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Tag: Raincoast

Something for the Weekend, November 13th, 2009

Is this a new cover for J G Ballard’s Crash? HarperCollins Canada have a release date of November 2nd, so I guess so. And I would assume The design/illustration is by the immensely talented David Wardle who did the previous covers in this seriesCan anyone confirm?

In any case, I think the Warhol/Banksy Elizabeth Taylor illustration fits the book pretty well and it’s a nice counterpart to the Marilyn Monroe on the cover of Atrocity Exhibition.

Moving the Needle — Literary agent Nathan Bransford on the challenges facing publishers in the HuffPo:

One of the big recent surprises in the industry… is a newfound difficulty making a splash… with adult nonfiction. Now, to get an idea of what a huge problem… this is, bear in mind that for many years adult nonfiction was the bread and butter workhorse of the industry. Fiction, except for very very established authors, has always been regarded as something of a crapshoot. Nonfiction, on the other hand, was a source of relative stability, and… healthy margins.

Not so much anymore. Everything is difficult to break out.

Artists’ eBooks — a new project from James Bridle and booktwo.org (now, James, if you could only get my bkkeepr badge work properly…)

I Don’t Know WhyUnderConsideration‘s FPO (For Print Only) looks at the quirky and deliciously creepy There Was An Old Lady by Jeremy Holmes, published by Chronicle Books (and — full disclosure alert — distributed by Raincoast in Canada)

And finally…

The (slightly bonkers) illustrator and musician mcbess has a new book (and vinyl record!) called Malevolent Melody coming out from Nobrow:

(If you haven’t seen the insane mcbess/The Dead Pirates Dirty Melody/Wood animated video, you can find that here if you are so inclined).

Update: Thanks to Deanna McFadden of the Tragic Right Hip and HarperCollins Canada for confirming with her UK counterparts that the Ballard cover was designed by David Wardle.

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Missed Things: Friday

Floating — Toronto illustrator Michael Cho on his cover art and interior illustrations for The Amazing Absorbing Boy by Rabindranath Maharaj (published by Random House Canada).

The Ideal Studio Library — It’s Nice That interviews designer Jason Godfrey about his beautiful new book Bibiographic: 100 Classic Graphic Design Books, published by Laurence King,  (and yes, full disclosure, LK are distributed in Canada by my employer Raincoast Books):

My aim was to create the ideal studio library of graphic design books and put this into a book format. I had always felt that there was a need for a visual reference to that could give flesh to many reading lists that have been published… The really tricky choices were the more recent books as it is difficult to know whether they will become classic points of reference, time will tell if I made the right choices on these books.

Bezette Stad —  A book of poems by Paul van Ostaijen, illustrated with woodcuts by Oskar Jespers, available in full at the University of Iowa Libraries’ astonishing International Dada Archive (via the lovely Aqua-Velvet).

And finally…

ENOUGH! — The hilariously on the money Editorial Anonymous:

I REALLY NEED A FRICKING BREAK FROM THE “FUTURE OF PUBLISHING” TALK… I don’t need to read any more of these articles, and neither do you.

A quick overview:

1. Publishing is a somewhat crappy business. Which makes it PRETTY MUCH LIKE EVERY OTHER BUSINESS.
2. Publishing has a future. NO ONE KNOWS WHAT IT WILL BE.

So everyone can stop
a. COMPLAINING
and
b. COMPLAINING.

Thank you.

No, no, Thank YOU.

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Reasons to be Cheerful

 

They’re here and I’m back — officially one year older, and a father of two. Mum and the twins, born a week before my birthday, are doing well.

The new Raincoast website is close to being on schedule (thanks to Monique at Boxcar, Al, Tony, Jamie and Siobhan at Raincoast HQ) and daily coffee consumption — while still exceptionally high — is back to a more sustainable level. I still have that grid for Amazon to do though…

But back to the Optimist business: I missed a lot of great stuff while I was away, so expect posts every day this week (starting Monday) as I try to catch up. The interviews with book designers will hopefully return in November.

Thanks to Mark for the pep talk a couple of weeks ago, and thanks to the people who emailed and left comments while I was away.

It’s nice to be back.

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Zeitoun

My colleague Jennifer from Publishers Group Canada just handed me a copy of the new Dave Eggers book Zeitoun and, as with all new McSweeney’s first edition hardcovers, it is a thing of beauty.

Unfortunately the image above does not really do the (jacketless) cover justice (and I’m so low-tech that I don’t have a camera here in the office to take a snap for you).

On the finished book, the buildings, paddle, and skin (and the reflections) in Rachell Sumpter‘s lovely (front and back) cover illustrations are accentuated in a bold yellow ochre (which I think you can just make out in the image above).

The front cover is embellished with silver lettering and highlights, and — to finish it all off — the illustrations are offset by a lovely dark red spine that wraps about ¾ of an inch onto the front and back of the book.

No doubt a designer would be able to tell you all the wonderful specs and technical terms for all of this, but I hope — if nothing else — I’ve persuaded you to seek out Zeitoun in your local bookstore and look for yourself.

(Full disclosure: PGC are part of Raincoast Books — the folks I work for — just not the part I work for, if that makes sense).

UPDATE:

A recent Wall Street Journal feature on Zeitoun included this picture of the finished book:

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Why Not? Or How We Live-Tweeted Fall 09

Why Not?

One the things that really stuck with me from Michael Tamblyn’s 6 Projects That Could Change Publishing For Ever presentation at the BookNet Tech Forum in March was the idea that publishers have to “place lots of little bets quickly.”

It tied into another idea that’s been kicking around recently about reframing ‘Why?’ questions into ‘Why Not?’ questions. That is to say, whenever we — publishers, book distributors et al — ask “why would we do this?” we should flip the question on it head and ask “why wouldn’t we?”.

This doesn’t mean we should pursue every idea that someone puts forward. Sometimes there will be good reasons not to try something — “it costs too much” and “it’s illegal and/or evil” are perfectly valid reasons that spring to mind to nix something (and no doubt there are  plenty more). But, in my experience, reframing the ‘why?’ question encourages people (me included) to think creatively and be more positive about ideas/projects we might otherwise dismiss out of hand.

#rainfall09

This is all a roundabout way of explaining how I ended up twittering from the  Raincoast Books Fall 09 Sales Conference last week.

Before we got under way on the first morning, a few of the early birds were laughing about using Raincoast’s Twitter account to micro-blog the presentations as they happened. Although it started as a joke, the near-inevitable “why would we?” and “who cares?” questions came up, and that raised the stakes. I turned the questions around and couldn’t actually think of any good reasons why we shouldn’t ‘live tweet’ the conference. I had my laptop, wireless access and a power source, so it seemed easy enough to do. And I figured people would tell me pretty quickly if they were bored and I should stop.

Decision made.

We quickly adopted #rainfall09 (an identifying reference tag for twitter posts or ‘tweets’ which was accidentally shortened to #rainfall on more than one occasion) and,  with some help from my colleague Siobhan, I covered all 3 days of the conference in a series of posts of 140 characters or less.

To people who live their lives online and are accustomed to social media rather than the slightly conservative book publishing world, the response to all this is probably a very sarcastic “big whup”. But sales conferences are not usually open and inclusive, and, needless to say, there was a degree of skepticism and resistance to overcome. Certainly it was experiment for us, if not, admittedly, a very large one. And  we were, as far as I’m aware (and someone please correct me if I am wrong), the first publisher/book distributor to Twitter their entire conference.

20/20

With the benefit of hindsight, the drawbacks were predictable. It was very intensive and time-consuming and I found it was difficult — at least initially —  to interact with the people actually in the room and tweet. I’m sure I missed a lot of nuance and I passed on more than few book samples with the barest of glances. We probably over-tweeted and lost a few followers as a consequence.

That all said, the positive outcomes vastly outweighed the problems. The feedback was overwhelmingly positive. We learnt as we went along — becoming better organized and tweeting less — and we gained far, far more followers than we lost over the 3-day period. Our posts were re-tweeted. Followers asked questions and made requests. We raised awareness of Raincoast, the publishers we work with, and the books we distribute. And we were able to connect with reviewers and bloggers we weren’t previously aware of.

I would do some things differently next time for sure. But, ultimately, it was definitely worth doing.

If you are thinking about live-tweeting your conference, here are my 5 Tips:

  1. Be Prepared — Whilst Twitter is great for spontaneity,  making sure you can set-up  your laptop with internet access, and a power source is essential (our conference days were 10 hours straight). And knowing the books (at least a little) in advance, definitely helps — I was often scrambling to find additional information on particular titles and bookmarking a few pages in my browser in advance would have been a plus.
  2. Be selective — Raincoast Books is primarily a distributor. We have something like a thousand titles a season from a variety of publishers. It is impossible to tweet about all of them, and it became quickly apparent it isn’t desirable to try. Our followers just wanted the highlights.
  3. Link — Readers also wanted links to more details if a title caught their eye. I had publisher websites and google open in separate tabs at all times. Even so, linking wasn’t always possible. Put your marketing materials online early and encourage your authors to update their sites (and join Twitter!).
  4. Be creative — If you can’t get your marketing material for your key titles online before conference, or something comes out of left-field, use the resources you do have to find an interesting work-around. When we had some very immediate reader interest in a book called The Quotable Douchebag and there was no information available online, the publisher Quirk Books quickly threw up a blog post with details.
  5. Tool-Up — Twitter management tools like TweetDeck and HootSuite are always useful for professional Twittering, but being able to quickly monitor replies, retweets, and references, not to mention conveniently shorten URLs was essential during conference.

Did you follow @RaincoastBooks or #rainfall09 last week? If so, how did you think it went? What could we do better next time? Leave a comment below or email me.

Note: This is my personal blog, and this post is my personal opinion. Neither reflect the opinion or official policy of Raincoast Books.

Illustrations from the Inspired Magazine Social Bird Icon Set (From the top: Chimero’s Birdie by Frank Chimero, Burdy by Tad Carpenter, and Jacque by Jessica Gonacha).

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Tschichold: Titan of Typography

The Brillance of Jan Tschichold — Richard Hollis at The Guardian looks at the career of the man who perfected Penguin’s classic paperback:

Tschichold tidied up the horizontally banded covers of the standard Penguins and refined the Penguin emblem. Each of these adjustments hardly changed what we now think of as the “classic” Penguin designs, but the effect was to set new standards for book production in England.

The Guardian also has a slide show of Tschichold’s poster and paperback designs

If you’d like to know more about Tschichold, Thames and Hudson have just  published Jan Tschichold Master Typographer by Cees W. de Jong,  and Raincoast are distributing Hyphen’s Active Literature: Jan Tschichold and New Typography by Christopher Burke — published in March 2008 — here in Canada.

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