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The Casual Optimist Posts

Generous Criticism

“Being generous in speaking of another’s work doesn’t mean “heaping praise”. It means delivering the critique from a place deeper than the insignificant nitpicking that comes so easily, deeper still from a place that harbors no envy, and even further down where the critique is offered in a genuine effort to improve the project, to the benefit of the discipline as a whole. Everyone wins.”

I came across Nam Henderson’s  Archinect op-ed on ‘Generous Criticism’ via Michael Surtees DesignNotes.

Design blogs, like DesignNotes, Design Observer, Ace Jet 170, Grain Edit,  and Swissmiss – to name just a few – are such an inspiration. The breadth of the design community’s interests, the generosity, willingness to share, and sheer enthusiasm for what they do is remarkable.

I wish I saw more of this kind of online dialogue about publishing.

The best lit-blogs, like ReadySteadyBlog, and Sarah Weinman’s blog, Confessions of an Idiosyncratic Mind, rightly save their enthusiasm for writing and writers. But blogs that concern themselves with the business of books lack that kind of energy.

Although there are notable exceptions –  James Bridle’s booktwo and Shelf Awareness come to mind – the book business seems to have very little to say for itself, and even less that is positive. We hear so little  about the agents, publishers, editors, designers, publicists, sales reps and booksellers who just nail it. Instead our conversations are dominated by  hell-in-a-handcart pessimists or told-you-so digital evangelists. We link to the same gossipy controversies and angry rants. We take cheap shots and wonder why we’re being marginalized by things that are more fun.

We seem short generosity and lacking in curiosity.

Publishing is not perfect, but we do some great stuff. Of course we should be critical, but we should do it to improve what we do, not to tear it down. To go back to Nam Henderson:

“we should, as a community of professionals, be able to expect respectful commentary, considered and generous… if something is bullshit, SAY SO… If someone is skating by on laziness, call them out and challenge them – positively – to make a better effort. And challenge yourself, in every critique, to be generous: reflect on what you’re seeing in the bigger context…, identify the elements that are good, apply the logic of the good parts to the overall scheme to see where improvements can be made. Think about how much effort you would want a critic to put into a comment made to you.”

I can’t say I am without fault. I’m as snarky as the next guy. But I hope — and strive — for something better.

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Monday Miscellany, Oct 6, 2008

‘Celebrity’ authors, including A.M. Homes and Jonathan Lethem, create “Flash Fiction” stories inspired by images from Diesel’s fall ad campaign (pictured). (Thanks Siobhan!)

Live and Learn: Heather Reisman. The founder and CEO of the Indigo chain of bookshops in Canadian Business magazine:

“I do believe a new paradigm of values is emerging. It rejects sweatshops. It is about fair trade and building family-friendly and environmentally friendly organizations. I think caring capitalism and sustainability will prevail. I know I sound optimistic, but why not?”

Why Are Literary Readings So Excruciatingly Bad? Michael Carbert in Maisonneuve Magazine:

“The only way to experience the kind of readings many of us are eager to attend is for everyone to demand more of themselves.”

Publisher as Brand? Kate Eltham of Electric Alphabet discusses HarperStudio and wonders whether publishers should spend time  and resources on their own brand identities. (via Tools of Change for Publishing)

Tech Tips for the Basic Computer User from David Pogue at the New York Times. A useful list that also just happens to start with an anecdote about a Book Editor…

LATE ADDITION:

Using Video Games as Bait to Hook Readers: Part two of Motoko Rich’s series on ‘The Future of Reading’ in the New York Times (click here for part one – Literacy Debate: Online, R U Really Reading?)

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Bookshop Memories

Some Bookshops I Have Known, a lovely post on The Guardian Books Blog by Alistair Harper:

Rationally, I should not get falsely romantic about the idea of the bookshop. As Orwell wrote in Bookshop Memories, they can be deeply depressing places attracting the needy and unhinged. Also, it’s not as if the internet has stopped individuals, as opposed to corporations, selling books. I like to imagine that a modern version of Helen Hanff’s 84 Charing Cross Road is happening over email right now thanks to some purchases over Abe books.

But I can’t help the false romance. It’s through different bookshops I’ve frequented that I can mark out the different moments of my upbringing.

Link

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AIGA: 50 Books/50 Covers

AIGA (the American Institute of Graphic Arts) has posted their inspiring selections for the 50 Books/50 Covers of 2007 design competition on their Design Archives site.

The elegant cover pictured here is from The Mechanical Bird, a collection of poetry by Asa Boxer, published by Vehicule Press. It was designed by David Drummond of Canadian firm Salamander Hill Design (based in Elgin, Quebec) who have some other great book designs on their website.

Link to 50 Books/50 Covers

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Midweek Miscellany Oct 1, 08

Great book covers and  design by pioneering graphic designer Erik Nitsche on Flickr  . (Via Ace Jet 170 who has more Nitsche images).

On the subject of Flickr , the San Francisco Chronicle visits the offices of the popular photo site and talks to Director of Community Heather Champ:

“I can’t think of any successful online community where the nice, quiet, reasonable voices defeat the loud, angry ones on their own.”

Photo District News considers the market for limited edition photography books.

10 Things Epublishers Should Do For Readers : a nice wish list from Dear Reader.

And Kassia Krozser has further thoughts on moving from Print to E on Booksquare:

“eBooks are not going to be the next big thing; they’re going to be a thing. A part of a complex mix of reading choices. With that in mind, let’s think about ways we can blend ebooks into the publishing culture without pain.”

Publishing is Dead, Long Live Publishing:  Hugh McGuire  responds to that New York Magazine article on the Huffington Post:

“There’s been much teeth gnashing and lamenting over the impending collapse of the publishing business… Well, the traditional publishing business might be in for a rough ride, but I think we’re poised to see a flowering of a new kind of independent writing, book-making and reading, driven by the web but rooted in the old-fashioned book.”

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Mickey Smith – Volume

Volume by artist Mickey Smith is a lovely photographic tribute to bound periodicals and professional journals in public and private libraries:

The irony and graphic quality of repeating titles fascinate and draw, no matter how mundane, from known to obscure, from Vogue to Blood. I focus on simple, provocative titles that transcend the spines on which they appear.


(Thanks Siobhan!)

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Are E-Books Shovelware?

Introducing his five-part series BASIC Principles of Online Journalism (discussed last week), Paul Bradshaw notes:

It shouldn’t have to be said that the web is different, but I’ll say it anyway: the web is different. It is not print, it is not television, it is not radio.

So why write content for the web in the same way that you might write for a newspaper or a news broadcast?

Organisations used to do this, and some still do. It was called ‘shovelware’, a process by which content created for another medium (generally print) was ‘shovelled’ onto the web with nary a care for whether that was appropriate or not.

It was not.

With Peter Kent of DNAML recently suggesting  on the O’Reilly TOC blog that publishers treat e-books like software, and many e-books just digitalized versions of their print edition, are e-books falling into the category of  ‘shovelware’?

Certainly trade publishers have tended to think of the e-book as a ‘format’ a cheaper, more convenient way to read text than an ordinary book that requires little amendment rather than an entirely different ‘medium’ with new rules and possibilities.

Andrew Gallix, editor-in-chief of 3:AM Magazine mulled some of this over in The Guardian last week:

Bar a few notable exceptions (Penguin’s wiki-novel or We Tell Stories project), traditional publishers have used the internet as a glorified marketing tool providing them with new ways of flogging the same old same old: e-books, Sony Readers, digi-novels, slush-pile outsourcing… So far, the brave new world of digital literature has been largely anti-climatic…

I don’t think you  don’t need to embrace Gallix’s avant-garde e-lit leanings or see e-books as completely detached from print to appreciate that if they simply reproduce what’s already available, e-books are not really reaching their potential.

At the very least, authors and publishers should consider how the digital reading experience differs from that of print, whether this is producing new texts specifically intended to be published as e-books, or providing additional digital content for existing texts.

Thinking about Bradshaw’s  principles brevity, adaptability, scannability, interactivity, community, and conversation seem like a good place to start.

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Monday Miscellany Sept 29, 08

James Bridle of booktwo.org puts his money where his mouth is and launches the entirely print-on-demand, web-based publisher Bookkake: “Bookkake is a project born… of my desire to see publishing move with technology and survive as the guardian and helpmate of literature.

Faber Books’ on Flickr: “We’re gradually uploading some of our favourite covers, photos and various other ephemera from our archive. Our archivist uncovers new material every day – we hope you enjoy his discoveries as much as we do!

The 7 Sentence Online Marketing Plan and 4 Myths About Internet Marketing from Monique Trottier of So Misguided and Boxcar Marketing.

Five Ways Amazon Can Improve the Kindle from Gadget Lab on Wired.com: “The rumblings in the ground are pointing to an imminent Kindle 2.0, a successor to Amazon’s loved but flawed e-book reader.” Lots and lots of comments. (Is planned obsolescence going to be a problem for the e-book reader in the long-term? Anyone?)

The Muxtape story – or how the music industry is conspiring to alienate fans and kill itself? There’s almost certainly a lesson for the book industry in there somewhere…

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Wide-Eyed Horror

Is it just me, or is Penguin raising the bar for book cover design right now?

Inspired by the two-tone crime covers produced by Romek Marber for Penguin in the 60s, senior designer Coralie Bickford-Smith  has created some remarkable designs for 10 gothic horror novels – including books by Edgar Allan Poe, H. P. Lovecraft and M. R. James –  to be released by Penguin in their Red Classics series on October 2nd.

In this video from the Penguin Blog, Coralie discusses the genesis of the covers:

The whole set can be seen on the Penguin Blog.

Link

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BASIC Principles for Online Content

Whether you are an author, editor, publicist or marketer writing for the web is different than writing for print.

The BASIC principles of Online Journalism identified by Paul Bradshaw in a five-part series for his Online Journalism Blog provide useful guidelines. Here’s a summary:

  • BREVITY: Most people struggle to read long documents on a screen so break lengthy articles into ‘chunks’. Keep paragraphs succinct and focused on one idea.
  • ADAPTABILITY: Writers must be adaptable because websites utilize a range of media in addition to text. Information and content must be  adaptable so that they can be easily re-purposed by the reader or another writer.
  • SCANNABILITY: Reading word-for-word is rare online and most web users scan pages looking for headlines, subheadings, and links that help them navigate the text on screen. Scannability also improves your accessibility.
  • INTERACTIVITY: Think about how you can give control to your readers.
  • COMMUNITY: Learn how to join communities and engage in their conversations. Persuade people to join your networks by organizing and informing them.
  • CONVERSATION We’ve moved from lectures to conversations. Moreover, “the distinctions between conversation and publishing in an online medium are being eroded. Everything that we say is recorded, linkable, distributable. Conversation is publishing.

Link

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Mamet to Pinter to Beckett

The maverick publisher of Grove Press Barney Rosset is to receive a lifetime achievement award on November 19th, 2008, from the National Book Foundation in honor of his many contributions to American publishing, according to the New York Times:

In its heyday during the 1960s, Grove Press was famous for publishing books nobody else would touch. The Grove list included writers like Samuel Beckett, Jean Genet, William S. Burroughs, Che Guevara and Malcolm X, and the books, with their distinctive black-and-white covers, were reliably ahead of their time and often fascinated by sex.

Also the subject of a new documentary ‘Obscene’ about his life and work, Mr. Rosset said:

“All my life I followed the things that I liked — people, things, books — and when things were offered to me, I published them. I never did anything I really didn’t like. I had no set plan, but on the other hand we sometimes found ourselves on a trail. For example, out of Beckett came Pinter, and Pinter was responsible for Mamet. It was like a baseball team — Mamet to Pinter to Beckett… Should we have had more of a business plan?” he added. “Probably. But then the publishers that did have business plans didn’t do any better.”

Link

UPDATE:

More on Barney Rosset and ‘Obscene’ at New York Magazine

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Google Expands Book Search

Google has announced that it is launching a new set of free Google Book Search tools “that allow retailers, publishers, and anyone with a web site to embed books from the Google Book Search index.”

Google Book Search, which already partners with publishers and libraries, give users the opportunity to search online and view a preview of a book if it’s out of copyright, or the publisher has given Google permission.

The new tools enable sites to embed books from the Google Book Search index, allowing them to display full-text search results from Book Search, and integrate with social features such as ratings and reviews:

“Ultimately, we believe that these tools and partnerships further our quest to make books more discoverable on the Web, from your Google search results to your favorite bookstores, publisher and author websites, online library catalogues, and social networks.”

Link

 

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