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Tag: jaron lanier

Centred Concentric Circles — It’s a Thing

kino

This post actually started life on (one of) my other blog(s). I noticed a couple of rather similar looking covers that used a circle motif, but at the time I was sure I was missing at least one other cover. As it turned out, I was thinking of the cover of Who Owns the Future by Jaron Lanier which is out in paperback this month. I hadn’t realised that it was a riff on an earlier Jaron Lanier cover. Then I was reminded of James Paul Jones‘s cover design for Black Moon by Kenneth Calhoun, published last month. AND then I remembered Jamie Keenan’s cover design for Kino by Jürgen Fauth from a couple of years ago (Atticus Books April 2012), which is a bit different but still uses concentric circles.

Anyway, here is an updated version of that post. I know the cover of My Life in Middlemarch was designed by Elena Giavaldi. I don’t know who designed the others. Sorry. Please leave a comment if you can help with attribution, or you can think of any other covers that fit the pattern…

you-are-not-a-gadget
You are Not a Gadget by Jaron Lanier; design Stefanie Posavec (Penguin February 2011)

who-owns-the-future
Who Owns the Future by Jaron Lanier (Penguin April 2014)


The River of No Return by Bee Ridgway; design by Nick Misani (Plume March 2014)


My Life in Middlemarch by Rebecca Mead; design by Elena Giavaldi (Crown January 2014)

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The Man Who Walked Away by Maud Casey; design by Natalie Slocum (Bloomsbury March 2014)

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Black Moon by Kenneth Calhoun; design by James Paul Jones (Hogarth March 2014)

UPDATE:

The North American cover design for the new David Mitchell is too on-trend to ignore:

the-bone-clocks-mitchell
The Bone Clocks by David Mitchell; design by Peter Mendelund and Oliver Munday (Random House September 2014)

And I rather like this as well:

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The Time Traveler’s Almanac edited by Ann Vandermeer & Jeff Vandermeer; design by Will Staehle (Tor Books March 2014)

UPDATE 2:

Although this isn’t vertically centred, the cover to A Deeper Sense of Place (Oregon State University Press November 1 2013) seems like it belongs here, as much for the colour palette as anything. The design, which pre-dates most of the covers here, is by David Drummond.

Doern art

Also not quite centred vertically, but most definitely ahead of the curve (as it were), is Michel Vrana‘s design for Death Sentences by Kawamata Chiaki (University of Minnesota Press February 2012):

death-sentences

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Something for the Weekend

Circulation and the City design by David Drummond

New from David Drummond

The Original Spirit — Toronto indie institution This Ain’t The Rosedale Library (one of the 10 best bookshops in the world according to The Guardian) featured at Books@Torontoist, with some nice quotes from owner Charlie Huisken:

“creative knowledge [is] accumulative and comes from many sources… Being an autodidact has served me well”

Books in the Age of the iPad — Craig Mod’s article on printed books and digital publishing caused much of a flutter on Twitter yesterday. I’m not sure that I entirely agree with his thesis — which seems to imply that some kinds of content can be completely divorced from their media — but his website is beautifully designed, and more importantly he makes some interesting points. I especially like his conclusion:

I propose the following to be considered whenever we think of printing a book:

  • The Books We Make embrace their physicality — working in concert with the content to illuminate the narrative.
  • The Books We Make are confident in form and usage of material.
  • The Books We Make exploit the advantages of print.
  • The Books We Make are built to last

In that vein, more on David Pearson‘s beautiful book cover designs for Cormac McCarthy at We Made This. I love that he used rubber stamps…

And finally… Jaron Lanier, author of You Are Not A Gadget, talks about the failure of Web2.0 with Aleks Krotoski of The Guardian:

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