Skip to content

Tag: Comics

Grammar Wars

Grammar Wars Tom Gauld

Tom Gauld for The Guardian.

Comments closed

In A House Besieged: An Illustrated Adaptation

Illustrator Roman Muradov has drawn a beautiful adaptation of Lydia Davis’s (very) short story ‘In a House Besieged’ — originally published in the collection Break It Down (1986) — for The Paris Review:

housebeseiged1-1
housebeseiged2

You can read the rest of the story here.

Comments closed

Poetic Justice

03snider-jumbo

Grant Snider marks National Poetry Month for the New York Times.

Comments closed

Lost Literature

texthunter tom gauld

Tom Gauld on lost literature for The Guardian.

And in related news, Tom’s new book Mooncop will be published by Drawn & Quarterly in September. Can’t wait.

mooncop.casewrap

 

Comments closed

Lead the Autobiographical Novelist to the Literary Prize

autobiographical novelist Tom Gauld

Tom Gauld on Karl Ove Knausgaard for The Guardian.

Comments closed

Cold Comfort Books

160307_a19821-600

Roz Chast for The New Yorker.

1 Comment

Adaptation

why so glum

Tom Gauld for The Guardian

Comments closed

Subscribe Today!

Subscribe Today

Tom Gauld on sexism in history writing for The Guardian.

5 Comments

Mirror by Chris Ware

Cover-Story-Chris-Ware

I have to confess that I frequently find This American Life kind of irritating, but this collaboration with Chris Ware and The New Yorker to create an animated magazine cover is neat:

The animation was done by Ware and John Kuramoto. You can read more about how it came about on The New Yorker culture blog.

Comments closed

The Making of Daniel Clowes

Photograph by Ian Allen
Photograph by Ian Allen

Roberto Ito profiles cartoonist Daniel Clowes, whose new graphic novel Patience is published by Fantagraphics in April, for The California Sunday Magazine, :

At the heart of Patience are questions posed within every time-travel story: If I could go back in time and change the past, would I? What would I try to fix? And how badly would I muck things up? Clowes has had a lot of opportunities to think about those questions of late. For a 2012 retrospective of his work at the Oakland Museum of California, he revisited a lifetime of rough sketches and comics. And the publication of The Complete Eightball prompted him to look at work he did more than two decades ago, back when “we were assholes,” as one artist friend recalls. “Rereading them, it feels like every little thing that’s happened to me in my life, every little thought that’s ever popped into my head, has made it into my comics,” Clowes says, laughing…

…“Even after you achieve a certain level of success, you still are that guy that was toiling in obscurity in your un-air-conditioned apartment in Chicago,” says Eric Reynolds, a longtime friend of Clowes’s and a Fantagraphics editor. In a strip Clowes did for The New Yorker in 2001, a Clowes doppelgänger identifies himself as a screenwriter at a cocktail party. “I dare not tell anyone I’m really a cartoonist,” he thinks to himself. With each new project, Clowes is still plagued by doubts. That’s why he doesn’t show anyone his work until it’s done, he says. “Half of the time I’m like, Well, this is really fun,” he says. “But the other half I’m thinking, I could always just not publish this. I make sure I just do the book before I even try to get any money for it. So I always feel like, worst-case scenario, I could publish ten copies and sell it as a limited edition to my friends.”

Comments closed

Moustache

new yorker subway reading

Will McPhail for The New Yorker.

Comments closed

War and Peace Clickbait

War and Peace Clickbait Tom Gauld

Tom Gauld for The Guardian.

Comments closed