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Book Covers of Note, March 2025

Well, I don’t know about you, but I certainly didn’t miss the ceaseless chaos and constant anxiety. It is exhausting.

Anyway… I hope you’re keeping safe and well despite it all. I don’t know where March has gone, but this month’s post is another bumper edition with lots of great covers. I’m happy to have a bit more nonfiction in the mix, and there are lots of covers from indie publishers and even a university press along side the usual suspects. There are also a couple of Canadians if you’re keeping score.

Disposable by Sarah Jones; design by Keith Hayes; photograph by Susan Goldstein (Avid Reader / February 2025)

Goth by Lol Tolhurst; design by Timothy O’Donnell (Da Capo / February 2025)

This is the cover for US paperback and it feels like it should be printed with that blackest black stuff from MIT.

Update: here’s a photo from Timothy’s Instagram of the sprayed edges:

The hardcover, also designed by Timothy was featured way back in September 2023 (I was convinced it was from last year!).

How To Change History by Robin Hemley; design Ashley Muehlbauer (University of Nebraska Press / March 2025)

Integrated by Noliwe Rooks; design by Adam Maida (Pantheon / March 2025)

The Last Bell by Donald McRae; design by Craig Fraser; art by Amanda Kelley (Simon & Schuster / March 2025)

Lion by Sonya Walger; design by Katy Homans (NYRB Books / February 2025)

Luminous by Sylvia Park; design by Alex Merto (Simon & Schuster / March 2025)

Motherdom by Alex Bollen; design by Jenny Volvovski (Verso / March 2025)

I posted Jenny’s black and white cover designs for the Latvian Translator Triptych published by Open Letter earlier this month if you missed them.

Nobody Asked For This by Georgia Toews; design by Emma Dolan; art by Ginna Nebrig (Doubleday Canada / March 2025)

On Giving Up by Adam Phillips; design by Alex Merto (Farrar, Straus & Giroux / March 2024)

Yes, this is from March 2024, so I am precisely a year late posting it. Either I didn’t see it last year or I couldn’t find the credit at the time. Anyway, Alex posted or re-posted this cover relatively recently and it spoke to me.

I also thought it went quite well with this cover…

On the Clock by Claire Baglin; design by Jack Smyth (Daunt Books / March 2025)

If you haven’t listened to Jack in conversation with Steve Leard on the Cover Meeting podcast yet, you should remedy that.

The cover of the US edition of On the Clock by Claire Baglin, published by New Directions and also out this month, was designed by Erik Carter.

The Passenger Seat by Vijay Khurana; design by Zoe Norvell (Biblioasis / March 2025)

Passing Through a Prairie Country by Dennis E. Staples; design by Nicole Caputo (Counterpoint / March 2025)

Potomac Fever by Charlotte Taylor Fryar; design by Tree Abraham (Bellevue Literary Press / March 2025)

Rain of Ruin by Richard Overy; design by David Gee (W.W. Norton / March 2025)

Rehearsals for Dying by Ariel Gore; design by Sarah Schulte (Amethyst Editions / March 2025)

A Room Above a Shop by Anthony Shapland; design by Tom Etherington (Granta / March 2025)

I compared Tom’s covers for Amitava Kumar to Peter Blake last month. This one is giving me Elsworth Kelly vibes!

Stag Dance by Torrey Peters; design by Rachel Ake (Random House / March 2025)

Rachel Ake also designed the cover of Torrey Peters’ novel Detransition Baby, which was one of my notable covers of 2021.

There Is No Place For Us by Brian Goldstone; design by Anna Kochman (Crown / March 2025)

Tongues by Anders Nilsen; design by Anders Nilsen (Pantheon / March 2025)

I don’t often post the covers of graphic novels, but I like this one a lot.

Two Truths and a Lie by Cory O’Brien; design by Tyler Comrie (Pantheon / March 2025)

This makes me think of David Pelham’s airbrushed sci-fi covers for Penguin.

Ultramarine by Mariette Navarro; design by Daniel Benneworth Gray (Deep Vellum / March 2025)

The Unworthy by Agustina Bazterrica; design by Emma Ewbank (Pushkin Press / March 2025)

The slightly less bonkers, but also fun cover of the US edition (published by Scribner this month) was designed by Math Monahan. I’m also quite partial to the definitely bonkers Polish(?) cover designed by Tomasz Majewski.

Voices of the Fallen Heroes by Yukio Mishima; design by John Gall (Vintage / January 2025)

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Book Covers of Note, March 2024

Hello! I hope you’re safe and well wherever you are.

Before we get to the covers, a couple of brief admin things. First up, there have been a couple of behind-the-scenes changes at the CO this past month. They’ve solved a few tech issues for me and hopefully no one else has noticed. Secondly, I’ve been tinkering with the RSS. I’m not sure that’s quite right yet, so apologies if it’s not been working as expected. Let me know if you’re experiencing any weirdness.

I also wanted quickly mention that the deadline for the DPI mentorship scheme has been extended to April 12th. I’m not involved with the DPI, but some really great people are so if you are a designer from an under represented background living in the UK or Ireland, you should think about applying!

Anyway, it’s a really big post this month! The are lots of great covers with the UK, Australia and Canada all represented, as well as the usual folks from US. There are some compare-and-contrasts, a couple of covers from indie presses, a couple of covers for translations, and a couple of poetry covers too. There’s even a meandering digression in the middle (sorry). Enjoy!

Anxiety by Samir Chopra; design by Karl Spurzem (Princeton University Press / March 2024)

Candy Darling by Cynthia Carr; design by Alex Merto (Farrar, Straus & Giroux / March 2024)

Crisis Actor by Declan Ryan; design by Stephanie Cui (Farrar, Straus & Giroux / February 2024)

Fourteen Days edited by Margaret Atwood & Douglas Preston; design by Nathan Burton (Harper / February 2024)

Free Therapy by Rebecca Ivory; design by Luke Bird (Vintage / March 2024)

Fruit of the Dead by Rachel Lyon; design by Math Monahan (Scribner / March 2024)

So this cover sent me down a bit of a rabbit hole. It reminded me of a cover design from a few years ago. It didn’t really look the same but, in my mind at least, this other cover featured a blue-red capsule shape (possibly a stretched illustration of a planet and its core) centred on a white background with black Swiss-style sans serif type. It was not exactly minimalist, but clean and precise. I think I saw it on Twitter back in the day. I thought it was maybe literary sci-fi or pop science, and published by one of the big American imprints. I was also pretty convinced that it was designed by Alex Merto or possibly John Gall. One of the dudes.

This is not the first time I have thought about this cover, and I can, or at least could, picture it quite clearly. The problem is that I can find no evidence of this cover ever existing, and the more I think about, the more the details shift and doubt creeps in. I don’t seem to have posted it anywhere, and I can’t find it in the usual places. It’s possible that I am getting some of the crucial details wrong, mentally combining a couple of covers into one, or it was something other than an actual book cover. But maybe this is some kind of Visual Mandela Effect thing, and this design that I’ve believed existed for years is actually a figment of my imagination.

My search has felt a bit like the online equivalent of walking into a bookstore and asking for the book with the blue cover. It has made realise that we have very few tools to find cover designs in a systematic way, especially since the Book Cover Archive stopped being a going concern. You just kind of have to browse and I hope you eventually look in the right place (or risk slowly lose your sanity).

Anyway, if this mystery cover is ringing any bells with you, please let me know and put me out of my misery. I have been going slightly crazy. (This sort of thing happens more than I care to admit by the way, but it is particularly bad this time! And, no, I do not have much of a life. Why do you ask?)

Headshot by Rita Bullwinkel; design by Lynn Buckley; photo by Jenna Garrett (Viking / March 2024)

Two boxing covers in one month…

The History of My Sexuality by Tobi Lakmaker; design by Arneaux (Granta / January 2024)

(Thanks to Jon Gray for helping me with the design credit for this and the other Granta title Three Births below. Publishers: post the design credits with your cover reveals!)

The Hive and the Honey by Paul Yoon; design by Craig Fraser (Simon & Schuster / March 2024)

The cover of the US edition of The Hive and the Honey, published by S & S in October last year, was design by Oliver Munday.

How to Make Herself Agreeable to Everyone by Cameron Russell; design by Arsh Raziuddin (Random House / March 2024)

I Love You So Much It’s Killing Us Both by Mariah Stovall; design by Jack Smyth (Soft Skull / February 2024)

Lobster by Hollie McNish; design by Jack Smyth (Little, Brown / March 2024)

The two Jacks

The Manicurist’s Daughter by Susan Lieu; design by Juliana Lee; art by Justin Metz (Celadon Books / March 2024)

While looking for the other, possibly imaginary, book cover, I came across the cover for the New Directions edition of The Musical Brain by César Aira designed by Rodrigo Corral and Zak Tebbal a few times. It was on one or two best of 2015 lists, including mine.

Is neon-style lettering on covers a bit of thing? (see also Candy Darling above)

No Judgment by Lauren Oyler; design by Tree Abraham (HarperOne / March 2024)

Those curvy “u”s are fun.

The Observable Universe by Heather McCalden; design by Arsh Raziuddin and Gaby Pesqueira Ortiz (Hogarth / March 2024)

Two very nice, poster-like covers from Arsh Raziuddin this month:

Pelican Girls by Julia Malye; design by Joanne O’Neill (Harper / March 2024)

Piglet by Lottie Hazell; design by Jenni Oughton; art by Noah Verrier (Henry Holt / February 2024)

Beci Kelly designed the covers of the UK (left) and Australian (right) editions of Piglet:

Rainbow Black by Maggie Thrash; design by Joanne O’Neill (Harper Perennial / March 2024)

And two contrasting covers from Joanne O’Neill too this month:

Sorry for the Inconvenience But This Is an Emergency by Lynne Jones; design by Steve Leard (Hurst / March 2024)

There’s Always This Year by Hanif Abdurraqib; design by Tyler Comrie; photograph by Matt Eich (Random House / March 2024)

Thirst by Marina Yuszczuk; design by Kaitlin Kall (Dutton / March 2024)

The slightly more gothic cover of the Australia and UK editions of Thirst was designed by Luke Bird. Scribe are publishing it in October.

Three Births by K Patrick; design by David Pearson (Granta / March 2024)

The Understory by Saneh Sangsuk; design by Emily Mahon (Deep Vellum / March 2024)

The cover of the UK edition of The Understory, published by Peirene Press in October last year, was designed by Orlando Lloyd. The illustration is by Miki Lowe.

Your Absence is Darkness by Jón Kalman Stefánsson; design by Jason Arias (Biblioasis / March 2024)

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