Skip to content

Tag: Comics

Countryside Terror!

countryside-terror

Tom Gauld.

(Not having seen The Guardian this past weekend, I can only assume that Tom’s cartoon is a reference to this).

Comments closed

Françoise Mouly on Voice

francoise-mouly-photo-sarah-shatz.

Grace Bello interviews the always interesting Françoise Mouly, art director of The New Yorker and founder of Toon Books, for Guernica:

I know what I respond to is a voice. A voice is not just a stylistic thing, but it means someone who really has something to say. I think a lot of what I get from books—whether they be books of comics or books of literature—is a window into somebody’s mind and their way of thinking. I love it when it’s so specific. It’s a new way to look at the world. It’s as if I could get in and see it through their eyes. It also reaches a level of universality because, somehow, I can recognize some of my feelings in seeing somebody who is actually expressing their own inner reality. Even though Flaubert has not been in Madame Bovary’s skin, you do get a sense of what it’s like to be that person. It’s a kind of empathic response when you’re reading it.

Comments closed

Our Journey Will Be Long…

our-journey-will-be-long-tom-gauld

Tom Gauld

Comments closed

Apple Announces Revolution

Jean Jullien

Comments closed

I’ve Been Thinking…

Posting Kim Warp’s Moby Dick cartoon last week reminded me to post this The New Yorker cartoon by Mick Stevens from February:

ive-been-thinking

(There’s probably a New Yorker book Moby Dick Cartoons, isn’t there?)

Comments closed

Happy?

happy

Kim Warp for The New Yorker.

(via This Isn’t Happiness)

1 Comment

Alice’s Allergy List

alices-allergy

Tom Gauld

(Is this Tom’s first Alice in Wonderland cartoon? It can’t be, can it?)

Comments closed

Emory Liu on Design at Fantagraphics

cannon-wallace-wood-design-emory-liu

At Sequart, designer Emory Liu talks about working at Seattle comics publisher Fantagraphics:

My first start in the design world came through designing / screen printing posters, and doing album artwork for bands. I played in a bunch of bands, and starting out, we just ended up having to do a lot of the work ourselves, art included.  I also took design classes at School of Visual Concepts, eventually graduating with an Interdisciplinary Visual Arts degree from University of Washington in 2005. I feel very fortunate to be hired by Fantagraphics, as I had no previous experience designing full books, but just came from a job that heavily depended on InDesign. I think I just had enough experience to pass, and a DIY aesthetic that fit with the other designers… [It’s] interesting, because most of the time we have a ton of creative control. Editorial is usually hands off, and we’re working from scratch, keeping in mind not to overstep the comic artist themselves. A lot of the work is old work being re-released, and just the repackaging of the product with new covers can do wonders, give the book new life. At the same time we’ll get a few titles where we get very little input. Some artists demand complete control, and I’d take the role of facilitator more than designer. As fast as I’d like to get through those, they always end up taking the longest.

Comments closed

The Characters In My New Play

characters-in-my-new-play

Tom Gauld.

Comments closed

Giving Up

giving-up-tom-gauld-1
giving-up-tom-gauld-2
giving-up-tom-gauld-3
giving-up-tom-gauld-4

Tom Gauld for the New York Times.

Comments closed

Reading Posture

Gauld-Cartoon-2-23-690

Tom Gauld for The New Yorker.

Comments closed

Labels

left-handed-scandinavians

I’m pretty sure ALL of these are BISAC codes. (It actually relates to this article in The Guardian)

See more of Tom Gauld’s cartoons here (or, better still, buy his book).

Comments closed