I am unfashionably late to the party here, but the winners of the 2018 Academy of British Cover Design (ABCD) Awards were announced last week.
The ABCD Awards are always pleasantly surprising. Every year the shortlists include at least two or three covers I have never seen before, and I find it strangely reassuring that the winners picked on the night are not always the covers I would’ve chosen — somehow that makes it feel more democratic.
The awards have a brand new website (designed by Joseph Bisat Marshall) where you can find this year’s shortlists and archive of the previous awards, but you will find all the winning covers from last week below…
Lots to see this month, including several YA covers (which I know will please some regular readers), some ‘big’ literary fiction, and a couple of confrontational nonfiction covers to round it out. Enjoy!
Aetherial Worlds by Tatyana Tolstaya; design by Stephanie Ross (Knopf / March 2018)
Although it pains me a little to say it, I think Amazon’s ‘book club’ imprint Lake Union are doing an impressive job commissioning appealing covers for their intended market. I would be interested to hear about the process from designers who’ve worked with them.
I like this cover very much–especially the type. The illustration and colour combination remind me of Matt Dorfman’s 2011 cover for The Pyschopath Test by Jon Ronson (Riverhead):
It’s interesting to see the UK publisher go in such a different direction from the US cover (designed and illustrated by Sandra Chiu) which, as I noted back in January, seems very on trend internationally to me.
I felt like this cover might be a little too much when I first saw it online, but I bet it will look absolutely stunning in print and piled up on tables.
For reference, I have a pinboard of contemporary covers that make use of Lydian, the typeface used here. It was designed for American Type Founders by Warren Chappell in 1938, and it’s very distinctive (those ‘R’s!), so it’s interesting to me that it suddenly has this kind of cult popularity.
The pencil shavings are delightful of course, but I did immediately think of Peter Mendelsund‘s covers for Leaving the Sea (2014) and The Flame Alphabet (2012) by Ben Marcus.
Can anyone tell me if there is a term for this kind of semi dust jacket? It seems like more than just a belly band.
The upside-down ‘POLICE’ shield is an interesting decision. It gives the illustration a kind of authenticity (I assume it is based on an actual example), but it also subtly implies something about the contents of the book (as does the not so subtle decision to show a police officer in riot gear rather than more approachable attire!).
Since 2010, I’ve posted an annual survey of the year in book covers. The post has expanded and developed over the past 7 years, but essentially it is a collection of the covers published in the previous 12 months that I found interesting or noteworthy in some way. As with the previous couple of years, the 2017 list is organized by covers (alphabetical by title), and by designer so that I can show a greater variety of work, and no one designer or studio dominates.
Thank you to everyone who has supported the blog this year, and special thanks to all the designers, art directors, authors, publishers, and fellow design enthusiasts who have helped me with covers and design credits. My sincere apologies to the designers and publishers not on this year’s list and whose covers I have overlooked in the past 12 months.
A post looking back on the YA covers of 2017 is to follow.
Neil’s embossed metallic silver cover for Selfie by Will Storr (Picador / June 2017) is also kind of great (and hilarious), but impossible to show well online:
The winners of the annual Academy of British Cover Design (ABCD) Awards were announced at a glittering ceremony London in last night. The dashing Danny Arter has a posted a full report on the proceedings at The Bookseller. You can see all the winning covers below…
I’m not sure anyone is paying too much attention to book design this week, but if you’re looking for a few minutes diversion from the awfulness of almost everything, here’s this month’s selection of quirky, beautiful, and otherwise interesting book covers…
If you follow the Casual Optimist on Twitter, you will know that a couple of weeks ago design studio Aishima asked people to tweet about inspiring women graphic designers using the hashtag #celebratewomen. As today is International Women’s Day, I thought I would follow up my #celebratewomen tweets with a visual list of 52 inspiring women book cover designers (one for every week of the year!) — from influential veterans whose work I’ve admired for years to junior designers that have just appeared on my radar.
The names of all 52 designers can be found at the end of the post. With a few more hours in a day the list could easily have been many times longer, so apologies to anyone I have overlooked. Please let me know who you would’ve included in the comments or on Twitter.
All This Has Nothing To Do With Me; design by Justine Anweiler; illustration Daphne van den Heuvel
Souffles-Anfas edited by Olivia C. Harrison and Teresa Villa-Ignacio; design Anne Jordan and Mitch Goldstein (Stanford University Press / November 2015)
Capitalism in the Web of Life by Jason W. Moore; design by Anne Jordan and Mitch Goldstein (Verso / August 2015)
The Woman Who Read Too Much design Anne Jordan & Mitch Goldstein
At the Penguin Blog, author Julian Barnes and designer Suzanne Dean discuss their 20 year creative relationship with Alex Clark:
“What’s so nice about working with Julian is the trust; I think that’s really important. There’s nothing more heartbreaking than producing something and someone can’t understand what you’re trying to show them. I think over time you build up that trust and you know that I’ll be working my very hardest to give you the best cover I possibly can. I really am so desperate to produce perfection each time and I want it to be better each time.”
The very first Freeman’s anthology was published in fall this year, but hopefully this design will set the tone for the rest of the series. The second volume is scheduled for next year.
Vintage Feminism; design by Matthew Broughton (Vintage / 2015)
Little Black Classics; design by Jim Stoddart (Penguin / 2015)
