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Tag: john gall

Midweek Miscellany, November 11th 2009

The Nabokov Collection — Art Director John Gall on the Vintage Nabokov redesign at Design Observer:

Nabokov was a passionate butterfly collector, a theme that has cropped up on some of his past covers. My idea was also a play on this concept. Each cover consists of a photograph of a specimen box, the kind used by collectors like Nabokov to display insects. Each box would be filled with paper, ephemera, and insect pins, selected to somehow evoke the book’s content. And to make it more interesting… I thought it would be fun to ask a group of talented designers to help create the boxes.

John’s short essay is accompanied by a great slide show of the specimen boxes (above: The Luzhin Defense by Paul Sahre; below Speak, Memory by Michael Bierut).

And Joseph at The BDR has a nice follow up post, with a couple of nice vintage Nabokov covers.

So, do the specimen boxes (lovely as they are) work as covers? You tell me…

Amazon releases a Kindle app for PCs. But who cares? Hmm… I don’t know if I ‘care’ as such, but I do think it’s significant. Is it one more nail in the plastic coffin of single use devices? There’s more on the app at the Washington Post

And while we’re on the subject of e-books…

The Internet Isn’t Killing Anything — From Russell Davies:

Something That’s Growing Is Not The Same As Something That’s Big.

Something That’s Declining Is Not The Same As Something That’s Small.

…Worth remembering I think.

Best Illustrated Children’s Books of 2009 — The New York Times choose their favourites (accompanied with a lovely slide show). The New Yorker‘s Adam Gopnik talks about the selection process with Sam Tanenhaus on the Book Review Podcast (pictured above: Tales From Outer Surburbia written and illustrated by the awesome Shaun Tan).

And finally…

A sneak peak at the new Krazy & Ignatz cover by Chris Ware for Fantagraphics.

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Midweek Miscellany, November 4th, 2009

Fluid — John Gall discusses his brilliant cover design for the Vintage edition of Tom McCarthy’s Remainder, which is still one of my favourite novels of the last few years.

Hamilton Wood Type Catalog No.14 (1899-1900) at Unicorn Graphics’ Wood Type Museum. I quietly obsessed with slab-serifs right now so this is like crack (via Draplin Design Co.).

And The Beat Goes On — Sarah Weinman (much missed at GalleyCat) is writing about publishing for AOL’s money and finance news blog DailyFinance.

Gigantic Robot — Awesome cartoonist and illustrator Tom Gauld has a new website (to accompany his excellent Flickr photostream).

BOOM! — PW talks to Mark Waid, Editor-In-Chief of independent comics publisher BOOM! Studios:

We’re great at getting a focused message out. Because we don’t publish eighty comics a month, our inestimable marketing department does a great job of making every title important in the marketplace and every launch an event. We’re also better than the big guys at taking risks because we don’t have stockholders to answer to, or lenders who would call us crazy… We’re very much a writer-driven, idea-driven company. We start with the story first (with a talented writer) and focus on getting that right.

30 Conversations on Design — Designers, including luminaries such as Massimo Vignelli, Erik Spiekermann, Ellen Lupton and Paula Scher, answer two questions: “What single example of design inspires you most?” and “What problem should design solve next?”

Unheimlich — Sam Leith argues for scary kids books in The Guardian (confession: I’m mostly linking to this story so I could type “unheimlich” which — rather disappointingly — means “unhomely” rather than “the act of undoing the heimlich manoeuver”).

And finally…

Dutch Picture Books 1810 – 1950 at BibliOdyssey (above: ‘De Gouden Haan’ by Marietje Witteveen, 1940).

‘De Gouden Haan’ by Marietje Witteveen, 1940
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Midweek Miscellany, September 9th, 2009

Getting Paid by the Joke — Roy Hattersley on Keith Waterhouse, author of Billy Liar, who died last week aged 80:

One of the great lines, spoken in the subsequent film version by Wilfred Pickles playing Billy’s father, combined fury and bewilderment. Why, he demanded to know, had his son told the neighbours that he had only one leg. Billy worked in a dismal office – an ironic tribute to Waterhouse’s first job as clerk to an undertaker. It seemed a step up for the son of a door-to-door vegetable salesmen and a cleaner who had left Osmondthorpe Council School at 15 with an interest in books but no qualifications and few prospects.

When’s That Book Coming Out? — A nice breakdown of the production process by Shelby Peak which explains why it seems to take a long time for books to be released after an author has turned in their final manuscript. Every time I read something like this, I wonder why we don’t hear from publishing professionals more often. It would be great to see publishers explain this kind of thing on their own blogs. (via blog.rightreading)

Spine Out — John Gall has started a blog. Holy fuck.

And — on a related note — there is a nice conversation on Vintage’s The Sun & Anchor blog between designer Peter Buchanan-Smith and photographer Todd Hido about the new Raymond Carver covers (commissioned by John Gall).

Doing the Work — A fascinating interview with Australian book designer Tony Palmer at Caustic Cover Critic:

Sometimes you hear the bigger book publishers described as being like factories – where the work is churned out in a mechanical and unthinking way. It’s never been like that for me at Penguin. The editors, production staff and designers all love their work. But love can be wild and unpredictable. So I’ve dreamt of being a plumber. I like the way water moves on surfaces. I like the fact that there are only four different ways to plumb a house. But book design? Gawd, maybe there’s about 120 right ways to do a good book cover, and there are probably millions of ways to make a bad one.

And finally…

A Master of ReinventionBrad Mackay, director and co-founder of the Doug Wright Awards, reviews David Mazzucchelli’s remarkable Asterios Polyp for The Globe & Mail. The Comics Reporter has a critical reading guide.

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