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Raincoast

Raincoast Spring Books

by Dan on December 5, 2011

I was out west for the Raincoast Books spring 2012 sales conference last week. Sadly I didn’t get to see much of Vancouver or catch up with half the people I meant to, but I did get to hear about a lot of great new books including one about building (and losing) an android Philip K. Dick. It’s non-fiction. Thanks Henry Holt!

Henry Holt also have a new novel by Herta Mueller, winner of the Nobel Prize in 2009, called The Hunger Angel, and the latest from John Banville’s alter-ego Benjamin Black, Vengeance.

Picador are publishing a collected edition of Edward St. Aubyn’s Patrick Melrose trilogy in January — the first time they’ve all been properly available in the US I believe — to coincide with the US edition of his new book At Last (Farrar, Strauss & Giroux). They also have a collection of essays by Siri Hustvedt, Living, Thinking, Looking.

While there was nothing on the list quite of the magnitude of this season’s long-awaited Saul Bass: A Life in Film and Design, there are a few art and design titles that caught my eye. Princeton Architectural Press are publishing Woodcut, a book of beautiful prints by artist Bryan Nash Gill (you have surely have seen his work even if you don’t recognise the name immediately) and Up on the Roof, a collection of photographs by Alex MacLean of New York’s hidden rooftop spaces. They are also publishing a long overdue paperback edition of Michael Bierut’s Seventy-Nine Short Essays on Design, and a paperback edition of the beautiful, if overlooked, Typography Sketchbooks by Steven Heller and Lita Talarico. Lawrence King are publishing a new book on the history of picture books, Children’s Picturebooks: The Art of Visual Storytelling by Martin Salisbury and Morag Styles,  and a new edition of The End of Print by David Carson.

On the comics side, Drawn & Quarterly are publishing Jerusalem: Chronicle from the Holy City, the latest travelogue from Guy Delisle who previous books include The Burma Chronicles, Pyongyang and Shenzhen. D+Q are also publishing a new edition of Chester Brown’s controversial, scatological and long out-of-print comic Ed The Happy Clown.

I’m also looking forward to finally seeing more of Baby’s in Black: Astrid Kirchherr, Stuart Sutcliffe, and The Beatles in Hamburg by Arne Bellstorf which is being published by First Second in April (I just wish they’d gone in a different direction with the typography on the cover — the German and UK edition’s  have lovely swooping hand-drawn lettering).

And lastly — because I am big nerd and recently finished his earlier book Batman Unmasked – I’m excited about Will Brooker’s Hunting the Dark Knight: Twenty-First Century Batmanwhich is being published by I. B. Tauris in July.

Now, back to the Toronto grindstone…

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Address Change

by Dan on November 7, 2011

If you’re in the habit of sending me catalogues or review copies, it is time to update your address books — please drop me a line  and I will send you the details.

And, yes, sadly I am losing the view.

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Laurence King on the Future of Design Publishing

August 9, 2011

In a great interview for Design Observer, UK publisher Laurence King discusses the future of design publishing with Mark Lamster: Illustrated book publishers, and in particular art publishers, need bookshops to survive, especially the increasingly rare specialist ones where there are discerning buyers who understand art, architecture and design. I think that these need to be treated [...]

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Richard Price Paperbacks | Henry Sene Yee

July 18, 2011

Columbine and A Wall in Palestine: cover designs by Henry Sene Yee Henry Sene Yee is a designer and art director at Picador USA. The very of his best work (and all of it is good) — his cover designs for Columbine by Dave Cullen and A Wall in Palestine by René Backmann to pick two recent [...]

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In the Wilds | Nigel Peake

May 6, 2011

With the winter winds and driving rain, things naturally fall apart — twisted, gnarled, and eventually incapable of function. When something goes wrong, the solution is often improvised with whatever is available. This haphazard collage of old materials can make it feel as if the country is in a constant state of disrepair. The fences [...]

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