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Notable Book Covers of 2023

At the turn of the year, writer and activist Cory Doctorow coined the term “enshitification.” Although he was specifically describing the process of online services getting worse for users, it was hard not to see it everywhere in 2023.

In his annual look at the year’s best book covers for the New York Times, art director Matt Dorfman recounts a friend describing 2023 as a “year of survival”, a year of “no growth, no withering, just getting by.”

This year saw a centuries-old business contending with rounds of buyouts and layoffs, alongside an endless news cycle involving two brutal wars from which no authors, friends, enemies or strangers were immune from accountability for any unrehearsed sentiment they might voice in passing. Add to this the ongoing concern about how artificial intelligence will affect a business historically dependent upon human creativity — yet through it all, there was still the matter of making books, and their covers, to get on with.

I read Matt’s piece the same day I read an article by Kyle Chayka in the New Yorker about his search for an epochal term to “evoke the panicky incoherence of our lives of late.” The suggestions range from the bland ‘Long 2016,’ to the incredibly ominous-sounding ‘Chthulucene,’ the Lovecraftian ‘New Dark Age,’ and the frankly terrifying and plausible ‘Jackpot’ from William Gibson’s 2014 novel The Peripheral.

This was the context of life and work in 2023.

Matt notes some designers found inspiration in the zeitgeist. He’s not wrong. But, ironically perhaps, I feel less optimistic about the overall picture than he does.

At the risk of repeating what I’ve written in the past couple of years, it’s like we’re stuck in a holding pattern, circling the same design ideas. Trends have stuck around. A lot of covers feel safe. Some of this was the books themselves. I’m not sure exactly how many celebrity memoirs is too many, but I’m pretty sure we reached that point and sailed right past it in 2023. No doubt some of it is sales and marketing departments sanding down all the edges and demanding the tried and true (see Zachary Petit’s alternative best of 2023 piece on killed covers for Fast Company). But I would not be surprised if it designers were just getting caught up in the churn — too many books, too many covers, and too much other stuff to worry about.

Or maybe it’s just me.

One of the themes of the year was nostalgia, which I’m sure can also be put down to the present being pretty fucking awful. It was apparent across almost all genres, including literary fiction, but nowhere more so than in the resurgent supernatural suspense and horror categories. There were creative stylistic mashups with retro vibes, along side fastidious Stranger Things-like homages to the 1980s and Stephen King.

One genuinely pleasant surprise was the number of interesting covers from Canadian publishers this year. They’ve been quietly risk-averse in recent years, so it was nice to see a few bolder design choices getting approved. I was happy to see a Canadian cover was one of the top picks on Literary Hub’s (very, very long) list of the best covers of 2023.  

There were other things to cheer this year too.

Spine continued to give space to designers to talk about their work in a way I’ve never been able to do consistently here. You can find their 2023 cover picks here.

David Pearson started the Book Cover Review, a website for short reviews of book covers.

Zoe Norvell’s I Need A Book Cover, a resource for book cover inspiration as well as place for authors and publishers to connect with designers, also went live.

Steve Leard launched Cover Meeting, a podcast series of in-depth interviews with cover designers (including David and Zoe among others). As Mark Sinclair notes in his piece on book cover design this year for Creative Review, Steve’s conversations shed light on wider concerns in the industry as well as each designer’s individual process. Have a listen if you haven’t already.

Thanks for reading.

The Adult by Bronwyn Fischer; design by Kate Sinclair (Random House Canada / May 2023)

Also designed by Kate Sinclair:

The Annual Banquet of The Gravediggers’ Guild by Mathias Énard; design by John Gall (New Directions / December 2023)

I like John’s cover for Kairos by Jenny Erpenbeck, also published by New Directions, a lot too.

Bariloche by Andrés Neuman; design by Alban Fischer (Open Letter / March 2023)

The Bee Sting by Paul Murray; design by Na Kim (Farrar, Straus & Giroux / August 2023)

Also designed by Na Kim:

Beijing Sprawl by Xu Zechen; design by Andrew Walters (Two Lines Press / June 2023)

Berlin by Bea Setton; design by Emily Mahon; cover image by Nataša Denić (Penguin Books / May 2023)

Also designed by Emily Mahon:

B.F.F. by Christie Tate; design by Ben Wiseman (Avid Reader Press / February 2023)

Blue Hunger by Viola Di Grado; design by Myunghee Kwon (Bloomsbury / March 2023)

Breaking and Entering by Don Gillmor; design by Michel Vrana; photograph by Joe Cohen (Biblioasis / August 2023)

Bright Young Women by Jessica Knoll; design by Kaitlin Kall (Simon & Schuster / September 2023)

Brutes by Dizz Tate; design by Nicole Caputo (Catapult / February 2023)

Caret, Pilcrow and Cedilla by Adam Mars-Jones; design by Jonathan Pelham (Faber / August 2023)

I also really liked Jonny’s cover design for the UK edition of Tremor by Teju Cole, published by Faber.

Cat Prince by Michael Pedersen; design by Gray318 (Little, Brown / July 2023)

The Circle by Katherena Vermette; design by Jennifer Griffiths; art by KC Adams (Hamish Hamilton Canada / September 2023)

Chrysalis by Anna Metcalfe; design by Jack Smyth (Granta / May 2023)

The Complete Works of Álvaro de Campos by Fernando Pessoa; design by Peter Mendelsund (New Directions / July 2023)

The Details by Ia Genberg translated by Kira Josefsson; design Stephen Brayda; illustration Najeebah Al-Ghadban (Harpervia / August 2023)

A Dictator Calls by Ismail Kadare; design by Matt Broughton (Vintage / August 2023)

The Employees by Olga Ravn; design by Paul Sahre (New Directions / February 2023)

Excavations by Hannah Michell; design by Arsh Raziuddin (One World / July 2023)

The Girls’ Guide to Hunting and Fishing by Melissa Bank; design by Annie Atkins (Penguin / May 2023)

Glaciers by Alexis M. Smith; design by Beth Steidle (Tin House / July 2023)

Good Men by Arnon Grunberg; design by Anna Jordan (Open Letter / May 2023)

Greek Lessons by Han Kang; design by Anna Kochman (Hogarth / April 2023)

Hangman by Maya Binyam; design by Alex Merto; art by Belkis Ayón (Farrar, Straus & Giroux / August 2023)

Also designed by Alex Merto:

Hope by Andrew Ridker; design by Tyler Comrie; photograph by Melissa Ann Pinney (Viking / July 2023)

Tyler Comrie’s cover for Time Without Keys by Ida Vitale, published by New Directions, is also very nice.

House Woman by Adorah Nworah; design by Jaya Nicely (Unnamed Press / June 2023)

I have Some Questions for You by Rebecca Makkai; design by Elizabeth Yaffe (Viking / February 2023)

The Illiterate by Ágota Kristóf; design by Oliver Munday (New Directions / April 2023)

Also designed by Oliver Munday:

Island City by Laura Adamczyk; design by Jennifer Heuer (FSG Originals / March 2023)

The Joy of Consent by Manon Garcia; design by Jaya Miceli (Belknap Press / October 2023)

Also designed by Jaya Miceli:

Julia by Sandra Newman; design by Luke Bird (Mariner / October 2023)

Also designed by Luke Bird:

The Last Bookseller by Gary Goodman; design by Kimberly Glyder (University of Minnesota Press / October 2023)

The Librarianist by Patrick DeWitt; design by Allison Saltzman (Ecco / July 2023)

The Love of Singular Men by Victor Heringer; design by Pablo Delcan (New Directions / September 2023)

Lucky Dogs by Helen Schulman; design by Janet Hansen; photograph by Christopher Brand (Knopf / June 2023)

Also designed by Janet Hansen:

Our Migrant Souls by Héctor Tobar; design by Rodrigo Corral (MCD / May 2023)

Poverty by Matthew Desmond; design by Christopher Brand (Crown / March 2023)

Prophet by Helen MacDonald and Sin Blache; design by Dan Mogford; lettering by Martin Naumann (Vintage / August 2023)

Really Good, Actually by Monica Heisey; design by Mumtaz Mustafa; art by Sari Shryack (William Morrow & Co / January 2023)

Ripe by Sarah Rose Etter; design by Natalia Olbinski; art by Angela Faustina (Scribner / July 2023)

The Sea Elephants by Shastri Akella; design by Dave Litman (Flatiron Books / July 2023)

Shy by Max Porter; design by Carlos Esparza (Graywolf / May 2023)

Someone Who Isn’t Me by Geoff Rickly; design by Jesse Reed; art by Jesse Draxler (Rose Books / July 2023)

Sublunar by Harald Voetmann; design by Jamie Keenan (New Directions / August 2023)

Also designed by Jamie Keenan:

The Sullivanians by Alexander Stille; design by June Park (Farrar, Straus & Giroux / June 2023)

Also designed by June Park:

To Battersea Park by Philip Hensher; design by Jo Thomson (Fourth Estate / March 2023)

Tunnel 29 by Helena Merriman; design by Pete Garceau (PublicAffairs / January 2023)

Also designed by Pete Garceau:

The Vunerables by Sigrid Nunez; design by Lauren Peters-Collaer (Riverhead / November 2023)

Also designed by Lauren Peter-Collaer:

While Supplies Last by Anita Lahey; design by David Drummond (Signal Editions / April 2023)

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Book Covers of Note, October 2023

I am lost for words in the face of so much tragedy this month, so I am just going to let the covers speak for themselves. Keep safe.

All The Years Combine: The Grateful Dead in Fifty Shows by Ray Robertson; design by Jason Arias (Biblioasis / November 2023)

The type is Lithops from Velvetyne Type Foundry.

The Annual Banquet of The Gravediggers’ Guild by Mathias Énard; design by John Gall (New Directions / December 2023)

Bathhouse and Other Tanka by Ishii Tatsuhiko; design by Oliver Munday (New Directions / November 2023)

The Book of Ayn by Lexi Freiman; design Nicole Caputo (Catapult / November 2023)

The Dimensions of a Cave by Greg Jackson; design by Kate Jensen / Rodrigo Corral Studio (Farrar, Straus & Giroux / October 2023)

The cover of the UK edition published by Granta was designed by Jamie Keenan.

Dust by Jay Owens; design by Eli Mock (Abrams / November 2023)

Family Meal by Bryan Washington; design by Grace Han (Riverhead / October 2023)

The Future, The Future by Adam Thirlwell; design by Alex Merto (Farrar, Straus & Giroux / October 2023)

Going Infinite by Michael Lewis; design by Pete Garceau (W. W. Norton / October 2023)

Good Men by Arnon Grunberg; design by Anna Jordan (Open Letter / May 2023)

Hope by Andrew Ridker; design by Tyler Comrie (Viking / July 2023)

The Last Bookseller by Gary Goodman; design by Kimberly Glyder (University of Minnesota Press / October 2023)

The Marvels of Youth by Tim Bowling; design by Peter Cocking (Buckrider Books / October 2023)

Menewood by Nicola Griffith; design by Na Kim; art by Anna and Elena Balbusso (MCD / October 2023)

The cover of Hild, the previous book in the series, also features art by the Balbusso twins (design by Charlotte Strick)

Mister Mister by Guy Gunaratne; design by Jack Smyth (Pantheon / October 2023)

Palace of Shadows by Ray Celestin; design by Nathan Burton (Pan Macmillan / October 2023)

Sonic Life by Thurston Moore; design by Michael J. Windsor (Doubleday / October 2024)

Thank You (Falettinme Be Mice Elf Agin) by Sly Stone; design by Rodrigo Corral (Auwa / October 2023)

Vengeance is Mine by Marie Ndiaye; design by Jack Smyth (Quercus Publishing / October 2023)

The cover of the US edition of Vengeance is Mine, published by Knopf, was designed by Jamie Keenan.

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Book Covers of Note, September 2023

Hey. I hope you’re safe and well and caught up on your podcasts, shows, and TBR pile.

I thought this was going to be a short post this month, and then it turned into a long one — or longer than expected at least. I don’t have too much to add to the covers. I’m busy, you’re busy. It’s almost October, literally no one has time for this! But there are some lovely covers this month. There’s a bit autumnal orange and ennui, some nice type, and a couple of Canadian covers (for those keeping count), and a couple of appropriately off-beat ones from our friends at New Directions.*

American Gun by Cameron McWhirter and Zusha Elinson; design by Rodrigo Corral (Farrar, Straus & Giroux / September 2023)

Bright Young Women by Jessica Knoll; design by Kaitlin Kall (Simon & Schuster / September 2023)

The Circle by Katherena Vermette; design by Jennifer Griffiths; art by KC Adams (Hamish Hamilton Canada / September 2023)

Creep by Myriam Gurba; design by Clay Smith (Avid Reader Press / September 2023)

Disruptions by Steven Millhauser; design by Janet Hansen (Alfred A. Knopf / August 2023)

Fear by Robert Peckham; design by Tom Etherington (Profile / September 2023)

Goth by Lol Tolhurst; design by Timothy O’Donnell (Quercus Publishing / September 2023)

This whole thing is ridiculously in my wheelhouse. The cover photo is by the author (of course!), and there’s a fun note about trying to source the type in Timothy’s Instagram post about the design.

Grand Tour by Elisa Gonzalez; design by Na Kim (Farrar, Straus & Giroux)

I’m not sure it was the intention, but I like the trippy film title / goth art project quality of this.

How I Won a Nobel Prize by Julius Taranto; design by Lucy Kim (Little Brown & Co / September 2023)

The Lights by Ben Lerner; design by David Pearson (Granta / September 2023)

Hopefully you’ve all had chance to listen to David on the Cover Meeting podcast by now. It’s really good!

The cover of the US edition published by FSG was designed by Thom Colligan. It’s interesting that they’re similar and yet different. I wonder if it was brief or just a creative coincidence?

The Love of Singular Men by Victor Heringer; design by Pablo Delcan (New Directions / September 2023)

Love the red type on green.

Monstrilio by Gerardo Sámano Córdova; design by Alex Merto (Zando / March 2023)

This gives me decidedly 1990’s New York publishing vibes.

Starter Villain by John Scalzi; cover art by Tristan Elwell (Tor / September 2023)

This just makes me think of a corporate Behemoth.

Time Without Keys by Ida Vitale; design by Tyler Comrie (New Directions / September 2023)

We Measure the Earth With Our Bodies by Tsering Yangzom Lama; design by Mia Kwon; illustration by Grace J Kim (Bloomsbury / September 2023)

This is the paperback cover. Mia also designed the jacket of the hardcover published last year.

Wound by Oksana Vasyakina; design by Nicole Caputo; art by Jenny Barron (Catapult / September 2023)

The Wren, The Wren by Anne Enright; design by Kate Sinclair; art by Darek Grabus (McClelland & Stewart / September 2023)

I’m sure I’m not the only one to get Edward Hopper vibes from this cover.

The cover of the UK edition was designed by Suzanne Dean with a cover illustration by Anna Morrison.

*A bit of admin from last month: I finally managed to spend some time browsing a bookstore and I was able to ascertain that the cover of the US edition of Bridge by Lauren Beukes was designed by Kirin Diemont. Apologies to Kirin for not crediting her at the time in last month’s post. It’s updated now)

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Cover Meeting

Cover Meeting is a new book cover design podcast hosted by British designer Steve Leard.

Steve has recorded eight episodes for the first season, with a new episode released each week, and a second season planned for 2024.

The first episode, released earlier this month, is a wide-ranging conversation with David Pearson. David discusses his time at Penguin, working freelance, the issues of low pay in the industry, as well as his design process and the challenges of creating interesting work.

Links to download the podcast can be found here.

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Book Covers of Note, August 2023

I hope you’re safe and well wherever you are. What do we have this month? A few British covers for a change, a bit of Canadian content, a couple of indie presses, and even something from a university press, not to mention covers from all the usual suspects. Enjoy!

Anam by André Dao; design by Tiana Dunlop (Pan Macmillan / August 2023)

The Apartment by Ana Menéndez; design by Jaya Miceli (Counterpoint / June 2023)

The Bee Sting by Paul Murray; design by Na Kim (Farrar, Straus & Giroux / August 2023)

Breaking and Entering by Don Gillmor; design by Michel Vrana; photograph by Joe Cohen (Biblioasis / August 2023)

Bridge by Lauren Beukes; design by Lauren Wakefield (Penguin / August 2023)

Lauren also designed the cover of Afterland by Lauren Beukes which was on my list of notable covers back in 2020.

I like the cover of the US edition of Bridge published by Mulholland Books too. Let me know if you know who designed it and I’ll add in the credit! It was designed by Kirin Diemont.

Caret by Adam Mars-Jones; design by Jonathan Pelham (Faber / August 2023)

Jonny also re-designed the previous books in this series to match. They’re a lovely set that somehow feel very British, and very Faber. They sort of remind me of postwar pub signs and vintage lettering on canal barges. Anyway, I like them a lot.

A Dictator Calls Ismail Kadare; design by Matt Broughton (Vintage / August 2023)

(If anyone at PRH in the UK would like to send me a higher quality image, I’d be happy to replace the not quite sharp one above)

The cover of the US edition of A Dictator Calls, available from Counterpoint next month, was designed by Farjana Yasmin.

Everything / Nothing / Someone by Alice Carriere; design by Strick and WIlliams (Spiegel & Grau / August 2023)

Hangman by Maya Binyam; design by Alex Merto; art by Belkis Ayón (Farrar, Straus & Giroux / August 2023)

Happiness Falls by Angie Kim; design by Cassie Gonzales (Hogarth / August 2023)

The Heaven and Earth Grocery Store by James McBride; design by Lauren Peters-Collaer (Riverhead / August 2023)

I love the colour palette of this one. The lettering is fun too.

Learned by Heart by Emma Donoghue; design by Lucy Kim (Little Brown and Company / August 2023)

I wonder if there is a post in book covers with dots? Maybe even one of dots in circle pattern? that might be a bit niche…

Lost Believers by Irina Zhorov; design by Emily Mahon (Scribner / August 2023)

Another nice palette / lettering combo.

Manor on the Viridian Sea by Eleanor P. Sam; design by Dorian Danielsen (Isalea Publishing / August 2023)

My Name is Iris by Brando Skyhorse; design by Richard Ljoenes (Avid Reader Press / August 2023)

Prophet by Helen MacDonald and Sin Blache; design by Dan Mogford; lettering by Martin Naumann (Vintage / August 2023)

Sublunar by Harald Voetmann; design by Jamie Keenan (New Directions / August 2023)

Hilarious,

Trialectic by Peter A. Alces; design by Jenny Volvovski (University of Chicago Press / August 2023)

Triangles are my favourite shape.

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Two Designers, Two Covers

Lit Hub has posted an interesting conversation between designers Pablo Delcan and Jamie Keenan. Nominally it’s a discussion of their respective US and UK covers for Ingrid Robeyns’s Limitarianism: The Case Against Extreme Wealth, but the best stuff is about the way they work and the job itself.

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‘To Be Read’ by Tom Gauld

Tom Gauld for The Guardian.

My ‘to be read’ wall feels particularly bad at the moment. I did, however, read an ARC of She’s a Killer by Kirsten McDougall on vacation, which is fun if you like an unreliable narrator who is not quite a genius, but very possibly a sociopath (and has an imaginary friend).

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Book Covers of Note, July 2023

Even though it’s still just about July — a supposedly “quiet” month in publishing — I’m running late once again. Hopefully everyone is on vacation and won’t notice that it’s basically August already and I am here sliding in under the wire. There are some great covers this month though. A bit of collage, some really nice typography, and lots of pink and red. Enjoy!

The Absolutes by Molly Dektar; design by Yeon Kim (Mariner / July 2023)

I like this cover a lot, but I’m shamelessly stealing it from Lit Hub’s most recent book cover round-up (a benefit of being last to post!), so I hope the design credit is correct because I couldn’t verify it before posting!

Beijing Sprawl by Xu Zechen; design by Andrew Walters (Two Lines Press / June 2023)

I had this noted as down as July cover, but the book was actually released in June. The cover of the Two Lines Press edition of Running Through Beijing by Xu Zechen has also been re-designed to match.

The Black Eden by Richard T. Kelly; design by Robbie Porter (Faber & Faber / July 2023)

Cat Prince by Michael Pedersen; design by Gray318 (Little, Brown / July 2023)

Jon’s design for Michael’s previous book Boy Friends, which features an illustration by Nathaniel Russell, was on last year’s notable book cover list.

The Complete Works of Álvaro de Campos by Fernando Pessoa; design by Peter Mendelsund (New Directions / July 2023)

Counterweight by Djuna; design by Tal Goretsky (Pantheon / July 2023)

Do Tell by Lindsay Lynch; design by Emily Mahon; illustration and lettering by Studio Martina Flor (Doubleday / July 2023)

Excavations by Hannah Michell; design by Arsh Raziuddin (One World / July 2023)

This reminded me of the 2017 cover of Smoke by Dan Vyleta designed by Mark Abrams with an illustration by the late Colombian artist Alejandro García Restrepo who passed away last month.

The Librarianist by Patrick DeWitt; design by Allison Saltzman (Ecco / July 2023)

Nothing Special by Nicole Flattery; design by Katya Mezhibovskaya (Bloomsbury / July 2023)

Ripe by Sarah Rose Etter; design by Natalia Olbinski; art by Angela Faustina (Scribner / July 2023)

I love pretty much everything about this cover.

Screwjack by Hunter S. Thompson; design by Math Monahan (Simon & Schuster / July 2023)

The Sea Elephants by Shastri Akella; design by Dave Litman (Flatiron Books / July 2023)

Silver Nitrate by Silvia Moreno-Garcia; design by Regina Flath (Del Rey Books / July 2023)

I think this delivers just about everything you want from a horror / thriller cover.

Someone Who Isn’t Me by Geoff Rickly; design by Jesse Reed; art by Jesse Draxler (Rose Books / July 2023)

The Stolen Coast by Dwyer Murphy; design by Dave Litman (Viking / July 2023)

A Thread of Violence by Mark O’Connell; design by Jack Smyth (Granta / July 2023)

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Book Covers of Note, June 2023

Hey, I hope you are keeping safe and well. There’s a wide variety of styles this month, but pink, yellow and orange are something of a minor theme (although since writing this I’ve actually removed one of the covers that combined bright pink and yellow because the book isn’t out until September — you’ll see it in a couple of months).

I think we’re also starting to see a potential new trend with photographic covers for fiction. I don’t have the vocabulary to neatly identify the style of photography I mean (sorry photography people — I mostly studied paintings in school!), but it’s basically contemporary colour photographs of candid, and sometimes intimate, social moments. It’s different, if adjacent, to the more posed ‘stylish sad girl’ phenomenon, or the use of black and white photography for ‘serious’ literary fiction I think. Anyway, maybe it’s a thing? Time will tell…

American Ending by Mary Kay Zuravleff; design by Laura Williams; illustration by Nora Ayoagi (Blair / June 2023)

I feel like there should be more blackletter on book covers. Why isn’t this more a thing?

Bellies by Nicola Dinan; design by Beci Kelly; photograph by Bobby Doherty (Transworld / June 2023)

Cacophony of Bone by Kerri ní Dochartaigh; design by Rafi Romaya; illustration by Vasilisa Romanenko (Canongate / May 2023)

Forgiving Imelda Marcos by Nathan Go; design by Eric Fuentecilla (Farrar, Straus & Giroux / June 2023)

House Woman by Adorah Nworah; design by Jaya Nicely (Unnamed Press / June 2023)

Kairos by Jenny Erpenbeck; design by John Gall (New Directions / June 2023)

La Tercera by Gina Apostol; design by Jaya Miceli (Soho Press / May 2023)

Lucky Dogs by Helen Schulman; design by Janet Hansen; photograph by Christopher Brand (Knopf / June 2023)

The Memory of Animals by Claire Fuller; design by Beth Steidle; art by Lisa Ericson (Tin House / June 2023)

I was wondering why the weirdly wonderful art seemed familiar and then I remembered that the cover of Lisa Wells’ nonfiction book Believers designed by Na Kim also makes use of Lisa Ericson painting…

I know I say everything gives me Annihilation vibes but Lisa Ericson’s art definitely gives me Annihilation vibes. And speaking of weird Vandermeer vibes…

The Mountain in the Sea by Ray Naylor; design by Alex Merto; illustration by María Jesús Contreras (Picador US / May 2023)

Paved Paradise by Henry Grabar; design by Ben Wiseman (Penguin / May 2023)

Ponyboy by Eliot Duncan; design by Luke Bird (Footnote Press / June 2023)

The cover of the US edition of Ponyboy, published by W.W. Norton this month, was designed by Richard Ljoenes. The cover photo is by Maria Molchanova.

The Rachel Incident by Caroline O’Donoghue; design by Nico Taylor; photograph by Ewen Spencer (Little Brown UK / June 2023)

The cover of the US edition of The Rachel Incident, published by Knopf, was designed by John Gall. The painting is by Gideon Rubin.

The UK cover also reminded me of the UK cover of Young Mungo by Douglas Stuart designed by Stuart Wilson which features a Wolfgang Tillmans photo.

(Oh and if anyone can tell me who designed and illustrated the Australian cover for The Rachel Incident — which is completely different again — I will be happy to add it in!)

Run Baby Run by Melissa Lenhardt; design by Olga Grlic (Graydon House / June 2023)

Soviet Self-Hatred by Eliot Borenstein; design by Philip Pascuzzo (Cornell University Press / June 2023)

Where I Slept by Libby Angel; design by W.H. Chong; photograph by Konrad Winkler (Text / May 2023)

Text have also just published a collection of W.H. Chong’s drawing and paintings called Portraits, which includes portraits of some designers you might recognize

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Nighthawks at the Library by Tom Gauld

Tom Gauld for The Guardian.

(Is this a Semisonic joke as well as an Edward Hopper one? Or am I just showing my age?)

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Book Covers of Note, April 2023

Hey, I hope you’re safe and well wherever you are. Here’s this month’s covers post.

All the Houses I’ve Ever Lived In by Kieran Yates; design by Holly Ovenden (Simon & Schuster / April 2023)

Ballast by Quenton Baker; design by Jamie Kerry (Haymarket / April 2023)

Birchers by Matthew Dallek; design by Alex Camlin (Basic Books / March 2023)

Blue Hunger by Viola Di Grado; design by Myunghee Kwon (Bloomsbury / March 2023)

You can read about Myunghee Kwon‘s design process for the cover of Blue Hunger at Spine Magazine.

The cover for the UK and Australian edition of Blue Hunger, published by Scribe, was designed by Luke Bird (and thank you to Guy Ivison at Scribe for providing the design credit). It’s an interesting contrast I think:

Before We Were Innocent by Ella Berman; design by Colleen Reinhart (Berkley Books / April 2023)

Unfortunately I can’t read the title of this book without thinking of this…

Dr. No by Percival Everett; design by Jamie Keenan (Influx Press / March 2023)

Greek Lessons by Han Kang; design by Anna Kochman (Hogarth / April 2023)

The Illiterate by Ágota Kristóf; design by Oliver Munday (New Directions / April 2023)

This made me think of Joan Miró drawings.

Ninth Building by Zou Jingzhi; design by Eric C. Wilder (Open Letter / April 2023)

Romantic Comedy by Curtis Sittenfeld; design by Cassie Gonzalez (Random House / April 2023)

The cover of the UK edition of Romantic Comedy, published by Transworld, was designed by Richard Ogle.

Soft Animal by Meenakshi Reddy Madhavan; design by Ahlawat Gunjan (Penguin India / April 2023)

Tell Me an Ending by Jo Harkin; design by Jaya Miceli (Scribner / January 2024)

While Supplies Last by Anita Lahey; design by David Drummond (Signal Editions / April 2023)

You can see the images David combined for this cover here.

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Book Covers of Note, March 2023

I hope you’re keeping safe and well. There’s quite a nice mix of covers this month (I think?). There’s some fiction, nonfiction, and poetry. Some paperbacks and some hardcovers. Inevitably there are books from the big folks in NYC, but there’s also some indie titles, and a couple of covers from the UK. There is even some Canadian content for those of you who care about that sort of thing.1

Bariloche by Andrés Neuman; design by Alban Fischer (Open Letter / March 2023)

Checkout 19 by Claire-Louise Bennett; design by Stephanie Ross (Riverhead / February 2023)

Does this qualify for the ‘well-dressed and distressed’ trend? Or is this more like an ‘everyone is tired’ thing?

The cover of the hardback edition of Checkout 19 published last year was designed by Jaya Miceli with art by Kristine Moran.

Commitment by Mona Simpson; design by Kelly Blair; art by Lee Heinen (Knopf / March 2023)

Crying Wolf by Eden Boudreau; design by Michel Vrana (Book*hug Press / March 2023)

The Flowers of Buffoonery by Osamu Dazai; design by Rodrigo Corral (New Directions / March 2023)

This is the third Rodrigo Corral cover for New Direction’s editions of Dazai. I’m curious — can anyone can tell me the typeface? UPDATE: it’s not a typeface, it’s lettering! Thanks to Erik at New Directions for letting me know (and for sending the final cover)!

Oh and if you’re curious about the enduring popularity of Dazai (who died in 1948), Andrew Martin wrote a piece about it for the the New York Times.

Halal Sex by Sheima Benembarek; design by Jennifer Griffiths (Viking Canada / March 2023)

Hospital by Han Song; design by Will Staehle (Amazon Crossing / March 2023)

Island City by Laura Adamczyk; design by Jennifer Heuer (FSG Originals / March 2023)

The Natural Hustle by Eva H.D.; design by Talia Abramson (McClelland & Stewart / March 2023)

Now I Am Here by Childi Ebere; design by Lucy Scholes; illustration by Ben Wiseman; type by Matt Willey (Picador / March 2023)

Poverty by Matthew Desmond; design by Christopher Brand (Crown / March 2023)

Spilt Milk by Amy Beashel; design by Emma Rogers (HarperCollins / March 2023)

To Battersea Park by Philip Hensher; design by Jo Thomson (Fourth Estate / March 2023)

Can this start a dogs on book covers trend?

Trace Evidence by Charif Shanahan; design by Beth Steidle (Tin House / March 2023)

If one of the fine folks at Tin House would like to send me a higher quality image, I’ll be glad to add it in! Thanks to the fine folks at Tin House for sending over the cover!

Voyager by Nona Fernández; design by Kapo Ng (Graywolf Press / February 2023)

The Woman with the Cure by Lynn Cullen; design by Vikki Chu (Berkley / February 2023)

Zig-Zag Boy by Tanya Frank; design by Emma Pidsley (William Collins / March 2023)

The cover of the US edition of Zig-Zag Boy, published by W. W. Norton this month, was designed by Alicia Tatone with art by Pedro Covo.

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