by Clara Parkes; design by John Gall (Abrams September 2013)

Cut, Torn, Ripped or Otherwise Defaced or Damaged


The Arsonist by Sue Miller; design by Greg Heinimann (Bloomsbury June 2014)

BNP-Cover-Hi-Res-770x1024
Best New Poets 2013, guest editor Brenda Shaughnessy; design by Atomicdust (Meridian January 2014)

9780312426323
Christine Falls by Benjamin Black; series design by Keith Hayes (Picador January 2008)


Half World by Scott O’Connor; design by Christopher Lin (Simon & Schuster February 2014)

9780887849565_HR
Heaven is Small by Emily Schultz; design by Ingrid Paulson (House of Anansi )

(And if your not Canadian, you may not know that this is a riff on Ingrid’s design for the hardcover of Heaven is Small, featured in this list.)

keep-egan
The Keep by Jennifer Egan; design by John Gall (Knopf August 2006)

Last-Winter-of-Dani-Lancing-US-front-cover
The Last Winter of Dani Lancing by P. D. Viner; design by Oliver Munday (Crown October 2013)

9781846144479
Mess; series art and design by Keri Smith (Penguin September 2010)



The Psychopath Test by Jon Ronson; design by Matt Dorfman (Riverhead December 2011)

deBotton-RFA-JACKET
Religion for Atheists by Alain de Botton; design by Matt Dorfman (Pantheon June 2012)

(This is what the cover looks like under the jacket if you’re curious)

9781476744834
Salinger by David Shields and Shane Salerno; design by Christopher Lin (Simon & Schuster September 2013)

9780765331939
What Makes This Book So Great by Jo Walton; design by Jamie Stafford-Hill (Tor January 2014)

Three-Quarters, or a Bit on the Side

81PiOD3q5aL
 The Eyre Affair by Jasper Fforde; cover art by Thomas Allen, series design by Jaya Miceli (Penguin 2011)

And those of you with a good memory will remember Chip Kidd used also art by Thomas Allen for a series of James Ellroy titles publisher by Vintage in the US:

fahrenheit-451
Fahrenheit 451 by Ray Bradbury; design by Matt Owen (Simon & Schuster January 2012)

9781594486173
Fiction Ruined My Family by Jeanne Darst; design by Alex Merto (Riverhead September 2011)

most-dangerous-book-UK
The Most Dangerous Book by Kevin Birmingham; adapted from the US cover with additional design by Jessie Price (Head of Zeus June 2014)

proust
Marcel Proust’s Search for Lost Time by Patrick Alexander; design by Jamie Keenan (Vintage March 2010)

ECW-Real Made Up 2007
The Real Made Up by Stephen Brockwell; design by David A. Gee (ECW October 2007)

Stoner (paperback) Stoner by John Williams; design by Julia Connolly (Vintage July 2012)

9780802122148 An Unnecessary Woman by Rabih Alameddine; design by Roberto de Vicq de Cumptich (Grove April 2014)

And while it’s not an actual book, let’s give Tom Davie of studiotwentysix2 a round of applause for his famous novel redesign print (which you can buy here).

Open Books and Page Turners

book-was-there
Book Was There by Andrew Piper; design by Andrea Guinn (University of Chicago Press November 2012)

4271789674_c18e499686_o
Erotic Poems by E. E. Cummings; design by Gabriele Wilson (Liveright February 2010)

9781770892484
How Should a Person Be? by Sheila Heti; design by Rebecca Seltzer (Henry Holt & Co. June 2012)

journey-with-two-maps
A Journey with Two Maps by Eavan Boland; design by Chin-Yee Lai (W. W. Norton October 2011)

john-dies-at-the-end
John Dies at the End by David Wong; design by Rob Grom (Thomas Dunne October 2009)

A-Life-In-Books
A Life in Books by Warren Lehrer; cover art by Warren Lehrer in collaboration with Jonathan Rosen (Goff Books October 2013)

medium-is-the-massage
The Medium is the Massage by Marshall McLuhan & Quentin Fiore; design by Yes Studio (Penguin September 2008)

dangerous-book
A Most Dangerous Book by Christopher B. Krebs; design by Mark Melnick (W. W. Norton June 2011)

the-novel
The Novel: A Biography by Michael Schmidt; design by Graciela Galup (Belknap Press April 2014)

9780691145648
Philology by James Turner; design by Kara Davison / Faceout Studio (Princeton University Press, May 2014)

pox-and-the-covenant
The Pox and the Covenant by Tony Wilson; design by Jason Gabbert (Sourcebooks April 2010)

what-to-look-for

What to Look For in Winter 
by Candia McWilliam; design by Richard Ljoenes (Harper March 2012)

Where I'm Reading From (1)
Where I’m Reading From by Tim Parks; design by James Paul Jones (Harvill Secker November 2014)

The_World
The World by Bill Gaston; design by Kathleen Lynch / Black Kat Design (Penguin August 2013)

9780452298460
Writers Between the Covers by Shannon McKenna Schmidt and Joni Rendon; design by Lucy Kim (Plume October 2013)

Shelves, Sides, Spines, and Stacks

penguin-by-design
Penguin by Design by Phil Baines; design by David Pearson (Penguin May 2005)

worm-holes
Wormholes by John Fowles; design by Carin Goldberg (Little, Brown & Co. 1997)

bad-teeth
Bad Teeth by Dustin Long; design by Rex Bonomelli (New Harvest May 2014)

BIL-Full
The Broadview Introduction to Literature; series design by Michel Vrana (Broadview August 2013)

BIL-Split

First Novel - Nicholas Royle
First Novel by Nicholas Royle; design by Suzanne Dean (Jonathan Cape February 2014)

how-to-be-a-heroine
How To Be A Heroine by Samantha Ellis; designed by James Paul Jones (Chatto & Windus January 2014)

how-to-read-literature
How to Read Literature by Terry Eagleton; design uncredited1 (Yale University Press Jun 2013)

junior-officers-club
The Junior Officers’ Reading Club by Patrick Hennessey; design by David Wardle (Penguin June 2009)

ajax-penumbra-1969
Ajax Penumbra 1969 by Robin Sloan; design by Irene Pineda (Atlantic Books June 2014)

rise-and-fall
The Rise & Fall of the Great Powers by Tom Rachman; design by Roberto de Vicq de Cumptich (Dial June 2014)

Stoner (hardback)
Stoner by John Williams; design by Julia Connolly (Vintage November 2013)

9781623568719
Vagina by Emma L. E. Rees; design by Alice Marwick (Bloomsbury August 2013)

why-i-read
Why I Read by Wendy Lesser; design by Rodrigo Corral (Farrar, Straus & Giroux (January 2014)

year-of-henry-james
The Year of Henry James by David Lodge; design by Nathan Burton (Vintage May 2014)

year-of-reading-dangerously
The Year of Reading Dangerously by Andy Miller; design by Jo Walker (Fourth Estate May 2014)

And then there’s this…

The FUTURE

you-are-not-a-gadget
You Are Not a Gadget by Jaron Lanier; design by Olly Moss (Penguin January 2010)

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Memento Mori

Book of Skulls cover

The threat of death… A warning… A memento mori…

A comprehensive visual history of the human skull is surely an entire Steven Heller book in the making (I guess we’ll just have to make do with a Wikipedia page for now). But as Faye Dowling’s contemporary compendium The Book of Skulls1 makes plain, what was once taboo — terrifying even — has become a pop culture phenomenon. Images of skulls now appear in art, design, fashion, and illustration. Apparently we like to be reminded we are all going to die. Even book covers are not immune. Here are a few recent examples that caught my eye:


Actors Anonymous by James Franco; design by Lynn Buckley (New Harvest October 2013)

darkmans
Darkmans by Nicola Barker; design by Leo Nickolls (Fourth Estate March 2008)

dark-stranger

A Dark Stranger by Julien Gracq; design by David Pearson (Pushkin Press December 2013)

everyone-loves-a-trainwreck
Everyone Loves a Good Train Wreck by Eric G. Wilson; design by  Rodrigo Corrall, hand-lettering by Jennifer Carrow, photograph by Simon Lee (FSG March 2012)

fiend-christopher-brand
Fiend by Peter Stenson; design by Christopher Brand (Crown July 2013)

Hamlet Doctrine
The Hamlet Doctrine by Simon Critchley & Jamieson Webster; design by David A. Gee (Verso September 2013)

How_the_Dead_Live
How the Dead Live by Derek Raymond; design by Christopher King (Melville House October 2011)

isla-del-tesoro-raul-arias
La Isla del Tesoro (Treasure Island) by Robert Louis Stevenson; design by Raúl Arias (Bolchiro February 2013)

interns-handbook
The Intern’s Handbook by Shane Kuhn; design by Roberto de Vicq de Cumptich (Simon & Schuster April 2014)

the_invention_of_murder
The Invention of Murder by Judith Flanders; design by Ervin Serrano (Thomas Dunne July 2013)

junky
Junky by William Burroughs; artwork by Martha Rich (Penguin April 2012)

mr-peanut
Mr. Peanut by Adam Ross; design by Peter Mendelsund (Knopf June 2010)

piratas-de-lo-publico
Piratas de lo público by Antón Losada; design by Javier Jaén (Deusto November 2013)

questionable-shape-9781780745855
A Questionable Shape by Bennett Sims; design by Holly MacDonald (Oneworld June 2014)

9780805091298

The Return by Michael Gruber; design by Chris Sergio (Henry Holt & Co. September 2013)


Royauté by Alexie Morin design by Catherine D’Amours (Le Quartanier October 2013)

scarborough
The Scarborough by Michael Lista; design by David Drummond (Véhicule Press September 2014)

SETE
Sete by Albero Riva; design by Manuele Scalia (Mondadori May 2011)

Shovel-Ready
Shovel Ready by Adam Sternbergh; design by Will Staehle (Random House February 2014)


The Sisters Brothers by Patrick Dewitt, design by Dan Stiles (Ecco May 2011)

slaughterhouse
Slaughterhouse Five by Kurt Vonnegut; design by Lynn Buckley; illustrations and hand-lettering by Kurt Vonnegut (Dial Press 2009)

tequila-sunset-tony-lyons-estuary-english
Tequila Sunset by Sam Hawken; design by Tony Lyons at Estuary English (Serpent’s Tail December 2013)

Trainspotting
Trainspotting by Irvine Welsh; design by Sarah-Jane Smith (Vintage March 2013)

viva-la-muerte

¡Viva La Muerte! by Rafael Núñez and Elena Núñez González ; design by Manuel Estrada (Marcial Pons Historia March 2014).

Engulfed-in-Flames-chip-kidd
When You Are Engulfed in Flames by David Sedaris; design by Chip Kidd (Little Brown & Co. July 2008)

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Book Covers of Note June 2014

Well, this seems to have become a regular thing doesn’t it? I have to confess that I still haven’t quite figured out exactly what covers to include in these monthly posts, only that they’re recent and I like them. It’s even harder to decide what to leave out. Anyway, I hope you enjoy this month’s selection. Leave your thoughts in the comments…
9780374100360
Abroad by Katie Crouch; design by Rodrigo Corral (FSG June 2014)

archetype
Archetype by M. D. Waters; design by Jaya Miceli (Plume June 2014)

empathy-exams
The Empathy Exams by Leslie Jamison; design by Tom Darracott (Granta June 2014)

Foxes-on-the-trampoline
Foxes on the Trampoline by Charlotte Boulay; design Steve Attardo (HarperCollins April 2014)

falling-out-of-time-kelly-blair
Falling Out of Time by David Grossman; design by Kelly Blair (Jonathan Cape February 2014)

9780670016785B
Half Bad by Sally Green; design by Tim Green / Faceout Studio (Viking March 2014)

Iceland-sahre
The Iceland by Sakutaro Hagiwara; design by Paul Sahre (New Directions June 2014)

lullaby
The Lullaby of Polish Girls by Dagmara Dominczyk; design by Alex Merto, photograph Eleanor Hardwick (Spiegel & Grau February 2014)

mount-london
Mount London by Tom Chivers & Martin Kratz; design by Ben Anslow (Penned in the Margins May 2014)

Outlaws
Outlaws by Javier Cercas; design by David Mann (Bloomsbury June 2014)

Nightwork
Night Work by Jáchym Topol; design by Bobby Evans / Telegramme Studio (Portobello Books May 2014)

secret-world-of-oil
The Secret World of Oil by Ken Silverstein; design by Matt Dorfman (Verso May 2014)

Sick Rose
The Sick Rose or; Disease and the Art of Medical Illustration by Richard Barnett; design by Daniel Streat / Barnbrook Studios (Thames & Hudson June 2014)

good-suicides-brand
The Good Suicides by Antonio Hill; design by Christopher Brand (Crown June 2014)

thirty-girls
Thirty Girls by Susan Minot; design by Kate Gaughran (4th Estate February 2014)

the-vacationers
The Vacationers by Emma Straub; design by Janet Hansen (Riverhead May 2014)

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Midweek Miscellany

A bit late in the day on this, but the British edition of HHhH by Laurent Binet, designed James Paul Jones Senior Designer at Vintage Books, is quite something. The book was recently released in paperback in the UK.

And, if you’re curious, the North American edition designed by Rodrigo Corral looks like this:

The Language Policy — Further thoughts from Tim Parks on the role of editors, at the NYRB Blog:

As readers, it seems, we love to feel we are in direct, unmediated contact with an especially creative, possibly subversive mind and that we are getting all of its quirks and qualities unmediated and unmitigated by the obtusity of lesser folks perversely eager to return everything to the expected and mundane. This is no doubt why so little is said about editing even in the more learned papers, while nothing at all appears in the popular press, let alone at a promotional level. One cannot imagine, for example, a publisher launching an advertising campaign to boast that it has the most attentive copy editors in the business and can guarantee that everything you may read from its list has been properly purged of anything grammatically iffy, or foreign, or idiosyncratic.

Numbers — Rick Poyner on The Book of Numbers created by Herbert Spencer Spencer  in collaboration with his daughter, Mafalda:

The concept is simple enough. “We live in a world full of numbers: on houses and shops, on buses and motor cars, on magazines and packages, on stamps and labels, in fairgrounds and markets, on boats and aeroplanes, on road signs and posters,” write the Spencers. A series of photographs documents the occurrence of the numbers 1 to 100 going about their business somewhere out there in the world. Most numbers — seen on a showcard, a trash can, a hanging sign, a ceramic tile, a bus stop — receive their own images. In a few cases, such as house numbers and a set of maps, several consecutive numbers form a photogenic group within the same picture.

(It sounds fantastic).

And finally…

Colin Dickey on the haunted hotels of Los Angeles, at the Virginia Quarterly Review:

All hotels are haunted. It doesn’t matter which hotel; it’s already played host to a murder, an overdose, an accidental death with a story. You’re kidding yourself if you don’t see this, if you don’t recognize you sleep with ghosts. Every hotel staff has its stories, any cleaning woman or bellhop knows the score. In Wilkie Collins’ 1878 gothic novel The Haunted Hotel, an Italian villa is converted to a hotel shortly after it houses an unexplained, horrific tragedy. On opening night, a guest (“not a superstitious man”) takes Suite 14, and leaves hurriedly the following morning. The next night another couple take the suite; throughout the night the woman has horrifying dreams—awake, “afraid to trust herself again in bed,” she too makes excuses and leaves.

Assume, then, that every nightmare you’ve ever had in a hotel was a cry for help, some violence from the past reaching out to you.

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Midweek Miscellany

Two stunningly minimal designs by Rodrigo Corral for New Directions.

Faceout Books is back after a hiatus. First up, an interview with Jennifer Heuer about her design for Down and Delirious in Mexico City by Daniel Hernandez.

Haystacks of Needles — Nicholas Carr, author of The Shallows, on situational overload versus ambient overload:

Situational overload is not the problem. When we complain about information overload, what we’re usually complaining about is ambient overload. This is an altogether different beast. Ambient overload doesn’t involve needles in haystacks. It involves haystack-sized piles of needles. We experience ambient overload when we’re surrounded by so much information that is of immediate interest to us that we feel overwhelmed by the neverending pressure of trying to keep up with it all. We keep clicking links, keep hitting the refresh key, keep opening new tabs, keep checking email in-boxes and RSS feeds, keep scanning Amazon and Netflix recommendations – and yet the pile of interesting information never shrinks.

The cause of situational overload is too much noise. The cause of ambient overload is too much signal.

The Case for the NovellaThe New York Times Magazine has an excerpt from “The Three-Day Weekend Plan,” an essay by John Brandon from the new book The Late American Novel: Writers on the Future of Books (Soft Skull):

Bluntly, the novella is in its Golden Age as a form right now because no one is beating it with a stick until nickels fall out. So my plan for the novella is — drum roll: Do nothing. Or do whatever little is required to steward the status quo. Let’s agree, shall we, to keep throwing around the inane term Great American Novel, and to never, ever utter the phrase Great American Novella.

And on the subject of The New York Times Magazine…

The Speed of Change — Former Design Director for NYTimes.com Khoi Vinh on the new design of the New York Times Magazine:

Digital publishing is supposed to be much quicker than print publishing, but this… suggests that more important than the speed of medium is the nimbleness of the business behind it. The print side of The New York Times takes a lot of good natured ribbing for being slow to publish news, but it’s still very, very good at what it does. Which is to say that few organizations can publish on a weekly basis and still effect the kind of major change that this redesign represents.

In some ways, the digital side of the business is not as nimble as that. To be sure, few companies can execute digital publishing as well as The New York Times… But partly because the medium is much younger and constantly changing, partly because best practices are less well-defined, and partly because the mission is more diffuse, execution is a more intricate, protracted and, often, inefficient affair on the digital side.

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Something for the Weekend

New Directions celebrates its 75th anniversary in 2011 and to mark the occasion, creative director at large Rodrigo Corral commissioned illustrator Felix Sockwell to redesign their iconic colophon by Heinz Henghes.  Sockwell writes about the redesign process (and vomiting!) here (via MobyLives).

Drowned in Sound — You have a few days left to listen to the BBC Radio adaptation of J.G. Ballard’s The Drowned World.

Rewiring — Peter Cocking, art director at Douglas & McIntyre, on designing a new cover for Johanna Skibsrud’s debut novel The Sentimentalists, winner of the Giller Prize and first published by artisan publisher Gaspereau Press:

I felt that the existing cover was to some extent a brand for the book — it appeared in the media quite a bit. It’s different from what we would do in that it’s — and I mean no disrespect to Andrew [Steeves, co-publisher of Gaspereau Press] — but it’s a more literary small-press treatment. It’s very appropriate to the way they publish the book, but it was clear, of course, that we were going to try and push this out into the marketplace in a much wider way. So it seemed to me that the idea was to take what they had, because people might remember this as the cream-yellow book with the solider, and make it a little more contemporary, trade-friendly, a little more aggressive as it were. It wasn’t so much a design from scratch, the way I would normally approach a novel. The way I would describe it is I didn’t build the house, I repainted it, did some new wiring.

And finally…

Jonathan Safran Foer’s “unmakeable” book Tree of Codes published by Visual Editions and printed by Belgian publisher and printer Die Keure, seen at Fast Company.
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