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Tag: Miscellany

Published June 10, 2009

Midweek Miscellany, June 10th, 2009

#BCTO09 — BookCamp Toronto organiser Mark Bertils’ stream of links about the event at his blog Index//mb. There is also a  list of related press at the BookCamp wiki. I will try and organise my jumble of thoughts about BookCamp sometime… soon… (ish).

The Book Seer — A nice little web project from James Bridle and the chaps at Apt Studio. Tell it what you’ve read and it will suggest what to read next based (currently) on LibraryThing and Amazon recommendations. James has more about the project at Times Emit.

Cultural Life — An interview with Granta magazine’s newly appointed acting editor John Freeman:

We need to expand how we define what it means to publish great writing. This means reaching readers in the way that they want to hear from us. Such as having a print edition for people who treasure the beauty of text and the photo essays on the page; having a dynamic website for those who want to read us online; having a Kindle or iPhone-compatible edition for people who want to read stories in the palm of their hand; sending out links by twitter to readers who want to know the moment new stories appear; hosting events and conversations and parties for people who want to interact with the magazine in person. The challenge is to make sure that none of these respective endeavors cheapens or reduces the complexity and integrity of the work we publish.

Passion and Daring — Ben Myers at The Guardian is heartened by  Canongate winning  publisher of the year.

Frightening But Cute — Illustrator Axel Scheffler,  talks about drawing the much-loved Gruffalo in a video interview also for The Guardian. Which reminds me — I’ve been meaning to link to Terrible Yellow Eyes for a while. It’s a collection of artwork inspired by Where the Wild Things Are (Robert van Raffe‘s contribution to the project pictured below).


Plastic Banality — Author Warren Ellis’ unique take on the “dubious virtues” of  e-books in Wired. Not for the sensitive or the faint of heart:

[W]hen print was king, we would speak of “reaching an audience”. We would talk of doing these things via advertising, or appearances – which were when you’d show up somewhere in the real world, deface books with ink and communicate using small mouth noises… This has changed in fairly savage ways. The complex net of processes designed to take your money and give it to me is kind of ragged, what with newspapers collapsing and the concept of authority being passed… to, in 2009, a Twitter post from the sainted Stephen Fry. It was great to get a review in a music paper (remember those?) and it was amusing to see Oprah recommending Cormac McCarthy’s The Road to housewives, but here’s the new audience mediation: Stephen Fry popping up on your bloody iPhone to tell you he’s enjoying reading The Watchmen graphic novel.

And finally…

I’m rather charmed by The Mandate Press’ customizable letterpress calling cards. I have always wanted a business card set in blackletter… But what literary theme should they add to their list I wonder?

You can see more of The Mandate Press’ lovely work on Flickr (via The Strange Attractor)

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Published June 6, 2009

Something for the Weekend, June 5th, 2009

Sweetly Diabolic — A new Jim Flora compendium from Fantagraphics.

I really, truly, wasn’t going to link to any BEA autopsies — and there are plenty out there — but on the eve of BookCamp Toronto I thought Brian O’Leary’s post seem pertinent:

It would be more than nice, more than fun, more than illuminating, if we as an industry could use events like BEA as less an opportunity to predict the future and more a forum in which to examine the options. Okay, piracy is bad, but.. what if it helped sell books? Okay, we love long-form fiction and we think it should survive, but what if the people who read it now just stopped? Okay, a trade publisher provides value in choosing and curating content, but what if the world turned upside down and everyone were a writer, a publisher, a reader… Wouldn’t that be really cool?

Fingers crossed for tomorrow… Follow along on Twitter. The event account is @BookCampTO. The hash-tag is #bcto09.

Access of Evil — More on Google’s big e-book adventure at Business Week. The ‘news’ is that Google will be offering online access to e-books rather than downloads. Which, if I understand it correctly, is what Shortcovers does already. Not that anyone is giving them credit for it.

The ALPHABET chest of drawers by Kent and London, inspired by vintage printing blocks: “The perfect place to file everything from A-Z!” (via source of all good things swissmiss).

The George Orwell Archive at the BBC (via The Book Depository blog):

For two years, between 1941 and 1943, George Orwell – real name Eric Blair – was BBC staff member 9889, hired as a Talks Producer for the Eastern Service to write what was essentially propaganda for broadcast to India.

From recruitment to resignation, this collection of documents reveals the high regard in which Orwell was held by his colleagues and superiors and his own uncompromising integrity and honesty.

The Wickedest Man in the World — Jake Arnott, author of The Long Firm, on how the very real Aleister Crowley became the archetypal fictional 20th century villain. Sadly Arnott doesn’t mention that Oliver Haddo, W. Somerset Maugham’s literary Crowley, appears in the latest League of Extraordinary Gentlemen adventure.

The Future of Mainstream Media — a fascinating article about the success of National Public Radio (NPR) by Josh Catone for Mashable:

NPR’s amazing growth over the past 10 years prompted FastCompany magazine in March to call NPR the “most successful hybrid of old and new media,” and wonder if NPR could be the savior of the news industry. [T]hey owe that success to the culture of open access and audience participation that they’ve cultivated over the past decade.

And… OK I just can’t not link to Design Assembly‘s post about design-hero Wim Crouwel’s ISTD lecture.

Note: if you want me to link to your site, you just need to include a brilliant photograph of Wim Crouwel looking cool as f*ck and then use a genius soccer analogy:

“(For me) a grid is like a football pitch. You see a beautiful game of football, and then you see a not so beautiful one, but it all takes place on the same pitch”.

Yes. I am a cheap date.

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Published June 3, 2009

Midweek Miscellany, June 3rd, 2009

I’m a little fatigued by all the inevitable post-Book Expo harping, hand-wringing and hubris, so please  forgive me if today’s links are a little light on book-book stuff…

Community Organizer — The New York Observer profiles John Freeman, the new editor of literary journal Granta:

Mr. Freeman believes in the inevitability of books—even if, as he will lay out in his forthcoming manifesto for Scribner, The Tyranny of E-Mail, the Internet is engendering in the people who use it habits that distract them from reading. This is the salve he has to offer a chapped and chafing industry. As people cry doom, he’s there to hold hands and assure them that it’s not that bad.

Cover Versions — Starting with Olly Moss‘ Video Game Classics, Design Week looks at the trend of remixing just about everything to look like vintage 1960’s paperbacks.  What Consumes Me has a nice round-up of recent mash-ups (thx James!). And, if that wasn’t enough, Drawn! points to the another recent example: classic records reworked as classic Pelican paperbacks.

Which leads rather nicely to Emmanuel Polanco‘s Saul Bass inspired design for Moby Dick:

Throwing Down the Gauntlet — As widely reported elsewhere, Google are preparing to sell e-books according to the New York Times.

Making Mistakes — A fascinating interview with designer Paula Scher talking about creative failure at Psychology Today:

If you find yourself defending yourself and protecting yourself and being outraged about what’s around you, you’re in trouble. That doesn’t mean some things aren’t genuinely outrageous. But you have to ask yourself: Why are you outraged by something? What are you hiding from? What are you defending?

And, on a not dissimilar note…

Use It or Lose It — Indispensable creative advice from ad exec Dave Trott (via Mark McGuinness on Twitter):

If we wait for the right opportunity it won’t happen. It’ll stay in our drawer until the world has passed it by. Times will change and newer, more exciting things will be happening. Now it looks old and tired. Now it’s too late.

If we don’t find a way to make it happen, if we don’t take a chance and overcome lethargy and embarrassment to do it, it will disappear.

Students always ask me what I think they should do.

I tell them, “The answer is always the same two words: ‘everything’ and ‘now’.”

Everything and Now… Everything and Now…

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Published June 1, 2009

Monday Miscellany, June 1st, 2009

Don’t Forget the Rules of Typography — Nice work by graphic designer Evan Stremke (above). Also available as a handy PDF (via ffffinds). (Update: Evan appears to have redesigned his Rules of Typography. The image above shows the original version which personally I prefer. The new version is here)

The Unconference — The National Post reports on BookCamp TO, which takes place Saturday June 6th at the University of Toronto:

“I really think I’m going to get in trouble for saying this, but book publishing needs to stop being so insular. We need to stop just looking at our own industry for inspiration,” says Deanna McFadden, marketing manager, online content and strategy for HarperCollins. “The people who are doing BookCamp in Toronto are all smart people who understand where the industry is and where we need to go, and are really looking at innovative ways for us to keep book publishing alive and healthy.”

I’m going to be at BookCamp on Saturday, so please say hello if you’re there. And I’m still looking for feedback on the role of publishers in the digital age (see my post here). Please leave a comment if you have thoughts.

The London Review of Books now has a blog.

But Thank God I Ain’t Old — In a teaser for forthcoming  Heavy Rotation: Twenty Writers on the Albums That Changed Their Lives edited by Peter Terzian, literary critic James Wood waxes lyrical about The Who album Quadrophenia in The Guardian:

Quadrophenia is itself a nostalgic album – it wants to be there, back on those beaches and in those Soho clubs of the early 60s. So when I listen to the album now, nostalgia is doubled, since I am looking back at my own youth, and also back at the Who’s youth, at an era when I was not even born. I become nostalgic for a rebellion I never experienced and for an England I never knew.

Txt Island — A short film made with a few hundred spare pegboard letters by Chris Gavin at TANDEM Films (via I Like):

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Published May 29, 2009

Something for Weekend, May 29th, 2009

Hard-boiled — New designs for Ross MacDonald’s Lew Archer books by Joe Montgomery seen at FaceOut Books. I know I link to FaceOut just about every other week, but it’s an awesome site and the juxaposition of images in this series are great (as are some of the unused comps).

The Concierge and the Bouncer — Publishers Weekly report on Richard Nash (formerly of Soft Skull) and Dedi Felmen (formerly of Simon & Schuster) and their plans to “push back against the outmoded idea of publisher as cultural gatekeeper” with their new venture Round Table (announced at BEA this week):

The key is a shift from a caretaker mentality to a service mentality, from a linear supply-chain model to the idea of a free-floating, non-hierarchical “ecosystem” of readers, writers and authors… Nash and Felman’s idea of Publishing 2.0 could make a semi-professional reader, writer, editor and critic out of anyone with the desire.

Reading in a Digital World — A killer line in an otherwise blah article for Wired by Clive Thompson:

“We need to stop thinking about the future of publishing and think instead about the future of reading.”

Book Distribution in Canada — A Canadian Heritage study on book distribution in English Language Canada produced by Turner-Riggs dropped this week.

Can Editors Change Their Spots — David Hepworth’s thoughts on Robert G. Picard’s CS Monitor article ‘why journalists deserve low pay’,  and what “the new dispensation” means for  editors:

Magazine editors spend most of their time deciding what they’re *not* going to do and trying to arrive at a mix that the majority of people will like. They then find that whatever they’ve arrived at is too much for some people and not enough for others. This is made more difficult by the fact that their readers, being the most engaged in their particular area, are the people most likely to tap into other sources themselves. The people who value your mix most are also the people who would feel most qualified to mix it themselves.

The italics are mine.

Cover to Cover —  Steven Heller reviews newly released  ‘visual books’ in the New York Times with a nice accompanying  slide-show. (See image above, but hey NYT, when are you going to let people embed your slide-shows? When?).

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Published May 25, 2009

Monday Miscellany, May 25th, 2009

Health Insurance and Shostakovich — Caustic Cover Critic interviews über-book designer Peter Mendelsund:

Book jackets, mind you — which are already needless, redundant, frivolous items in life’s already cluttered inventory — themselves need designing. This arcane little tidbit came as something of a shock to me. “Someone gets paid for that?”

The Ampersand — a blog about ampersands. Really.

Hard Decisions — the National Post interview Andrew Steeves, co-founder and co-publisher of Gaspereau Press, about their recently announced cutbacks:

I think it’s important to stress that I don’t think this is directly related to the more general economic downturn. Honestly, when you start a business from scratch you gradually try and figure out what size works for what you’re doing. I mean, you go through so many years where there isn’t a normal; the year previous can tell you nothing about what to expect.

And more good stuff from the National Post — In this month’s installment of their Ecology of Books series, Mark Medley talks to Evan Munday of Coach House Books, and looks at the thankless task of being a book publicist.

The Wankers Shelf — Nicholas Royle on the ethical dilemma presented by authors who are wankers (via 3:Am Magazine):

Do you have a Wankers shelf? I do. It’s for books by Wankers. Books that are so bad – or books by authors who are Wankers, whose books might actually be OK, from time to time, but they themselves are such unbearable Wankers – that you wonder if the best thing to do, rather than giving these books to charity, is to keep them out of circulation.

I fear the nuance is lost here for North American readers — but anyone associated with McSweeney’s is probably a Class A wanker if that helps. Martin Amis, he’s a definitive wanker. Who would be on your wanker shelf?

And lastly…, I may have rather unfairly dismissed the new volume of The League of Extraordinary Gentlemen Century: 1910 as “mildly disappointing”, but — like most of Moore’s work — it is undisputedly clever and even if I read 1910 another half-a-dozen times, I’ll still miss half the allusions, references, and knowing winks… Fortunately Jess Nevins has posted some very helpful annotations for the amateur nerd (via LinkMachineGo).

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Published May 22, 2009

Something for the Weekend

Das Boot — David Drummond’s cover for Canadian Water Politics Edited by Mark Sproule-Jones, Carolyn Johns, and B. Timothy Heinmiller has been selected for the AIGA 50 Books/50 Covers this year. The book is published by McGill-Queens University Press who clearly take pride in the look of their books and have some other rather nice cover designs on their site.

The Long Goodbye — Another long, hard — and somewhat cynical look — at the state of the book industry. This time it’s the turn of Elisabeth Sifton, senior vice president of Farrar, Straus & Giroux, in The Nation.

W. W. Norton Book Design Archive — Publisher W. W. Norton have started posting their book cover designs to designated Flickr set (Crime by Irvine Welsh, designed by Darren Haggar pictured above) . I’d love to see more publishers do this (via The Book Cover Archive Blog).

Bird Brained or Brilliant — The contentious issue live-tweeting conferences. I only mention this because it tallies with my own recent experience of live-tweeting Raincoast’s Fall 09 Sales Conference. And because I’m a nerd (via Kate Trgovac on Twitter).

Gigantic Robot — the awesome Tom Gauld is publishing a new 32-page comic called The Gigantic Robot this summer. According to the Creative Review blog it’s “a fable concerning the production of a secret weapon whose promise apparently goes unfulfilled”. Can’t wait.

And finally (on a completely un-book related note)…

Redux — Muxtape is dead! Long live Muxtape! Whereas the late, lamented Muxtape was a place to upload mp3 ‘mixtapes’ (that fell foul of the music industry lawyers), Justin Ouellette’s new site is a platform for bands to share their music. Nice (via ISO50).

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Published May 20, 2009

Midweek Miscellany, May 20th, 2009

Cut It Out — Dioramas made from the covers of pulp novels by Thomas Allen, seen at We Made This (via Ingrid Paulson on Twitter).

You Can’t Be Serious — The Guardian takes a gloomy look at fate of  non-fiction and bookselling in the UK, managing to summon up  some half-hearted optimism towards the end:

Despite decades of predictions to the contrary, the appetite for demanding non-fiction has survived the advent of newspapers, radio and television – and, in Britain, a popular culture with a particular ability to absorb talent and themes that in other countries would be channelled into grand state-of-the-nation volumes. In fact, many publishers think the noise and immediacy of the web will make slow, quiet immersion in a book seem more, not less, appealing. And books, unlike most digital media, are not directly dependent on recession-affected advertising revenues.

Boy’s Own Misadventure — 3:AM Magazine’s Mat Colgate gets to the heart of why volume 3 of The League of Extraordinary Gentleman Century: 1910 (published by Top Shelf)  is mildly disappointing (by Alan Moore standards). Could it really be that Moore writes better when subverting restrictions of form and genre than when he has free reign?

It’s Not Just Your Type — Priya Ganapati talks to designers, including Henry Sene Yee, about the problems of  e-book design at Gadget Lab.  (And Joshua Tallent’s commentary at TeleRead about the problems of formatting for ePub is also worth reading).

Restraint — I mentioned Marian Bantjes’ gorgeous new typeface at the weekend, and now you can download a rather lovely Restraint desktop from the folks at Typenuts (via I Love Typography on Twitter).

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Published May 16, 2009

Something for the Weekend, May 15th, 2009

The Story of God — designer Arthur Cherry discusses his elegant design (which uses Marian Bantjes’ typeface Restraint to such brilliant effect) for the new edition of Michael Lodahlr’s book at FaceOut Books.

A Manifesto — Ted Genoways, the editor of Virginia Quarterly Review, on the future of university presses and journals:

University presidents need to see what articulate ambassadors they have in their journals and presses, what tangible, enduring records they present of the variety and vigor of their sponsoring institutions…[G]reat universities extend well beyond the edges of their campuses. They reach out to the larger world, they challenge and engage the public, and the most effective and enduring way of doing so remains the written word.

HarperCollins Wants to Be Your Friend — Leon Neyfakh looks at publishers and social media in the New York Observer. Ostensibly it’s about the ever so anodyne HarperStudio, but more interesting stuff comes from the other people interviewed:

“I don’t know if it’s a direct response to the fact that publishing is in a very uncertain period right now, or if it’s just an idea whose time has finally arrived, but people right now are really interested in experimenting,” said Ami Greko, a 29-year-old digital marketing manager at Macmillan. “There seems to be a real sense of, ‘Let’s get creative—nothing is set in stone yet, so let’s just try a whole bunch of stuff.’”

Das Buch vom Jazz — The German-language version of The Book of Jazz, illustrated by Cliff Roberts ,  found in a used-bookstore by Today’s Inspiration’s Leif Peng. The black and white illustrations are wonderful.

Moaning Eton-boys & Middle-Aged Hackettes — A great defense of blogging by Nina Power at Infinite Thøught  (via PD Smith on Twitter):

Print media suffers from a lack of space; certainly it is selective, but it is also exclusive — all the stories that don’t get told, the injustices that get covered-up. We may feel we can ‘trust’ print journalists more than bloggers… but the sheer quantity and variety of information online allows for the exposure and discussion of things that might otherwise get ignored.

And finally…

The Tyranny of Data — The New York Times on Douglas Bowman‘s decision to leave his position as top visual designer at Google, and the  limitations of crowd-sourcing design:

“Getting virtually real-time feedback from users is incredibly powerful,” said Debra Dunn, an associate professor at the Stanford Institute of Design. “But the feedback is not very rich in terms of the flavor, the texture and the nuance, which I think is a legitimate gripe among many designers.”

Adhering too rigidly to a design philosophy guided by “Web analytics,” Ms. Dunn said, “makes it very difficult to take bold leaps.”

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Published May 13, 2009

Midweek Miscellany, May 13th, 2009

“Any colour, so long as it’s grey” — New typographic covers for the Faber editions of Samuel Beckett,  designed by London-based studio A2/SW/HK. You can see more from the series at Faber’s Flickr photostream.

The Publishers’ Dilemma — Tobias Schirmer on publishing’s digital future:

[D]igitalization is not about a product moving from its analogue to a digital form. It is a revolution that changes everything. The old business models don’t work the way they used to. Inevitably, publishing needs to think about how it can still inject value somewhere in between the creation of content and its distribution. Not transition but change management is needed.  Acknowledging this is the first step in getting out of the publishers dilemma.

Now is the Winter of our Discontent — Peter Olson, the former chairman and CEO of Random House, is feeling gloomy in Publishers Weekly. I wonder how much of this only applies to bloated multinationals?:

With the recession accelerating changes that are already taking place in the market, the world after 2009 will likely begin to look very different for book publishers, and a likely return to the relative security of the last decade may be wishful thinking.

Tintin and the Broken Records — 600 lots associated with the cartoonist Hergé were sold at auction at the weekend:

The sale in Namur, southern Belgium, dominated by five large hand-drawn pages of original cartoon strips, raised 1,172,000 euros (1.57 million dollars), including charges, — a world record for Herge-associated items and a cartoon strip book record in Belgium, said Thibaut Van Houtte, an expert on hand for the Rops auction house sale.

Titles Designed by Saul Bass — A collection of Bass’ incredible film credit sequences at Not Coming To A Theater Near You (via Grain Edit on Twitter):

One is pressed to cite an example of an active, self-contained, and characteristic credits sequence in film prior to the work of Saul Bass. And…  in regard to innovation, renown, and influence, Bass’ impact in credits design remains virtually unparalleled, even to this day.

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Published May 8, 2009

Somthing for the Weekend, May 8th, 2009

Anything But Saintly — More pulp goodness seen at The Old-Timey Paperback Book Covers Flickr pool.

The Decline and Fall of Books — Nicholas Clee, editor of Book Brunch, dons “The End is Nigh” sandwich-board in The Times:

A Gutenberg-style revolution is not… expected in the next few months. But if you are a lover of well-stocked bookshops, then you should enjoy them while you can.

Poets Ranked by Beard Weight — Or why I <3 the internet (via eightface).

Penguin Automaton made by artist-maker Wanda Sowry to celebrate Penguin’s 70th anniversary and available from Art Meets Matter . Apparently winding the handle “causes the Penguin to drink from a mug, its flippers to waggle and a piece of 70th Birthday cake to rise magically from the table” (via the lovely tweeps at New Directions ).

Good Typography is Invisible, Bad Typography is Everywhere — Stephanie Orma talks to five acclaimed designers about the art of type in the SF Examiner. Interesting to see some conflicting/contrasting opinions in the mix…

7 Habits of Highly Effective People I Know — A nice list from Noisy Decent Graphics Ben Terrett.

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Published May 6, 2009

Midweek Miscellany, May 6th, 2009

Vintage awesomeness — Hella Haase cover seen at the Vintage Paperbacks (Non-Penguin) Flickr Pool.

Make it Good — Jacket copy matters according to a Publishing Trends survey:

Flap copy is especially important for fiction. And title and cover impact are closely related to the impact of jacket copy. If the flap copy defies the expectation created by the cover and title—if, for instance, the cover of the book leads the reader to expect a thriller but the flap copy identifies it as horror—readers are less likely to buy it.

The Common Addiction to Mediocrity — Guy Kawasaki talks to Hartmut Esslinger, founder of frog design and professor at the University for Applied Arts in Vienna (lessons here for the book industry for sure):

Excellent products require more then just a good designer or a good design agency—they require humanistic and cultural vision, courage and discipline in execution.

Which leads quite nicely to Nora Young‘s podcast great conversation with filmmaker Gary Hustwit, director of Objectified and Helvetica, on CBC Radio’s Spark.

Thrift-Store Philosophy — some nice vintage book cover design finds at the always excellent Ward-O-Matic.

Instant Gratification — An interesting Q&A with Patrick Brown of Vroman’s bookstore in Pasadena (PW‘s Bookseller of the Year in 2008) on The Big Bad Book Blog:

People greatly underestimate how important browsing is for physical purchases, largely, I think, because it’s lacking in the online world. People come to an ecommerce site already knowing what they want to buy (for the most part). This isn’t so in our store, where people frequently come in for one book and end up leaving with a book that caught their eye on the way to the section or waiting in line at the register. The other thing we provide that I think is invaluable is a physical place for literary culture to happen.

Well-Aimed Typewriter Keys — After 70 years, Little, Brown and Co. have unveiled a new logo  designed by  Lance Hidy.

The Book Depository — who have a great range of books and offer free shipping world wide (and have this great live map), has launched an affiliate program. Can I humbly request someone develop a wordpress widget for it please?

And lastly, The New Yorker‘s The Book Bench blog has a sneak preview of the new Dan Clowes book.

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