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Favourite New Books of 2009

Unlike indomitable, indefatigable Sarah Weinman, I didn’t read over 462 books this year (think about it — that’s a book-and-a-quarter a day people!), so I couldn’t possibly post a best of the year list and keep a straight face. Still, I thought it might be nice to post an unscientific list of my 10 favourite new books of 2009 on the very last day of the year.

Compiling the list, I realised that while I finally read a lot of books I’d been meaning to get to for a while (including the brilliant The Invention of Morel, the insane — and insanely good — Pop. 1280 and the classic New Grub Street), I didn’t actually read a lot of new fiction this year. Mostly it was the result of my monstrous indifference to the majority of novels published in 2009, but there were more than few books — The Girl Who Played With Fire, Invisible, Let The Great World Spin, There Once was a Woman Who Tried to Kill Her Neighbor’s Baby, True Deceiver, When I Forgot, Wolf Hall, et al — that are sitting in a big pile that I won’t get to until 2010.

I also realised that — try as I might — it would be impossible to leave out books that I had worked on in some capacity. Apparently I need to get out more, but it I think this is a more universal symptom of work-life, digital-life, and “real” unplugged-life blurring (sometimes uncomfortably) for a lot of people in publishing (or is it just me?).

Anyway, with this in mind, all the books on this list distributed in Canada by Raincoast are identified with an asterisk. They’re here because I genuinely like them, but you’re an adult so you can make up your own mind about their merit.

And one last note: All the title links are to the Book Depository in the UK because they readily ship books worldwide. However, I have also linked to all the respective publishers, and added an IndieBound widget to the left sidebar (with links to all the listed titles) for anyone in the US who would like to support their local independent bookstore (Canadians: You can find your local indie via the CBA website).

And so on to the ten…

ASTERIOS POLYP BY DAVID MAZZUCCHELLI
Pantheon, ISBN 9780307377326

My Advent Books recommendation for 2009, Asterios Polyp made it on to so many best of 2009 lists that Mazzuccelli’s beautifully understated and deceptively nuanced book almost feels over-hyped at this point. But you know what? It couldn’t possibly leave it off this list. I loved it. It’s a elegantly balanced combination of show and tell, and like Maus, Palestine, and, hell, even Watchmen before it, Asterios Polyp feel likes it expands the possibilities of the medium. Oh and Polyp reminds me of my art teacher at school — right down to the way he holds his cigarette — which, to be honest, is more than enough reason to be on this list.

BIBLIOGRAPHIC: 100 CLASSIC GRAPHIC DESIGN BOOKS BY JASON GODFREY
Laurence King ISBN 9781856695923

A wonderful visual shopping list for any design-minded book collector, each of 100 classic graphic design books in this “ideal library” is shown with its cover and a number of spreads. It’s gorgeous and inspiring.

(NB: I’m hoping to have an interview with Jason in the New Year. Fingers crossed).

BIRD* BY ANDREW ZUCKERMAN
Chronicle
, ISBN 9780811870986

Zuckerman’s crisp hyper-real photographs (also see Creature, Wisdom) retain a warmth and genuineness that so often goes AWOL in contemporary digital photography. I mean god knows how much — or how little — work was actually done in Photoshop after the fact, but somehow the grace and natural beauty of the birds comes through. There is nothing clever, or even particularly gimmicky about this book, it is just really, really well done.  The perfect coffee table book.

CHARLEY HARPER: AN ILLUSTRATED LIFE BY TODD OLDHAM
Ammo Books ISBN 9781934429372

I’d been coveting the oversize and limited editions of this unashamedly beautiful collection of Harper’s paintings and illustrations for a while before Ammo released an affordable hardcover edition this year. This is simply a wonderful, inspiring book, and now there is no excuse not to own it.

A DRIFTING LIFE* BY YOSHIHIRO TATSUMI
Drawn and Quarterly ISBN 9781897299746

Yoshihiro Tatsumi’s lovingly rendered 856 page manga portrait of an artist as a young man in post-war Japan was criminally overlooked in the best of the year lists in my humble opinion. It apparently took Tatsumi a decade to complete. “Epic” is just about the only word that covers it.

A PDF preview is available at D+Q.

THE HANDY BOOK OF ARTISTIC PRINTING* BY DOUG CLOUSE AND ANGELA VOULANGAS
Princeton Architectural Press ISBN 9781568987057

The subtitle — “A Collection of Letterpress Examples with Specimens of Type, Ornament, Corner Fills, Borders, Twisters, Wrinklers, and other Freaks of Fancy” — probably sums up this lovely book best. It is, admittedly, slightly bonkers, but it’s exactly the kind of thing that will eventually go out of print and then you’ll wish you’d bought one when you had the chance (and no, I won’t sell you mine).

THE HUNTER BY RICHARD STARK, ADAPTED & ILLUSTRATED BY DARWYN COOKE
IDW, ISBN 9781600104930

Bleak, snappy, and fabulously illustrated, Darwyn Cooke’s adaptation of Richard Stark’s hardboiled Parker novel is pretty much pitch perfect. I only hope more Parker adaptations are on the way. Pretty, pretty please.

LEVIATHAN OR, THE WHALE BY PHILIP HOARE
Fourth Estate ISBN 9780007230143

I deliberated over whether to include Philip Hoare’s charming book about whales in this list. Not that it isn’t worthy — it certainly is (it won the Samuel Johnson Prize for Nonfiction earlier this year) — but because it was first published in the UK 2008 and it is not available in North America until 2010 (HarperCollinsEcco imprint are releasing it under the title The Whale in February). So does it count as a 2009 title? In the end I decided it was eligible because it was published in paperback in 2009 and, ultimately, this is the year I read it (admittedly in hardcover) and it was too good to leave out. And Philip Hoare is from my home town. But that has nothing to do with it. Honestly.

THE MAGICIANS BY LEV GROSSMAN
Viking
ISBN 9780670020553


The privileged offspring of Harry Potter and The Secret History (and/or Whit Stillman) invade Narnia and shoot things. It’s almost as good as it sounds, although it’s a shame the protagonist is, to be quite frank, a simpering cock. Nice villain though.

NAÏVE: MODERNISM AND FOLKLORE IN CONTEMPORARY GRAPHIC DESIGN ED. BY R. KLANTEN AND H. HELLIGE
Gestalten ISBN 9783899552478

A tidy collection of contemporary graphic design inspired by the classic mid-century modern of Saul Bass, Lucienne Day, Alexander Girard, Charley Harper, and others. There are a few too many music posters perhaps, but Naïve is still neato coolsville.

So there you go, that’s my 10 favourite books of the year. What were yours?

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Charley Harper: An Illustrated Life

Charley Harper: An Illustrated Life. Thank you Mrs Casual Optimist.

(Charley Harper: An Illustrated Life by Todd Oldham is published by Ammo Books).

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Midweek Miscellany

Reading a Book is Reading a Book — Peter Ginna has another thoughtful post on about the Random House e-book rights controversy (which better articulates some of what I was trying to get at here).

A Decade of Fear — David Ulin, book editor of The LA Times, looks back at the last 10 years (and forward to the next).

Book Lovers Never Go To Bed Alone — a Tumblr collection of  bookshelves (via index//mb)

Hello, I’m Robot! — A somewhat surreal — but definitely awesome — Soviet kids’ book at A Journey Round My Skull

And…

Russian Artists and The Children’s Book 1890-1992 — 512 pages, full color with over 1100 images. Written and privately published by Albert Lemmens and Serge Stommels in The Netherlands. Yours for only $195 plus shipping (seen at The Daily Heller).

And…

Three Designers from Moscow — MyFonts interviews Russian type designers Vera Evstafieva, Alexandra Korolkova and Elena Novoselova.

And… Thinking of MyFonts…

…They’ve just released the rather lovely exljbris slab serif Museo Slab. Regular Museo Slab and Museo Slab Italic are free downloads.

The Book Design Review‘s Favourite Covers of 2009 — All good choices. Go vote. Now.

And… Have I mentioned just how incredible Peter Mendelsund’s new Foucault covers are…? I did? OK. Just want to make sure…

RUSSIAN ARTISTS AND THE CHILDREN’S BOOK 1890-1992.
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New Vintage Foucault

Peter Mendelsund’s faultless redesigns for the Vintage editions of Foucault

Stunning.

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Something for the Weekend

The Pox and the Covenant — A nice new entry in the “metacover” category from DWG‘s midfield general Jason Gabbert.

Book Publishers Have Reason to Resist Amazon — Columnist John Gapper in the Financial Times (via MobyLives):

The idea that book publishers are failing to act in their own interests because they somehow do not want to serve their customers, or because they do not “get” electronic distribution ignores the business reality they face… In any case, why is it illogical for publishers to defend their own business interests against those of Amazon, which is a public company trying to extend leverage over them to benefit its own shareholders?

Not Saving The Newspaper Business Any Time SoonThe Awl does the math on McSweeney’s gorgeous newspaper project The San Francisco Panorama. Hint: it doesn’t quite add up. Although that’s probably wasn’t the point. (via Sarah Weinman. Who else?).

The 50 Best Comic Book Covers of 2009 at Complex — Something for everyone here, including the wonderful Gorey-esque cover pictured above by Skottie Young (via Veer).

The Tempest Wakens — a short web comic for Tor’s Cthulhu Christmas, by the awesome Teetering Bulb team Kurt Huggins and Zelda Devon.

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A Question

I’ve been staying clear of the publishing shit-storm du jour — Random House’s claim to backlist e-book rights and Stephen Covey’s decision to sell exclusive digital rights to two of his bestselling books to Amazon rather than his traditional publisher Simon & Schuster — because I simply don’t know enough about rights. But, Peter Ginna, publisher and editorial director of Bloomsbury Press, (who should know a thing or two) has a couple of interesting related posts, ‘The E-Book Wars Have Really Begun’ Part 1 and 2, on the issues.

Leaving the specifics of Covey aside (because I just don’t think you can generalize from his position), Peter Ginna doesn’t seem to think Random House has much of a leg to stand on. Nor, for that matter, does Richard Curtis, or the Author’s Guild. And agents are understandably unhappy…

But my question (to someone who does know something about rights) is if e-books remain essentially shovelware and aren’t substantially transforming the original book as edited and designed by the publisher, don’t Random House kind of have a point?

[Before you yell at me — I’m just curious!]

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Midweek Miscellany

Eye, Eye! — The Creative Review looks at the vibrant work of printing studio/small press Nobrow.

It’s an Anagram! — Indigo’s e-book initiative Shortcovers has become ‘Kobo’. Much fuss has been made about the name (and the slightly iffy redesign), but what’s more interesting is that Kobo is being spun-off from its parent company in an attempt to expand its global reach… The intrepid Mark Bertils and PW have more on the international angle; Wired think Amazon should be worried; and The National Post have a good Q&A with Kobo CEO Michael Serbinis…

Collector’s Items — Vote for your favourite Nabokov cover from John Gall‘s set of individually commissioned redesigns for Vintage.

The Decade of Dirty DesignSteven Heller, author of Handwritten and New Vintage Type (to name just a couple) on the “anti-digital” Oughts (via Charles Brock):

With the increase of the D.I.Y. sensibility, with renewed emphasis on “making things from scratch,” designers were feeling a need to make physical (not virtual) contact with their materials and outcomes…

[Perhaps less “anti-digital” than “post-digital“? Any thoughts designers?]

And finally…

ryan-tym

The Hitchcock Collection — a self-initiated project by London-based graphic designer Ryan Tym (via FormFiftyFive):

After recently purchasing a badly designed Alfred Hitchcock
DVD box set, I set to work on creating my own collection of
original covers. Each design features an iconic image related
to the film it represents and includes a bold typographic
title.

I would love to see Ryan design some book covers… Wouldn’t you?

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Monday Miscellany

Kitsune Noir Poster Club — Artists Frank Chimero, Mark Weaver, Jez Burrows, Cody Hoyt and Garrett Vander Leun reinterpret their favourite books as prints for Kitsune Noir . (Frank Chimero’s Slaughterhouse Five is pictured above).

And on the subject of posters…

Penguin US have made the jacket art from Graphic Classic Editions of Moby Dick and White Noise, designed by Tony Millionaire and Michael Cho respectively, available as posters.

From Trolls to Truth — Author Ursula K Le Guin reviews Tove Jansson’s The True Deceivers (available in the US from NYRB Books) for The Guardian:

On the patronising assumption that books for children are nice, ie morally bland and stylistically infantile, critics, reviewers and prize juries often dismiss those who write them as incapable of writing seriously for adults… Anyone familiar with Jansson knows it would be unwise to dismiss her or patronise her work on any grounds. Her books for children are complex, subtle, psychologically tricky, funny and unnerving; their morality, though never compromised, is never simple. Thus her transition to adult fiction involved no great change. Her everyday Swedes are quite as strange as trolls…

Quote/Unquote Bookends designed by Eric Janssen (via SwissMiss).

And lastly…

In my total blogging tardiness, Bookslut (inevitably) beat to the punch on this, but Simon Reynolds column on the music of the decade for The Guardian has so much resonance for books and the book industry:

“The fragmentation of rock/pop has been going on as long as I can remember, but it seemed to cross a threshold this decade. There was just so much music to be into and check out. No genres faded away, they all just carried on, pumping out product, proliferating offshoot sounds. Nor did musicians, seemingly, cease and desist as they grew older; those that didn’t die kept churning stuff out, jostling alongside younger artists thrusting forward to the light. It’s tempting to compare noughties music to a garden choked with weeds. Except it’s more like a flower bed choked with too many flowers, because so much of the output was good. The problem wasn’t just quantity, it was quantity x quality. Then there was the past too, available like never before, competing for our attention and affection. The cheapness of home studio and digital audio workstation recording, combined with the wealth of history that musicians can draw on and recombine, fuelled a mushrooming of quality music-making. But the result of all this overproduction was that “we” were spread thin across a vast terrain of sound.”

(Update: links to Tove Jansson’s The True Deceiver added)

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Something for the Weekend

It’s been a slightly shite week in the book trade this week.

Amidst the plethora of end of year/decade “Best of…” lists and gift guides, it was announced that Kirkus and Editor & Publisher Magazine are going to close (are we surprised? No); B&N’s Nook e-reader turned out to be not be quite as good as it was cracked up to be (are we surprised? No); and Simon & Schuster, Hachette, and HarperCollins upset the usual suspects (for all the usual reasons — only Moby Lives seemed to get that it might be about something else) by announcing their decision to hold back the release of a few e-book editions (are we surprised? No)… Is any of this particularly interesting? No. (Although — for the record — I am grateful to the WSJ‘s Jeffrey A. Trachtenberg  for reporting on the e-book developments, and to indefatigable Largehearted Boy for compiling a comprehensive list of Best of… lists)…

So needless to say, there isn’t much about the book industy in today’s links. Ah well…

Another addition to the weirdly brilliant (or brilliantly weird?) vintage book/pop culture mash-up phenomenon:  Web Services Book Covers by French illustrator Stéphane Massa-Bidal AKA Hulk4598, or Rétrofuturs. They’re sort of like Olly Moss meets Cristiana Couceiro. (First seen at Design You Trust and then just about everywhere else this morning).

The Sixties — Another fantastic new cover by Henry Sene Yee for Picador’s BIG IDEAS // small books series.

Type for the Tube — an interesting history of Edward Johnston’s typeface for the London Underground from its design to current usage.

And finally…

F is For Fail — A really charming “alphabetical odysessy through the creative process” by Brent Barson (via the lovely Aqua-Velvet):

Can I go home yet?

(Have a great weekend!)

3 Comments

Midweek Miscellany

Well, oh shit. Go fuck yourself — The pugnacious George Lois in BlackBook magazine:

The design was the idea. I don’t design, if you know what I mean. If you want Andy Warhol being devoured by his own fame in a can of Cambell’s soup, you just put the can there and you have him drowning in it. Case closed.

You’re knocked down by the idea, and the fact that it’s got complete clarity visually. Don’t complicate it with busy work.

That’s the way I do everything. If I was a doing a magazine, it’s not a question of if I’d be having more white space. It’s a question of every third or fourth spread I’d make a spread that would take your breath away — or piss you off. Or something.

“Yoda” — An interview with Dieter Rams at More Intelligent Life (Thanks Ben S.):

We have enough products. If you look at the market you have ten or 20 coffee makers that basically look all the same, doing all the same thing: they are making coffee. We don’t need 20 of these things, we need one good one.

Less, But Better… Less, But Better… [REPEAT].

The View From TorontoNational Post book critic Philip Marchand (formerly of the Toronto Star) talks to Conversations in the Book Trade:

I’m not sure how much “trouble” literature is in. The age of Tennyson was the last period in literature when “serious” literature found a mass market. Ever since, we’ve had a very small minority of readers for “serious” stuff, and a fairly large audience for thrillers, romance novels, detective novels, and so on. Then there’s the Da Vinci Code phenomenon in which everybody, from your dentist to your car mechanic, is reading a certain book – in order to be able to join in discussions about the book on social occasions, if for no other reason.

Frontmatters — Alex Camlin, Creative Director at Da Capo (interviewed here), has started a blog! Yay Alex!

This is Display! — Another site (along with the Alvin Lustig archive) that probably should have been on yesterday’s list of inspiring websites, Display is a “curated collection of 59 (and growing) important graphic design books, periodicals and ephemera.”

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10 Websites for Vintage Books, Covers and Inspiration

1. A Journey Round My Skull — “Unhealthy book fetishism from a reader, collector, and amateur historian of forgotten literature.”

2. The Art of Penguin Science FictionA comprehensive collection of Penguin sci-fi covers from 1935 onwards.

3. BibliOdyssey“Books… Illustrations… Science… History… Visual Materia Obscura… Eclectic Bookart.”

4. Book (Design) Stories — Felix Wiedler’s incredible collection of modernist design and typography books from Germany and Switzerland 1925–1965.

5. Book Worship — “graphically interesting, but otherwise uncollectible, books that entered and exited bookstores quietly in the 50s, 60s, and 70s”.

6. I Was A Bronze Age BoyComic books, crime fiction and pulp magazines curated by Mark Justice. Awesome name. Awesome blog.

7. Killer Covers of the Week — Pulpy goodness and vintage crime fiction covers expertly curated The Rap Sheet‘s J. Kingston Pierce.

8. The Pelican ProjectThings Magazine‘s collection of Pelican paperbacks organized by decade.

9. Pop Sensation — Rex Parker appraises, critiques and generally ridicules his vintage paperback collection.

10. Spanish Book CoversSpanish pulp: detectives, masked gangsters, pin-ups, skeletons, and zombies! (French language)

AND BONUS! 11. French Book Covers — But not entirely safe for work… It’s French. You have been warned.

Let me know if I’ve missed any other great vintage book cover sites. AND  I’m working on a list of book cover related photostreams and groups on Flickr so please pass on your recommendations! Cheers.

modernist book design in germany and switzerland 1925–1965 (and beyond)

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Rime

Jimmy Turrell‘s book cover illustration for Beat IV: The Rime of the Ancient Mariner, a fully illustrated edition of the Samuel Taylor Coleridge poem published by the Heart Agency to showcase the work of their illustrators. The book, designed by Pentagram, won a D&AD Award for illustration and book design.

(via We Made This)

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