Skip to content

Tag: art

Something for the Weekend

New Directions celebrates its 75th anniversary in 2011 and to mark the occasion, creative director at large Rodrigo Corral commissioned illustrator Felix Sockwell to redesign their iconic colophon by Heinz Henghes.  Sockwell writes about the redesign process (and vomiting!) here (via MobyLives).

Drowned in Sound — You have a few days left to listen to the BBC Radio adaptation of J.G. Ballard’s The Drowned World.

Rewiring — Peter Cocking, art director at Douglas & McIntyre, on designing a new cover for Johanna Skibsrud’s debut novel The Sentimentalists, winner of the Giller Prize and first published by artisan publisher Gaspereau Press:

I felt that the existing cover was to some extent a brand for the book — it appeared in the media quite a bit. It’s different from what we would do in that it’s — and I mean no disrespect to Andrew [Steeves, co-publisher of Gaspereau Press] — but it’s a more literary small-press treatment. It’s very appropriate to the way they publish the book, but it was clear, of course, that we were going to try and push this out into the marketplace in a much wider way. So it seemed to me that the idea was to take what they had, because people might remember this as the cream-yellow book with the solider, and make it a little more contemporary, trade-friendly, a little more aggressive as it were. It wasn’t so much a design from scratch, the way I would normally approach a novel. The way I would describe it is I didn’t build the house, I repainted it, did some new wiring.

And finally…

Jonathan Safran Foer’s “unmakeable” book Tree of Codes published by Visual Editions and printed by Belgian publisher and printer Die Keure, seen at Fast Company.
Comments closed

Type Case

Martin Bircher’s oddly hypnotic art installation Type Case uses a printers’ type case and 125 LED lights to display the latest headlines:

There’s more about the project here.

1 Comment

Gastrotypographicalassemblage

Over the last month, Kemistry Gallery in London has been exhibiting the work of legendary designer Lou Dorfsman, art director for the CBS network. The exhibition, which closes at the end of the October, centres on Dorfman’s most famous creation, the 11 metre wide handmade wooden typographic wall Gastrotypographicalassemblage. With custom type created by Herb Lubalin and Tom Carnase, it contains almost 1500 individual characters:

Comments closed

This Must Be the Place

BYUN is the first film in a series called This Must Be the Place by Lost & Found. The series explores the idea of home — what makes them, how they represent us, and why we need them.  I can’t wait to see the rest of the series…

(via Coudal)

1 Comment

Homage to the Square

A short documentary about the artist and educator Josef Albers, author of the seminal Interaction of Color and widely regarded as the father of modern colour theory:

The film is the first part of ‘The Full Spectrum’ a three-part series on colour produced earlier this year by Dwell Magazine.

(via Swiss Legacy)

Comments closed

The Gutenberg Variations

Beautiful paintings of books and bookshelves by artist Stanford Kay:

(via This Isn’t Happiness)

1 Comment

Images and Words

Photographer Steve McCurry, best known for his iconic National Geographic portrait ‘Afghan Girl’, recently posted two sets of beautiful photographs on his blog of people reading books. Publishing Perspectives spoke to McCurry about the ongoing project:

As a photographer, McCurry is always on the hunt for the “unguarded moment,” that slice of time that reveals something personal and honest. “I have another gallery of people sleeping and of couples interacting. There’s an intimacy people have with a book and its author that is similar,” he says, adding. “We’re all different and we’re all the same. It amuses me that whether you’re fabulously rich and sophisticated or you happen to be someone on the street in the third world or a classroom in some remote area, reading is all the same act. It’s a common link in our shared humanity, a thing we all do that is regardless of where we are economically or socially.”

The first selection of McCurry’s photographs of readers, titled ‘Fusion: The Synergy of Images and Words’, can be seen here. The second set is here.

Comments closed

Midweek Miscellany

Jardin de la Connaissance —  Berlin-based landscape architect Thilo Folkerts and artist Rodney Latourelle used 40,000 reclaimed books to create a ‘Garden of Knowledge’ for the 11th International Garden Festival in Grand-Métis, Quebec (via Kitsune Noir).

A History of Print Culture — Assistant Professor of Media Culture,  C.W. Anderson,  provides his annotated syllabus for a print history course at CUNY in The Atlantic (thx Jamie):

The primary goal of this class is to teach students about the culture of “print media” in an era when that culture is being joined (and in some cases, overtaken) by a culture that we might variously call digital culture, online culture, or the culture of the web. What does “print” mean in our digital age? And what does “culture,” mean, for that matter? By culture I mean something that is not reducible to “economics,” “technology,” “politics,” or “organizations” — although culture emerges out of the nexus of these different factors, and others.  In other words, I want to disabuse my students of the notion that new technologies or new economic arrangements can create digital or print culture in the same way that a cue ball hits a billiard ball on a pool table.

Also in The Atlantic10 Reading Revolutions Before E-Books by Timothy Carmody.

Knowledgeable Criticism — An interesting interview with Fred Brooks, computer scientist and author of The Mythical Man-Month, for Wired magazine:

Great design does not come from great processes; it comes from great designers… The critical thing about the design process is to identify your scarcest resource. Despite what you may think, that very often is not money.

And finally…

When You Don’t Know You Are Breaking the Rules… Eli Horowitz, managing editor of McSweeney’s, interviewed for Scotland on Sunday (via the indefatigable  Largehearted Boy):

At the heart of McSweeney’s success is the huge amount of care and attention which goes into producing each book, ensuring that the jacket design and layout complement the words inside the covers. Though Horowitz believes there is a McSweeney’s aesthetic he is struggling to put into words what it is. “There’s a notion of old-fashioned story-telling and a compelling plot combined with an innovative literary impulse – when we’ve had those ingredients that’s when we’ve done our best works.”

Comments closed

The Ark

Created by Rintala Eggertsson Architects, Ark is a free-standing wooden tower accessed by a spiral case that connects two floors of the Victoria and Albert Museum in London. The façades of the tower consist of hundreds of shelves, holding thousands of books, which visitors can browse. The books can be read in private chambers within in the structure.

The tower is part of the ‘1:1 — Architects Build Small Spaces’ exhibition at the V&A, which runs until the end of this month. In this V&A video, the architects talk about their practice, the book tower and its installation:

(via Apartment Therapy)

1 Comment

Up There

Up There is a beautiful 12-minute documentary about hand-painted advertising in New York by Malcolm Murray (sponsored by Stella Artois).

It has nothing to do with books — unless you happen to consider print another fading tradition — but I wanted to share it nevertheless:

UP THERE from Jon on Vimeo.

1 Comment

Q & A with Peter Mendelsund and Tom McCarthy

In the early days of The Casual Optimist I scribbled out a short list of book designers I wanted to interview. More designers have been added since then, but a few of the original list remain un-interviewed. At the top of the list has been the name I actually wrote down first: Peter Mendelsund.

As Senior Designer at Knopf, Mendelsund’s designs feature here regularly. Much as I love his covers, however, Peter has been interviewed extensively elsewhere. I just haven’t known how to approach his work in a way that he would find interesting.

That was until I saw the shockingly subversive jacket design for Tom McCarthy‘s new novel “C”. The pairing of Mendelsund, the designer who is a musician, and McCarthy, the author who is an artist, was — it seemed to me — inspired.

A perfect opportunity…

What follows is primarily an interview with Peter about that design for “C”. But over the course of a few emails, Peter and I both decided to bring Tom into the conversation. I had met Tom shortly after the release of his debut novel Remainder and Peter had, it transpired, met Tom in New York after Knopf had signed “C”. It made sense to both of us.

It is a long, but absolutely fascinating exchange. Peter kindly answered my questions more fully than I had any right to expect and Tom, who was contributing from Stockholm, was more than gracious in less than ideal circumstances. I’m grateful to them both.

7 Comments

The Third & The Seventh

I’m fairly certain that every architect and designer on the planet has seen Alex Roman’s artful short film The Third & The Seventh already. But I haven’t seen it mentioned on any book blogs as yet, and so for the benefit of other architecturally-inclined book nerds who may not have caught it, I thought I would share it here (although you really should go and watch it in full-screen HD at Vimeo).

Even though it is apparently a full-CG animated piece, the film beautifully captures the light and elegance of the architectural space, and yes, there are even a few books in it…

There is an interview with the filmmaker about the film at Motionographer.

1 Comment