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Category: Design

Massimo Vignelli — A Short Documentary

It is turning into something of a mini Massimo Vignelli week at The Casual Optimist. Here is John Madere’s short documentary about the designer, mentioned briefly on Wednesday:

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The Desk

The Desk is a fascinating mini-documentary about our complex relationships with our workspace. It features commentary from experts Alice Twemlow, Eric Abrahamson, Massimo Vignelli, David Miller, Kurt Andersen, Søren Kjær, Alfred Stadler, Jennifer Lai, and Ben Bajorek:

Created by Imaginary Forces for L Studio, The Desk first episode in a series called ‘Lines’  that looks at the design of everyday objects and they affect us. Other episodes include The High Heel, The Lens, The Elevator,  and The Parking Structure.

(via Brandon Schaefer)

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Moshun

Moshun is an animated geometric typeface by Calango:

(via Coudal / Graphic Hug)

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Raymond Hawkey 1930-2010

The dapper graphic designer Raymond Hawkey, whose innovative work at The Daily Express and The Observer changed the face of British newspapers in the post-war era, died last week aged of 80.

Hawkey’s modern graphic style also revolutionized British book cover design.

His stark black and white cover for Len Deighton’s 1962 Harry Palmer novel, The Ipcress File, which — with its chipped teacup, stubbed out cigarette and Smith & Wesson revolver — mixed violence with the everyday, became iconic despite initial opposition from the book’s horrified publisher Hodder & Stoughton.

Designer Mike Dempsey, who profiled Hawkey for Design Week in 2001, noted:

What Hawkey did with [The Ipcress File] was one of the key moments in design history. It is important to view this piece of work within the context of the period. Hawkey’s photographic use of inanimate objects to give a narrative dimension to the cover was startlingly new and made a dramatic impact on the publishing scene. The publisher, Hodder, found the design too spartan with its black and white photography, plain background and small undifferentiated typography, but both Deighton and Hawkey held firm. They were right, because on publication in 1962, The lpcress File sold out within 24 hours.

After the success of The Ipcress File, Hawkey became a sought-after book cover designer, working on more jackets for Deighton, as well as covers for Ian Fleming, Kingsley Amis and Frederick Forsyth amongst others.

According to his obituary in The Guardian, Hawkey was  a shy and quietly spoken man:

But in spite of his gentle voice and manner, once engaged in an assignment he was indefatigable, working 16 hours at a stretch, before sleeping briefly and putting in another 16-hour day in the flat where he lived for five decades. He was wonderfully generous, especially with his time, to young people who sought his advice, whether it was on design or writing – he wrote four very fine thrillers, including It (1983), regarded by many as the first truly modern ghost story.

A fastidious and private man, he had a dread of dying in hospital; and after a long illness he died in his own bed – with his beloved wife, Mary, reading his favourite poem to him.

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The Typographical Terror

A great new Wondermark comic by David Malki. You really need to see it full size to appreciate the horror…

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TELEPHONEME

Inspired by The Alphabet Conspiracy and other educational films from the 1950’s and 1960’s, TELEPHONEME is a hybrid live-action and animated short created by design collective MK12 about the science of the alphabet and sinister hidden messages carried by language:

MK12 also developed a special typeface for the film that can be downloaded from the TELEPHONEME website.

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On Publishing 8 Faces

Following on from Craig Mod’s recent essay ‘Kickstartup’  (and to some extent Derek Powazek’s older essay ‘How to Publish a Magazine in a Day and a Half’) designer Elliot Jay Stocks has written an interesting step-by-step post on traditionally publishing the first issue of his typography magazine 8 Faces:

Right now, in an age of print-on-demand for real-world publication and iPads / iPhones / Kindles for virtual publication, it would — on the face of it — seem unwise to launch a magazine like 8 Faces, especially as it’s targeted at such a niche audience. As I said in the introduction of the magazine, “everything about this project shouldn’t work.” But it has, and it’s done so in a bigger way than I ever would’ve imagined. I was confident that there was going to be a demand for the first issue, but I had no idea that it’d sell out in under two hours…

The essay is full of practical insights and 8 Faces is another great example of how people are using the web and traditional print media to publish in new and innovative ways.

(link via Eightface)

How to Publish a Magazine in a Day and a Half

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Coralie Bickford-Smith’s Fitzgeralds

Not only does the talented Coralie Bickford-Smith, senior cover designer for Penguin Press, have a spiffy new website, she has also unveiled her stunning metallic cover designs for Penguin’s new editions of  F. Scott Fitzgerald.

Coralie is now on Twitter, and you can read my Q & A with her here.

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TM Covers Designed by Yves Zimmermann

The good folks at Kind Company have posted some beautiful images of Yves Zimmerman’s vintage black and white, text-only covers for the typographic periodical TM at their wonderful website Display:

(link)

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Tintin and the Secret of Literature

A neat animated digital book cover by Charlie Orr for Tom McCarthy’s Tintin and the Secret of Literature:

[I have removed the video — for the time being at least — at the request of my web hosting service due to a complaint from Citel Video. The video is still available at Vimeo]

Does anyone have any more information on this? There’s more information about Charlie’s digital book cover project at The Hypothetical Library.

(via @HughMcGuire)

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Eggs and Sausage

A student project for a class at New York’s School of Visual ArtsJackie Lay’s neat typographic video is set to Tom Waits’ Eggs and Sausage:

In a recent interview with Jeffrey Hyatt at DesignCrave, Lay said:

“I didn’t want to be too literal with the imagery… but I did follow the loose narrative arc in the song of a man going to a late-night diner, ordering his meal off the menu and then lamenting over his unrequited love on napkins, finished off with the waitress bringing the check.”

The video was awarded a Certificate of Typographic Excellence by the Type Directors Club.

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TypoElements 2010

A motion graphics tribute to Robert Bringhurst’s book The Elements of Typographic Style by Toronto-based Chris Kim, who is currently studying Radio & Television Arts at Ryerson University:

TypoElements 2010 won an Applied Arts 2010 Student Award.

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