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Tag: paper

Centuries of Paper

Great Big Story visits the Richard de Bas paper mill, one of the few places in France where paper is still made by hand.

(via Kottke)

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Hold or fold

Basbanes-On-Paper

At the TLS, Leah Price reviews On Paper: The Everything of Its Two-Thousand-Year History by Nicholas A. Basbanes:

You may be reading this across a fold of paper, or you may be squinting at an electronic screen. Two centuries ago, the former would have seemed almost as futuristic as the latter. Wood-based paper wasn’t successfully patented until 1845, after inventors had cooked straw, boiled banana peels, crushed walnut shells and dried seaweed. The coinage “pulp fiction” followed once it became clear that the new technology produced pages more brittle than those manufactured from costlier linen rags. By the dawn of the digital age, W. J. T. Mitchell could dismiss books as “tree flakes encased in dead cow”.

Unlike those cows, however, paper remains in robust health. One reason is that it combines apparently irreconcilable properties – durability (it outlasts papyrus and floppy disks alike), portability (a precondition of modern postal systems) and foldability (one of Nicholas A. Basbanes’s most engrossing chapters concerns origami). That trio allowed it to displace other writing surfaces that were fragile, unwieldy or both: clay, stone, papyrus, parchment, metal, bark, bones and even seashells.

And inscription is just the beginning. Basbanes points out that during the Second World War, the same long paper-making tradition that allowed Japan to devise bomb-bearing paper balloons rendered its cities uniquely vulnerable to incendiary bombs: more civilians died in the blazes spread by paper windows and screens than from either of the nuclear strikes on Hiroshima and Nagasaki. Meanwhile, generals were deciding how much toilet paper to issue to soldiers: the British got three sheets a day, American GIs twenty-two.

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Ink & Paper

‘Ink & Paper’ is a bitter-sweet short film directed by Ben Proudfoot about Los Angeles paper company McManus & Morgan Paper and their next-door neighbour Aardvark Letterpress:

(Happy New Year)

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Midweek Miscellany

Mode of Transportation by VSA Partners for Mohawk Fine Papers, seen at For Print Only.

Convergence — Richard Nash on the Frankfurt Book Fair, the book business, and enhanced e-books:

The reality is that the lack of audio and video in book is a feature, not a bug. All art forms are defined as much by what they exclude as by what they include, by what is left out as much as what is put in, by performing addition by subtraction, by less being more. The rules of haiku, of villanelle, of science fiction all exist to describe what is disallowed so as to give the freedom of not-everything-being-possible to the artist. Which, again, is not to say artists ought not create transmedia works. They should, and will. It is instead to say that when frightened publishers start scheming to create them in cahoots with third-party vendors we can safely say that this is a policy designed not to create desirable consumer products nor to create art but to create a survival pod for the publisher. What problem does the enhanced eBook solve?

(While not exactly a fan of enhanced e-books myself, I have no doubt that some people would be equally critical if publishers weren’t experimenting in this area).

Daniel Justi’s new font Ataxia is now available from You Work from and MyFonts. My interview with Daniel is here.

And finally…

A neat book trailer for John Lanchester’s Whoops! Why Everyone Owes Everyone and No One Can Pay (I.O.U. in Canada and the US) with animated segments by Yum Yum London (who made the wonderful short Parallel Parking):

(h/t the funniest man who-used-to-work-at-Penguin, Alan Trotter)

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