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Inspired by the Wizard of Oz, Buster Keaton movies, and a whimsical love of books, The Fantastic Flying Books of Mr. Morris Lessmore is an award-winning 15 minute animated short by William Joyce, Brandon Oldenburg and Moonbot Studios:

The film is one of five animated shorts nominated for an Oscar this year,  and there is an interactive version of the story available for the iPad from the app store.

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Midweek Miscellany

by Dan on June 8, 2011

A little late on this, but 50 Watts has posted the winners of  Polish Book Cover contest. Will Schofield’s co-judges were Aleksandra and Daniel Mizieliński, editors of 1000 Polish Book Covers, and Peter Mendelsund. All the amazing entries are here. Pictured above: A Clockwork Orange by Chris Taylor.

Fragments of Experience The Guardian reviews Modernist America by Richard Pells:

Film editing, he tells us, owes debts to cubism, futurism and surrealism. Cutting from one shot to another enables the cinema to “create a feeling of movement as well as a sometimes fractured sense of time and reality. The fragments of experience, captured in a single shot and then juxtaposed with other shots to produce a multiplicity of perspectives, are the cornerstones of the cinema, and they are also central to the modernist view of the world.”

Music from Nowhere — Rob Young, author of Electric Eden, interviewed in the LA Times:

[P]art of my argument is that the British folk revival did actually begin much earlier than… the 1950s — you have to look back at the late 19th century and the Victorian folk collectors… [William] Morris is important because what you find in the 1880s and ’90s is a surge of conservation and preservation projects starting up, mainly by people who were horrified at the destructive effects of industrial progress on the landscape, the environment and the labor conditions of the working class. Morris was at the forefront of this, and his time-travel novel “News from Nowhere” sets out the utopian conditions of a better world in which the future is actually like a medieval golden age.

Gestalt-Ingenieur — Dieter Rams on design, Jonathan Ives and Apple for The Daily Telegraph:

I am troubled by the devaluing of the word ‘design’. I find myself now being somewhat embarrassed to be called a designer. In fact I prefer the German term, Gestalt-Ingenieur. Apple and Vitsoe are relatively lone voices treating the discipline of design seriously in all corners of their businesses. They understand that design is not simply an adjective to place in front of a product’s name to somehow artificially enhance its value. Ever fewer people appear to understand that design is a serious profession; and for our future welfare we need more companies to take that profession seriously.

And finally…

Music for Dieter Rams — a mini-album by Jon Brooks (via The Donut Project):

“Every sound on this record, from the melodic sounds to the percussion, the atmospheric effects to the bass lines originates from the Braun AB-30 alarm clock.”

Awesome.

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Midweek Miscellany

March 23, 2011

Pharmaceutical Sincerity — Michael Bourne on Fear and Loathing in Las Vegas 40 years on for The Millions: I can still remember sitting in the basement of my parents’ house in Northern California, practically whizzing myself with delight at that dizzying list of pharmaceuticals. I was fourteen and I’d read Catcher in the Rye and [...]

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Agents of Change

May 28, 2010

There’s a great op-ed by Stephen Page, chief executive of Faber & Faber, in today’s Guardian about the iPad and publishing: It’s clear that publishers must move faster to establish our compelling and useful role in the modern life of reading. While acquiring new expertise, we must assert the best of our traditional strengths; providing [...]

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Midweek Miscellany

February 2, 2010

A Wall in Palestine — more quiet mastery from Henry Sene Yee who excels in projects that require maximum discretion and minimal commentary. Like his cover design for Columbine,  A Wall in Palestine is notable for what it leaves out. An early contender for cover the year. You heard it here first. Making the World [...]

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