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Book Covers of Note, March 2026

Hey. It’s almost spring. Hang in there!

I took a long-planned week off in March, so this month’s post was somewhat cobbled together around that trip and somehow we’ve ended up with lots of great covers to show for it! I should take vacation more often! There’s some particularly fun typography, some nice illustration, and some of the usual weirdness. Enjoy!

The Beginning Comes After the End by Rebecca Solnit; design by Gray318 (Granta / March 2026)

Business Men as Lovers by Rosemary Tonks; design by Oliver Munday (New Directions / March 2026)

Oliver Munday’s cover for The Bloater by Rosemary Tonks, also published by New Directions, was on my 2022 notable list

Evil Genius by Claire Oshetsky; design by Vivian Lopez Rowe (Ecco / February 2026)

The Fountain by Casey Scieszka; design by Jack Smyth (Harper / March 2026)

Four Night Seas by Niamh Mac Cabe; design by Sarah Schulte (Lilliput Press / March 2026)

Gunk by Saba Sams; design by Janet Hansen (Knopf / March 2026)

I feel like shiny 3D type might just be a thing this year.

Hotel Exile by Jane Rogoyska; design by Daniele Roa (Allen Lane / February 2026)

The Hour of the Wolf by Fatima Bhutto; design by Gray318 (Daunt Originals / February 2026)

I had a hell of time trying to remember what this reminded me of, I think it is Jeffery Alan Love‘s illustration for the cover of Wolves by author Simon Ings published by Gollancz way back in 2014.

Coincidentally, the cover of Wolves and other Simon Ings titles from Gollancz were among the ABCD Award winners in 2015, and if you’re interested in reading about this year’s ABCD awards, which took place earlier this month, Vyki Hendy has a write up at SPINE.

I Am Agatha by Nancy Foley; design by Clay Smith (Avid Reader Press / March 2026)

Monster Capital edited by Ra Page & David Sue; design by David Pearson (Comma Press / March 2026)

The Natural Way of Things by Charlotte Wood; design by Lauren Peters-Collaer (Riverhead / March 2026)

Nothing Tastes as Good by Luke Dumas; design by Claire Sullivan (Atria / March 2026)

Now I Surrender by Álvaro Enrigue, translated by Natasha Wimmer; design by Lauren Peters-Collaer (Riverhead / March 2026)

The cover of the UK edition of Now I Surrender published by Harvill Secker features art by Mexican illustrator Rodolfo Baquier. His art also features on the cover of You Dreamed of Empires by Álvaro Enrigue, which was one of my notable covers in 2024.

Pixie by Jill Dawson; design by Carmen R. Balit (Bloomsbury / March 2026)

Recession by Tyler Goodspeed; design by Steve Leard (Basic Books / March 2026)

Steve does love a black, white, and red colour palette for nonfiction!

A Scandal in Konigsberg by Christopher Clark; design by Stephanie Ross (Penguin Press / March 2026)

Seasons of Glass & Iron by Amal El-Mohtar; design by Spencer Fuller / Faceout Studio (Tordotcom Publishing / March 2026)

Sisters in Yellow by Mieko Kawakami, translated by Laurel Taylor & Hitomi Yoshio; design by Tiana Dunlop; art by Tetsuya Noda (Knopf / March 2026)

The Spoil by Maile Chapman; design by Vivian Lopez Rowe (Graywolf Press / March 2026)

The Truth of Carcosa by Jacob Rollinson; design by Rodrigo Corral Studio (Union Square & Co. / January 2026)

200 Monas by Jan Saenz; design by June Park (Little Brown & Co. / March 2026)

The lips trend has carried over from 2025!

Woman Alive by Susan Ertz; illustration by Tom Gauld (Manderley Press / March 2026)

I should probably do a post of Tom’s cover illustrations for other people’s books at some point. There must be a few now?

Wretch by Eric Larocca; design by Alicia Tatone (Saga Press / March 2026)

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Book Covers of Note, June 2025

It’s been another busy month here, so apologies for the slightly scattered post. It includes a few covers that I missed earlier in early in the year, and a few other bits and pieces. I hope everyone is doing OK. Here are the covers…

Audition by Pip Adam; cover art by Leopold Adi Surya (Coffee House Press / June 2025)

It looks like this was actually the cover of the editions originally available in New Zealand and Australia in 2023, so apologies for being so late to it.

Bad Animals by Sarah Braunstein; design Oliver Munday (W. W. Norton / February 2025)

Bear Witness by Ross Halperin; design by David Litman (Liveright / May 2025)

They are obviously very, very different books, but the cover Bear Witness reminded me of the cover for Going Home by Tom Lamont designed by Jared Bartman published by Knopf earlier this year.

Disappoint Me by Nicola Dinan; design by Rachel Ake (Dial Press / May 2025)

Everybody Says It’s Everything by Xhenet Aliu; design Eli Mock (Random House / March 2025)

Flashlight by Susan Choi; design by June Park (Farrar, Straus & Giroux / June 2025)

I had almost forgotten that I did a little post about sideways covers 10 years ago(!). It could be time for a new one?

Girls with Long Shadows by Tennessee Hill; design Robin Bilardello (Harper / May 2025)

Are green covers with pink type a thing now? There’s also the cover of All the Parts We Exile by Roza Nozari designed by Lisa Jager for Knopf Canada which came out in February…

The Island by Antigone Kefala; design by Sarah Schulte (Transit Books / June 2025)

Another (mostly) green cover, with some pink type here!

Sarah’s (also mostly green with some pink!) cover for Rosa Mistika by Euphrase Kezilahabi, published this month by Yale University Press, also caught my eye, but I couldn’t source a hi-res image for it in time for the post…

Kill Creatures by Rory Power; illustration by Kei-Ella Loewe; art direction by Liz Dresner (Delacorte Press / June 2025)

The Longest Way to Eat a Melon by Jacquelyn Zong-Li Ross; design by Emily Mahon (Sarabande Books / June 2025)

Both this and the cover for Disappoint Me were featured in a New York Times piece about recent books that are part of a painting + bold sans-serif cover trend.

The Longest Way to Eat a Melon is also an addition to the yellow type trend. The cover of The Slip by Miriam Webster designed by Typography Studio, out next month in Australia from Aniko Press, hits both trends too… (Do paintings of animals count as a separate trend from painting of people?)

Misophonia by Dana Vowinckel; design by Jack Smyth (HarperVia / May 2025)

Participatory Culture Wars by Simone Driessen, Bethan Jones and Benjamin Litherland; design by Ashley Muehlbauer (University of Iowa Press / June 2025)

This made me think of transferring newspaper print with pink silly putty, which probably hasn’t been possible for decades. I am ancient and made of dust.

Spine Magazine has brought back its round-up of recent university press covers too if you’re interested.

The Pawn by Paco Cerdà; design by Emily Mahon (Deep Vellum / June 2025)

Rytual by Chloe Elisabeth Wilson; design by Design by Committee (Penguin Australia / May 2025)

Separate Rooms by Pier Vittorio Tondelli; design Elena Giavaldi (Zando / April 2025)

The Sisters by Jonas Hassen Khemiri; design by Rodrigo Corral (Farrar, Straus & Giroux / June 2025)

I think this cover was originally used for the Swedish edition so technically it is also from 2023. (Finger on the pulse over here… )

The Slip by Lucas Schaeffer; design by Jack Smyth (Simon & Schuster / June 2025)

Tank by Mark Urban; design by Chris Bentham (Penguin / June 2025)

I love the “does what it says on the tin” literalness of both the title and image here.

UnWorld by Jason Greene; design by Tyler Comrie (Knopf / June 2025)

Valencia by Michelle Tea; design by Megan Grace (Profile / June 2025)

Let me know if you recognize the photo / photographer and I’ll add the credit.

The photograph is by photographer Chloe Sherman from her project Renegades: San Francisco, the 1990s, which is now available as book from Hatje Cantz.

Weepers by Peter Mendelsund; design by Thom Colligan (Farrar, Straus & Giroux / June 2025)

This reminded me of the cover of The Sun Walks Down by Fiona McFarlane designed by Na Kim for FSG a few years ago (the colour palette of which is similar to a lot of Na’s paintings funnily enough!).

Peter Mendelsund‘s memoir/monograph Exhibitionist is available from Catapult this month too. I think Peter designed the cover for this one himself (with Corbusier inspired stencil type?).

The Washington Post recently toured Peter’s apartment and talked to him about the book.

Work Nights by Erica Peplin; design by Holly Ovenden (Gallery Books / June 2025)

This is giving me Claes Oldenburg vibes. (Is there someone who paints photorealistic donuts? There is probably is).

Are donut covers a thing? Can we make them a thing?

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Book Covers of Note, April 2025

Hey, I hope you’re all keeping safe and well. Apologies for a slightly rushed post this month. It’s been kind of a busy time, and I’m travelling for work next week, so I’m sure I’ve missed a few covers and connections. I’ll try to catch up over the summer if/when things quieten down. Anyway… there are still lots of great covers in this month’s post — some from the usual suspects for sure, but also a few indies, a university press, a couple of covers from the UK and Ireland, and one from Canada…

Audition by Katie Kitamura; design by Lauren Peters-Collaer (Riverhead / April 2025)

The cover of A Separation by Katie Kitamuria, designed by Jaya Miceli, was on my list of notable book covers back in 2017 (and featured on this list from 2020 that I’d forgotten I’d posted!)

Bad Nature by Ariel Courage; design by Emily Mahar (Henry Holt & Co. / April 2025)

Back in the Day by Oliver Lovrenski; design by Josie Staveley Taylor; photography by Valentin Fabre (Penguin Books / April 2025)

Barbara by Joni Murphy; design by Frances DiGiovanni and Rodrigo Corral (Astra House / March 2025)

If you missed it, Rodrigo Corral was recently profiled by Zachary Petit for Fast Company.

And, the cover of Animals by Joni Murphy, designed by Na Kim, was featured on my 2020 notable list. It’s an interesting contrast…

Big Chief by Jon Hickey; design by David Litman (Simon & Schuster / April 2025)

Crumb by Dan Nadel; design by Gregg Kulick (Scribner / April 2025)

The Eternal Dice by César Vallejo; design by Pablo Delcan (New Directions / April 2025)

The Fact Checker by Austin Kelley; cover illustration by Amber Day (Atlantic Monthly Press / April 2025)

Harriet Tubman in Concert by Bob the Drag Queen; design by Chelsea McGuckin (Galley Books / March 2025)

The Honditsch Cross by Ingeborg Bachmann; design by Peter Mendelsund (New Directions / April 2025)

Peter Mendelsund also designed the cover of Malina by Ingeborg Bachmann for New Directions. It was on my notable list in 2019 (and on the aforementioned look back at the decade).

The Odyssey translated by Daniel Mendelsohn; design by Monograph (University of Chicago Press / April 2025)

I was reminded of Matt’s 2017 cover for David Ferry’s translations of the Aeneid from University of Chicago Press. It sticks in my mind at least partially for it’s use of Sandrine Nugue’s typeface Infini.

Notes to John by Joan Didion; design John Gall; photograph by Annie Leibovitz (Knopf / April 2025)

The photo feels very appropriate given how Didion would probably have felt about this book being published.

Open, Heaven by Seán Hewitt; design by Sarah Schulte (Knopf / April 2025)

Open Up by Thomas Morris; design by Jaya Nicely (Unnamed Press / April 2025)

The Pretender by Jo Harkin; design by Greg Heinimann (Bloomsbury / April 2025)

The cover of the US edition, published by Knopf this month, was designed by John Gall (the art is from Portrait of a Boy with a Falcon by 17th century Flemish painter Wallerant Vaillant, which is part of the Met’s collection in NYC if you’re curious)

This Room is Impossible to Eat by Nicol Hochholczerová; design by Matt Needle (Parthian Books / March 2025)

I love the bold movie-posterness of this design, but I also like to think it’s secretly the completes the cover for Mothers by Chris Power designed by Grace Han

Small Ceremonies by Kyle Edwards; design by Kate Sinclair (McClelland & Stewart / April 2025)

This reminded me of another Grace Han cover, although the resemblance is similarly passing…

Super Gay Poems by Stephanie Burt; design by Jaya Miceli (Harvard University Press / April 2025)

Typefaces with dots are apparently a thing at the moment. The cover of Bad Friend by Tiffany Watt Smith from Faber, also out this month, uses type that has dots for counters too. Please let me know who the designer is and I’ll happily add the credit.

Tenterhoooks by Claire-Lise Kieffer; design by Jack Smyth (Banshee Press / February 2025)

Jack’s conversation with Steve Leard on the Cover Meeting podcast is really great if you haven’t listened to it yet.

Terrestrial by Joe Mungo Reed; design by Abby Weintraub (W.W. Norton / April 2025)

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Book Covers of Note, March 2025

Well, I don’t know about you, but I certainly didn’t miss the ceaseless chaos and constant anxiety. It is exhausting.

Anyway… I hope you’re keeping safe and well despite it all. I don’t know where March has gone, but this month’s post is another bumper edition with lots of great covers. I’m happy to have a bit more nonfiction in the mix, and there are lots of covers from indie publishers and even a university press along side the usual suspects. There are also a couple of Canadians if you’re keeping score.

Disposable by Sarah Jones; design by Keith Hayes; photograph by Susan Goldstein (Avid Reader / February 2025)

Goth by Lol Tolhurst; design by Timothy O’Donnell (Da Capo / February 2025)

This is the cover for US paperback and it feels like it should be printed with that blackest black stuff from MIT.

Update: here’s a photo from Timothy’s Instagram of the sprayed edges:

The hardcover, also designed by Timothy was featured way back in September 2023 (I was convinced it was from last year!).

How To Change History by Robin Hemley; design Ashley Muehlbauer (University of Nebraska Press / March 2025)

Integrated by Noliwe Rooks; design by Adam Maida (Pantheon / March 2025)

The Last Bell by Donald McRae; design by Craig Fraser; art by Amanda Kelley (Simon & Schuster / March 2025)

Lion by Sonya Walger; design by Katy Homans (NYRB Books / February 2025)

Luminous by Sylvia Park; design by Alex Merto (Simon & Schuster / March 2025)

Motherdom by Alex Bollen; design by Jenny Volvovski (Verso / March 2025)

I posted Jenny’s black and white cover designs for the Latvian Translator Triptych published by Open Letter earlier this month if you missed them.

Nobody Asked For This by Georgia Toews; design by Emma Dolan; art by Ginna Nebrig (Doubleday Canada / March 2025)

On Giving Up by Adam Phillips; design by Alex Merto (Farrar, Straus & Giroux / March 2024)

Yes, this is from March 2024, so I am precisely a year late posting it. Either I didn’t see it last year or I couldn’t find the credit at the time. Anyway, Alex posted or re-posted this cover relatively recently and it spoke to me.

I also thought it went quite well with this cover…

On the Clock by Claire Baglin; design by Jack Smyth (Daunt Books / March 2025)

If you haven’t listened to Jack in conversation with Steve Leard on the Cover Meeting podcast yet, you should remedy that.

The cover of the US edition of On the Clock by Claire Baglin, published by New Directions and also out this month, was designed by Erik Carter.

The Passenger Seat by Vijay Khurana; design by Zoe Norvell (Biblioasis / March 2025)

Passing Through a Prairie Country by Dennis E. Staples; design by Nicole Caputo (Counterpoint / March 2025)

Potomac Fever by Charlotte Taylor Fryar; design by Tree Abraham (Bellevue Literary Press / March 2025)

Rain of Ruin by Richard Overy; design by David Gee (W.W. Norton / March 2025)

Rehearsals for Dying by Ariel Gore; design by Sarah Schulte (Amethyst Editions / March 2025)

A Room Above a Shop by Anthony Shapland; design by Tom Etherington (Granta / March 2025)

I compared Tom’s covers for Amitava Kumar to Peter Blake last month. This one is giving me Elsworth Kelly vibes!

Stag Dance by Torrey Peters; design by Rachel Ake (Random House / March 2025)

Rachel Ake also designed the cover of Torrey Peters’ novel Detransition Baby, which was one of my notable covers of 2021.

There Is No Place For Us by Brian Goldstone; design by Anna Kochman (Crown / March 2025)

Tongues by Anders Nilsen; design by Anders Nilsen (Pantheon / March 2025)

I don’t often post the covers of graphic novels, but I like this one a lot.

Two Truths and a Lie by Cory O’Brien; design by Tyler Comrie (Pantheon / March 2025)

This makes me think of David Pelham’s airbrushed sci-fi covers for Penguin.

Ultramarine by Mariette Navarro; design by Daniel Benneworth Gray (Deep Vellum / March 2025)

The Unworthy by Agustina Bazterrica; design by Emma Ewbank (Pushkin Press / March 2025)

The slightly less bonkers, but also fun cover of the US edition (published by Scribner this month) was designed by Math Monahan. I’m also quite partial to the definitely bonkers Polish(?) cover designed by Tomasz Majewski.

Voices of the Fallen Heroes by Yukio Mishima; design by John Gall (Vintage / January 2025)

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Book Covers of Note, October 2024

Hey, I hope you are good. It’s a stressful time and everyone is super busy trying to hold it together, but here we are at the end of October with another post that is both rushed and yet wordier than ever! As usual, I won’t be doing a covers round-up in November. I have to start working on the massive end of year post so I can get it done in something resembling a timely and relevant manner. I am open to last minute submissions if you think I have missed a cover, or you have something coming out between now and December. I can’t promise to include everything, but it would be especially great to hear from you if you’ve done something cool for a university press or an independent publisher this year. The only requirement is that the book was published and on shelves in 2024. If it was published in a non-English speaking part of the world, be sure to include a link to where people can find out more about the book (and ideally buy it) that isn’t Amazon.

On a related note, I have compiled an annual post of YA covers for, I don’t know, years now (10 maybe?). I don’t read a lot of YA, and it’s not a category I am very involved in professionally, so the posts take quite a long time to compile and I usually end up publishing them early in the New Year, which is less than ideal. So I guess my question is: do you still want a YA round-up? Folks used to ask for them, and now they don’t, which just be general fatigue and the fragmented nature of things at the moment, but the posts don’t attract submissions or much feedback, and interest seems to be waning. Obviously I don’t think I do a great job (if that wasn’t abundantly clear already!), but I haven’t really seen anyone else do one either, so I’ve kept doing it. I don’t know… I’m not a big a believer in clicks or engagement metrics as a measurement of anything useful, so I happy to do it if even just a couple of you say it’s still valuable. Or maybe it is just time to call it quits? Let me know what you think…

And with that, onto this month’s selections…

Absolution by Jeff VanderMeer; design by Pablo Delcan (MCD / October 2024)

Pablo Delcan also designed the covers of the 10th anniversary editions of the previous books in the Southern Reach series, Annihilation, Authority, and Acceptance, published by Picador earlier this year.

I’m still quite partial to the original US covers the trilogy (as was) designed by Charlotte Strick with illustrations by Eric Nyquist. The cover of Annihilation reminds me of The Day of the Triffids, which coincidentally has has an introduction by Jeff VanderMeer if you have the Modern Library edition. (The slightly bonkers cover of the Modern Library edition was designed by Cassie Gonzales with an illustration by comic book artist and illustrator Anders Nilson). Anyway, I’m a little sad that I can’t get the prequel to match the rest of my existing set.

Between This World and the Next by Praveen Herat; design by Jamie Keenan; illustration by Sukutangan (Restless Books / June 2024)

The Book Against Death by Elias Canetti; design by Jamie Keenan (New Directions / November 2024)

The Book of George by Kate Greathead; design by Nicole Seeback Ruggiero (Henry Holt / October 2024)

The cover of the UK edition of The Book of George, available from Atlantic Books in January 2025, was designed by Holly Battle.

On the Calculation of Volume Book I and Book II by Solvej Balle; design by Matt Dorfman (New Directions / November 2024)

The Coiled Serpent by Camilla Grudova; design by Jaya Nicely (Unnamed Press / October 2024)

The cover of the UK edition, published in November 2023 by Atlantic Books, was also designed by Holly Battle.

The Driving Machine by Witold Rybczynski; design by Jared Bartman (W.W. Norton / October 2024)

An Earthquake is a Shaking of the Surface of the Earth by Anna Moschovakis; design by Gregg Kulick (Soft Skull / November 2024)

First Law of Holes by Meg Pokrass; design by Steven Seighman (Dzanc / September 2024)

Sorry I missed this last month when I was complaining about not having enough covers from independent publishers (sigh). But also birds + polka dots…

Hold Everything by Dobby Gibson; design by Alban Fischer (Graywolf / October 2024)

Invisible Kitties by Yu Yoyo; design by Steven Brayda; art by Yu Yoyo (HarperVia / October 2024)

Ixelles by Johannes Anyuru; design by Jonathan Pelham (Two Lines Press / October 2024)

The Living Statue by Günter Grass; design by Pablo Delcan (New Directions / October 2024)

This feels very familiar, but I can’t put my finger on why. The best I’ve got is that it looks like a poster for a theatre production. It feels very European. The austerity of it gives late 1980s-90s vibes. I don’t know. I think it’s great.

Mojave Ghost by Forrest Gander; design by Giacomo Girardi / Rodrigo Corral; lettering by Adriana Tonello (New Directions / October 2024)

Music and Joy by Daniel K. L. Chua; design by Sarah Schulte (Yale University Press / August 2024)

Paper Boat by Margaret Atwood; design by Suzanne Dean; paper art by Nathan Ward (Chatto & Windus / October 2024)

Remarkably, the design incorporates a template for paper boat that can be cut from the dust jacket and stuck together.

The cover of the Canadian edition of Paper Boat, published by McClelland & Stewart, was designed by Kelly Hill using art by Paul Klee. The cover for the US edition published by Knopf was designed by Janet Hansen. The photograph is by Ruven Afanador. It’s interesting to me that it was the US decided to use a portrait on the cover. I mean it’s a beautiful photograph and Margaret Atwood is very distinctive looking, but I would imagine she would be more recognizable to Canadians than to Americans? Anyway, it’s not often you see three entirely different approaches in the UK, US and Canada for a poetry collection.

Paper of Wreckage by Susan Mulcahy and Frank DiGiacomo; design by Claire Sullivan (Atria Books / October 2024)

It’s quite something that they got “Wanker” into the subtitle.

Perris, California by Rachel Stark; design by Holly Macdonald (New River Books / September 2024)

The Silver Snarling Trumpet by Robert Hunter; design and illustration by Nathaniel Deas (Hachette / October 2024)

Tell Me Something, Tell Me Anything, Even It It’s a Lie by Steve Wasserman; design by David Drummond (Heyday Books / October 2024)

I knew exactly who designed this cover the moment I saw it!

The Unfinished Harauld Hughes by Richard Ayoade; portrait by James Lloyd (Faber / October 2024)

If anyone can tell me who the designer is on this, I’d greatly appreciate it.

Way Home by Josephine Ensign; design by Tobias Design (John Hopkins University Press / November 2024)

We All Shine On by Elliot Mintz; Design by Vi-An Nguyen; photography by Nishi F. Saimaru (Dutton / October 2024)

Women’s Hotel by Daniel M. Lavery; design by Stephen Brayda; illustration by Thibaud Herem (Harpervia / October 2024)

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Book Covers of Note, May 2024

I hope you’re keeping safe and well. Between work trips and sales conference it’s been a few weeks for me, and there are a lot of covers this month, so I am going to stop prattling and let you get straight to the post…

Another Word for Love by Carvell Wallace; design by Rodrigo Corral (MCD / May 2024)

Birding by Rose Ruane; design by Charlotte Stroomer; photograph by Kelsey McClellan (Little, Brown / May 2024)

I feel like there was another ice cream book cover recently and that somehow Ben Denzer has manifested this.

Blue Ruin by Hari Kunzru; design by John Gall; painting by Chad Wys (Knopf / May 2024)

John Gall also designed the cover of Hari Kunzru’s previous novel Red Pill.

Challenger by Adam Higginbotham; design by Pete Garceau (Avid Reader Press / May 2024)

Coexistence by Billy-Ray Belcourt; design by Kelly Hill (Hamish Hamilton / May 2024)

Dead Animals by Phoebe Stuckes; design by Will Speed (Hodder & Stoughton / April 2024)

Evenings and Weekends by Oisín McKenna; design by Jo Thomson (HarperCollins / May 2024)

Glorious Exploits by Ferdia Lennon; design by Gregg Kulick (Henry Holt / March 2024)

I was trying to think what this cover reminded me of, and then I remembered this.

The Great State of West Florida by Kent Wascom; design by Jeff Miller / Faceout Studio (Grove / May 2024)

Kairos by Jenny Erpenbeck; design by John Gall (New Directions / May 2024)

This is the cover of the newly released US paperback. John Gall also designed the cover for the hardback, published by New Directions last year. Author Jenny Erpenbeck and translator Michael Hofmann recently won the 2024 International Booker Prize with Kairos.

Kilworthy Tanner by Jean Marc Ah-Sen; design by David Drummond (Esplanade Books / May 2024)

This composition brings to mind David Pelham’s covers for J. G. Ballard. (On a semi-related note, air-brushed covers are probably overdue a revival. Or is it a dying art now?)

Kittentits by Holly Wilson; design by Eli Mock (Zando / May 2024)

Like Love by Maggie Nelson; design by Suzanne Dean (Vintage / May 2024)

Suzanne Dean also designed the cover of Bluets by Maggie Nelson.

Loneliness & Company by Charlee Dyroff; design by Mia Kwon (Bloomsbury / May 2024)

Love Junkie by Robert Plunket; design by Oliver Munday (New Directions / May 2024)

Olive Munday bringing his A game.

Monsters, Martyrs, and Marionettes by Adrienne Gruber; design by Tree Abraham (Book*hug / May 2024)

The Ministry of Time by Kaliane Bradley; design by Alison Forner; typography by Andrew Footit (Avid Reader Press / May 2024)

The Novices of Lerna by Ángel Bonomini; design by Sarah Schulte (Transit Books / May 2024)

Perfume & Pain by Anna Dorn; design by Math Monahan (Simon & Schuster / May 2024)

Just so much pink this month!

The Red Grove by Tessa Fontaine; design by Sara Wood (Farrar, Straus & Giroux / May 2024)

The Skunks by FIona Warnick; design by Beth Steidle (Tin House / May 2024)

Supplication by Nour Abi-Nakhoul; design by Emma Dolan (Strange Light / May 2024)

Can anyone tell me who designed the cover of the UK edition of Supplication for Influx Press? I’d love to include it in next month’s round-up when it’s published.

The Z Word by Lindsay King-Miller; design by Andie Reid (Quirk Books / May 2024)

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