CBC Radio’s Writers & Company have broadcast a brand new interview with John le Carré:
CBC Writers and Company: John le Carre 2013 mp3
Comments closedBooks, Design and Culture
Designer Roberto de Vicq de Cumptich interviewed by Debbie Millman for Design Matters. Wonderful stuff:
Roberto’s most recent book Men of Letters & People of Substance is published by Godine:
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Earlier today, CBC Writers and Company repeated Eleanor Wachtel’s 2006 conversation with Robert Hughes, the Australian art critic and historian. He spoke with Wachtel about his memoir, Things I Didn’t Know. Hughes died in August 2012, age 74:
CBC Radio Writers and Company: Robert Hughes mp3
Comments closedCartoonist Charles Burns discusses his new book The Hive with Michael Silverblatt on KCRW show Bookworm:
KCRW Bookworm: Charles Burns THE HIVE mp3
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Designer, and former art director of Pantheon, Louise Fili discusses her work with Debbie Millman on Design Matters:
Design Matters With Debbie Millman: Louise Fili Interview mp3
Elegantissima, the first monograph of Fili’s work, was published earlier this year by Princeton Architectural Press (who are, for the record, are distributed in Canada by my employers, Raincoast Books)
Comments closedCartoonist Chris Ware discusses Building Stories with Michael Silverblatt on KCRW’s Bookworm:
KCRW BOOKWORM: Chris Ware Building Stories mp3
Ware will be at the Brooklyn Comics and Graphics Festival tomorrow (November 10) and the Librairie D+Q fifth anniversary party with Charles Burns and Adrian Tomine in Montreal on Sunday (November 11).
Comments closedMike Dempsey interviews innovative and influential production designer Alex McDowell who started out screen-printing t-shirts for Vivienne Westwood before going on to work with film directors such as Terry Gilliam and David Fincher (and with Tim Pope on that wardrobe video for The Cure):
RSA Royal Designers: Alex McDowell Interview mp3
(It’s a fascinating conversation but it took me several attempts to download what is quite a long interview, so I hope it works better for you!)
Comments closedIn an archive interview from 2002 (rebroadcast this weekend), CBC Radio’s Eleanor Wachtel talks to the late Jane Jacobs, author of Death and Life of Great American Cities, at her home in Toronto:
CBC RADIO WRITERS & CO: Jane Jacobs mp3
Comments closedNo Idea What I’m Doing — Keith Ridgway, author most recently of Hawthorn & Child, on writing fiction:
I have no idea what I’m doing. All the decisions I appear to have made—about plots and characters and where to start and when to stop—are not decisions at all. They are compromises. A book is whittled down from hope, and when I start to cut my fingers I push it away from me to see what others make of it. And I wait in terror for the judgements of those others—judgements that seem, whether positive or negative, unjust, because they are about something that I didn’t really do. They are about something that happened to me. It’s a little like crawling from a car crash to be greeted by a panel of strangers holding up score cards.
A Dog’s Cock — The history of the exclamation mark:
no one really knows the history of the punctuation mark. The current running theory is that it comes from Latin. In Latin, the exclamation of joy was io, where the i was written above the o. And, since all their letters were written as capitals, an I with an o below it looks a lot like an exclamation point.
But it wasn’t until 1970 that the exclamation point had its own key on the keyboard. Before that, you had to type a period, and then use the backspace to go back and stick an apostrophe above it. When people dictated things to secretaries they would say “bang” to mark the exclamation point. Hence the interobang (?!) – a combination of a question (?) and an exclamation point (!). In the printing world, the exclamation point is called “a screamer, a gasper, a startler or a dog’s cock.”
One more on the late Robert Hughes at The Economist:
As our lives grow increasingly distracted and overstimulated, the critic has become both more and less relevant in the service of cultural sieve, filtering out the good from the bad. Mr Hughes didn’t subscribe to such categorical certainties. In turn he placed as much emphasis on the context of a work as he did on its content. To Mr Hughes, experiencing art wasn’t about passing a few hours in some museum, but what made those few hours meaningful to be alive.
And finally…
Larry Tye talks about his new book Superman: The High-Flying History of America’s Most Enduring Hero, on CBC Radio’s The Current:
CBC RADIO THE CURRENT: Superman: The High-Flying History of America’s Most Enduring Hero mp3
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