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Book Covers of Note, July 2026
Published July 29, 2026

Book Covers of Note, July 2026

Hey. I hope you’re keeping safe and well. Here are this month’s book covers…

Air by Christian Kracht, translated by Daniel Bowles; design by Sinem Erkas; painting by Georges Rohner (Serpent’s Tail / July 2026)

Sinem also designed the cover of Kracht’s previous novel Eurotrash.

Astronaut! by Oana Aristide; design by Utku Lomlu (W. W. Norton / July 2026)

The cover of the UK edition of Astronaut!, published by Wildfire in March this year, was designed by Jack Smyth.

Beginning Middle End by Valeria Luiselli; design by Kelly Blair (Knopf / July 2026)

There not really the same, but the phases of the moon reminded of the cover of How High We Go in the Dark by Sequoia Nagamatsu designed by Will Staehle for William Morrow & Co. from a few years back.

Cry For Me, Argentina by Tamara Yajia; design by Mia Kwon; illustration by Haley Tippmann (Bloomsbury / July 2026)

Dad Had a Bad Day by Ashton Politanoff; design by Luke Bird (Daunt Books / July 2026)

The cover of the US edition, published by Astra House in May, was designed by Rodrigo Corral.

Doonen by Keith Ridgway; design by Paul Sahre (New Directions / June 2026)

Exhibition by Alex Hyde; design by Anna Green; photo by Juergen Teller (Granta / July 2026)

Thanks to Sarah Wasley at Granta for providing the credits for their recent covers. I probably should’ve guessed this particular photo (‘Annie Morton, Forte dei Marmi, Italy, 1995, No.2’) was taken by Juergen Teller, especially given the book is set in the London art world of the 1990s.

Famous Men by Julie Buntin; design by Oliver Munday; art by Meghann Stephenson (Random House / July 2026)

Five Novels by César Aira; design by Erik Carter (New Directions / July 2026)

Gaining Ground by Joan Barfoot; design by Sophie Harris (Faber / July 2026)

Heart Eater by Sun Yung Shin; design by Zoe Norvell (Black Lawrence Press / July 2026)

This reminds me of something but I can’t remember exactly what. Maybe the cover of Rabbit Island by Elvira Navarro designed by Gabriele Wilson? I don’t know.

Kitten by Stacey Yu; design by Saffron Stocker (Sceptre / July 2026)

Big yellow type — still a thing!

I Made you Up Inside My Head by Marta Pérez-Carbonell, translated by Rosalind Harvey; design by Grace Han (Riverhead / July 2026)

It Will Come Back To You by Sigrid Nunez; design by Lauren Peters-Collaer (Riverhead / July 2026)

May We Feed the King by Rebecca Perry; design by Jo Walker (Granta Books / January 2026)

I’m very late to this one, but I have been hearing great things about the book (Transit will be publishing it in the US and Canada in September) and it was just longlisted for the Booker Prize.

A Real Animal by Emeline Atwood; design by Patrick Sullivan (Catapult / July 2026)

We Were Forbidden by Jaqueline Harpman, translated by Ros Schwartz; design by Jared Bartman (Transit Books / July 2026)

There is also a Barnes and Noble special edition which has a variant cover.

The Winds of Maracaibo by María Elena Morán, translated by Madeline Jones; design by Janet Hansen (Knopf / July 2026)

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Book Covers of Note, August 2024
Published August 27, 2024

Book Covers of Note, August 2024

Hey, I hope you’re keeping safe and well. I feel like I just finished July’s post and now it’s the end of August. There are a few more covers from earlier in the year in this month’s post. I’m still catching up. But there’s some Canadian content, a few covers from the UK, some indie presses, and a university press, which is always nice. Enjoy the last few weeks of summer!

1974 by Francine Prose; design by High Tide (Harper / June 2024)

Thanks to Robin Bilardello and AD Milan Bozic at Harper for their help on the credit for this one! :-)

Anyone’s Ghost by August Thompson; design by Keith Hayes (Penguin Press / July 2024)

This was published last month, but I had it in my August folder. If I had to guess it was because of the author’s name. I am easily confused.

The Buddha of Suburbia by Hanif Kureishi; design by Kishan Rajani (Faber / July? 2024)

I think this came out in July too, but it looks like Faber used the ISBN of the existing 2017 edition even though there is a new cover so I don’t know for sure when it was updated (publishers: don’t do this).

Burn by Peter Heller; design Kelly Blair; painting ‘Boat Building in Maine’ (detail) by Paul Dougherty (Knopf / August 2024)

Coexistence by Billy Ray Belcourt; design by Kelly Hill; photography by Steven Beckly (Hamish Hamilton Canada / May 2024)

Dogs and Monsters by Mark Haddon; design by Suzanne Dean; illustration by Neue Gestaltung (Vintage / August 2024)

Because I am of certain age (old and mouldering like an ancient vampire hiding from the sun of contemporary pop culture) this reminded me of the cabinet art for the original Space Invaders arcade game. Hilariously, if not surprisingly, there is a Fonts in Use post about the typography of the original promo materials and cabinet art of Space Invaders. If anyone knows of a good article about the artwork itself I would love to read it.

Everything and Nothing At All by Jenny Heijun Wills; design by Terri Nimmo (Knopf Canada / August 2024)

Feeding the Monster by Anna Bogutskaya; design by Henry Petrides (Faber / August 2025)

Speaking of all things retro, Henry has posted some photos of his Letraset experiments for this cover on Instagram.

Hair for Men by Michelle Williams; design by Greg Tabor (House of Anansi / August 2025)

There is something ‘early 2000s Canlit’ about this cover. If you’d told me this was designed for Anansi by Bill Douglas in like 2004 I would’ve believed you, and I mean that in the best way. (I appreciate that only the grizzled Canadian publishing folks like me will get this reference but hey…)

Layman’s Report by Eugene Marten; design by Kate Sinclair (McClelland & Stewart / August 2024)

Mammoth by Eva Baltasar; design by Anna Morrison (And Other Stories / August 2025)

Anna also designed the covers for two previous novels by Eva Baltasar published by AOS, including a pink special edition of Permafrost (which is possibly my favourite).

Mina’s Matchbox by Yoko Ogawa; design by Suzanne Dean; illustration by Gérard DuBois (Harvill Secker / August 2024)

The cover of the US edition published Pantheon this month by was designed by Tyler Comrie.

The Murmuration by Carlos Labbé; design by Anna Jordan (Open Letter / July 2024)

Mystery Lights by Lena Valencia; design by Beth Steidle (Tin House / August 2024)

Nicked by M. T. Anderson; design by Zak Tebbal (Pantheon / July 2024)

It might be time to update the now very old (10 years!) skulls post.

Nine Minds by Daniel Tammet; design by Louis Gabaldoni (Profile Books / July 2024)

I was trying to think what this reminded me of and I think it’s either Ed Emberley’s Great Thumbprint Drawing Book or possibly the current cover of Design as Art by Bruno Munari, which (IIRC) uses drawings of faces from inside the book (but no thumbprints!).

And, also designed by Louis…

On the Roof by Tom Allan; design by Louis Gabaldoni (Profile Books / August 2024)

This is really lovely…

Plastic by Scott Guild; design by Tyler Comrie (Pantheon / February 2024)

Oof. I’m very late to this one.

Plaything by Bea Setton; design by Beci Kelly (Transworld / June 2024)

I don’t know how you would describe this particular shade — salmon pink? Financial Times pink? (Are those variations of the same thing, actually?) — but it feels like a pink covers are still a bit of thing. (Did I mention pink covers already a couple of months ago? I think I did…? Sigh. I am repeating myself. It might be time to give this up)

Some White Folks by Jennifer Chudy; design by Elisha Zepeda / Faceout Studio (University of Chicago Press / July 2024)

I like this cover a lot, but is the disembodied hug also becoming a thing? I think I mentioned this a while back too! (Pictured: the cover The Nursery by by Szilvia Molnar designed by Hayley Warnham from May last year, and a poster by Vasilis Marmatakis for the 2015 movie The Lobster)

A Termination by Honor Moore; design by Janet Hansen (Public Space / August 2024)

Obviously the details of the designs and the approaches are quite different, but the cover of A Termination reminded me of the cover of Anxiety by Samir Chopra designed by Karl Spurzem for Princeton University Press from March this year. I think it’s an interesting compare and contrast?

The Wisdom of Sheep by Rosamund Young; design by Darren Haggar (Penguin Press / August 2024)

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Published May 27, 2022

Book Covers of Note, May 2022

I compile these posts over the month and then write this bit at the end if I have anything to say. I really don’t have the words at the moment. Posting about the most superficial of subjects feels faintly ridiculous at the end of yet another awful week. But here we are. I am just going to refer you to Wednesday’s Today in Tabs and say that there a lot of really nice covers this month if you are need of distraction…

Appliance by J. O. Morgan; design by the author (Jonathan Cape / May 2022)

City of Orange by David Yoon; design by Eric Fuentecilla (G. P. Putnam’s Sons / May 2022)

Elektra by Jennifer Saint; design by Joanne O’Neill (Flatiron Books / May 2022)

The cover of Ariadne by Jennifer Saint, also designed by Joanne O’Neill, was on my Notable list last year.

The cover of the UK edition of Elektra, published by Headline imprint Wildfire last month, was designed by Micaela Alcaino who recently won Designer of the Year at the British Book Awards.

Illustration of brunette woman with wreath of flowers

España by Giles Tremlett; design by Jessie Price; art by Oscar Dominguez (Head of Zeus / April 2022)

The type is apparently Ohno Blazeface if you are curious.

Finding Me by Viola Davis; design Stephen Brayda; photograph by AB+DM (HarperOne / April 2022)

The Illusion of Simple by Charles Forrest Jones; design by Derek Thornton / Notch Design (University of Iowa / May 2022)

Insomnia by Sarah Pinborough; design by Juliana Lee (William Morrow & Company / April 2022)

I like the wobbly type.

The Life of Crime by Martin Edwards; design by Steve Leard (HarperCollins / May 2022)

I was reminded of Jon Gray‘s cover for Ilustrado by Miguel Syjuco from what seems like ages ago (2010)… Of course they look nothing alike. I had completely forgotten the pen was at jaunty angle.

Linea Nigra by Jazmina Barrera; design by Gabriele Wilson (Two Lines Press / May 2022)

Losing Face by George Haddad; design Josh Durham (University of Queensland Press / May 2022)

Mean Baby by Selma Blair; design by Janet Hansen; photograph by Peggy Sirota (Knopf / May 2022)

I don’t post a lot of celebrity memoirs here, but I thought these were an interesting pair to compare and contrast. Similar but different…

My Phantoms by Gwendoline Riley; design by Jack Smyth (Granta / May 2022)

Vladimir by Julia May Jonas; design by Katie Tooke (Picador / May 2022)

This made me think of Rafqa Touma’s piece for The Guardian earlier this year, ‘Well-dressed and distressed: why sad young women are the latest book cover trend’.

An Olive Grove in Ends by Moses McKenzie; design by Jack Smyth (Headline / April 2022)

The Premonitions Bureau by Sam Knight; design Jack Smyth (Faber & Faber / May 2022)

A very Saul Bass / Vertigo vibe to this.

Sea of Tranquility by Emily St. John Mandel; design by Abby Weintraub (Knopf / April 2022)

I think this is possibly my favourite of the recent Emily St. John Mandel covers.

Sedating Elaine by Dawn Winter; design by Janet Hansen (Knopf / April 2022)

The endless possibilities of a banana and sharpie… (the cover of Come On Up was designed by the multi-talented Roman Muradov)

Son of Elsewhere by Elamin Abdelmahmoud; design by Jennifer Griffiths (McClelland & Stewart / May 2022)

The cover of the US edition was designed by Rachel Ake Kuech using a illustration by Grant Haffner. The difference between how Canada represents Canada and how the US represents Canada is…. interesting.

Big vertical light leaks might also be a thing… (Freedomland designed by Henry Sene Yee for Cornell University Press)

This Time Tomorrow by Emma Straub; design by Grace Han (Riverhead / May 2022)

True Biz by Sara Novic; design by Jack Smyth (Little, Brown / April 2022)

Apparently this is Jack Smyth month on the blog…

You Have a Friend in 10A by Maggie Shipstead; design by Kelly Blair; illustration by Toby Leigh (Knopf / May 2022)

The cover of the UK edition, published by Doubleday, was designed by Irene Martinez:

I picked a lot of orange covers this month. I did say it was a thing.

Illustration of brunette woman with wreath of flowers

The combination of pink and orange maybe a thing within the thing…?

A speaking of pink and orange…

You Made a Fool of Death With Your Beauty by Akwaeke Emezi; design by Anna Morrison (Faber and Faber / May 2022)

The cover of the US edition, published by Atria, was designed by Laywan Kwan.

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Published August 16, 2019

Book Covers of Note, August 2019

Here are your August book covers of note. Another good month, I think?

The Bell Jar by Sylvia Plath; design by Gray318 (Faber & Faber / July2019)

This is apparently available now (according to Faber’s Instagram at least!), but I haven’t been able to find it online. If anyone cares to share the ISBN, I will try to add a link.

The new design is inspired by the 1966 cover designed by Shirley Tucker.

Berta Isla by Javier Marías; design by Kelly Blair (Knopf / August 2019)

This is an interesting change in direction from the cover of The Infatuations by Javier Marías designed by Isabel Urbina Peña and published by Knopf in 2013.

(The UK covers for Javier Marías’ novels published by Hamish Hamilton are photographic. If anyone can supply me with the design/photo credits, I’d be happy to add them in here for reference!).

The Case Against Reality by Donald Hoffman; design by Sarahmay Wilkinson (W. W. Norton / August 2019)

The Catholic School by Edoardo Albinati; design by Rodrigo Corral (Farrar, Straus & Giroux / August 2019)

Thank you to the good folks on Twitter who helped me identify the designer and then the typeface. It turns out the type is “Lydia” from Colophon Foundry — a revival of the Bold Condensed styles of (you guessed it!) Lydian. 

Chances Are… by Richard Russo; dsign by Kelly Blair (Knopf / July 2019)

Doxology by Nell Zink; design Jack Smyth (Fourth Estate / August 2019)

And you can read a recent interview with Jack about his work at It’s Nice That.  

Ether by Evgenia Citkowitz design by Henry Sene Yee (Picador / July 2019)

You can listen to Henry discussing his work with Holly Dunn on the latest Spine podcast.  

Follow Me To Ground by Sue Rainsford; design and illustration Beci Kelly (Transworld / August 2019)

The cover of the US edition, which will be published by Scribner in January 2020(!) was designed by Jaya Miceli featuring a collage by Toon Joosen.

Lithium by Walter A. Brown; design by Keith Hayes (W. W. Norton / August 2019)

The Memory Police by Yoko Ogawa; design by Tyler Comrie (Pantheon / August 2019)

More Noble Than War by Nicholas Blincoe; design by Steve Leard (Constable / August 2019)

This reminded me of Henry’s cover for A Wall in Palestine by René Backman published by Picador in 2010…

The Need by Helen Phillips; design Rachel Willey (Simon & Schuster / July 2019)

I stopped keeping track of ‘flora-intertwined-with-type’ covers a while ago, but this would be a nice addition to that list. 

One Giant Leap by Charles Fishman; design by Richard Ljoenes (Simon & Schuster / June 2019)

Our Women on the Ground edited by Zahra Hankir; design by Rosie Palmer; hand lettering by Lily Jones (Harvill Secker / August 2019)

The cover of the US edition published by Penguin was designed by Na Kim.

The Perfect Plan by Bryan Reardon; design by Jason Booher (Dutton / June 2019)

I like this cover a lot, but it is surprisingly un-bonkers for Jason. I would not have guessed he was the designer! 

The Remainder by Alia Trabucco Zerán; design by Tree Abraham (Coffee House Press / August 2019)

Tree also designed the cover of the UK edition published by And Other Stories last year. She wrote about the process of designing both covers for Spine not so long ago (they really are doing a better a job of this than me, aren’t they?).

The Revolutionaries by Joshua Furst; design by Tyler Comrie (Knopf / April 2019)

I think it’s kind of interesting to see these two designs side by side….

Speaking of Summer by Kalisha Buckhanon; design Jaya Miceli (Counterpoint / July 2019)

Sadly this image doesn’t quite do justice to just how brilliantly orange this cover is in IRL. And apparently flowery collages are the new thing… 

The Western Alienation Merit Badge by Nancy Jo Cullen; design by Michel Vrana (Buckrider Books / May 2019)

Michel has also dusted off his comics publishing endeavour Black Eye Books if you’d like to support him. There is a new book by Jay Stephens planned for next month.  

White Flights by Jess Row; design by Oliver Munday (Graywolf / August 2019)

This is one of my favourite covers of the year so far, I think. 

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Published January 27, 2019

Book Covers of Note January 2019

Here are this month’s book covers of note. Better late than never I suppose! (And so much for that New Year’s Resolution to better at blogging in 2019!). I’ll be starting on February’s post next week…


Cusp by Josephine Wilson; design by Alissa Dinallo (UWA Publishing / August 2018)

Starting my first 2019 covers post with a book from 2018 is not ideal, is it? Ah well… Take a look at some of the rejected covers on Alissa’s Instagram.   


The Dreamers by Karen Thompson Walker; design by Anna Kochman (Random House / January 2019)


Holy Lands by Amanda Sthers; design by Tree Abraham (Bloomsbury / January 2019)


Joy Enough by Sarah McColl; design by Catherine Casalino (Liveright / January 2019)


Maid by Stephanie Land; design by Amanda Kain (Hachette / January 2019)

You guys are weird… 

Pretend I’m Dead by Jen Beagin; design by Alex Merto (Scribner / May 2018)

The cover of the UK edition of Maid, published by Trapeze, also features rubber gloves FWIW. Sadly I don’t know who designed it.  


McGlue by Ottessa Moshfegh; design by Ben Denzer (Penguin / January 2019)


Mouthful of Birds by Samanta Schweblin; design by Stephen Brayda (Riverhead / January 2019)


No! by Charles Nemeth; design by James Paul Jones (Atlantic Books / January 2019)


Not Working by Josh Cohen; design by Matthew Young (Granta / January 2019)

I saw this in a bookstore on a recent visit to the UK. It stood out in a display of new nonfiction. I think it was the doodle-like looseness of the approach that initially caught my eye, but I also like that it feels like a parody of the contemporary nonfiction cover template. 


Old Newgate Road by Keith Scribner; design by Janet Hansen (Knopf / January 2019)


An Orchestra of Minorities by Chigozie Obioma; design by Gray318 (Little, Brown & Company / January 2019)

Jon also designed the cover of Chigozie Obioma’s previous novel The Fishermen:

The Fishermen by Chigozie Obioma; design by Gray318 (Pushkin Press / February 2015)

The cover of the UK edition of An Orchestra of Minorities, published by Little, Brown, was designed by Nico Taylor.

Also in the UK, Pushkin Press have a new edition of The Fishermen with a cover by Anna Morrison:

The Fishermen by Chigozie Obioma; design by Anna Morrison (Pushkin Press / January 2019)
The Fishermen by Chigozie Obioma; design by Gray318 (Pushkin Press / February 2015)


Salt On Your Tongue by Charlotte Runcie; design by Gray318 (Canongate / January 2019)


Savage Frontier by Matthew Carr; design by Dan Mogford (Hurst / November 2018)


The Soprano Sessions by Matt Zoller Seitz and Alan Sepinwall; design by Mike McQuade (Abrams / January 2019)


To the River by Don Gillmor; design by Five Seventeen (Random House Canada / December 2018)


The Wall by John Lanchester; design by Alex Kirby (Faber & Faber / January 2019)


The Weight of a Piano by Chris Cander; design by Kelly Blair (Knopf / January 2019)

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Published July 19, 2018

Book Covers of Note, July 2018

Here are my book cover selections for July… 


Brooklyn Mom & Pop by Herb Lester Associates; design Amy Hood (Herb Lester Associates / July 2018)

Another very nice looking guide from the folks at Herb Lester. The question is, where are the guides to Canadian cities? 


Call Me American by Abdi Nor Iftin; design by Kelly Blair (Knopf / June 2018)


Charlotte Walsh Likes To Win by Jo Piazza; design by Zak Tebbal (Simon & Schuster / July 2018)  

In other news, hand-lettered covers aren’t going anywhere (and apparently underlining is a “thing”)…


Convenience Store Woman by Sayaka Murata; design by Luke Bird (Portobello Books / July 2018)


Dear Mrs Bird by AJ Pearce; design by Kimberly Glyder (Scribner /. July 2018)

The cover of the UK edition, published earlier this year by Picador, was designed by Katie Tooke. You can read about the design process for the UK cover here.

Dear Mrs Bird by AJ Pearce; design by Kimberly Glyder (Scribner / July 2018)


Florida by Lauren Groff; design by Grace Han (Riverhead / June 2018)

The cover of Groff’s 2015 novel Fates and Furies (also published by Riverhead) was designed by Rodrigo Corral and Adalis Martinez:

Florida by Lauren Groff; design by Grace Han (Riverhead / June 2018)
Fates and Furies by Lauren Groff; design by Rodrigo Corral and Adalis Martinez (Riverhead / September 2015 )


The Girl You Thought I Was by Rebecca Phillips; design Michelle Taormina and Alison Klapthor; Photograph by Marta Bevaqua (Harpercollins / July 2018)

Besides using a beautiful photograph, I get the sense this cover is very much on trend, and not just for YA — I’ve seen the cover of a thriller coming out this fall that also uses a close-cropped image of a woman’s face, a similar sans-serif type, and a warm sepia colour palette. 


Good Trouble by Joseph O’Neill; design by Janet Hansen (Pantheon / June 2018)


Gorse No.10 edited by Christodoulos Makris; design by Niall McCormack (July 2018)

All of Niall’s covers for Gorse are great. No.9 was featured in my November 2017 post:

Also, yellow-orange covers are clearly “in” right now…

Convenience Store Woman by Sayaka Murata; design by Luke Bird (Portobello Books / July 2018)
Dear Mrs Bird by AJ Pearce; design by Kimberly Glyder (Scribner / July 2018)
Good Trouble by Joseph O’Neill; design by Janet Hansen (Pantheon / June 2018)


A Honeybee Heart Has Five Openings by Helen Jukes; design Helen Crawford-White (Scribner / July 2018)


In the Distance by Hernan Diaz; design by Luke Bird (Daunt Books / June 2018)

One for the sideways covers list (I have kind of stop collecting these, but there are more here).

The cover of the US edition of In the Distance, published by Coffee House Press, features artwork by Jason Fulford.


I Will Be Complete by Glen David Gold; design by Tyler Comrie (Knopf / June 2018)


The Incendiaries by R.O. Kwon; design Jaya Miceli (Riverhead / July 2018)


Smile by Roddy Doyle; design and lettering by Nick Misani (Viking / October 2017)

OK, so I am very late to this one. I saw it last year and didn’t know who the designer was — I only found out this week when art director Jason Ramirez revealed that it was one of the TDC Communication Design Competition winners this year!


Sonic Youth Slept On My Floor by Dave Haslam; design Bekki Guyatt (Constable / May 2018)


Sweet Thames by Matthew Kneale; design by Alice Marwick (Atlantic Books / July 2018)


There There by Tommy Orange; design by Suzanne Dean; art by Bryn Perrott (Harvill Secker / July 2018)

The cover of the US edition, published by Knopf, is another Tyler Comrie design: 

There There by Tommy Orange; design by Tyler Comrie (Knopf / June 2018)

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Published September 19, 2017

Book Covers of Note, September 2017

Here are September’s cover selections with a few extra covers from earlier in the year, just for good measure…


The Aeneid by Virgil, translated by David Ferry; design by Matt Avery (University of Chicago Press / September 2017)


The Age of Perpetual Light by Josh Weil; design by Nick Misani (Grove Press / September 2017)


And Your Daughters Shall Prophesy by Adrian Shirk; design by Jarrod Taylor (Counterpoint / September 2017)


The Beast by Alexander Starritt; design by Gray318 (Head of Zeus / September 2017)


A Book of Untruths by Miranda Doyle; design by Donna Payne (Faber & Faber / June 2017)

I really must do a post on crossings out on covers….


Can’t Stand Up For Falling Down by Allan Jones; design by Greg Heinimann (Bloomsbury / August 2017)


The Change Room by Karen Connelly; design by Jennifer Griffiths (Random House Canada / April 2017)


Curry by Naben Ruthnum; illustration by Chloe Cushman; series design Ingrid Paulson (Coach House Books / August 2017)


Dark at the Crossing by Elliot Ackeman; design by Kelly Blair (Knopf / January 2017)


Democracy and Its Crisis by A.C. Grayling design James Paul Jones (Oneworld / September 2017)


Do Not Bring Him Water by Caitlin Scarano; design by Zoe Norvell (Write Bloody / September 2017)


The Dying Detective by Leif GW Persson; design by Oliver Munday (Pantheon / May 2017)


English Uprising by Paul Stocker; design by Jamie Keenan (Melville House / September 2017)


Every Third Thought by Robert McCrum; design by Stuart Wilson; illustration Andrew Davidson (Picador / August 2017)


The Experiment by Eric Lee; design by David A. Gee (Zed Books / September 2017)


I Am Not A Brain by Markus Gabriel; design by David A. Gee (Polity Press / September 2017)


The Last London by Iain Sinclair; design by James Paul Jones (Oneworld / September 2017)


Mrs. Fletcher by Tom Perrotta; design by Jaya Miceli (Scribner / August 2017)


My Absolute Darling by Gabriel Tallent; design by Jo Walker (Fourth Estate / August 2017)

The cover of the US edition, published by Riverhead, was designed by Jaya Miceli:

My Absolute Darling by Gabriel Tallent; design by Jaya Miceli (Riverhead / August 2017)
My Absolute Darling by Gabriel Tallent; design Jo Walker


New People by Danzy Senna; design by Rachel Willey (Riverhead / August 2017)


The People Are Going to Rise Like the Waters Upon Your Shore by Jared Yates Sexton; design by Matt Dorfman (Counterpoint / August 2017)


Postcards from the Edge by Carrie Fisher; design by Jack Smyth (Simon & Schuster / September 2017)


Ruth and Martin’s Album Club by Martin Fitzgerald; design by Dan Mogford (Unbound / September 2017)


Scarborough by Catherine Hernandez; design Oliver McPartlin; photograph Matthew Henry (Arsenal Pulp Press / May 2017)


The Talented Ribkins by Ladee Hubbard; design Marina Drukman (Melville House / August 2017)


To Die in Spring by Ralf Rothmann; design by Oliver Munday (Farrar, Straus & Giroux / August 2017)


We All Love the Beautiful Girls by Joanne Proulx; design by Jennifer Griffiths (Viking / August 2017)


You Should Have Left by Daniel Kehlmann; design by Peter Mendelsund (Pantheon / June 2017)

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Published December 14, 2016

The Rest of the Best

When it comes to choosing the year’s best book covers, it seems that everyone is at it these days…

Against Everything by Mark Greif; design by Kelly Blair (Pantheon / 2016)
Private Novelist by Nell Zink; design by Sara Wood, art by Evgenia Loli (Ecco / 2016)

“These covers are challenging without being impenetrable and playful without being precious — none of which is an easy task for a designer. If good design might lure us into an experience that makes us smarter, then we’ve hit the jackpot when the book allows us to spend time within the head space of a stranger.”     

I always look forward to Matt Dorfmann’s selections for the New York Times Book Review. Matt is the NYTBR‘s art director and a cover designer in his own right so he knows what he’s talking about, and his choices are always interesting. If I am honest, I think this is the list the designers (American designers at least) really pay attention to. And it’s worth noting that half of Matt’s choices this year were designed by women. 

Today Will Be Different by Maria Semple; design by Kelly Blair; cover art by Geoff McFetridge (Little Brown & Co / October 2016)
I’m Supposed to Protect You From All This by Nadja Spiegelman; design by Grace Han (Riverhead / August 2016)

Slate’s list of Best Book Jackets of 2016 includes notes from the designers about each cover.  

Hag-seed by Margaret Atwood; design by Matthew Broughton; illustration by Vladimir Zimakov (Hogarth / October 2016)
Multiple Choice by Alejandro Zambra; design Jonathan Pelham (Granta / October 2016)

Vyki Hendy and Eric Wilder have chosen  — with input from designers Erin Fitzsimmons and Stuart Bache — 25 of the year’s covers for SPINE Magazine. 

All the Birds in the Sky by Charlie Jane Anders; design by Will Staehle (Tor Books / January 2016)
Sex Object by Jessica Valenti; design by Lynn Buckley (Dey Street / June 2016)

Jarry Lee chose 32 “of the most beautiful book covers of 2016” for BuzzFeed.

The Night Cyclist by Stephen Graham Jones; cover art by keith Negley
The Vegetarian by Han Kang; design by Christopher Brand

And last but not least, Paste’s selections includes “a few novelette and short story covers.“

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Published November 9, 2015

Picador Twentieth Anniversary Modern Classics

Virgin Suicides_rounded

 

Originally founded in 1995 as a publishing house for sophisticated hardcovers and reprint paperbacks, Picador USA is celebrating its twentieth anniversary this month with a set of four small limited edition modern classics with covers designed by Kelly Blair. Printed on pearlized cream stock, with rounded corners and colourful full-bleed imagery, the books look like exquisite pocket-sized treats.

According to creative director (and long-time friend of the blog) Henry Sene Yee, the books were the brainchild of Stefan von Holtzbrinck, head of Macmillan Publishing. “With Picador’s 20th Anniversary approaching, Stefan wanted us to celebrate it with some special printings. There were these tiny volumes in Europe that caught his eye, and he wanted us to do something like that.”

While still deciding which titles to include, and on the exact format and size, Henry worked out some early ideas in a notebook-sized format, using lines and shapes to represent the theme or narrative of each book. Facing a tight deadline however, Henry didn’t have time to finish the project by himself. He had a difficult decision to make. “Giving away a dream project is the hardest thing to do, but you have to be selfless and match up the best talent with the books.”

Henry, who has been at Picador from the very beginning, was determined to acknowledge the art department’s contribution to the publisher’s history. “One of my very first assistants was Kelly Blair. She is a brilliant designer and illustrator, and is now herself an Art Director at Pantheon / Knopf. If this project was going to celebrate the history of Picador and I couldn’t design it myself, I thought it should be someone who was there with me at the very beginning. Kelly made poetic sense, and made it feel better about letting go. A little.”

Kelly’s initial ideas included illustrations and some all-type solutions. “All were great,” says Henry, “but Kelly wanted to send me one more last-minute idea even though she wasn’t sure she liked it as much as her first ones. Of course that was the one we all loved and printed! Sometimes when a solution seems simple, we doubt its value.”

In addition to the new covers, Steven Seighman redesigned and re-typeset each book making them easy and inviting to read, even at the smaller size. “Even though they look great online,” says Henry, “it’s not until you have the actual wrapped and bound book in your hands that you appreciate its power and the beauty of print in the small format size.”

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The Twentieth Anniversary Picador Modern Classics — Housekeeping by Marilynne Robinson, Jesus’ Son by Denis Johnson, Steppenwolf by Herman Hesse, and The Virgin Suicides by Jeffrey Eugenides — were published last week in the US. Thanks to art director Henry Sene Yee for talking to me about the project. 

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Published June 3, 2015

Book Covers of Note June 2015

I don’t know where last month went, but somehow it’s June already and it’s time for another selection of recent book covers:

General Theory of Oblivion design by Julia Connolly
A General Theory of Oblivion by José Eduardo Agualusa; design by Julia Connolly (Harvill Secker / June 2015)

the-hourglass-factory-design-melissa-four
The Hourglass Factory by Lucy Ribchester; design by Melissa Four (Simon & Schuster / January 2015)

how music got free design James Paul Jones
How Music Got Free by Stephen Witt; design by James Paul Jones (The Bodley Head / June 2015)

in the beginning illustration Robert Frank Hunter
In the Beginning was the Sea by Tomás González; cover illustration by Robert Frank Hunter (Pushkin / May 2015)

intimacy idiot design spencer kimble
Intimacy Idiot by Isaac Oliver; design by Spencer Kimble (Scribner / June 2015)

lesser beasts design by Nicole Caputo
Lesser Beasts by Mark Essig; design by Nicole Caputo (Basic Books / May 2015)

LivingInTheSound
Living in the Sound of the Wind by Jason Wilson; design by Leo Nickolls (Constable / June 2015)

London Overground design by Richard Bravery
London Overground by Iain Sinclair; design by Richard Bravery (Hamish Hamilton / June 2015)

lucky alan design ben wiseman
Lucky Alan and Other Stories by Jonathan Lethem; design by Ben Wiseman (Doubleday / February 2015)

manhattan mayhem design by Timothy ODonnell
Manhattan Mayhem edited by Mary Higgins Clark; design by Timothy O’Donnell (Quirk Books / June 2015)

motorcycles ive loved design by rachel willey
Motorcycles I’ve Loved by Lily Brooks-Dalton; design by Rachel Willey (Riverhead / April 2015)

muse design by gabriele wilson
Muse by Jonathan Galassi; design by Gabriele Wilson (Knopf / June 2015)

professor in the cage design by matt dorfman
The Professor in the Cage by Jonathan Gottschall; design by Matt Dorfman (Penguin / April 2015)

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Resistance is Futile by Jenny Colgan; design by Hannah Wood; illustration by Pietari Posti (Orbit / May 2015)

rise design by greg heinimann
Rise by Karen Campbell; design by Greg Heinimann (Bloomsbury / March 2015)

thank you goodnight design Kimberly Glyder
Thank You, Goodnight by Andy Abramowitz; design by Kimberly Glyder (Simon & Schuster / June 2015)

tongues of men or angels design by Jamie Keenan
The Tongues of Men or Angels by Jonathan Trigel; design by Jamie Keenan (Little Brown / May 2015)

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The Water Knife by Paolo Bacigalupi; design by Oliver Munday (Knopf / May 2015)

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When the Doves Disappeared by Sofi Oksanen; design by Kelly Blair (Knopf / February 2015)

world does not exist design david gee
Why the World Does Not Exist by Markus Gabriel; design by David Gee (Polity / June 2015)

The White Company design James Paul Jones
The White Company by Arthur Conan Doyle; design by James Paul Jones (Vintage / June 2015)

wonder garden art and design thomas doyle
The Wonder Garden by Lauren Acampora; art and design by Thomas Doyle (Grove Press /May 2015)

why-information-grows-design-richard-green
Why Information Grows by Cesar Hidalgo; design by Richard Green (Allen Lane / June 2015)

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Published June 2, 2014

Book Covers of Note June 2014

Well, this seems to have become a regular thing doesn’t it? I have to confess that I still haven’t quite figured out exactly what covers to include in these monthly posts, only that they’re recent and I like them. It’s even harder to decide what to leave out. Anyway, I hope you enjoy this month’s selection. Leave your thoughts in the comments…
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Abroad by Katie Crouch; design by Rodrigo Corral (FSG June 2014)

archetype
Archetype by M. D. Waters; design by Jaya Miceli (Plume June 2014)

empathy-exams
The Empathy Exams by Leslie Jamison; design by Tom Darracott (Granta June 2014)

Foxes-on-the-trampoline
Foxes on the Trampoline by Charlotte Boulay; design Steve Attardo (HarperCollins April 2014)

falling-out-of-time-kelly-blairFalling Out of Time by David Grossman; design by Kelly Blair (Jonathan Cape February 2014)

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Half Bad by Sally Green; design by Tim Green / Faceout Studio (Viking March 2014)

Iceland-sahreThe Iceland by Sakutaro Hagiwara; design by Paul Sahre (New Directions June 2014)

lullaby
The Lullaby of Polish Girls by Dagmara Dominczyk; design by Alex Merto, photograph Eleanor Hardwick (Spiegel & Grau February 2014)

mount-londonMount London by Tom Chivers & Martin Kratz; design by Ben Anslow (Penned in the Margins May 2014)

OutlawsOutlaws by Javier Cercas; design by David Mann (Bloomsbury June 2014)

Nightwork
Night Work by Jáchym Topol; design by Bobby Evans / Telegramme Studio (Portobello Books May 2014)

secret-world-of-oilThe Secret World of Oil by Ken Silverstein; design by Matt Dorfman (Verso May 2014)

Sick RoseThe Sick Rose or; Disease and the Art of Medical Illustration by Richard Barnett; design by Daniel Streat / Barnbrook Studios (Thames & Hudson June 2014)

good-suicides-brand
The Good Suicides by Antonio Hill; design by Christopher Brand (Crown June 2014)

thirty-girlsThirty Girls by Susan Minot; design by Kate Gaughran (4th Estate February 2014)

the-vacationersThe Vacationers by Emma Straub; design by Janet Hansen (Riverhead May 2014)

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Published March 11, 2011

Something for the Weekend

The Book Bench interviews designer Kelly Blair about her work and her Heinrich Böll redesigns for Melville House:

There are so many amazing and striking book covers out there, yet I am most often drawn to the simplest thing on the shelf. Perhaps it’s because I am so immersed in book design day-to-day, but sometimes going into the bookstore can feel visually overwhelming, like the cereal aisle at the grocery store. To that end, David Knopka’s series design for the Melville House novellas still stands as one of my favorites. For the same reason, walking into the Persephone book shop in London feels like a breath of fresh air.

And on the subject of book covers, I’ve been loving designer Andrew Henderson‘s Lovely Book Covers Tumblr.

You can find The Casual Optimist Tumblr here.

Cabaret — Author Hanif Kureishi on the art of writing for The Independent:

There’s no connection between being able to write and being able to explain your work in a rain-swept tent to an audience staring at you like hungry animals contemplating a suspect steak. Listening and reading are different experiences. Reading, writing for a reader, and being read, are intimate acts, and there’s something about trying to articulate what you’ve done that can flatten and reduce it, horrifyingly so.

Some writers choose the written word because they find it difficult to speak directly; many writers are in love with solitude. Whichever it is, good writing should resist interpretation, summary and the need for applause.

The Information — Michael Dirda reviews Too Much To Know: Managing Scholarly Information Before the Modern Age by Ann M. Blair for The Washington Post:

Just how to present information for easy use was a constant vexation. In late antiquity, one might simply find a list of authorities cited. Gradually, though, compilers began to employ categorical headings or to arrange entries alphabetically or according to elaborate branching diagrams of knowledge. “One historian has counted nineteen different systematic orders present in early modern encyclopedic works, including the order of creation, of the Decalogue, of the biblical narrative,” and various “chronological and geographical orders,” as well as others that follow “the chain of being.”

While people during the Middle Ages and later drew much of their learning from dictionaries and digests, the more ambitious also took extensive notes from whatever classics came their way. By the Renaissance one could even purchase the equivalent of “Reading for Dummies”: Francesco Sacchini’s 1614 “De ratione libros cum profectu legendi libellus,” i.e.,”A Little Book on How to Read With Profit.”

The Science of Making Decisions — Sharon Begley on how too much information impairs our ability to make decisions:

The problem has been creeping up on us for a long time. In the 17th century Leibniz bemoaned the “horrible mass of books which keeps on growing,” and in 1729 Alexander Pope warned of “a deluge of authors cover[ing] the land,” as James Gleick describes in his new book, The Information. But the consequences were thought to be emotional and psychological, chiefly anxiety about being unable to absorb even a small fraction of what’s out there. Indeed, the Oxford English Dictionary added “information fatigue” in 2009. But as information finds more ways to reach us, more often, more insistently than ever before, another consequence is becoming alarmingly clear: trying to drink from a firehose of information has harmful cognitive effects. And nowhere are those effects clearer, and more worrying, than in our ability to make smart, creative, successful decisions.

And related… Jonah Lehrer, contributing editor at Wired and the author of How We Decide and Proust Was a Neuroscientist, on why easy decisions seem so hard:

The problem, of course, is that the modern marketplace is a conspiracy to confuse, to trick the mind into believing that our most banal choices are actually extremely significant. Companies spend a fortune trying to convince us that only their toothpaste will clean our teeth, or that only their detergent will remove the stains from our clothes, or that every other cereal tastes like cardboard. And then there is the surreal abundance of the store shelf… While all these products are designed to cater to particular consumer niches, they end up duping the brain into believing that picking a floss is a high-stakes game, since it’s so damn hard. And so we get mired in decision-making quicksand.

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