Tag: infographics

Limits and Boundaries — Peter Mendelsund, associate art director at Knopf, discusses his cover design for Jo Nesbø’s The Snowman with The New Yorker’s ‘The Book Bench’:

[O]ften my favorite jackets are the ones done after repeated rounds of failure and rejection. There’s something to be said for the desperation that rejection engenders in me. Sometimes, when the process feels most intractable and hopeless, a kind of last-ditch clarity appears. That being said, it’s also nice when you get it on the first stab.

And on the subject of super-talented book designers… A short Q &A with Coralie Bickford-Smith, Penguin senior cover designer, at 10 Answers.

I, Reader — Alexander Chee on e-books and life spent reading for The Morning News:

Many ponderables remain regarding the e-book. At a personal level, I am someone who has read books in poor light for decades without hurting my vision (despite what my mother claimed), and I’m keeping, well, an eye on that—the iPad gives me headaches in ways reading on paper never did. As a writer and former bookseller, I understand the e-book’s imperfections and limits, and monitor the arguments that it will end publishing or save it, and potentially kill bookstores, which would kill something in me, if it were to happen. But I also believe that the book as we know it was only a delivery system, and that much of what I love about books, and about the novel in particular, exists no matter the format. I’ve lately been against what I see as the useless, overly expensive hardcover, and I admit I enjoy the e-book pricing over hardcover pricing. Still, I’ll never replace the books on those shelves, and there’ll always be books I want only as books, not as e-books, like the new Chris Ware, for example, which would be pointless on an e-reader. This really is just a way for me to have more.

Rage Against the Machine — Onnesha Roychoudhuri’s long and much talked about article on Amazon for the Boston Review:

What happens when an industry concerned with the production of culture is beholden to a company with the sole goal of underselling competitors?…

The conceit is that that $9.99 price tag is what the market demands. But in this case Amazon is the market, having—with no input from its suppliers—already dictated the price and preempted the standard fluctuations that competition and improved efficiency impose on prices…

Cheap books are easy on our wallets, but behind the scenes publishers large and small have been deeply undercut by the rise of large retailers and predatory pricing schemes. Unless publishers push back, Amazon will take the logic of the chains to its conclusion. Then publishers and readers will finally know what happens when you sell a book like it’s a can of soup.

Talking About My Generation — The LA Times’ David L. Ulin on Gary Trudeau’s 40: A Doonesbury Retrospective:

[T]he trick, the secret of “Doonesbury,” that, in its topicality, its ongoing dailiness, it is really about something more profound. Trudeau highlights that in his introduction: “It’s not about Watergate,” he writes of the collection, “gas lines, cardigans, Reaganomics, a thousand points of light, Monica, New Orleans, or even Dubya.” No, indeed, although such elements do show up here, more important are the people, the dance of generations, their humanity. This is where “Doonesbury” is at its most compelling…

And finally…

Andrew Kuo, who creates off-beat music infographics for The New York Times,  talks about his new book of personal work,  What Me Worry (published by The Standard), at Interview Magazine (thx PMac!).