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Tag: will self

Published September 2, 2013

Will Self on J.G. Ballard’s The Drowned World


Will Self on J.G. Ballard’s The Drowned World at The Telegraph:

To coincide with the 1962 publication of The Drowned World – his own post-apocalyptic novel in which men of the future also venture into a flooded London, intent on looting the city of its treasures – JG Ballard wrote an article for The Woman Journalist in which he explained the mise en scène thus: “On reflection it seems to me that the image of an immense half-submerged city overgrown by tropical vegetation, which forms the centrepiece of The Drowned World, is in some way a fusion of my childhood memories of Shanghai and those of my last 10 years in London.”

According to Ballard, “My own earliest memories are of Shanghai during the annual long summer of floods, when the streets of the city were two or three feet deep in brown silt-laden water, and where the surrounding countryside… was an almost continuous mirror of drowned paddy fields and irrigation canals stirring sluggishly in the hot sunlight.”

There seems no reason to doubt Ballard at his word on this question; one that he proposes himself rhetorically at the outset of the piece: “How far do the landscapes of one’s childhood, as much as its emotional experiences, provide an inescapable background to all one’s imaginative writing?”

The Drowned World by J.G. Ballard, with an introduction by Will Self and illustrations by James Boswell is published by the Folio Society.

A paperback edition of The Drowned World published by W.W. Norton, with a cover design by Darren Haggar (pictured above), is also available.

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Published July 30, 2010

Something for the Weekend

Today is Penguin’s 75th Birthday! Happy Birthday Penguin.

Tony Lacey, Publishing Director of Penguin, discusses the Penguin Decades series:

And The Guardian interviews Penguin Chief Executive John Makinson, who sounds pretty pleased with himself (Penguin just announced record-breaking half year results):

“[E-books] redefine what we do as publishers and I feel, compared with most of my counterparts, more optimistic about what this means for us,” he says. “Of course there are issues around copyright protection and there are worries around pricing and around piracy, royalty rates and so on, but there is also this huge opportunity to do more as publishers.” Publishing, he says, must embrace innovation: “I am keen on the idea that every book that we put on to an iPad has an author interview, a video interview, at the beginning. I have no idea whether this is a good idea or not. There has to be a culture of experimentation, which doesn’t come naturally to book publishers.

In other news…

Copy Writer from the Dark Side — Author Will Self (Liver) discusses advertising with Gordon Comstock for an interview the Creative Review:

I straighten my dog collar and point out some of the things we might have in common, the novelist and the adman. The love of epigrams, the twisting of cliché, the use of animals behaving uncannily – all Self tropes, all things that a copywriter might well have in his book.

It’s a notion I can imagine certain writers would bridle at, but Self only nods philosophically, “Well, maybe I am a copywriter that’s gone to the dark side, I don’t know.”

Wonder Woman Returns — Kate Beaton goes all superhero and shit at Hark! A Vagrant. Kate is now also selling prints directly from her site and from TopatoCo.

And finally, on a related note and because it’s Friday,…

Lady Gaga Kidnaps Commissioner Gordon:

Supervillain Lady Gaga brazenly abducted Commissioner James Gordon from a charity fundraiser Tuesday, leaving police baffled and the citizens of Gotham fearing for their safety. Known for her outlandish costumes and geometric polygon hair, the criminal madwoman made a daring escape from Arkham Asylum last week and has been taunting authorities by interrupting television broadcasts ever since… While the kidnapping occurred at stately Wayne Manor, home of playboy jet-setter Bruce Wayne, the eccentric billionaire was not available for comment.

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Published January 27, 2010

Midweek Miscellany

The Backwards Novel Seen Backwards by Tom Gauld.

I also love Tom’s Lost Fairy Tales for a promotional concertina booklet made by his agent Heart (surely there’s a full length book to be had here?).

Ways of Reading from A Working Library:

Every book alights a path to other books. Follow these paths as far as you can.

Lovely.

Back to Basics — Booktwo.org‘s James Bridle on the Apple tablet (what else?):

I’ve spent several years urging publishers to get on board with new technologies and try new things, but equally I hope there’s space for a lot of publishers to get back to concentrating on what they do best: acquiring, editing, producing and publishing books… [W]e should probably stop scrambling to get on the latest bandwagon (vanilla Books-as-Apps, I’m looking at you), and concentrate on the basics: ebook production, metadata, integrated marketing, quality and consideration. There is a lot to be done, but this or that device will never be the be-all-and-end-all of the future of publishing.

I think James has a point. But honestly, no one I know (and that is an admittedly limited sample) believes “this-or-that device” will magically “save” publishing. Surely it is only bloggers in need of straw men and ‘journalists’ paid to hyperventilate who say that kind of shit?

Moving (swiftly) on…

Modern Myths — Will Self on H. G. Well’s The War of the Worlds in The Times:

The War of the Worlds is one of those books that demonstrates our culture’s surprising ability to continue the manufacture of myth. I say surprising, because one would think, with all the technological reproducibility of art now at our disposal — from raw print, to film, to digitisation — that there would be no room left for that hazy instability within which myth thrives.

(Pictured above: The NYRB edition of The War of the Worlds with illustrations by Edward Gorey)

And finally, completely unrelated to books…

Dear Coffee I Love You… Yes, yes, I do. (Pictured above: What I’d Rather Be Doing)

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