Tom Gauld has made a print for London comics store Gosh! to celebrate their 30th anniversary. You can buy it online here.
1 CommentThe Casual Optimist Posts
Ed Ruscha: Buildings and Words
Ed Ruscha: Buildings and Words is a short documentary, commissioned by MOCA in Los Angeles, exploring two of the recurring themes in the artist’s work. It was written and directed by Felipe Lima, and is narrated by Owen Wilson:
Apparently Ruscha calls his font ‘Boy Scout Utility Modern’, which immediately makes me wonder if Wes Anderson is a fan.
1 CommentGirlboss Isabel Urbina Peña
The smart and talented Isabel Urbina Peña talks to Girlboss about YES, EQUAL and her work as a book cover designer:
you go to the editorial meeting and you hear the editors talk about the book. After that, you tell your art director which books you want to work on, and sometimes she would suggest stuff to us. You didn’t always get the book that you wanted, but you kind of had an idea. But sometimes it doesn’t go that way. Like for Dave Eggers. No one wanted to take his book! He has very specific taste. But I was like, “Fuck it! I’ll do it.” Because when am I going to be able to design for Dave Eggers again?! And it went really well, actually. One round and it was done, which never happens [laughs]… normally, it’s a battle. You want to try and see what will get through. So you’re like, “Well I’m only going to show three things, because if I show more…” Like for example, for All Our Names, we only showed one. I’d made a bunch of other options, but Peter Mendelsund, who was art directing was like, “Nope. Let’s just show this one”… Sometimes it works like that. But I mean, for another project, I came up with 20 different ideas, and nothing came of it. It was a paperback and they just ended up adapting the hard cover.
You can read my 2014 Q & A with Isabel here.
1 CommentWill Evans: One-Man Publishing Show
The Rumpus interviews Will Evans the founder and publisher of Deep Vellum, an independent small press focused on works in translation based in Dallas, TX:
I’m very new to this, and I’m most definitely an outsider. I don’t really know how other people do their editing process. I’ve never worked in a publishing house with an editing team that they have to run stuff by. I’m curious, editorially it has somehow happened that Deep Vellum books are quite different from Open Letter books and quite different from Archipelago books and I don’t really know how or why that happens. We all just love stories and want to bring them to different audiences, but at the end of the day, the books that we need to publish that fit our brand are all kind of different, and that’s amazing to me. I love independent publishers because you get that more personal aesthetic choice.
Deep Vellum’s distinctive book covers, designed by Anna Zylicz, have featured on the blog before. And here’s Evans talking about founding Deep Vellum back in 2014:
Comments closedArt Installation
The Great Discontent: Jean Jullien

Tammi Heneveld interviews London-based graphic artist Jean Jullien for The Great Discontent:
My parents definitely introduced me to a lot of culture. My dad was keen on French bandes dessinées (comic strips) and music, which probably had something to do with my brother becoming a musician later on. My mom was very interested in architecture, product design, and classic and modern art, which she introduced us to…
…I was always more focused on graphic design, but I ended up doing illustration in a convoluted way. I started using a brush pen to break free from working on a computer all of the time and to experiment creatively. I felt quite comfortable with it and could draw letters as well as characters. That’s when I realized that the practice of illustration and graphic design aren’t necessarily exclusive. I also discovered designers like Alan Fletcher, Saul Bass, and Paul Rand, whose work all had a great sense of playfulness and a tactile aspect that I was really fond of.
Modern Life, a compendium of Jullien’s best known work, will be published by teNeues next month.
Comments closed“Remember Those Great Volkswagen Ads?”
Remember Those Great Volkswagen Ads? is a short documentary about the classic, highly influential ad campaigns created by Manhattan advertising agency Doyle Dane Bernbach (DDB) for Volkwagen in the 1950s and 60s:
(via Kottke)
Comments closedThank You for Sending Us Your Manuscript
Welcome to The Last Bookstore
Welcome to The Last Bookstore is a short, inspiring documentary about Josh Spencer, owner and operator of The Last Bookstore in downtown Los Angeles:
Comments closed







