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Tag: oliver munday

Book Covers of Note February 2019

Thanks to the weather cancelling everything, I’m not horrendously late with this month’s covers post!


All the Lives We Ever Lived by Katharine Smyth; design by Michael Morris (Crown / January 2019)


Black Leopard Red Wolf by Marlon James; cover art by Pablo Gerardo Camacho (Riverhead / February 2019)


Consent by Leo Benedictus; design by Alex kirby (Faber & Faber / February 2019)


The Current by Tim Johnston; design by Pete Garceau (Algonquin / January 2019)

You can read about the icy process behind this cover at Spine Magazine


The Far Field by Madhuri Vijay; design by Kelly Winton (Grove / January 2019)


The Five by Hallie Rubenhold; design by Jo Thomson (Transworld / February 2019)

I like this jacket a lot, but it’s what’s under it that really caught my eye:

The whole package looks great:


Golden State by Ben H. Winters; design by Gregg Kulick (Mulholland Books / January 2019)

The cover of Ben H. Winters previous novel Underground Airlines, also published by Mulholland Books, was designed by Oliver Munday:


Good Enough by Jen Petro-Roy; design by Liz Dresner; cover art by art Romy Blümel (Feiwel & Friends / February 2019)


Hold Still by Nina LaCour; design Samira Iravani; cover art by Adams Carvalho (Penguin / February 2019)

This is, of course, the same creative team behind the cover for We Are OK by Nina LaCour:


Lost Children Archive by Valeria Luiselli; design by Jennifer Carrow (Knopf / February 2019)

The cover for the UK edition of Lost Children Archive, published by Fourth Estate, was designed by Jo Walker


Muscle by Alan Trotter; design by Gray318 (Faber & Faber / February 2019)


Never Enough by Judith Grisel; design by Emily Mahon (Doubleday / February 2019)


The Peacock Feast by Lisa Gornick; design by Na Kim (Farrar, Straus & Giroux / February 2019)


Sick-Note Britain by Adrian Massey; design by Steve Leard (Hurst / February 2019)


Tentacle by Rita Indiana; design by Steve Marsden (And Other Stories / January 2019)


Thick by Tressie McMillan Cotton; design by Oliver Munday (The New Press / January 2019)

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Book Covers of Note September 2018

Lots of type-only covers, some YA, a couple of university presses, and a little bit of everything else in this month’s round-up.


2001: A Space Odyssey by Arthur C. Clarke; design by La Boca (Sphere / August 2018)

It’s interesting to compare/contrast this with the Rodrigo Corral cover design for Space Odyssey by Michael Benson also published last month. 


Are You Sleeping by Kathleen Barber; design by Laywan Kwan (Galley / March 2018)


Back to Black by Kehinde Andrews; design by David Gee (ZED Books / September 2018)

This reminds me of another type-only gem from David:


Codex 1962 by Sjón; design by Rodrigo Corral (MCD / September 2018)

The cover of the UK edition of Codex 1962 published earlier this year by Sceptre takes a very different direction with stunning art by Owen Gent:


Darius the Great is Not Okay by Adib Khorram; design by Samira Iravani; art by Adams Carvalho (Dial Books / September 2018)


The Doctor Stories by William Carlos Williams; design by Joan Wong (New Directions / September 2018)


The Fed and Lehman Brothers by Laurence M. Ball; design by Catherine Casalino (University of Cambridge Press / June 2018)


Fear by Bob Woodward; design by David Litman (Simon & Schuster / September 2018)

White text on a red background is not new, and I suspect it has never gone out of fashion for mass-market thrillers, but it’s interesting to see it reemerge as a “serious book” cover trend. The Real Lolita cover was designed by Sara Wood


From Cold War to Hot Peace by Michael McFaul; design by Richard Green (Allen Lane / May 2018)


Gone to Drift by Diana McCaulay; design by David Curtis; illustration by Dadu Shin (HarperCollins / April 2018)


Heartbreaker by Claudia Dey; design by Rachel Willey (Random House / August 2018)

Apparently we can’t get enough of the 1980s. This is essentially ‘The Night Begins to Shine’ rendered into a book cover (and if you don’t get that reference, I’m guessing you don’t have kids. And yes, I’m going to make you Google it)

Rachel also designed the retro cover for The Comedown by Rebekah Frumkin for Henry Holt earlier this year:

 


Liveblog by Megan Boyle; design by Nicole Caputo (Tyrant Books / September 2018)


Night Moves by Jessica Hopper; design by Amanda Weiss (University of Texas Press / September 2018)

This reminds me of Kyle G. Hunter’s cover for A Lucky Man by Jamel Brinkley which I featured earlier this year. Apparently I like blurry urban nightscapes!


Not Quite Not White by Sharmila Sen; design by Oliver Munday (Penguin / August 2018)


On the Other Side of Freedom by Deray McKesson; design by Matt Dorfman (Viking / September 2018)


Other People’s Love Affairs by D. Wystan Owen; design by David High / HighDzn (Algonguin / August 2018)


Ponti by Sharlene Teo; design by Tyler Comrie (Simon & Schuster / September 2018)


Pride by Ibi Zoboi; design Jenna Stempel-Lobell (Balzer & Bray / September 2018)


Sadie by Courtney Summers; design by Kerri Resnick; art by Agata Wierzbicka (St. Martin’s Press / September 2018)


Shutters by Ahmed Bouanani; design Oliver Munday (New Directions / July 2018)


Staying Power by Peter Fryer; design by David Pearson; illustration by Adam Busby (Pluto Press / September 2018)


Vox by Christina Dalcher; design by HQ Art Department Kate Oakley (HarperCollins / August 2018)

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Book Covers of Note June 2018

Thanks to a combination of disk storage issues, the AUPresses Book, Jacket, and Journal Show, breaking my wrist, general anxiety, and utter despair at the latest round of horror, corruption and lies to the south, this month’s covers post is…well, late. Fuck it. Donate to a good cause. 1  


Aroused by Randi Hutter Epstein; design Zoe Norvell (W.W. Norton / June 2018)

One for the neon signs list.


Beyond Vision by Allan Jones; design David Drummond (McGill-Queen’s University Press / June 2018)


Calypso by David Sedaris; design by Peter Mendelsund (Little, Brown & Co. / May 2018)


Crudo by Olivia Laing; design Justine Anweiler; photograph Wolfgang Tillmans (Picador / June 2108)

There have been a number of covers making use of work by famous photographers in recent months. I think the risk of this approach is that the image overwhelms the text. If the photograph is so important, perhaps it is better to just to get out of the way and let it speak for itself? (If, ahem, the ‘interested parties’ will let you, of course!)  


He Is Mine and I Have No Other by Rebecca O’Connor; design Rafi Romaya; lettering by Oriol Miró Genovart (Canongate / June 2018)

Watch a video of Oriol Miró Genovart gilding one of the letters:


Here Kitty Kitty by Jardine Libaire; design Catherine Casalino (Hogarth / June 2018)


The Hospital by Ahmed Bouanani; design by Oliver Munday (New Directions / June 2018)


Long Players by Peter Coviello; design Catherine Casalino (Penguin / June 2018)

A nice addition to this list.


My German Brother by Chico Buarque; design by Michael Morris (Farrar, Straus & Giroux / June 2018)


The Outsider by Stephen King; design by Will Staehle (Scribner / May 2018)

This has such a great B-movie feel. 


A Stitch in Time by Daphne Kalmar; cover art by Karl James Mountford (St Martin’s Press / June 2018)


Ten Arguments For Deleting Your Social Media Accounts Right Now by Jaron Lanier; design Dan Mogford (The Bodley Head / June 2018)

The cover for the US edition, published by Henry Holt, was designed by Nicolette Seeback. For me, it’s made by the cat wrapping around the spine onto the back cover. Listing the ten arguments on the back is also a really nice touch.


We Begin Our Ascent by Joe Mungo Reed; design by Zak Tebbal (Simon & Schuster / June 2018)

(This really reminds me of something else, but I cannot think of what. It’s bugging me, so let me know if you have any suggestions)


Whistle in the Dark by Emma Healy; design Helen Crawford-White (Viking / May 2018)

The Canadian edition, published by Knopf Canada and designed by Leah Springate, takes a photographic approach. I think it’s a good example of how the Canadian market can be quite different from the UK (and the US)…

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Notable Book Covers of 2017

Since 2010, I’ve posted an annual survey of the year in book covers. The post has expanded and developed over the past 7 years, but essentially it is a collection of the covers published in the previous 12 months that I found interesting or noteworthy in some way. As with the previous couple of years, the 2017 list is organized by covers (alphabetical by title), and by designer so that I can show a greater variety of work, and no one designer or studio dominates. 

Thank you to everyone who has supported the blog this year, and special thanks to all the designers, art directors, authors, publishers, and fellow design enthusiasts who have helped me with covers and design credits. My sincere apologies to the designers and publishers not on this year’s list and whose covers I have overlooked in the past 12 months. 

A post looking back on the YA covers of 2017 is to follow.    


Adult Fantasy by Briohny Doyle design by Laura Thomas (Scribe / July 2017)



Age of Anger by Pankaj Mishra; design by Matthew Young (Allen Lane / February 2017)



The Age of Perpetual Light by Josh Weil; design by Nick Misani (Grove Press / September 2017)


All We Saw by Anne Michaels; design by Janet Hansen; photograph by Jouke Bos (Knopf / October 2017)

Also designed by Janet Hansen:


Always Happy Hour by Mary Miller; design by Elena Giavaldi; art by Lee Price (Liveright / January 2017)

Also designed by Elena Giavaldi:


The Angry Chef by Anthony Warner; design by Steven Leard (Oneworld / June 2017)


Black Moses by Alain Mabanckou; design by Gray318 (Serpent’s Tail / April 2017)

Also designed by Gray318:


The Book of Disquiet by Fernando Pessoa; design by Peter Mendelsund (New Directions / August 2017)

Also designed by Peter Mendelsund:


The Cutaway by Christina Kovac; design by Laywan Kwan (Atria / March 2017)

Also designed by Laywan Kwan:


Don’t Save Anything by Jame Salter; design by Zoe Norvell (Counterpoint / November 2017)


England Your England by George Orwell; design by David Pearson (Penguin Modern Classics / March 2017)

Also designed by David Pearson:


English Uprising by Paul Stocker; design by Jamie Keenan (Melville House / September 2017)

Also designed by Jamie Keenan:


The Experiment by Eric Lee; design by David A. Gee (Zed Books / September 2017)

Also designed by David Gee:


The Fall of Lisa Bellow by Susan Perabo; design by Alison Forner (Simon & Schuster / March 2017)


The Futures by Anna Pitoniak; design by Lauren Harms (Lee Boudreaux Books / January 2017)

Also designed by Lauren Harms:


Ghachar Ghochar by Vivek Shanbhag; design by Luke Bird (Faber & Faber / April 2017)

Also designed by Luke Bird:


The Good People by Hannah Kent; design by Rachel Vale (Picador / February 2017)


The Handmaid’s Tale by Margaret Atwood; art direction by Christopher Moisan; illustration by Patrik Svensson (Houghton Mifflin Harcourt / April 2017)

This HMH cover was my favourite of the new editions of The Handmaid’s Tales, but Noma Bar’s cover for Vintage UK was also nice.


The Hearts of Men by Nickolas Butler; design by Allison Saltzman (Ecco / March 2017)

Also designed by Allison Saltzman: 


Heating & Cooling by Beth Ann Fennelly; design by Alex Merto; photograph by Gregory Reid (W.W. Norton / December 2017)

Also designed by Alex Merto:


Her Body and Other Parties by Carmen Maria Machado; design by Kimberly Glyder (Graywolf / October 2017)

Also designed by Kimberly Glyder:


Hollow by Owen Egerton; design by Matt Dorfman (Counterpoint / July 2017)

Also designed by Matt Dorfman:


How Will I Know You? by Jessic Treadway; design by Catherine Casalino; illustration by Henrietta Harris (Grand Central Publishing / August 2017)


I Am, I Am, I Am by Maggie O’Farrell; design by Yeti Lambregts (Tinder Press / August 2017)

Also designed by Yeti Lambregts:


The Idiot by Elif Batuman; design by Suzanne Dean; illustration by Aino-Maija Metsola (Jonathan Cape / June 2017)

Also designed by Suzanne Dean:


The Idiot by Elif Batuman; design by Oliver Munday (Penguin / March 2017)

Also designed by Oliver Munday:


Insomniac Dreams: Experiments with Time by Vladimir Nabokov compiled and edited by Gennady Barabtarlo; design by Chris Ferrante (Princeton University Press / December 2017)

Also designed by Chris Ferrante:


Jerusalem Ablaze by Orlando Ortega-Medina; design by La Boca (Cloud Lodge Books / January 2017)

Also designed by La Boca: 


Jerzy by Jerome Charyn; design by Alban Fischer (Bellevue Literary Press / March 2017)


Little Deaths by Emma Flint; design by Justine Anweiler (Picador / January 2017)

Also designed by Justine Anweiler:


Lotus by Lijia Zhang; design by Adly Elewa (Henry Holt / January 2017)


Manly Health and Training by Walt Whitman; design by Richard Ljoenes (Regan Arts / February 2017)


Midlife: A Philosophical Guide by Kieran Setiya; design by Amanda Weiss (Princeton University Press / October 2017)


Narcissism for Beginners by Martine McDonagh; design by Tree Abraham (Unbound / March 2017)


Nicotine by Gregor Hens; design by John Gall (Other Press / January 2017)


One Day We’ll All Be Dead and None of This Will Matter by Scaachi Koul; design by C.S. Richardson (Doubleday Canada / March 2017)

Scott was also responsible for my favourite of the (many) Ninety Eighty-Four redesigns this season. 


The Parcel by Anosh Irani; design by Allison Colpoys (Scribe / September 2017)

Also designed by Allison Colpoys:


Priestdaddy by Patricia Lockwood; design by Rachel Willey (Riverhead / May 2017)

Also designed by Rachel Willey:


A Separation by Katie Kitamura; design by Jaya Miceli (Riverhead / February 2017)

Also designed by Jaya Miceli:


Sex & Rage by Eve Babitz; design by Kelly Winton (Counterpoint / July 2017)


Strange Heart Beating by Eli Goldstone; design by Jo Walker (Granta / May 2017)

Also designed by Jo Walker:


Swimmer Among the Stars by Kanishk Tharoor; design by Tyler Comrie (Farrar, Straus and Giroux / March 2017)

Also designed by Tyler Comrie:


The Tea Girl of Hummingbird Lane by Lisa See; design by Lauren Peters-Collaer (Scribner / March 2017)

Also designed by Lauren Peters-Collaer:


Vengeance is Mine, All Others Pay Cash by Eka Kurniawan; design by Erik Carter (New Directions / August 2017)

Also designed by Erik Carter:


Virgin and Other Stories by April Ayers Lawson; design by James Paul Jones (Granta / January 2017)

Also designed by James Paul Jones: 



We All Love the Beautiful Girls by Joanne Proulx; design by Jennifer Griffiths (Viking / August 2017)

Also designed by Jennifer Griffiths:


Why I’m No Longer Talking to White People About Race by Reni Eddo-Lodge; design by Greg Heinimann (Bloomsbury / June 2017)

Also designed by Greg Heinimann:


Why Poetry by Matthew Zapruder; design by Sara Wood (Ecco / August 2017)

Also designed by Sara Wood:


Would Everybody Please Stop? by Jenny Allen; design by Na Kim (Sarah Crichton Books / June 2017)

Also designed by Na Kim:


The World Goes On by László Krasznahorkai; design by Paul Sahre (New Directions / November 2017)

The cover of Sahre’s “graphic memoir” Two Dimensional Man is also great. 


Writing Not Writing by Tom Fisher; design by  Anne Jordan and Mitch Goldstein (University of Iowa Press / July 2017)(University of Iowa Press / July 2017)

Also designed by Anne Jordan and Mitch Goldstein:


The Zoo of the New edited by Nick Laird & Don Paterson; design by Richard Green (Particular Books / March 2017)

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Book Covers of Note, September 2017

Here are September’s cover selections with a few extra covers from earlier in the year, just for good measure…


The Aeneid by Virgil, translated by David Ferry; design by Matt Avery (University of Chicago Press / September 2017)


The Age of Perpetual Light by Josh Weil; design by Nick Misani (Grove Press / September 2017)


And Your Daughters Shall Prophesy by Adrian Shirk; design by Jarrod Taylor (Counterpoint / September 2017)


The Beast by Alexander Starritt; design by Gray318 (Head of Zeus / September 2017)


A Book of Untruths by Miranda Doyle; design by Donna Payne (Faber & Faber / June 2017)

I really must do a post on crossings out on covers….


Can’t Stand Up For Falling Down by Allan Jones; design by Greg Heinimann (Bloomsbury / August 2017)


The Change Room by Karen Connelly; design by Jennifer Griffiths (Random House Canada / April 2017)


Curry by Naben Ruthnum; illustration by Chloe Cushman; series design Ingrid Paulson (Coach House Books / August 2017)


Dark at the Crossing by Elliot Ackeman; design by Kelly Blair (Knopf / January 2017)


Democracy and Its Crisis by A.C. Grayling design James Paul Jones (Oneworld / September 2017)


Do Not Bring Him Water by Caitlin Scarano; design by Zoe Norvell (Write Bloody / September 2017)


The Dying Detective by Leif GW Persson; design by Oliver Munday (Pantheon / May 2017)


English Uprising by Paul Stocker; design by Jamie Keenan (Melville House / September 2017)


Every Third Thought by Robert McCrum; design by Stuart Wilson; illustration Andrew Davidson (Picador / August 2017)


The Experiment by Eric Lee; design by David A. Gee (Zed Books / September 2017)


I Am Not A Brain by Markus Gabriel; design by David A. Gee (Polity Press / September 2017)


The Last London by Iain Sinclair; design by James Paul Jones (Oneworld / September 2017)


Mrs. Fletcher by Tom Perrotta; design by Jaya Miceli (Scribner / August 2017)


My Absolute Darling by Gabriel Tallent; design by Jo Walker (Fourth Estate / August 2017)

The cover of the US edition, published by Riverhead, was designed by Jaya Miceli:


New People by Danzy Senna; design by Rachel Willey (Riverhead / August 2017)


The People Are Going to Rise Like the Waters Upon Your Shore by Jared Yates Sexton; design by Matt Dorfman (Counterpoint / August 2017)


Postcards from the Edge by Carrie Fisher; design by Jack Smyth (Simon & Schuster / September 2017)


Ruth and Martin’s Album Club by Martin Fitzgerald; design by Dan Mogford (Unbound / September 2017)


Scarborough by Catherine Hernandez; design Oliver McPartlin; photograph Matthew Henry (Arsenal Pulp Press / May 2017)


The Talented Ribkins by Ladee Hubbard; design Marina Drukman (Melville House / August 2017)


To Die in Spring by Ralf Rothmann; design by Oliver Munday (Farrar, Straus & Giroux / August 2017)


We All Love the Beautiful Girls by Joanne Proulx; design by Jennifer Griffiths (Viking / August 2017)


You Should Have Left by Daniel Kehlmann; design by Peter Mendelsund (Pantheon / June 2017)

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Book Covers of Note July 2017

Something… something… vacation… something… jetlag…. something… inbox… something… Oh look! It’s July’s book covers!1


Album for the Young (and Old) by Vera Pavlova; design by Janet Hansen (Knopf / April 2017)


Amanda Wakes Up by Alisyn Camerota; design by Kimberly Glyder (Viking / July 2017)


City of Saints and Thieves by Natalie C. Anderson; design by Steven Leard (Oneworld / July 2017)


The Conference of Birds by Attar, translated by Sholeh Wolpé; design by Jaya Miceli (W. W. Norton / April 2017)


Equipment for Living on Poetry and Pop Music by Michael Robbins; design by Thomas Colligan (Simon & Schuster / July 2017)


Flesh and Bone and Water by Luiza Sauma; design by Lauren Peters-Collaer (Scribner / June 2017)


Fly Me by Daniel Riley; design by Lucy Kim (Little, Brown & Co. / June 2017)


Gather the Daughters by Jennie Melamed; design by Yeti Lambregts (Tinder Press / July 2017)


Goodnight Boy by Nikki Sheehan; design by Edward Bettison (Oneworld / July 2017)


The Graybar Hotel by Curtis Dawkins; design by Pete Adlington (Canongate / July 2017)

The cover of the US edition, designed by the aforementioned Thomas Colligan for Scribner, is an interesting compare and contrast:


Hello Sunshine by Laura Dave; design by Jennifer Heuer (Simon & Schuster / July 2017)


Hollow by Owen Egerton; design by Matt Dorfman (Counterpoint / July 2017)


I Must Belong Somewhere by Jonathan Dean; design by Dan Mogford (Weidenfeld & Nicolson / May 2017)

(This would be a nice addition to this old list of maps on book covers)


Investigations of a Dog by Franz Kafka, translated by Michael Hofmann; design by John Gall (New Directions / May 2017)


Kompromat by Stanley Johnson; design by James Paul Jones (Oneworld / July 2017)


The Lawn Job by Chuck Caruso; design by La Boca (Cloud Lodge Books / July 2017)


A Life of Adventure and Delight by Akhil Sharma; design Peter Mendelsund (W.W. Norton / July 2017)


The Little Buddhist Monk & The Proof by César Aira; design by Rodrigo Corral; lettering by June Park (New Directions / June 2017)

And as this is two stories in one, you get a fancy back cover too…. 

The covers of the UK editions of César Aira’s books The Little Buddhist Monk, The Proof, and The Seamstress and the Wind, published separately by And Other Stories, were designed by Edward Bettison:


Magpie Murders by Anthony Horowitz; design by Will Staehle (Harper / June 2017)


Shark Drunk by Morten Strøksnes; design by Oliver Munday (Knopf / June 2017)

(Much as I love Oliver’s cover — particularly his choice of type — it immediately reminded me Tom Lenartowicz’s minimalist Jaws design)


Smoke by Dan Vyleta; design Mark Abrams; illustration by Alejandro García Restrepo (Anchor / June 2017)

Mark Swan‘s design for the UK hardcover, published by Weidenfeld & Nicolson, was one of my favourite covers of last year (I liked the book a lot too!)… 


Storming Heaven by Steve Wright; design by David A. Gee (Pluto Press / July 2017)


The Summer of Impossible Things by Rowan Coleman; design Helen Crawford-White (Ebury Press / June 2017)


Things To Do When You’re a Goth in the Country by Chavisa Woods; design by Adam Lewis Greene (Seven Stories Press / May 2017)


Under the Skin by Michel Faber; design by Rafi Romaya; illustration Yehrin Tong (Canongate / July 2017)


What It Means When A Man Falls from the Sky by Lesley Nneka Arimah; design by Jaya Miceli (Riverhead / April 2017)


Writing Not Writing by Tom Fisher; design by  Anne Jordan and Mitch Goldstein (University of Iowa Press / July 2017)

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Book Covers of Note June 2017

Hey June, don’t make it bad, take a sad book and make its cover…

The Angry Chef by Anthony Warner; design by Steven Leard (Oneworld / June 2017)

The Answers by Catherine Lacey; design by Gray318 (Granta / June 2017)

Columbia Road by Linda Wilkinson; design by Clare Skeats (September Publishing / June 2017)


The Courage of Hopelessness by Slavoj Zizek; design by Richard Green (Allen Lane / May 2017)


Goodbye, Vitamin by Rachel Khong; design by Matt Johnson (Scribner UK / June 2017)


The Idiot by Elif Batuman; design by Suzanne Dean; illustration by Aino-Maija Metsola (Jonathan Cape / June 2017)

The colourful UK cover is an interesting contrast with the cover of the US edition, designed by Oliver Munday for Penguin:

The Illustrious House of Ramires by Eça de Queirós; design by Joan Wong (New Directions  / June 2017)

The Lure of Greatness by Anthony Barnett; design by Mark Ecob (Unbound / June 2017)


Marriage of a Thousand Lies by S J Sindu; design by Kimberly Glyder (Soho Press / June 2017)


Midnight at the Bright Ideas Bookstore by Matthew Sullivan; design by Tyler Comrie (Scribner / June 2017)

A welcome addition to the books on book covers genre


My Soul Looks Back by Jessica B. Harris; design by Lauren Peters Collaer (Simon & Schuster / June 2017)


The Never King by James Abbott; design by Neil Lang (Tor / May 2017)

Neil’s embossed metallic silver cover for Selfie by Will Storr (Picador / June 2017) is also kind of great (and hilarious), but impossible to show well online:

Pages for Her and Pages for You by Sylvia Brownrigg; design by Justine Anweiler (Picador / June 2017)


The Song and the Silence by Yvetter Johnson; design by Jonathan Sainsbury (Atria / May 2017)


Stephen Florida by Gabe Habash; design by Karl Engebretson; illustration George Boorujy (Coffee House Press / June 2017)


White Fur by Jardine Libarie; design by Elena Giavaldi (Hogarth / May 2017)


Why I’m No Longer Talking to White People About Race by Reni Eddo-Lodge; design by Greg Heinimann (Bloomsbury / June 2017)


X by Chuck Klosterman; design by Rachel Willey (Blue Rider Press / May 2017)

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Book Covers of Note May 2017

Everything is awful. Except for book covers…


Black Skins, White Masks by Frantz Fanon; design by David Pearson (Pluto Press / May 2017)


The Children of Jocasta by Natalie Haynes; design by Ami Smithson; illustration Petra Börner (Mantle / May 2017)


The Circus by Olivia Levez; design by Nathan Burton (Oneworld / May 2017)

Nathan’s cover for The Island by Olivia Levez was on my list of Notable YA Book Covers last year:

And also by the talented Mr. Burton…


The Doorposts of Your House and on Your Gate by Jacob Bacharach; design by Nathan Burton (Liveright / April 2017)


Feel Happier in Nine Seconds by Linda Besner; design by Scott Albrecht (Coach House Books / May 2017)


Fen by Daisy Johnson; design by Kimberly Glyder (Graywolf / May 2017)

The cover of the UK edition of Fen designed by Suzanne Dean was a book cover of note in June last year


Granta 139: Best of Young American Novelists 3; design by Daniela Silva; neon sign by Steve Earl / Kemp London (Granta / May 2017)


Hadriana In All My Dreams by René Depestre; design by Christian Fuenfhausen (Akashic Books / May 2017)


I’d Die for You and Other Lost Stories by F. Scott Fitzgerald; design by Jack Smyth (Scribner UK / April 2017)


Ill Will by Dan Chaon; design by Christopher Lin (Ballantine Books / March 2017)


The Leavers by Lisa Ko; design by Elena Giavaldi (Algonquin / May 2017)


Lobbying for Change by Alberto Alemanno; design by Dan Mogford (Icon / May 2017)

Multi-coloured letters are a thing this month. See below… 


My Cat Yugoslavia by Pajtim Statovci; design by Oliver Munday (Pantheon / April 2017)


The Nothing by Hanif Kureishi; design by Jamie Keenan (Faber & Faber / May 2017)


Priestdaddy by Patricia Lockwood; design by Rachel Willey (Riverhead / May 2017)

The cover of the UK edition, designed by Richard Green, takes quite a different direction…


Ramona Blue by Julie Murphy; design by Aurora Parlagreco; illustration by Daniel Stolle (Balzer + Bray / May 2017)

The same designer-illustrator team were on my 2015 YA list for their cover for Julie Murphy’s previous book Dumplin’.


Rock n’ Radio by Ian Howarth; design by David Drummond (Vehicule Press / May 2017)

See! Multicoloured lettering is where it is at… 


This is Just My Face: Try Not to Stare by Gabourey Sidibe; design by Martha Kennedy; photography by GUZMAN (HMH / May 2017)


Toussaint Louverture by Charles Forsdick & Christian Høgsbjerg; design by Gray318 (Pluto Press / May 2017)


We Are Never Meeting in Real Life by Samantha Irby; design by Joan Wong (Vintage / May 2017)


The Violence of Austerity edited by David Whyte and Vickie Cooper; design by James Paul Jones (Pluto Press / May 2017)


When Dimple Met Rishi by Sandhya Menon; design by Regina Flath (Simon Pulse / May 2017)

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Book Covers of Note February 2017

A little later than usual — between one thing and the apocalypse — but there are some great covers out this month, including at least one contender for cover of the year:


The Bear and the Serpent by Adrian Tschaikovsky; design by Neil Lang (Pan Macmillan / February 2017)

The cover for the previous book in the series, The Tiger and the Wolf, was also designed by Neil: 


Birds Art Life Death by Kyo Maclear; design by Jonny Pelham; illustration by Kyo Maclear (Fourth Estate / February 2017)

The cover of the US edition published by Scribner, which also features illustrations by Kyo Maclear, was designed by Lauren Peters-Collaer:


The Blot by Jonathan Lethem; design by Gray318 (Jonathan Cape / February 2017)


The Brand New Catastrophe by Mike Scalise; design by Oliver Munday (Sarabande Books / January 2017)


Civil Wars by David Armitage; design by Peter Mendelsund (Yale University Press / February 2017)


Darke by Rick Gekoski; design by Pete Adlington (Canongate Press / February 2017)


Emergency Admissions by Kit Wharton; design by Jonny Pelham (Fourth Estate / February 2017)


Is That Kafka? by Reiner Stach; design by Erik Carter (New Directions / February 2017)

Erik’s design for the hardcover was included in my June post last year:

 


It Can’t Happen Here by Sinclair Lewis; design Jim Stoddart (Penguin / January 2017)


The Lucky Ones by Julianne Pachico; design by Luke Bird (Faber & Faber / February 2017)


Manly Health and Training by Walt Whitman; design by Richard Ljoenes (Regan Arts / February 2017)

The Memory Book by Lara Avery; design by Sinem Erkas (Quercus / January 2017)


Never Enough by Barney Hoskyns; design by Jamie Keenan (Constable / January 2017)


Nicotine by Nell Zink; design by Julian Humphries (Fourth Estate / October 2016)

Had I seen this cover last year when the book was published, it would undoubtedly made my end of the year list.

And on the topic of covers of the year, here’s that early contender for 2017:


A Separation by Katie Kitamura; design by Jaya Miceli (Riverhead / February 2017)

And from the sublime to the hilarious…


Spurt by Chris Miles; design by Lucy Ruth Cummins (Simon & Schuster / February 2017)


A Simple Story by Leila Guerriero; design by Oliver Munday (New Directions / February 2017)


This is the Ritual by Rob Doyle; design by Greg Heinimann (Bloomsbury / January 2017)

Greg’s design for the hardcover of This Is The Ritual, also published by Bloomsbury, was included in my January post last year:


Who Lost Russia by Peter Conradi; design by Mark Ecob (Oneworld / February 2017)

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Notable Book Covers of 2016

It is that wonderful/awful time of year. Wonderful because we get to look back at some of the amazing work people have done over the past 12 months. Awful because lists are arbitrary and someone always misses out.

I’m not going to say these are the ‘best’ covers of year. I don’t think it’s fair, and I don’t feel qualified to make that kind of judgement. This post is more an attempt to reflect the year in covers as I saw it — the covers I liked; the covers I thought were well done; the covers I thought were interesting; the covers that I thought were a bit different. 

Like last year, I’ve clustered my selections around designers. Not only does this allow me to post more covers, it means I can show a greater diversity of work.

I am truly sorry to all the hardworking and talented designers (and art directors) whose work I have overlooked this year. I do my best. It is not enough. Bring on 2017.

Addlands design Jenny Grigg
Addlands by Tom Bullough; design by Jenny Grigg (Granta / June 2016)

Also designed by Jenny Grigg:


All Things Cease design Mario Hugo
All Things Cease to Appear by Elizabeth Brundage; design by Mario Hugo (Knopf / March 2016)


Association-Small-Bombs design Matt Vee
The Association of Small Bombs by Karan Mahajan; design by Matt Vee (Viking / March 2016)


Barkskins design by Anna Morrison
Barkskins by Annie Proulx; design Anna Morrison (Fourth Estate / June 2016)

Also designed by Anna Morrison:


Beast design Mark Ecob
Beast by Paul Kingsnorth; design Mark Ecob; illustration Alan Rogerson (Faber & Faber / July 2016)


9781770899421
The Best Kind of People by Zoe Whittall; design by Alysia Shewchuck (House of Anansi / August 2016)


A burglar's guide_cvr_revised.indd


A Burglar’s Guide to the City by Geoff Manaugh; design by Nayon Cho (Farrar, Straus & Giroux / April 2016)


But What if We're Wrong design Paul Sahre
But What If We’re Wrong? by Chuck Klosterman; design by Paul Sahre (Blue Rider Press / June 2016)

Also designed by Paul Sahre:


cannibal-artwork-wangechi-mutu
Cannibal by Safiya Sinclair; design by Nathan Putens; artwork by Wangechi Mutu (University of Nebraska Press / September 2016)


Cannibals in Love design Na Kim


Cannibals in Love by Mike Roberts; design by Na Kim (FSG Original / September 2016)

Also designed by Na Kim:


Childrens Home design Jaya Micelli; Art by Valerie Hegarty
The Children’s Home by Charles Lambert; design by Jaya Miceli (Scribner / January 2016)

Also designed by Jaya Miceli


Comet Seekers design Chloe Giordano
The Comet Seekers by Helen Sedgwick; design by Chloe Giordano (Harvill Secker / August 2016)


congratulations on everything design Gary Taxali
Congratulations on Everything by Nathan Whitlock; cover art by Gary Taxali (ECW / May 2016)


dark-flood-design-rafi-romaya-illustration-timorous-beasties
The Dark Flood Rises by Margaret Drabble; design Rafi Romaya; cover illustration by Timorous Beasties (Canongate / November 2016)

Also designed by Rafi Romaya:


Dialogue design Catherine Casaline
Dialogue by Robert McKee; design by Catherine Casalino (Twelve Books / July 2016)

Also designed by Catherine Casalino:


don’t i know you? design Phil Pascuzzo


Don’t I Know You? by Marni Jackson; design by Phil Pascuzzo (Flatiron / September 2016)

Also designed by Phil Pascuzzo:


The Encounter design David Pearson
The Encounter: Amazon Beaming by Petru Popescu; design by David Pearson (Pushkin Press / February 2016)

Also designed by David Pearson:


Essex Serpent design Peter Dyer
The Essex Serpent by Sarah Perry; design Peter Dyer (Serpent’s Tail / June 2016)


design Zoe Norvell
Faithful by Alice Hoffman; design by Zoe Norvell (Simon & Schuster / November 2016)

Also designed by Zoe Norvell:


gamblers-anatomy-design-gray318
A Gambler’s Anatomy by Jonathan Lethem; design by Gray318 (Doubleday / October 2016)

Also designed by Gray318:


Girls on Fire US design Robin Bilardello
Girls on Fire by Robin Wasserman; design by Robin Bilardello (Harper / May 2016)

Also designed by Robin Bilardello:


The Good Immigrant design James Paul Jones
The Good Immigrant edited by Nikesh Shukla; design by James Paul Jones (Unbound / September 2016)

Also designed by James Paul Jones:


guineveres-design-lauren-harms


The Guineveres by Sarah Domet; design by Lauren Harms (Flatiron Books / October 2016)

Also designed by Lauren Harms:


the-hatching-9781501125041_hr
The Hatching by Ezekiel Boone; design by Chelsea McGuckin; art by David Wu (Atria Books / July 2016)


 How Propaganda Works design Chris Ferrante
How Propaganda Works by Jason Stanley; design by Chris Ferrante (Princeton University Press / May 2016)

Also designed by Chris Ferrante:


How To See design Peter Mendelsund
How to See by David Salle; design by Peter Mendelsund (W.W. Norton / October 2016)

Also designed by Peter Mendelsund:


Imagine Me Gone design Keith Hayes
Imagine Me Gone by Adam Haslett; design by Keith Hayes (Little, Brown & Co. / May 2016)

Also designed by Keith Hayes:


Is That Kafka design Erik Carter


Is That Kafka? 99 Finds by Reiner Stach; design by Erik Carter (New Directions / April 2016)

Also designed by Erik Carter:


Knockout design by Matt Dorfman


Knockout by John Jodzio; design by Matt Dorfman (Soft Skull / March 2016)


Legoland design by Justine Anweiler illo Axel Bizon
Legoland by Gerard Woodward; design by Justine Anweiler; illustration by Axel Bizon and Lena Sarrault (Picador / February 2016)

Also designed by Justine Anweiler:


Little Nothing by Marisa Silver; design by Rachel Willey (Blue Rider Press / September 2016)
Little Nothing by Marisa Silver; design by Rachel Willey (Blue Rider Press / September 2016)

Also designed by Rachel Willey:


Lonely City


The Lonely City by Olivia Laing; design Henry Sene Yee; photograph by Jerome Liebling (Picador USA / March 2016)



Looking for the Stranger by Alice Kaplan; design by Isaac Tobin (University of Chicago Press / September 2016)

Also designed by Isaac Tobin:


Lost Time Accidents design Pete Adlington
The Lost Time Accidents by John Wray; design by Peter Adlington (Canongate / June 2016)

Also designed by Pete Adlington:


Ministry of Nostalgia design Andy Pressman
The Ministry of Nostalgia by Owen Hatherley; design by Andy Pressman (Verso / January 2016)


moonglow-design-adalis-martinez
Moonglow by Michael Chabon; design by Adalis Martinez (Harper / November 2016)


The Muse design Ami Smithson cover art Lisa Perrin
The Muse by Jessie Burton; design by Ami Smithson, cover art by Lisa Perrin (Picador / June 2016)

Also designed by Ami Smithson:


museum_of_modern_love_design_sandy_cull
The Museum of Modern Love by Heather Rose; design by Sandy Cull (Allen & Unwin / August 2016)


My Father the Pornographer-design by Jamie Keenan
My Father the Pornographer by Chris Offutt; design by Jamie Keenan (Atria / February 2016)

Also designed by Jamie Keenan:


The Nix by Nathan Hill; design by Oliver Munday (Knopf / August 2016)
The Nix by Nathan Hill; design by Oliver Munday (Knopf / August 2016)

Also designed by Oliver Munday:


permanent_resident_design_alissa_dinallo
Permanent Resident by Roanna Gonsalves; design Alissa Dinallo (UWA Publishing / November 2016)


pond design by Alex Merto


Pond by Claire-Louise Bennett; design by Alex Merto;  cover art: detail from ‘Fair is foul and foul is fair’ Margriet Smulders (Riverhead / July 2016)

Also designed by Alex Merto:


pull-me-under-design-rodrigo-corral-illustration-june-park


Pull Me Under by Kelly Luce; design by June Park (Farrar, Straus & Giroux / November 2016)


Reality is Not What it Seems by Carlo Rovelli; design by Coralie Bickford-Smith (Allen Lane / October 2016)
Reality is Not What it Seems by Carlo Rovelli; design by Coralie Bickford-Smith (Allen Lane / October 2016)

Also designed by Coralie Bickford-Smith:


Sex and Death design Luke Bird


Sex and Death edited by Sarah Hall and Peter Hobbs; design by Luke Bird (Faber & Faber / September 2016)


Smoke


Smoke by Dan Vyleta; design by Mark Swan (Weidenfeld & Nicolson / July 2016)


start-of-something-collage-by-marion-de-man-design-by-suzanne-dean
The Start of Something by Stuart Dybek; design Suzanne Dean; cover art by Marion de Man (Jonathan Cape / November 2016) 

Also designed by Suzanne Dean:


story-of-reason-in-islam-design-anne-jordan


The Story of Reason in Islam by Sari Nusseibeh; design by Anne Jordan and Mitch Goldstein (Stanford University Press / November 2016)

Also designed by Anne Jordan and Mitch Goldstein:


c9781925321302


The Summer That Melted Everything by Tiffany McDaniel; design by Allison Colpoys (Scribe / August 2016)

Also designed by Allison Colpoys:


13-ways-design-by-ploy-siripant-lettering-joel-holland
13 Ways of Looking at a Fat Girl by Mona Awad; design by Ploy Siripant; lettering by Joel Holland (Penguin / February 2016)

Also designed by Ploy Siripant:


Trees design David Mann
The Trees by Ali Shaw; design by David Mann (Bloomsbury / March 2016)


version-control-design-janet-hansen
Version Control by Dexter Palmer; design Janet Hansen (Pantheon / February 2016)

Also designed by Janet Hansen:


where-the-bird-sings-best-design-Richard-Ljoenes
Where the Bird Sings Best by Alejandro Jodorowsky; design by Richard Ljoenes (Restless Books / April 2016)


Wonder US design Kimberly Glyder
The Wonder by Emma Donoghue design by Kimberly Glyder (Little, Brown & Co. / September 2016)

Also designed by Kimberly Glyder:


Wonder UK
The Wonder by Emma Donoghue design by Jo Thompson (Picador / September 2016)


XX design Sara Wood
XX: Poems for the Twentieth Century by Campbell McGrath; design Sara Wood (Ecco / March 2016)

Also designed by Sara Wood:

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Book Covers of Note November 2016

I’m not sure anyone is paying too much attention to book design this week, but if you’re looking for a few minutes diversion from the awfulness of almost everything, here’s this month’s selection of quirky, beautiful, and otherwise interesting book covers…

black-water-design-oliver-munday
Black Water by Louise Doughty; design by Oliver Munday (Sarah Crichton Books / September 2016)

briefhistoryofeveryone-design-andy-allen
A Brief History of Everyone Who Ever Lived by Adam Rutherford; design by Andy Allen (Orion / September 2016)

britishraildesigned_design-theo-inglis
British Rail Designed 1944-1997 by David Lawrence; design by Theo Inglis (Ian Allan Publishing / November 2016)

clearing-the-air-design-phil-pascuzzo
Clearing the Air by Gregory Wood; design by Phil Pascuzzo (Cornell University Press / November 2016)

cold-skin-design-chris-gale
Cold Skin Albert Sánchez Piñol; design by Christopher Gale (Canongate / October 2016)

dark-flood-design-rafi-romaya-illustration-timorous-beasties
The Dark Flood Rises by Margaret Drabble; design Rafi Romaya; cover illustration by Timorous Beasties (Canongate / November 2016)

defender-design-mark-swan
Defender by G X Todd; design by Mark Swan (Headline / December 20161)

do-not-say-we-have-nothing-design-jaya-miceli
Do Not Say We Have Nothing by Madeleine Thien; design Jaya Miceli (W.W. Norton / October 2016)

dying-design-pete-adlington
Dying by Cory Taylor; design by Pete Adlington (Canongate / November 2016)

faithful-design-zoe-norvell
Faithful by Alice Hoffman; design by Zoe Norvell (Simon & Schuster / November 2016)

Is this a new (old) thing…?

guy-design-by-michel-vrana-pink
Guy by Jowita Bydlowska; design by Michel Vrana (Wolsak & Wynn / November 2016)

I like that this was a split run of coral and blue:

knives-and-ink
Knives & Ink by Isaac Fitzgerald and Wendy MacNaughton; design Katya Mezhibovskaya; cover art Wendy MacNaughton (Bloomsbury / October 2016)

This is a nice partner to 2014’s Pen & Ink which also featured cover art by MacNaughton:

london_lies_beneath_ad_nico_taylor_illus_joe_mclaren
London Lies Beneath by Stella Duffy; Art direction by Nico Taylor; illustration by Joe McLaren (Little, Brown / October 2016)

midwinter_illus_raquel_leis_allion
Midwinter by Fiona Melrose; Art Direction by Bekki Guyatt; illustration by Raquel Leis Allion (Little, Brown / November 2016)

moonglow-design-adalis-martinez
Moonglow by Michael Chabon; design by Adalis Martinez (Harper / November 2016)

music-for-life-design-by-alex-kirby
Music For Life by Fiona Maddocks; design by Alex Kirby (Faber & Faber / October 2016)

one-with-the-tiger
One with the Tiger by Steven Church; design by Faceout Studio (Soft Skull / November 2016)

pull-me-under-design-rodrigo-corral-illustration-june-park
Pull Me Under by Kelly Luce; design Rodrigo Corral; cover art by June Park (Farrar, Straus & Giroux / November 2016)

revengeofanalog_design-pete-garceau
The Revenge of Analog by David Sax; design Pete Garceau (Public Affairs / November 2016)

sick-bag-song-illus-nick-cave-ad-brian-moore
Sick Bag Song by Nick Cave; illustration by Nick Cave; art direction by Brian Moore (Houghton Mifflin Harcourt / November 2016)

start-of-something-collage-by-marion-de-man-design-by-suzanne-dean
The Start of Something by Stuart Dybek; design Suzanne Dean; cover art by Marion de Man (Jonathan Cape / November 2016) 

(You can read more about the process of making this cover at the Creative Review blog)

story-of-reason-in-islam-design-anne-jordan
The Story of Reason in Islam by Sari Nusseibeh; design by Anne Jordan and Mitch Goldstein (Stanford University Press / November 2016)

swing-time-design-gray318
Swing Time by Zadie Smith; design by Gray318 (Hamish Hamilton / November 2016)

This goes rather nicely with Gray318’s earlier design for The Embassy of Cambodia by Zadie Smith:

thus-bad-begins-design-by-peter-mendelsund
Thus Bad Begins by Javier Marías; design by Peter Mendelsund (Knopf / November 2016)

unmistakable-design-catherine-casalino
Unmistakable by Srinivas Rao; design by Catherine Casalino (Portfolio / August 2016)

violence-design-by-scott-levine
Violence as Generative Force by Max Bergholz; design by Scott Levine (Cornell University Press / November 2016)

whateverhappened_highres
Whatever Happened to Interracial Love by Kathleen Collins; design by Allison Saltzman; cover art by Lorna Simpson (Ecco / November 2016)

writing-to-save-a-life-design-eric-white
Writing to Save a Life by John Edgar Wideman; design by Eric White (Scribner / November 2016)

you-will-not-have-my-hate-design-suzanne-dean
You Will Not Have My Hate by Antoine Leiris; design by Suzanne Dean (Harvill Secker / October 2016)

The US cover for You Will Not Have My Hate, designed by Darren Haggar (Penguin Press, October 2016), provides an interesting contrast in styles:

you-will-not-have-my-hate-design-by-darren-haggar

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Book Covers of Note September 2016

It’s September. It’s busy.

all-we-shall-know-design-james-paul-jones
All We Shall Know by Donal Ryan; design by James Paul Jones (Transworld / September 2016)

art-of-memoir-design-robin-bilardello
Art of Memoir by Mary Karr; design by Robin Bilardello (Harper Perennial / September 2016)

Before design by Anna Zylicz
Before by Carmen Boullosa; design by Anna Zylicz (Deep Vellum / August 2016)

the-big-picture_oneworld_design-by-jamie-keenan
The Big Picture: On the Origins of Life, Meaning and the Universe Itself by Sean Carroll; design by Jamie Keenan (Oneworld / September 2016)

cannibal-artwork-wangechi-mutu
Cannibal by Safiya Sinclair; design by Nathan Putens; artwork by Wangechi Mutu (University of Nebraska Press / September 2016)

Cannibals in Love design Na Kim
Cannibals in Love by Mike Roberts; design by Na Kim (FSG Original / September 2016)

car-court-design-ben-wiseman
Carousel Court by Joe McGinniss Jr.; design by Ben Wiseman (Simon & Schuster / August 2016)

drinks-design-by-danielle-deschenes
Drinks: A Users Guide by Adam McDowell; design by Danielle Deschenes (TarcherPerigee / September 2016)

Dr Knox design Oliver Munday
Dr. Knox by Peter Spiegelman; design by Oliver Munday (Knopf / July 2016)

gold-from-stone-design-pete-adlington
Gold from the Stone by Lemn Sissay; design by Pete Adlington (Canongate / August 2016)

The Good Immigrant design James Paul Jones
The Good Immigrant edited by Nikesh Shukla; design by James Paul Jones (Unbound / September 2016)

little-nothing-design-rachel-wiley
Little Nothing by Marisa Silver; design by Rachel Willey (Blue Rider Press / September 2016)

looking for the stranger design Isaac Tobin
Looking for the Stranger by Alice Kaplan; design by Isaac Tobin (University of Chicago Press / September 2016)

nix-design-oliver-munday
The Nix by Nathan Hill; design by Oliver Munday (Knopf / August 2016)

notes_shadowed_city_jeffreyalanlove
Notes from the Shadowed City by Jeffery Alan Love; cover art by Jeffrey Alan Love (Flesk / September 2016)

Phantom Limbs design Matt Roeser
Phantom Limbs by Paula Garner; design by Matt Roeser (Candlewick / September 2016)

Raindrop covers could be a new thing…

pour-me-a-life-design-jason-booher
Pour Me Life by A. A. Gill; design by Jason Booher (Blue Rider Press / September 2016)

reputations-design-alex-merto
Reputations by Juan Gabriel Vásquez; design by Alex Merto (Riverhead / September 2016)

Sex and Death design Luke Bird
Sex and Death edited by Sarah Hall and Peter Hobbs; design by Luke Bird (Faber & Faber / September 2016)

strange-case-of-rachel-k-design-paul-sahre
The Strange Case of Rachel K design by Paul Sahre (New Directions / September 2016)

This paperback cover is a nice contrast to last year’s hardcover, also designed by Mr. Sahre:

stranger-father-beloved-design-anna-dorfman
Stranger Father Beloved by Taylor Larsen; design by Anna Dorfman (Gallery Books / July 2016)

substitute
Substitute by Nicholson Baker; design by Spencer Kimble (Blue Rider Press / September 2016)

33-artists-design-david-drummond
33 Artists in 3 Acts by Sarah Thornton; design by David Drummond (W.W. Norton / September 2016)

timekeepers-design-pete-adlington
Timekeepers by Simon Garfield; design by Pete Adlington (Canongate / September 2016)

Concentric circles… still a thing (see here for more examples).

time-travel-design-peter-mendelsund
Time Travel by James Gleick; design by Peter Mendelsund (Pantheon / September 2016)

war-and-turpentine-design-oliver-munday
War and Turpentine by Stefan Hertmans; design by Oliver Munday (Pantheon /August 2016)

welcome-to-the-universe-design-chris-ferrante
Welcome to the Universe by Neil Degrasse Tyson, Michael A. Strauss, J. Richard Gott; design by Chris Ferrante (Princeton University Press / September 2016)

Loving these minimal black and white covers for books about the universe…

wolf-boys-design-grace-han
Wolf Boys by Dan Slater; design by Grace Han (Simon & Schuster / September 2016)

Wonder US design Kimberly Glyder
The Wonder by Emma Donoghue design by Kimberly Glyder (Little, Brown & Co. / September 2016)

Wonder UK
The Wonder by Emma Donoghue design by Jo Thompson (Picador / September 2016)

The UK and US covers actually make a lovely pair…

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