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The Casual Optimist Posts

Something for the Weekend, Jan 23rd, 2009

Big Mouth Strikes Again — The Friday Project’s charming Scott Pack interviewed at North Meadow Media:

people who have dealt with me directly are pleasantly surprised that I am not the complete cunt I am sometimes made out to be. I am a bit of an arse but not quite as bad as my press would suggest.

Books Unbound — author Lev Grossman’s (much linked to) thoughts on the evolution of publishing for Time magazine. Meh.

Unhappily ever afterThe Guardian’s Nick Laird  reviews Richard Yates’ Revolutionary Road, and asks is it “too good a novel to make a great film”?:

It is a solid and noble effort that succumbs to what should be a moral of literary adaptation: bad books can make great movies, but a great book hardly ever does. And though you can see what tempted the movie men – that great dialogue! those poignant characters! – with Yates it’s the sentences themselves that are truly panoramic, and no matter what you do, they’re going to get left behind.

That may all be true, but to be honest, the wayward casting in Sam Mendes film adaptation is so catastrophically contrary to the characters in my mind that I can’t bring myself to see it anyway.

BlogTO profile one of Toronto’s best independent bookshops Ben McNally Books. Lovely bloke that Ben McNally . BlogTO have profiles of other Toronto bookstores here.

Toronto gets another new literary festival. I can hardly contain myself.

The message is the subject — Jenny Tondera interviews Dutch designer Wim Crouwel, creator of the ‘New Alphabet’ (pictured above and famously tea-leafed by Peter Saville for the album cover of Joy Division’s Substance), about the Bauhaus for Geotypografika. Jenny also interviews Michael Bierut, Experimental Jetset, Steven Heller, Paula Scher, Ellen Lupton, and Jessica Helfland.

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Midweek Miscellany, Jan 21st, 2009

The Books are alright — Montreal’s Hugh McGuire (of LibriVox and Book Oven) on the Penguin-sponsored BookCamp in London:

If the amount of thought and enthusiasm generated that day — and evening — is any indication, I think we’re going to be OK. The book is alive and well, even if defining “book” is becoming more complicated; and the publishing business, bracing itself for the biggest shake-up since the paperback, will come out the other end, transformed certainly, but alive nonetheless.

Cuts Were Necessary — The New York Observer on Marcus Dohle the new CEO of Random House (previously described as “dapper, but mildly off-putting”):

Now, the feeling among both literary agents and executives who used to work at Random House seems to be that Mr. Dohle inherited a rotten, bloated thing when he took over last May, and though one can wish it hadn’t gone the way it did, there simply was no reversing the damage done by his predecessor, Peter Olson, without forcing the publishers who’d survived his thoughtless 10-year reign to make some hard calls.

Rotten and bloated. Nice.

How to Publish in a Recession — a wide-ranging interview with Declan Spring, senior editor at New Directions, at Conversational Reading (via Ready Steady Blog):

We’re not beholden to stock owners, our overhead is pretty small, and we always count on just a pretty small profit every year anyway. Our staff has worked here for many years, mostly the same folks for twenty years, who are devoting much of their lives to the mission of ND. We see it as a profit-making business, but we are also realistic and dedicated to the cause. That makes it easier in this climate.

And speaking of New Directions… Any excuse (really) to post another book jacket by Alvin Lustig (pictured).

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Vintage Paperback Illustrations

Sanford Kossin cover for Bantam 1957

What with the inauguration this week it seems awfully quiet on the publishing front right now. Maybe that’s just relative to the economic blitzkrieg that happened before Christmas or my twitchy unease about what horrible surprises 2009 might hold!

In any case, I’m going to use the lull as an excuse to post a link to Kyle Katz’s incredible, overwhelming, (possibly obsessive?) Flickr collection of vintage paperback covers, which I’ve had bookmarked gathering dust for about year… The collection has been loving arranged into various categories — including by the cover illustrator (!) — and, it is, in Katz’s words, “mostly pulp fiction, vintage sleaze, almost all mass market, and usually between 1940 and 1980, with a few exceptions.” But it so much more than that. It’s terrifying. And brilliant.

Alvin Lustig design for New Directions 1950

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(via Leif Peng’s marvellous Today’s Inspiration)

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More Vintage Penguins and Pelicans

Ace Jet 170 has just posted about a “brilliant and odd” vintage Penguin paperback design by Herbert Spencer (pictured):

And, what with the link yesterday to Things magazine’s collection of vintage Pelican covers, I thought I should also link to Ace Jet 170’s growing Penguin/Pelican Flickr collection.

Ace Jet 170

Ace Jet 170’s Penguin/Pelican Flickr Collection

UPDATE

Also: The Penguin Paperback Spotters’ Guide Flickr Pool

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Something for the Weekend, Jan 16th, 2009

David Mirvish Books, the best fine art bookstore in Toronto, is to close. Damn. At least the Art Gallery of Ontario’s bookstore has re-opened with a decent selection of art books.

“It’s not something you should really do unless you feel really compelled to do it” — An interesting interview with Doug Seibold about founding Chicago-based publisher Agate over at Slate’s Bizbox:

As in a lot of other businesses, there’s a bunch of giant multinational conglomerates that are the big players, and they leave a lot of waste behind them. My feeling was a company that functioned efficiently at the appropriate scale could do a lot of business by being cost-effective and opportunistic. Not too little, but not too grandiose: growing at a careful, natural pace.

Attack of the “renegade cybergeeks”: New York magazine meets the team behind the New York Times’ online operation:

[T]here is something exhilarating about watching web innovation finally explode at the Times, with its KICK ME sign and burden of authority… Despite the effectiveness of blogs, the majority still mainly provide links and commentary. The Times Online suggests what might happen when technology fuels in-depth reportage

A little up it’s own arse and not short on hyperbole (“the New York Times is less a newspaper and more an informative virus”? Really?), it’s still definitely worth a read. Gawker’s predictably acerbic response can be found here.

“Poetry is both flourishing and floundering” — Neil Astley, editor of Bloodaxe Books, argues poetry must be responsive to readers not academic cliques, in the New Statesman:

The producers of poetry aren’t in tune with the lovers of poetry. Many poets and publishers are actually hostile to the promotion of poetry… They see marketing as a dirty word instead of simply the means by which their books are made available to more readers.

“Publishers… lost control of their industry” — a somewhat melodramatic (and therefore much-linked to) “autopsy” of the book business by Jason Epstein in the Daily Beast. I have a lot respect for Epstein, who is indeed a “publishing legend”, but it is worth keeping in mind that he said most of this in Book Business, published in 2001, and in an article for  Technology Review from January 2005. He’s also the man behind the futuristic-yet-seemingly-redundant (is there a word for that? Apart from ‘segway’?) Espresso Book Machine, so he’s not an entirely dispassionate observer.

Grant Morrison talks Batman with Publishers Weekly:

I wanted to assemble all the classical tropes of the pulp noir crime genre: the diabolical mastermind, the femme fatale, the inescapable traps, the secret societies of evil…and push them beyond all reasonable limits to a kind of screaming Death Metal crescendo.

Nice.

The Pelican Project: A collection of Pelican Book covers from the 1930’s through to the 1980’s (pictured). (I was reminded of this wonderful project by the eclectically brilliant FFFFound)

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The Confessions of a Literary Editor

With regard to the challenges facing book review editors, mentioned here yesterday, Scott Pack has posted an interesting Q & A with Robert McCrum, former literary editor of The Observer newspaper (and former editor-in-chief at Faber & Faber):

What criteria did you use as a literary editor when deciding which books to review?

I always tried to choose the very best books available on the shelves – and on many weeks I felt I never had enough space. Plus, I tried never to lose sight of the fact that The Observer is a news-paper. The books we covered had to satisfy some fairly basic (literary) news criteria. What do I mean by that? Well, a new novel by Philip Roth or Milan Kundera is automatically more newsy than almost any first novel, unless of course you decide — as literary editor — that, say, Zadie Smith is a new voice to watch out for.

It all seems so straightforward — and I do have some sympathy for this view — and yet it leaves you wondering what hope is their for debut authors, under-appreciated talents, and small presses? (Zadie Smith — if needs to be said — was published by Penguin and hyped to the gills). Perhaps it also gives some indication as to why all newspaper book sections look so similar and review so many of the same titles?

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Jules Verne Series at FaceOut Books

The featured work at FaceOut Books this week is 28-year-old Ely Sarig’s elegant–and unpublished–designs for Jules Verne’s classic 19th Century science fiction novels 20,000 Leagues Under the Sea (above), From the Earth to the Moon (below), and The Clipper of the Clouds . The designs draw inspiration from Victorian industrial design, pirate ships, WWII submarines and spacecraft. Does it get any better than that?

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The New Globe & Mail Books

As announced in December last year, The Globe and Mail replaced its standalone Books tabloid with a combined ‘Focus and Books’ section this weekend, simultaneously launching a new Books website that will feature, amongst other things, daily book reviews, news on books and the publishing industry, and blogs by Globe Book’s online communities editor Peter Scowen and Books editor Martin Levin.

In context of the numerous issues facing newspapers internationally, and the rapid decline of book review coverage in the US (and elsewhere) in recent years, the Globe’s long-foreshadowed shake-up has garnered barely a murmur outside of Canada. Nevertheless there has been some lively discussion on several Canadian book blogs.

Describing it as a “an inauspicious start” and “a work in progress”, That Shakespeherian Rag gives the new books coverage a thorough critical mauling, drawing particular attention a egregious error regarding the 2008 Giller Prize-winning novel Through Black Spruce by Joseph Boyden, and several other missteps. The Literary Lad’s final verdict: “[A] mixed, but generally underwhelming bag, with the online component scoring better than the new print format… Let’s hope that the early hiccoughs are just that, and not an indication of how things are to be run in the long term.”

Mark at INDEX // mb , who has clearly given this a lot of thought (he’s written about the launch too), isn’t keen on the presentation, but does give credit where he thinks it’s due: “The Globe team have given us a great online destination for Canadian readers. Congratulations to them for planning, creating, and delivering the new site.”

And despite some initial disappointments, Hugh at Book Oven is also optimistic, noting that the “decision to not just quietly kill their book section, as so many other papers have, but to relocate it is encouraging.”

Like Hugh, I’m grateful the Globe has decided to maintain some kind of book coverage in what is a horribly toxic environment for newspapers and book reviews. And I know book review editors (particularly, perhaps, Canadian ones) have a truly thankless task —  trying to please everyone means, inevitably, you please nobody (least of all bloggers!).

I am personally sad, however, to see two distinct sections that I liked unceremoniously (and somewhat incoherently) brought together in a expedient shotgun wedding. No doubt Focus and Books will grow into its new identity and improve with time, but the result this weekend lacked clarity and a sense of purpose. The new features appeared, well, rather desperate.

The online component — technical issues aside — feels a little belated to me and the Globe is lagging behind the extensive book coverage to be found elsewhere on the web, notably at the New York Times and the Guardian who committed earlier to being online. Better late than never though, and with an authoritative and informed focus on the Canadian literary scene, the Globe might be able to carve out a niche for itself given time.

Peter Scowen — who has been honourably responding  to the critical reactions on the Globe’s In Other Words blog — notes that the online launch did not go “without a hiccup” and I don’t suppose that producing the new print section was straightforward. Perhaps it is really too early to tell how this will all play out? Still, I must confess to being strangely ambivalent about the new section and website. With layoff expected at the Globe any day now, I can’t shake the feeling that they’re re-arranging the deckchairs…

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Something for the Weekend Jan. 9th, 2009

Curation, Appeciation, Organization: The Book Cover Archive goes live with “cross-indexed meta data” (and blog)! LOVE this. Nice work fellas. (via SwissMiss)

Skinny tight jeans and mild panic: The Scotsman profiles Canongate’s Jamie Byng.

Almost half of Canadians can’t name a single Canadian author according to the hand-wringing National Post… Or to put it another way, over half of Canadians CAN actually name a Canadian author? It could be worse (really)…

Canadian booksellers manage a “late holiday rally” in December reports PW:

Retailers large and small were unanimous in their opinion that books proved to be an excellent recession gift, with the value proposition of books being improved in part by fact that the actual price of books have fallen relative to U.S. prices.

A .38 shell for independent bookshops: The Guardian‘s Stuart Evers considers consumer apathy and the imminent closure of the Murder One bookshop on Charing Cross Road in London:

These kinds of shops are facing a long, bloody battle – and one which, without significant reinforcements, they are likely to lose. As we hear of the travesty of another brilliant independent going down, we’ll mourn the loss, wring our hands and damn Amazon and the supermarkets and Waterstone’s. Yet perhaps the most important detail we’ll probably keep under wraps: the last time we actually spent any money there.

Hapless Houghton Mifflin Harcourt reinstate editor Drenka Willen after Noble prize-winner Günter Grass intervenes.

Nostalgic book covers a hit for Penguin in Australia— 50 titles released with covers in the original orange-and-cream designs are selling strongly:

“They are instantly recognisable and have an emotional pull… Most people or their parents have got second-hand or old Penguins at home that have the same livery. But it’s not only pulling on that nostalgic lever, it’s also got that retro coolness. We’ve found that younger readers have been really drawn to them.”

“To say his work was inspirational is an understatement”: The New York Times profiles the late Barney Bubbles  whose iconic album cover designs (for the likes of Elvis Costello, Ian Dury, and The Damned) are celebrated in Paul Gorman’s new book “Reasons to Be Cheerful: The Life and Work of Barney Bubbles” published by Adelita (pictured).

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Double-or-Nothing

Having already called “bullshit” on the Long Tail, Professor Anita Elberse argues that recent acquisitions by Hachette’s Grand Central and Little, Brown & Co. show publishers will continue to make “outrageous” bids for new books despite the recession in (a much linked to) article for the WSJ:

Blockbuster strategies are certainly not free of risk, but, in the long run, they beat the alternative of more balanced investment strategies. That explains why, even when the book industry struggles with the effects of the economic downturn, publishing houses won’t steer away from big bets. Publishers may be even more determined to land such projects in tough times… Are there breakout hits that no one sees coming? Sure. And do media companies sometimes pick the wrong titles to focus their attention on? Absolutely — no one in the industry has a perfect record, and the process of picking winners remains “an informed crapshoot,” as one executive put it. But given their recent performance, it is hard to argue against the approaches taken by publishing houses like Grand Central and Little Brown.

I’m not sure I completely agree with her reasoning–and it’s certainly a lot less warm-and-fuzzy than either the Long Tail or Tipping Point models–but it’s still an interesting argument and I think there’s some truth to her suggestion that consumers prefer blockbusters because, in the end, they “find value in reading the same books and watching the same movies that others do.”

GalleyCat has some thoughtful criticisms of Elberse’s article here and here,  but the shriller, teeth-gnashing responses  make me think she might be on to something…

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Interview with Coralie Bickford-Smith

Penguin Books award-winning book cover designer Coralie Bickford-Smith (mentioned previously here and here) discusses her experiences, influences, book cover designs, and more, in a great interview over at design:related :

When I feel intimidated I just start making stuff so that before I can get frozen, something interesting is already grabbing my attention and keeping my mind occupied. As every designer has a different approach to a title, I try not to think “what would so-and-so do” and instead remind myself that my own approach is what I should be aiming for. Books are rich, wonderful things – there’s always something new you can bring out of them. Some people have to keep finding ways to package soap powder – I’ve got a lot more to go on with Crime and Punishment.

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(via The Book Design Review)

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A Lot of Routes to Obsolescence

Happy New Year!

Having fastidiously ignored all book-related websites for a couple of weeks so I could do things like umm… read books, I have a lot of catching up to do! No doubt I will have a bazillion interesting links to post in the next couple of weeks as I trawl through my RSS feeds… Watch this space.

In the meantime, here’s a great story by David Carr for The New York Times on TriCityNews of Monmouth County, New Jersey,  which has all but ignored the web and thrived:

“Why would I put anything on the Web?” asked Dan Jacobson, the publisher and owner of the newspaper. “I don’t understand how putting content on the Web would do anything but help destroy our paper. Why should we give our readers any incentive whatsoever to not look at our content along with our advertisements, a large number of which are beautiful and cheap full-page ads?”

The TriCityNews columnists apparently write with a “mix of attitude and reporting” that Mr. Jacobson describes as a ‘plog’–“a blog on paper”. Genius. (I love this story.)

(via The Wooden Spoon)

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