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Tag: new yorker

Midweek Miscellany

Chris Ware’s cover for the latest issue of The New Yorker (via The Ephemerist).

Pop Will Eat Itself — Author Lev Grossman (The Magicians) on automated recommendations:

[Recommendation engines] introduce us to new things, which is good, but those new things tend to be a lot like the old things, and they tend to be drawn from the shallow pool of things other people have already liked. As a result, they create a blockbuster culture in which the same few runaway hits get recommended over and over again. It’s the backlash against the “long tail,” the idea that shopping online is all about near infinite selection and cultural diversity. It has a bad habit of eating its own tail and leaving you back where you started.

The Dark Underside of American LifeThe Observer‘s film critic Philip French on the late Jim Thompson and Michael Winterbottom‘s film adaptation of The Killer Inside Me:

Thompson was a man of the left, a lifelong alcoholic and became closely acquainted with the dark underside of American life, the lonely crowd where petty criminals, low-level cops, conmen and prostitutes rub shoulders… One of Thompson’s critics has called him without disparagement “a dime novel Dostoevsky”…

And finally… Popville, a super stylish pop-up book by Anouck Boisrobert and Louis Rigaud, published by Macmillan (thanks Sio!):

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Missed Things: Thursday

Covers for The Invincible Iron Man No. 20 and 21 by Salvador Larroca and Frank D’Armata, with design by Rian Hughes (seen at the website of the author Matt Fraction). Is it just me, or do these have a whiff of Marber’s Penguin Crime series about them? Or is it more like Olly Moss?

Grey Overcoat Music —  3:AM Magazine‘s Lee Rourke talks to photographer Kevin Cummins about his new book Manchester: Looking for the Light through the Pouring Rain (published by Faber & Faber), which documents 30 years of the Manchester’s music scene. 

The Guardian also has a slide show of  photographs by Cummins (above: Ian Curtis, 1979).

And if you’re interested in Factory Records and the Manchester music scene you might also be interested in The Haçienda: How Not to Run a Club by New Order bassist Peter Hook (published by Simon & Schuster) also reviewed in The Guardian.

The Lost Pleasure of Browsing — Charles Rosen for the New York Review Blog:

I realize that mail order shopping has been going on for a long time, but have always thought that this destroys one of the pleasures of civilized life. I do not understand how one can buy clothes without trying them on, and as for books, the individual book should seduce and inspire you to buy it.

Spelling “Theatre” the British Way — Andy Ross talks to New Yorker page OK’er Mary Norris about copy editing “America’s most prestigious literary magazine” at The Red Room:

The main thing here is to respect the writer. The writers don’t have to do everything we want them to—we make suggestions. The ideal would be to give an editor a proof and have all your suggestions meet with approval. Sometimes you notice that your suggestions have not been taken, so if something bothers you, you try again. Sometimes you wear them down, sometimes you cave.

I have been on both sides of the process, as a writer and as a query proofreader. Being edited sometimes felt like having my bones reset on a torture rack. I don’t ever want to do that to a writer, but I probably have from time to time.

And bless The New Yorker for using double consonants before suffixes — “traveled” is barbaric.

And finally…

Illusive: Contemporary Illustration Part 3 published by Gestalten looks rather fine.

http://blogs.nybooks.com/post/212201723/the-lost-pleasure-of-browsing
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