Thanks to the weather cancelling everything, I’m not horrendously late with this month’s covers post!
All the Lives We Ever Lived by Katharine Smyth; design by Michael Morris (Crown / January 2019)
Black Leopard Red Wolf by Marlon James; cover art by Pablo Gerardo Camacho (Riverhead / February 2019)
Consent by Leo Benedictus; design by Alex kirby (Faber & Faber / February 2019)
The Current by Tim Johnston; design by Pete Garceau (Algonquin / January 2019)
You can read about the icy process behind this cover at Spine Magazine.
The Far Field by Madhuri Vijay; design by Kelly Winton (Grove / January 2019)
The Five by Hallie Rubenhold; design by Jo Thomson (Transworld / February 2019)
I like this jacket a lot, but it’s what’s under it that really caught my eye:
The whole package looks great:
Golden State by Ben H. Winters; design by Gregg Kulick (Mulholland Books / January 2019)
The cover of Ben H. Winters previous novel Underground Airlines, also published by Mulholland Books, was designed by Oliver Munday:
Good Enough by Jen Petro-Roy; design by Liz Dresner; cover art by art Romy Blümel (Feiwel & Friends / February 2019)
Hold Still by Nina LaCour; design Samira Iravani; cover art by Adams Carvalho (Penguin / February 2019)
This is, of course, the same creative team behind the cover for We Are OK by Nina LaCour:
Lost Children Archive by Valeria Luiselli; design by Jennifer Carrow (Knopf / February 2019)
The cover for the UK edition of Lost Children Archive, published by Fourth Estate, was designed by Jo Walker:
Muscle by Alan Trotter; design by Gray318 (Faber & Faber / February 2019)
Never Enough by Judith Grisel; design by Emily Mahon (Doubleday / February 2019)
The Peacock Feast by Lisa Gornick; design by Na Kim (Farrar, Straus & Giroux / February 2019)
Sick-Note Britain by Adrian Massey; design by Steve Leard (Hurst / February 2019)
Tentacle by Rita Indiana; design by Steve Marsden (And Other Stories / January 2019)
Thick by Tressie McMillan Cotton; design by Oliver Munday (The New Press / January 2019)