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Category: Comics

Adaptation

why so glum

Tom Gauld for The Guardian

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Tom Gauld on sexism in history writing for The Guardian.

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Mirror by Chris Ware

Cover-Story-Chris-Ware

I have to confess that I frequently find This American Life kind of irritating, but this collaboration with Chris Ware and The New Yorker to create an animated magazine cover is neat:

The animation was done by Ware and John Kuramoto. You can read more about how it came about on The New Yorker culture blog.

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The Making of Daniel Clowes

Photograph by Ian Allen
Photograph by Ian Allen

Roberto Ito profiles cartoonist Daniel Clowes, whose new graphic novel Patience is published by Fantagraphics in April, for The California Sunday Magazine, :

At the heart of Patience are questions posed within every time-travel story: If I could go back in time and change the past, would I? What would I try to fix? And how badly would I muck things up? Clowes has had a lot of opportunities to think about those questions of late. For a 2012 retrospective of his work at the Oakland Museum of California, he revisited a lifetime of rough sketches and comics. And the publication of The Complete Eightball prompted him to look at work he did more than two decades ago, back when “we were assholes,” as one artist friend recalls. “Rereading them, it feels like every little thing that’s happened to me in my life, every little thought that’s ever popped into my head, has made it into my comics,” Clowes says, laughing…

…“Even after you achieve a certain level of success, you still are that guy that was toiling in obscurity in your un-air-conditioned apartment in Chicago,” says Eric Reynolds, a longtime friend of Clowes’s and a Fantagraphics editor. In a strip Clowes did for The New Yorker in 2001, a Clowes doppelgänger identifies himself as a screenwriter at a cocktail party. “I dare not tell anyone I’m really a cartoonist,” he thinks to himself. With each new project, Clowes is still plagued by doubts. That’s why he doesn’t show anyone his work until it’s done, he says. “Half of the time I’m like, Well, this is really fun,” he says. “But the other half I’m thinking, I could always just not publish this. I make sure I just do the book before I even try to get any money for it. So I always feel like, worst-case scenario, I could publish ten copies and sell it as a limited edition to my friends.”

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War and Peace Clickbait

War and Peace Clickbait Tom Gauld

Tom Gauld for The Guardian.

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David Bowie’s Forgotten Non-Fiction Books

David Bowie Non-Fiction Tom Gauld

Tom Gauld for The Guardian.

(And, on a related note, if you are looking for Bowie links, Daniel Benneworth-Gray is compiling a list)

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Some Murder Methods for Modern Mystery Writers

modern murder methods Tom Gauld

Tom Gauld for The Guardian.

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#Alchemists

alchemists tom gauld

Tom Gauld for The New Scientist. 1

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Update

too tired

Pretty much.

YA covers for 2015 coming soon.

(Cartoon by Bruce Eric Kaplan for The New Yorker)

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Reminiscing About the 1960s

1960s Tom Gauld

Tom Gauld for The Guardian.

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Penguin Short Stories

Penguin book of the British Short Story Tom Gauld

Cor Blimey! Tom Gauld for The Guardian.

And, if you’re curious, the rather splendid covers for the actual two volumes of The Penguin Book of the British Short Story were designed by Matthew Young:

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Super Science Friends

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It has been an undeniably grim few days, but if you’re looking for a moment of light-relief, take 15 minutes and watch the brilliant (and joyously silly) ‘Super Science Friends’pilot episode. Successfully kickstarted November 2014, ‘Super Science Friends’ was created by Brett Jubinville, and animated by Toronto-based  Tinman Creative. It features a team of time-travelling super scientists led by Winston Churchill who travel through time to fight Nazis, Soviet zombie cosmonauts, and all manner of evil science villains:

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