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Notable YA Covers of 2022

I should, at this point, rename this post “Young Adult Book Covers I Saw Last Year, Quite Liked, and Could Find Some Credits For.” It would be accurate.

December turned out to be really busy. It is every year. I’m not sure why it still catches me out. That said, 2022 did seem to be especially busy for reasons far, far too boring to get into here (yes, I got sick amongst other things).

I had thought, in fact, that it might be time to retire this particular annual post. But then I looked around to see what other YA cover lists had been posted and… well, it wasn’t great. If I don’t do it, who will?

This year’s list — like last year’s — is full of illustrated covers. It seems to be the dominant trend, and I would really like someone more knowledgeable than me to profile some of the illustrators and put their work in its proper context. Maybe there is an art book in it for an enterprising publisher, if there isn’t one already? There are so many great covers from the past couple of years to choose from. 1

Anyway, I hope you enjoy this very late look at some of the YA covers of 2022. Feel free to leave your thoughts below.

The Agathas by Kathleen Glasgow and Liz Lawson; design by Alison Impey; art by Spiros Halaris (Delacorte Press / May 2022)

Ain’t Burned All the Bright by Jason Reynolds and Jason Griffin; art by Jason Griffin (Atheneum Books / January 2022)

Anatomy by Dana Schwartz; design by Kerri Resnick; illustration by Zach Meyer (Wednesday Books / January 2022)

As Long as the Lemon Trees Grow by Zoulfa Katouh; art by David Curtis (Little, Brown BYR / September 2022)

Blood and Moonlight by Erin Beaty; design by Veronica Mang; art by Sasha Vinogradova (Farrar, Straus & Giroux BYR / June 2022)

The Chandler Legacies by Abdi Nazemian; design by Corina Lupp; art by Natalie Shaw (Balzer & Bray / February 2022)

Cursed by Marissa Meyer; design by Rich Deas; art by Tim O’Brien (Feiwel & Friends / November 2022)

The same creative team produced the cover of Gilded by Marissa Meyer published last year:

The Dragon’s Promise by Elizabeth Lim; design by Alison Impey; art by Tran Nguyen; lettering by Alix Northrup (Alfred A. Knopf BYR / August 2022)

The cover of Six Crimson Cranes by Elizabeth Lim was on last year’s list.

The Drowned Woods by Emily Lloyd-Jones; design by Jenny Kimura; art by SPIDER MONEY (Little, Brown BYR / August 2022)

Echoes and Empires by Morgan Rhodes; design by Kristie Radwilowicz; art by Leilani Bustamante (Razorbill / January 2022)

Extasia by Claire Legrand; design by Joel Tippie; art by Diego Fernandez (Katherine Tegen Books / February 2022)

A Far Wilder Magic by Allison Saft; design by Kerri Resnick; art by Em Allen (Wednesday Books / March 2022)

Gallant by V. E. Schwab; art by David Curtis (Greenwillow Books / March 2022)

The Girl Who Fell Beneath the Sea by Axie Oh; design by Rich Deas; art by Kuri Huang (Feiwel & Friends / February 2022)

HopePunk by Preston Norton; design Mary Claire Cruz; art by Adams Carvalho (Little, Brown BYR / January 2022)

Hotel Magnifique by Emily J. Taylor; design by Kristie Radwilowicz; art by Jim Tierney (Razorbill / April 2022)

If You Could See the Sun by Ann Liang; design by Gigi Lau; art by Carolina Rodriguez Fuenmayor (Inkyard Press / October 2022)

The Last Laugh by Mindy McGinnis; design by Erin Fitzsimmons; art by Corey Brickley (Katherine Tegen Books / March 2022)

Mindy McGinnis’s backlist titles The Female of the Species and The Initial Insult were also re-jacketed in the same style:

A Magic Steeped in Poison by Judy I Lin; design by Rich Deas; art by Sija Hong (Feiwel & Friends / March 2022)

The sequel, A Venom Dark and Sweet, was published in August with a cover from the same creative team:

Only a Monster by Vanessa Len; design by Jessie Gang; art by Eevien Tan (HarperTeen / February 2022)

Queen of the Tiles by Hanna Alkaf; design by Sarah Creech; art by Leonardo Santamaria (Salaam Reads / April 2022)

The Restless Dark by Erica Waters; design by Jenna Stempel-Lobell; art by Tran Nguyen (HarperTeen / October 2022)

Road of the Lost by Nafiza Azad; design by Sonia Chaghatzbanian (Margaret K. McElderry Books / October 2022)

A Scatter of Light by Malinda Lo; design by Anna Booth; art by Feifei Ruan (Dutton BYR / October 2022)

The Secrets We Keep by Cassie Gustafson; design by Krista Vossen; art by beatriz ramo (Simon & Schuster BYR / November 2022)

Sofi and the Bone Song by Adrienne Tooley; design by Sonia Chaghatzbanian; art by Mona Finden (Margaret K. McElderry Books / April 2022)

Strike the Zither by Joan He; design by Aurora Parlagreco; art by Kuri Huang (Roaring Brook Press / October 2022)

Sugar by Carly Nugent; design by Imogen Stubbs; art by gozitive (Text Publishing / March 2022)

Sugaring Off by Gillian French; design by Aurora Parlagreco; art by Elena Masci (Algonquin YR / November 2022)

This Is Why They Hate Us by Aaron H. Aceves; design by Laurent Linn; art by Goni Montes (Simon & Schuster BYR / August 2022)

This Place is Still Beautiful by XiXi Tian; design by Jessie Gang; art by Robin Har (Balzer & Bray / June 2022)

A Thousand Steps into the Night by Traci Chee; design by Celeste Knudsen; art by Kotaro Chiba (Clarion Books / March 2022)

Trigger by N. Griffin; art by Dan Burgess (Atheneum Books / March 2022)

This reminded me of Dan Burgess’s art for Red Wolf by Rachel Vincent from last year. The lesson is, spectral trees are very spooky.

We All Fall Down by Rose Szabo; design by Aurora Parlagreco; art by Corey Brickley (Farrar, Straus & Giroux BYR / June 2022)

We Deserve Monuments by Jas Hammonds; design by Beth Clark and Sarah Kaufman; art by Laylie Frazier (Roaring Brook Press / November 2022)

The Weight of Blood by Tiffany D. Jackson; design by Erin Fitzsimmons; art by Jeff Manning (Katherine Tegen Books / September 2022)

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Notable YA Covers of 2020

My first post of 2021 is a look back at some of the young adult covers that caught my eye last year. I’m sure that I have missed a lot of great work (waves hands at everything that went on in 2020), so apologies if your favourites aren’t here. Happy New Year!

Agnes at the End of the World by Kelly McWilliams; design by Marcie Lawrence and Jenny Kimura; illustration by Tom Bagshaw (Little, Brown Books for Young Readers / June 2020)

All Our Worst Ideas by Vicky Skinner; design by Katie Klimowicz (Swoon Reads / August 2020)

Before the Ever After by Jacqueline Woodson; design by Theresa Evangelista; illustration by Stephanie Singleton (Nancy Paulsen Books / September 2020)

Black Canary: Breaking Silence by Alexandra Monir; design by Regina Flath; illustration by Jen Bartel (Random House Books for Young Readers / December 2020)

Black Girl Unlimited by Echo Brown; design by Carol Ly; illustration by Noa Denmon (Henry Holt & Company / January 2020)

The Burning by Laura Bates; design by Philip Pascuzzo (Sourcebooks Fire / April 2020)

Cemetery Boys by Aiden Thomas; design Liz Dresner; illustration by Mars Lauderbaugh (Swoon Reads / September 2020)

Clap When You Land by Elizabeth Acevedo; design by Erin Fitzsimmons; illustration by Bijou Karman (Quill Tree Books / May 2020)

Cloak of Night by Evelyn Skye; design by Alice Wang; illustration by DOFRESH; lettering by Vasava (Balzer + Bray / February 2020)

Coming Up For Air by Nicole B. Tyndall; design by Casey Moses; art by Pedro Tapa (Delacorte Press / December 2020)

Darius the Great Deserves Better by Adib Khorram; design by Samira Iravani; illustration by Adams Carvalho (Dial / August 2020)

The same team also created the cover for Darius the Great is Not Okay:

The Easy Part of Impossible by Sarah Tomp; design by David DeWitt; art by Samantha French (HarperTeen / April 2020)

Everything Sad is Untrue by Daniel Nayeri; art direction by Elizabeth Parisi; illustration by David Curtis (Levine Querido / August 2020)

Fable by Adrienne Young; design by Kerri Resnick; photograph by Sveltana Belyaeva (Wednesday Books / September 2020)

Felix Ever After by Kacen Callender; design by Chris Kwon; illustration by Alex Cabal (Balzer + Bray / May 2020)

Forest of Souls by Lori M. Lee; design by Laura Benton; illustration by Charlie Bowater (Page Street Kids / June 2020)

Furia by Yamile Saied Méndez; design by Laura Williams; illustration by Rachelle Baker (Algonquin Young Readers / September 2020)

The Good Girls by Claire Eliza Bartlett; design Diana Sousa; Illustration by Kaethe Butcher (HarperTeen / December 2020)

Goodbye from Nowhere by Sara Zarr; design by Alice Wang (Balzer + Bray / April 2020)

Grief Angels by David Owen; design by Leo Nickolls (Atom / March 2020)

Grown by Tiffany D. Jackson; design by Erin Fitzsimmons; illustration by Rachelle Baker (Katherine Tegen Books / September 2020)

Inkheart by Cornelia Funke; cover art by Karl J Mountford (Chicken House / April 2020)

It’s My Life by Stacie Ramey; design by Kerri Resnick (Sourcebooks Fire / January 2020)

The Kingdom of Back by Marie Lu; design by Kristie Radwilowicz; illustration by David Curtis (G.P. Putnam’s Sons Books for Young Readers / March 2020)

Lobizona by Romina Garber; design by Kerri Resnick; illustation by Daria Hlazatova (Wednesday Books / August 2020)

Nobody Knows But You by Anica Mrose Rissi; design by Molly Fehr; illustration by Hokyoung Kim (Quill Tree Books / September 2020)

Not So Pure and Simple by Lamar Giles; design by Molly Fehr; illustration by Jor Ros (Quill Tree Books / January 2020)

Sasha Masha by Agnes Borinsky; design by Cassie Gonzalez; illustration by Carolina Rodriguez Fuenmayor (Farrar, Straus and Giroux / November 2020)

Seasons of the Storm by Elle Cosimano; design by Jenna Stempel-Lobell; art by Pauline Boiteux (HarperTeen / June 2020)

See No Color by Shannon Gibney; design by Chelsea Hunter; illustration by Bee Johnson (Holiday House / July 2020)

Shielded by KayLynn Flanders; design by Regina Flath; art by Alex Dos Diaz (Delacorte / July 2020)

The Silence of Bones by June Hur; design by Katie Klimowicz; art by Kasiq Jungwoo (Feiwel & Friends / April 2020)

Smash It by Francina Simone; design by Gigi Lau; illustration by Benjamin Wachenje (Inkyard Press / September 2020)

A Song of Wraiths and Ruin by Roseanne A. Brown; design by Jessie Gang; art by Tawny Chatmon; lettering by Martina Flor (Balzer + Bray / June 2020)

The Stepping Off Place by Cameron Kelly Rosenblum; design by Catherine San Juan; Illustration by Michaela Goade (Quill Tree Books / July 2020)

The Sullivan Sisters by Kathryn Ormsbee; design by Chloë Foglia; Illustration by Pedro Tapa; lettering by Danielle Davis (Simon & Schuster Books for Young Readers / June 2020)

Ten Things I Hate About Pinky by Sandhya Menon; design by Sarah Creech; photograph by Jacob Pritchard (Simon Pulse / July 2020)

I think this works well with the covers for Menon’s previous books, especially 2017’s When Dimple Met Rishi, designed by Regina Flath.

These Vengeful Hearts by Katherin Laurin; design Elita Sidiropoulou (Inkyard Press / September 2020)

This is Not a Ghost Story by Andrea Portes; design by Alice Wang; illustration by Francesco Bongiorni (HarperTeen / November 2020)

Tigers Not Daughters by Samantha Mabry; design Laura Williams; art and lettering by Beatriz Ramo / Naranjalidad (Algonquin Young Readers / March 2020)

Traitor by Amanda McCrina; design by Faceout Studio (Farrar, Straus and Giroux / August 2020)

Watch Over Me by Nina Lacour; design by Samira Iravani; illustration by Pippa Young (Dutton / September 2020)

The Whitsun Daughters by Carrie Mesrobian ; design by Samira Iravani; lettering by Maricor/Maricar (Dutton / August 2020)

A Wicked Magic by Sasha Laurens; design by Dana Li (Razorbill / July 2020)

Winter, White and Wicked by Shannon Dittemore; design by Hana Anouk Nakamura; illustration by Ruben Ireland (Amulet / October 2020)

The Year After You by Nina de Pass; design Casey Moses; art by Elena Pancorbo (Delacorte / March 2020)

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Book Covers of Note, October 2019

Oh hey, it’s October, AKA the best month of the year, so this is the last of my monthly cover round-ups for 2019. My look back at the year will be coming soon, so if I have shamefully overlooked your work for the past 10 months, or you want to share a cover design for a book that is coming out in November or December, now would be a really great time to drop me a line! High resolution images are always appreciated. This goes double if you design or illustrate YA covers. 1

All This Could Be Yours by Jami Attenberg; design by Catherine Casalino (Hougton Mifflin / October 2019)

Big Bang by David Bowman; design by Jamie Keenan (Corsair / August 2019)

This makes me think of the décollage art of folks like Mimmo Rotella.

The cover of the US edition published by Little, Brown was designed by Gregg Kulick and takes a different pop art approach…

Dead Astronauts by Jeff Vandermeer; design Rodrigo Corral (MCD / December 2019)

The cover of the UK edition, out in January 2020 from Fourth Estate, was designed by Jo Walker with an illustration by Alycia Rainaud.

Driving in Cars with Homeless Men by Kate Wisel; design Catherine Casalino (University of Pittsburgh Press / October 2019)

The Factory by Hiroko Oyamada; design by Janet Hansen; photography by Arthur Woodcroft (New Directions / October 2019)

Feminist City: A Field Guide by Leslie Kern; design by Ingrid Paulson (Between the Lines / October 2019)

The flaps are fun…

Geometry of Shadows by Giorgio di Chirico; design by Atelier Bingo (Public Space Books / October 2019)

Ghosts of Berlin by Rudolph Herzog; design by Marina Drukman (Melville House / October 2019)

Gorgeous War by Tim Blackmore; design Michel Vrana (Wilfred Laurier University Press / October 2019)

The Grace Year by Kim Liggett; design by Kerri Resnick; illustration Hsiao Ron Cheng (Wednesday Books / October 2019)

Humiliation by Paulina Flores; design by Nicole Caputo (Catapult / November 2019)

I Hope You Get This Message by Farah Naz Rishi; design by Erin Fitzsimmons; illustration by Adams Carvalho (HarperTeen / October 2019)

This makes a nice pair with the Adams Carvalho illustration on the cover of We Are the Lost and Found  mentioned last month

Nightmareland by Lex “Lonehood” Nover; design by Linet Huamán Velásquez (TarcherPerigee / October 2019)

Nothing To See Here by Kevin Wilson; design by Allison Saltzman; art by Christian Northeast (Ecco / October 2019)

Not Me by Marianne Dissard; design by Jamie Keenan (October 2019)

One of the more disturbing covers of the year I think…

One Day by Gene Weingarten; design by David Litman (Blue Rider / October 2019)

Sonnets to Orpheus by Rainer Maria Rilke; design by Anne Jordan & Mitch Goldstein (Open Letter Books / December 2019)

Space Struck by Paige Lewis; design by Alban Fischer (Sarabande Books / October 2019)

Suspect Communities by Nicole Nguyen; design by Matt Avery (University of Minnesota Press / October 2019)

Redaction on covers is most definitely in…

The Topeka School by Ben Lerner; design by Rodrigo Corral (Farrar, Straus & Giroux / October 2019)

What Happened? by Hanif Kureishi; design Jonny Pelham (Faber & Faber / October 2019)

Are we seeing the beginnings of a psychedelia revival? There are a couple of covers coming in 2020 in addition to these three that make me think we might be…

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Book Covers of Note, September 2019

OK, this is super-late even by my standards of lateness, so let’s just get on with it because we’ve all got stuff to do…

Arctic Smoke by Randy Nikkel Schroeder; design by Michel Vrana (NeWest Press / September 2019)

Aeneis by Vergilius; design by Gray318 (Jaguar / 2019)

Jon will surely not thank me for mentioning this, but the Aeneid cover reminds me of the brilliant 2007 Penguin Modern Classics editions of Kafka designed by Mother and Jim Stoddart (featuring photographs by Gary Card and Jacob Sutton), and I can’t pass up the opportunity to post them here. They still look extraordinary…

(And in the process of looking for images, I cam across a nice essay from a couple of years ago by designer Clare Skeats discussing the Kafka covers at Grafik)

The Dutch House by Ann Patchet; design by Robin Bilardello; painting by Noah Saterstrom (HarperCollins / September 2019)

The Enlightenment of Bees by Rachel Linden; design by Kimberly Glyder (Thomas Nelson / July 2019)

Frankly in Love by David Yoon; design by Owen Gildersleeve (G. P. Putnam / September 2019)

From the Shadows by Juan José Millás; design by Tree Abraham (Bellevue Literary Press / August 2019)

In Her Feminine Sign by Dunya Mikhail; design by Janet Hansen (New Directions / July 2019)

High School by Tegan & Sara; design by Na Kim (MCD / September 2019)

The cover of the Canadian edition published by Simon & Schuster Canada (left) was designed by Emy Storey. The cover of the UK edition published by Virago (right) was adapted from the Canadian design by Nico Taylor.

Inland by Téa Obrecht; design by Jaya Miceli; art by Tamara Ruiz (Random House / August 2019)

The Innocents by Michael Crummey; design by Emily Mahon; art by Diana Dabinett (Doubleday / August 2019)

Listening to the Wind by Tim Robinson; design by Mary Austin Speaker (Milkweed / September 2019)

De New York Trilogie by Paul Auster; design by Moker Ontwerp (De Bezige Bij / August 2019)

This reminded me of Evan Gaffney‘s 2012 ‘film noir’ covers for the Vintage paperbacks of James M. Cain.

Permanent Record by Mary H. K. Choi; design by Lizzy Bromley; illustration by gg (Simon & Schuster / September 2019)

This reminded me of the panels of Tony Abruzzo romance comics that Roy Lichtenstein liked to lift from.

gg also illustrated the cover of Mary H. K. Choi’s previous novel Emergency Contact.

Oh and Koyama Press is publishing a new book by gg called Constantly in January 2020. It looks beautiful.

Quichotte by Salman Rushdie; design by Gray318 (Jonathan Cape / August 2019)

Rail by Miranda Pearson; design David Drummond (McGill-Queen’s University Press / September 2019)

Safe Houses I Have Known by Steve Healey; design by Alban Fischer (Coffee House Press / September 2019)

One to add to the redacted covers list.

Shame On Me by Tessa McWatt; design by Allison Colpoys (Scribe / August 2019)

This has some nice Alvin Lustig / New Directions vibes.

Someone Who Will Love You in All Your Damaged Glory by Raphael Bob-Waksberg; design by Tyler Comrie; illustration Justin Metz (Knopf / June)

For some reason this made me think of the 2015 cover for I Am Sorry to Think I Raised a Timid Son by Kent Russell designed by Peter Mendelsund (with hand lettering by Janet Hansen and photography by George Baier IV)

Sontag by Benjamin Moser; design by Tom Etherington; photograph by Richard Avedon (Allen Lane / September)

The cover of the US edition published by Ecco was designed by Allison Saltzman. Title only appears on the spine (which, if my social media is anything to go by, gets big high fives from book designers everywhere).

To The Island of Tides by Alistair Moffat; Art by Andy Lovell; art direction Gill Heeley (Canongate / August 2019)

It’s lovely to see contemporary landscape art featuring prominently on book covers of late…

The Water Dancer by Ta-Nehisi Coates; design Greg Mollica; art Calida Garcia Rawles (One World / September 2019)

The New York Times ran a short article about the genesis of this cover earlier this year.

For the font-curious, the typeface is Alias Harbour according to the folks at Fonts In Use. Another calligraphic type alternative to the ubiquitous Lydian perhaps?

We Are the Lost and Found by Helene Dunbar; design Nicole Hower; illustration by Adams Carvalho (Sourcebooks / September 2019)

The World Doesn’t Require You by Rion Amilcar Scott; design by Laywan Kwan; art by Fahamu Pecou (Liveright / August 2019)

And I am definitely here for the contemporary figure painting on book covers trend…

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Book Covers of Note February 2019

Thanks to the weather cancelling everything, I’m not horrendously late with this month’s covers post!


All the Lives We Ever Lived by Katharine Smyth; design by Michael Morris (Crown / January 2019)


Black Leopard Red Wolf by Marlon James; cover art by Pablo Gerardo Camacho (Riverhead / February 2019)


Consent by Leo Benedictus; design by Alex kirby (Faber & Faber / February 2019)


The Current by Tim Johnston; design by Pete Garceau (Algonquin / January 2019)

You can read about the icy process behind this cover at Spine Magazine


The Far Field by Madhuri Vijay; design by Kelly Winton (Grove / January 2019)


The Five by Hallie Rubenhold; design by Jo Thomson (Transworld / February 2019)

I like this jacket a lot, but it’s what’s under it that really caught my eye:

The whole package looks great:


Golden State by Ben H. Winters; design by Gregg Kulick (Mulholland Books / January 2019)

The cover of Ben H. Winters previous novel Underground Airlines, also published by Mulholland Books, was designed by Oliver Munday:


Good Enough by Jen Petro-Roy; design by Liz Dresner; cover art by art Romy BlĂĽmel (Feiwel & Friends / February 2019)


Hold Still by Nina LaCour; design Samira Iravani; cover art by Adams Carvalho (Penguin / February 2019)

This is, of course, the same creative team behind the cover for We Are OK by Nina LaCour:


Lost Children Archive by Valeria Luiselli; design by Jennifer Carrow (Knopf / February 2019)

The cover for the UK edition of Lost Children Archive, published by Fourth Estate, was designed by Jo Walker


Muscle by Alan Trotter; design by Gray318 (Faber & Faber / February 2019)


Never Enough by Judith Grisel; design by Emily Mahon (Doubleday / February 2019)


The Peacock Feast by Lisa Gornick; design by Na Kim (Farrar, Straus & Giroux / February 2019)


Sick-Note Britain by Adrian Massey; design by Steve Leard (Hurst / February 2019)


Tentacle by Rita Indiana; design by Steve Marsden (And Other Stories / January 2019)


Thick by Tressie McMillan Cotton; design by Oliver Munday (The New Press / January 2019)

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