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Book Covers of Note, February 2026

Hey. I hope you’re keeping safe and well, especially my friends and colleagues in snowy NYC. Thanks to everyone who helped with images and design credits this month — it’s been a really busy month so I really appreciate it!

Angry Girls Will Get Us Through by Rebecca Traister; design by Sarah Creech; art by Adara Sánchez (Simon & Schuster BYR / February 2026)

And just ICYMI, my look back at some of last year’s young adult covers can be found here.

As If by Isabel Waidner; design by Richard Bravery (Hamish Hamilton / February 2026)

Baron Wenckheim’s Homecoming by László Krasznahorkai, translated by Ottilie Mulzet; design by Paul Sahre (New Directions / January 2026)

Here’s the full jacket:

And it probably makes more sense if you’ve seen the hardcover, also designed by O.O.P…

Brawler by Lauren Groff; design by Jaya Miceli; art by Vladimir Dunjic (Riverhead / February 2026)

Clutch by Emily Nemens; design by Beth Steidle; art by Wayne Thiebaud (Tin House / February 2026)

This reminded me of Alex Merto‘s cover for On Giving Up by Adam Phillips from a couple of years ago…

Crux by Gabriel Tallent; design by Chris Bentham (Fig Tree / February 2026)

This is the UK cover. The cover of the US edition of Crux designed by Jaya Miceli was in last month’s post.

The Disappearing Act by Maria Stepanova; translated by Sasha Dugdale; design by Oliver Munday (New Directions / February 2026)

Eradication by Jonathan Miles; design by Oliver Munday (Doubleday / February 2026)

Oliver’s own novel, Head of Household, is out from Simon & Schuster in the US this month too. The cover was designed by Christopher Brand, and you can read a conversation between the two about the design process at LitHub.

Favorita by Michelle Steinbeck; translated by Jen Calleja; design by Henry Petrides (Faber & Faber / February 2026)

A Killing in Cannabis by Scott Eden; design by Giacomo Girardi / Rodrigo Corral Studio (Spiegel & Grau / February 2026)

Lithium by Malén Denis; translated by Laura Hatry & John Wronoski; design by Joan Wong (New Directions / February 2026)

Murder Bimbo by Rebecca Novack; design by Ben Wiseman (Avid Reader / February 2026)

The cover of the UK edition of Murder Bimbo published by Manilla Press was designed by Alex Kirby.

Playermakers by Michael Kimmel; design by David Litman (W.W. Norton / February 2026)

The Reservation by Rebecca Kauffman; design by Nicole Caputo (Counterpoint / February 2026)

It’s nice to see an author get consistency across their covers. I think the type is Tabular? Someone should do a Fonts in Use post!

Super Nintendo by Keza MacDonald; design by Jonathan Pelham (Guardian Faber Publishing / February 2026)

Technology and Barbarism by Michel Nieva; translated by Rahul Bery; design by Frances DiGiovanni / Rodrigo Corral Studio; art by Julien Gobled (Astra House / February 2026)

The cover of Nieva’s novel Dengue Boy also from Rodrigo Corral Studio was included in February 2025’s post.

Tell Me How You Eat by Amber Husain; design by Claire Sullivan (Washington Square Press / February 2026)

They by Helle Helle; translated by Martin Aitken; design by Erik Carter (New Directions / February 2026)

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Book Covers of Note, January 2026

Well, it’s been a month. I hope you’re all keeping safe and well, especially my friends and publishing colleagues in Minnesota. Stay Strong.

The Aquatics by Osvalde Lewat, translated by Maren Baudet-Lackner; design by Alban Fischer (Coffee House Press / December 2025)

As If by Magic by Edgard Telles Ribeiro, translated by Kim M Hastings & Margaret A Neves; design by Alban Fischer (Bellevue Literary Press / January 2026)

Yes, starting off the year with two covers designed by Alban, but also two books from nonprofit publishers based in Minneapolis, Coffee House Press and Bellevue Literary Press.

Crux by Gabriel Tallent; design by Jaya Miceli (Riverhead / January 2026)

I do like how Jaya uses paintings on covers…

Galápagos by Fátima Vélez, translated by Hannah Kauders; design by Frances DiGiovanni / Rodrigo Corral Studio (Astra House / December 2025)

Half His Age by Jennette McCurdy; design by Arsh Raziuddin (Ballantine Books / January 2026)

The Hitch by Sara Levine; art and design by Amber Day (Roxane Gay Books / January 2026)

How to Commit a Postcolonial Murder by Nina McConigley; design by Joan Wong (Pantheon / January 2026)

The Infamous Gilberts by Angela Tomaski; design by Tristan Offit (Scribner / January 2026)

The Islands and the Stars by Subodhana Wijeyeratne; design by Daniel Benneworth-Gray (Stanford University Press / January 2026)

Lost Lambs by Madeline Cash; design by Na Kim (Farrar, Straus and Giroux / January 2026)

One Sun Only by Camille Bordas; design by Sinem Erkas (Serpent’s Tail / January 2026)

The Rest of our Lives by Ben Markovits; design by Maddy Angstreich; art by Kento IIDA (Summit Books / December 2025)

Service by John Tottenham; design by Samantha Johnson; illustration by David Clark (Tuskar Rock / November 2025)

I am very late on this one (for which I apologise!), but who can resist a bookshop illustration?

Seven by Joanna Kavenna; design by Robbie Porter (Faber & Faber / January 2026)

Steppe by Oksana Vasyakina, translated by Elina Alter; design by Nicole Caputo (Catapult / January 2026)

Nicole’s cover for Wound by Oksana Vasyakina was on my notable list back in September 2023.

A Very Cold Winter by Fausta Cialente, translated by Julia Nelsen; design by Jared Bartman (Transit Books / January 2026)

Vigil by George Saunders; design by Giacomo Girardi / Rodrigo Corral Studio (Random House / January 2026)

When the Museum is Closed by Emi Yagi; design by Suzanne Dean; illustration by Seb Agresti (Soft Skull / January 2026)

This is a variation on the cover of the UK edition published Harvill Secker in July last year.

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Book Covers of Note, April 2025

Hey, I hope you’re all keeping safe and well. Apologies for a slightly rushed post this month. It’s been kind of a busy time, and I’m travelling for work next week, so I’m sure I’ve missed a few covers and connections. I’ll try to catch up over the summer if/when things quieten down. Anyway… there are still lots of great covers in this month’s post — some from the usual suspects for sure, but also a few indies, a university press, a couple of covers from the UK and Ireland, and one from Canada…

Audition by Katie Kitamura; design by Lauren Peters-Collaer (Riverhead / April 2025)

The cover of A Separation by Katie Kitamuria, designed by Jaya Miceli, was on my list of notable book covers back in 2017 (and featured on this list from 2020 that I’d forgotten I’d posted!)

Bad Nature by Ariel Courage; design by Emily Mahar (Henry Holt & Co. / April 2025)

Back in the Day by Oliver Lovrenski; design by Josie Staveley Taylor; photography by Valentin Fabre (Penguin Books / April 2025)

Barbara by Joni Murphy; design by Frances DiGiovanni and Rodrigo Corral (Astra House / March 2025)

If you missed it, Rodrigo Corral was recently profiled by Zachary Petit for Fast Company.

And, the cover of Animals by Joni Murphy, designed by Na Kim, was featured on my 2020 notable list. It’s an interesting contrast…

Big Chief by Jon Hickey; design by David Litman (Simon & Schuster / April 2025)

Crumb by Dan Nadel; design by Gregg Kulick (Scribner / April 2025)

The Eternal Dice by César Vallejo; design by Pablo Delcan (New Directions / April 2025)

The Fact Checker by Austin Kelley; cover illustration by Amber Day (Atlantic Monthly Press / April 2025)

Harriet Tubman in Concert by Bob the Drag Queen; design by Chelsea McGuckin (Galley Books / March 2025)

The Honditsch Cross by Ingeborg Bachmann; design by Peter Mendelsund (New Directions / April 2025)

Peter Mendelsund also designed the cover of Malina by Ingeborg Bachmann for New Directions. It was on my notable list in 2019 (and on the aforementioned look back at the decade).

The Odyssey translated by Daniel Mendelsohn; design by Monograph (University of Chicago Press / April 2025)

I was reminded of Matt’s 2017 cover for David Ferry’s translations of the Aeneid from University of Chicago Press. It sticks in my mind at least partially for it’s use of Sandrine Nugue’s typeface Infini.

Notes to John by Joan Didion; design John Gall; photograph by Annie Leibovitz (Knopf / April 2025)

The photo feels very appropriate given how Didion would probably have felt about this book being published.

Open, Heaven by Seán Hewitt; design by Sarah Schulte (Knopf / April 2025)

Open Up by Thomas Morris; design by Jaya Nicely (Unnamed Press / April 2025)

The Pretender by Jo Harkin; design by Greg Heinimann (Bloomsbury / April 2025)

The cover of the US edition, published by Knopf this month, was designed by John Gall (the art is from Portrait of a Boy with a Falcon by 17th century Flemish painter Wallerant Vaillant, which is part of the Met’s collection in NYC if you’re curious)

This Room is Impossible to Eat by Nicol Hochholczerová; design by Matt Needle (Parthian Books / March 2025)

I love the bold movie-posterness of this design, but I also like to think it’s secretly the completes the cover for Mothers by Chris Power designed by Grace Han

Small Ceremonies by Kyle Edwards; design by Kate Sinclair (McClelland & Stewart / April 2025)

This reminded me of another Grace Han cover, although the resemblance is similarly passing…

Super Gay Poems by Stephanie Burt; design by Jaya Miceli (Harvard University Press / April 2025)

Typefaces with dots are apparently a thing at the moment. The cover of Bad Friend by Tiffany Watt Smith from Faber, also out this month, uses type that has dots for counters too. Please let me know who the designer is and I’ll happily add the credit.

Tenterhoooks by Claire-Lise Kieffer; design by Jack Smyth (Banshee Press / February 2025)

Jack’s conversation with Steve Leard on the Cover Meeting podcast is really great if you haven’t listened to it yet.

Terrestrial by Joe Mungo Reed; design by Abby Weintraub (W.W. Norton / April 2025)

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