
Tom Gauld for The Guardian.
This is pretty much me whenever we go on vacation, although I usually bring more anxiety to the mix.
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Tom Gauld for The Guardian.
This is pretty much me whenever we go on vacation, although I usually bring more anxiety to the mix.
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Tom Gauld for The Guardian.
If I seem to be posting a lot about unread books and to-read piles, it is because I have a lot of unread books and a daunting to-read pile and I feel bad about it.
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Tom Gauld for The Guardian.
My ‘to be read’ wall feels particularly bad at the moment. I did, however, read an ARC of She’s a Killer by Kirsten McDougall on vacation, which is fun if you like an unreliable narrator who is not quite a genius, but very possibly a sociopath (and has an imaginary friend).
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A powerful cover for June 23 2023 edition of Guardian Weekly. Art direction by Andrew Stocks.
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I think pretty much every book cover designer I know shared this over the weekend. Every British one at least…
Tom’s latest collection of literary cartoons, Revenge of the Librarians, is out now.
Comments closedThe Guardian has an essay by American cartoonist Art Spiegelman on the events that shaped the original ‘golden age’ superheroes and their creators, and why these characters still resonate with readers and movie-goers:
The young Jewish creators of the first superheroes conjured up mythic – almost god-like – secular saviours to deal with the threatening economic dislocations that surrounded them in the great depression and gave shape to their premonitions of impending global war. Comics allowed readers to escape into fantasy by projecting themselves on to invulnerable heroes.
Auschwitz and Hiroshima make more sense as dark comic book cataclysms than as events in our real world. In today’s all too real world, Captain America’s most nefarious villain, the Red Skull, is alive on screen and an Orange Skull haunts America. International fascism again looms large (how quickly we humans forget – study these golden age comics hard, boys and girls!) and the dislocations that have followed the global economic meltdown of 2008 helped bring us to a point where the planet itself seems likely to melt down. Armageddon seems somehow plausible and we’re all turned into helpless children scared of forces grander than we can imagine, looking for respite and answers in superheroes flying across screens in our chapel of dreams.
Apparently a version of this essay was originally intended to serve as the introduction to a Folio Society collection called Marvel: The Golden Age 1939–1949, but was rejected for not being ‘apolitical’.
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