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Tag: umair haque

Something for the Weekend

Sorry (again) for the late (and lack of) posting recently. This week, the BookNet Tech Forum in Toronto kept me out of the office and away from the blog. If you’re interested in the conference, the ACP‘s Sarah Labrie has a great round up of the main day here.

But on to the links…

Alexander S. Budnitz’s INCREDIBLE ASB Cover Archive. This site should definitely be added to this list (via Karen Horton’s ace Daily Design Discoveries).

Thick and Thin — Umair Haque on social media at The Harvard Business Review:

The social isn’t about beauty contests and popularity contests. They’re a distortion, a caricature of the real thing. It’s about trust, connection, and community. That’s what there’s too little of in today’s mediascape, despite all the hoopla surrounding social tools. The promise of the Internet wasn’t merely to inflate relationships, without adding depth, resonance, and meaning. It was to fundamentally rewire people, communities, civil society, business, and the state — through thicker, stronger, more meaningful relationships.

I don’t entirely agree with everything in this post (and I wonder how much of it has to do with Haque’s recent Twitter mauling as SXSW?) but it’s a timely reminder that quality is more important than quantity.

Fine Hypertext Products — A podcast interview at The Pipeline with Jason Kottke founder of one of the most consistently interesting blogs out there (and a big influence on this one) kottke.org. There is also an interesting earlier interview with Jim Coudal president of design studio Coudal Partners.

Straight-Talking — The Book Oven’s Hugh MacGuire interviews Don Linn, former CEO of Consortium Book Sales & Distribution and publisher at The Taunton Press:

Too many titles now are bought (often at way too high a price), produced sloppily and just tossed into the market without adequate support. This benefits no one. Second, I’d like to see all publishers implement workflows (using XML or other flexible tools) and production processes that make their content more agile… Finally, I’d just encourage more intelligent experimentation and attempts at innovation. I sense paralysis on the part of a large number of publishers based on a (not irrational) fear of making the wrong bet during this chaotic time.

(NB: It’s also interesting to read why Don felt digital publishing venture Quartet failed, although I kind of think some of that stuff should have been obvious to them before they started).

And finally…

The Rise of the “Paper-Bounds” — Leif Peng excerpts a 1953 Fortune magazine article on mass-market paper-bounds at the always brilliant Today’s Inspiration. There’s more here, here, and here

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Midweek Miscellany, September 23rd 2009

It’s funny how topics of conversation sometimes repeat themselves for no apparent reason. This week Romek Marber and his designs for Penguin have come up with sufficient frequency for me to take it as a sign I should post some links about about him:

Eye Magazine has a great article about his classic design of Penguin Crime Series:

Marber’s grid allows for different placements of title and author’s name depending on the length of the title and the needs of the design as a whole. There are small inconsistencies in some of the vertical measurements on a few of the books, probably due to printer’s error, but the basic design is sufficiently robust that it does not matter… With the typographic structure in place, Marber could concentrate on producing images that reflected the atmosphere of the books, which he read with relish from cover to cover. He was a graphic image-maker of great versatility, able to sum up the stories with motifs and ciphers that contrived to be both playful and threatening. Many of these whodunnits were decades old, but his interpretations gave them a contemporary allure.

The Ministry of Type shows you how to construct the famous Marber grid.

Apt Studio have a Marber WordPress theme (demo). Are any literary blogs using this I wonder?

And there’s this great Flickr set of Romek Marber Crime Covers.

Please let me know if you have any other good Marber links…

In other news…

The Electro-Plasmic Hydrocephalic Genre-Fiction Generator 2000 by David Malki (via INDEX // mb).

The Awesomeness Manifesto — I’m a little skeptical about these kinds of manifestos simply because they’re not terribly useful, but Umair Haque’s list is as interesting for its criticism about the chimera that is ‘innovation’ as for what is says about the warm and fuzzy  ‘awesomeness’.

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