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Tag: david high

Book Covers of Note, May 2020

A quick update this month. Enjoy…

The Book of Eels by Patrick Svensson; design by Grady McFerrin (Ecco / May 2020)

Broadway for Paul by Vincent Katz; design by Janet Hansen; photograph by Beat Streuli (Knopf / April 2020)

Brown Album by Porochista Khakpour; design by Joan Wong (Vintage / May 2020)

This cover immediately reminded me of Helen Crawford-White’s cover A Half-Baked Idea by Olivia Potts published last year…

And then I thought maybe it was a nod to the cover of The White Album by Joan Didion, published in 1979 (the reissue below uses the original cover), and which Fonts in Use informs me uses the typeface Pistilli Roman. But maybe I am over thinking it…?

I was also reminded of these two recent covers, so maybe it is just a thing…?

A Children’s Bible by Lydia Millet; design by David High (W. W. Norton / May 2020)

Lydian for Lydia…

The Decameron by Giovanni Boccaccio; design by Matthew Flute (McClelland & Stewart / April 2020)

I believe this is only available as an ebook, which seems a bit of shame. It would be nice to see in print. The cover does remind me of something else though. I can’t think what exactly. The best I could come up with was Tyler Comrie‘s cover for The Unwanted by Michael Dobbs. But I feel like there is cover that does something similar with a painting as a background? Possibly I’m just imagining it.

Oh and for those of you who are interested, the design team at Penguin Random House Canada have started posting their work to Instagram as one_last_tweak.

Fracture by André Neuman; design by June Park (Farrar Straus & Giroux / May 2020)

Hood Feminism by Mikki Kendall; design by Lynn Buckley (Viking / February 2020)

Minor Detail by Adania Shibli; design by Oliver Munday (New Directions / May 2020)

Out of the Shadows by Walt Odets; design by Tom Etherington; photograph by Wolfgang Tillmans (Penguin / May 2020)

I love this image. I believe it was used on the cover of the hardcover in the UK too.

Pelosi by Molly Ball; design by Adalis Martinez (Henry Holt & Co / May 2020)

Pew by Catherine Lacey; design by Luke Bird (Granta / May 2020)

Pew and Pelosi make lovely use of white space…

A Registry of My Passage Upon The Earth by Daniel Mason; design by Gregg Kulick (Little, Brown & Co / May 2020)

Someone Who Will Love You in All Your Damaged Glory by Raphael Bob-Waksberg; design by Linda Huang (Vintage / May 2020)

The cover of the hardcover was designed by Tyler Comrie, with an illustration by Justin Metz 

Very Important People by Ashley Mears; design by Amanda Weiss (Princeton University Press / May 2020)

Walking One Step at a Time by Erling Kagge; design by Linda Huang and Oliver Munday (Vintage / April 2020)

This reminded me Gerhard Richter’s blurry landscape paintings.

The hardcover was designed by Jenny Carrow.

Wicked Enchantment by Wanda Coleman; design by Rachel Willey (Black Sparrow Press / April 2020)

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Book Covers of Note September 2018

Lots of type-only covers, some YA, a couple of university presses, and a little bit of everything else in this month’s round-up.


2001: A Space Odyssey by Arthur C. Clarke; design by La Boca (Sphere / August 2018)

It’s interesting to compare/contrast this with the Rodrigo Corral cover design for Space Odyssey by Michael Benson also published last month. 


Are You Sleeping by Kathleen Barber; design by Laywan Kwan (Galley / March 2018)


Back to Black by Kehinde Andrews; design by David Gee (ZED Books / September 2018)

This reminds me of another type-only gem from David:


Codex 1962 by Sjón; design by Rodrigo Corral (MCD / September 2018)

The cover of the UK edition of Codex 1962 published earlier this year by Sceptre takes a very different direction with stunning art by Owen Gent:


Darius the Great is Not Okay by Adib Khorram; design by Samira Iravani; art by Adams Carvalho (Dial Books / September 2018)


The Doctor Stories by William Carlos Williams; design by Joan Wong (New Directions / September 2018)


The Fed and Lehman Brothers by Laurence M. Ball; design by Catherine Casalino (University of Cambridge Press / June 2018)


Fear by Bob Woodward; design by David Litman (Simon & Schuster / September 2018)

White text on a red background is not new, and I suspect it has never gone out of fashion for mass-market thrillers, but it’s interesting to see it reemerge as a “serious book” cover trend. The Real Lolita cover was designed by Sara Wood


From Cold War to Hot Peace by Michael McFaul; design by Richard Green (Allen Lane / May 2018)


Gone to Drift by Diana McCaulay; design by David Curtis; illustration by Dadu Shin (HarperCollins / April 2018)


Heartbreaker by Claudia Dey; design by Rachel Willey (Random House / August 2018)

Apparently we can’t get enough of the 1980s. This is essentially ‘The Night Begins to Shine’ rendered into a book cover (and if you don’t get that reference, I’m guessing you don’t have kids. And yes, I’m going to make you Google it)

Rachel also designed the retro cover for The Comedown by Rebekah Frumkin for Henry Holt earlier this year:

 


Liveblog by Megan Boyle; design by Nicole Caputo (Tyrant Books / September 2018)


Night Moves by Jessica Hopper; design by Amanda Weiss (University of Texas Press / September 2018)

This reminds me of Kyle G. Hunter’s cover for A Lucky Man by Jamel Brinkley which I featured earlier this year. Apparently I like blurry urban nightscapes!


Not Quite Not White by Sharmila Sen; design by Oliver Munday (Penguin / August 2018)


On the Other Side of Freedom by Deray McKesson; design by Matt Dorfman (Viking / September 2018)


Other People’s Love Affairs by D. Wystan Owen; design by David High / HighDzn (Algonguin / August 2018)


Ponti by Sharlene Teo; design by Tyler Comrie (Simon & Schuster / September 2018)


Pride by Ibi Zoboi; design Jenna Stempel-Lobell (Balzer & Bray / September 2018)


Sadie by Courtney Summers; design by Kerri Resnick; art by Agata Wierzbicka (St. Martin’s Press / September 2018)


Shutters by Ahmed Bouanani; design Oliver Munday (New Directions / July 2018)


Staying Power by Peter Fryer; design by David Pearson; illustration by Adam Busby (Pluto Press / September 2018)


Vox by Christina Dalcher; design by HQ Art Department Kate Oakley (HarperCollins / August 2018)

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Hunger

At the risk of this turning into W.W. Norton Week on The Casual Optimist, I wanted to re-post this gorgeous cover for Hunger by Lan Samantha Chang designed by High Design, with art direction by Albert Tang. It was originally included with my Q & A with Norton’s Ingsu Liu earlier this week, but removed when I updated the post.

W.W. Norton Book Design Archive on Flickr

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