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Tag: christopher tobias

Book Covers of Note, October 2024

Hey, I hope you are good. It’s a stressful time and everyone is super busy trying to hold it together, but here we are at the end of October with another post that is both rushed and yet wordier than ever! As usual, I won’t be doing a covers round-up in November. I have to start working on the massive end of year post so I can get it done in something resembling a timely and relevant manner. I am open to last minute submissions if you think I have missed a cover, or you have something coming out between now and December. I can’t promise to include everything, but it would be especially great to hear from you if you’ve done something cool for a university press or an independent publisher this year. The only requirement is that the book was published and on shelves in 2024. If it was published in a non-English speaking part of the world, be sure to include a link to where people can find out more about the book (and ideally buy it) that isn’t Amazon.

On a related note, I have compiled an annual post of YA covers for, I don’t know, years now (10 maybe?). I don’t read a lot of YA, and it’s not a category I am very involved in professionally, so the posts take quite a long time to compile and I usually end up publishing them early in the New Year, which is less than ideal. So I guess my question is: do you still want a YA round-up? Folks used to ask for them, and now they don’t, which just be general fatigue and the fragmented nature of things at the moment, but the posts don’t attract submissions or much feedback, and interest seems to be waning. Obviously I don’t think I do a great job (if that wasn’t abundantly clear already!), but I haven’t really seen anyone else do one either, so I’ve kept doing it. I don’t know… I’m not a big a believer in clicks or engagement metrics as a measurement of anything useful, so I happy to do it if even just a couple of you say it’s still valuable. Or maybe it is just time to call it quits? Let me know what you think…

And with that, onto this month’s selections…

Absolution by Jeff VanderMeer; design by Pablo Delcan (MCD / October 2024)

Pablo Delcan also designed the covers of the 10th anniversary editions of the previous books in the Southern Reach series, Annihilation, Authority, and Acceptance, published by Picador earlier this year.

I’m still quite partial to the original US covers the trilogy (as was) designed by Charlotte Strick with illustrations by Eric Nyquist. The cover of Annihilation reminds me of The Day of the Triffids, which coincidentally has has an introduction by Jeff VanderMeer if you have the Modern Library edition. (The slightly bonkers cover of the Modern Library edition was designed by Cassie Gonzales with an illustration by comic book artist and illustrator Anders Nilson). Anyway, I’m a little sad that I can’t get the prequel to match the rest of my existing set.

Between This World and the Next by Praveen Herat; design by Jamie Keenan; illustration by Sukutangan (Restless Books / June 2024)

The Book Against Death by Elias Canetti; design by Jamie Keenan (New Directions / November 2024)

The Book of George by Kate Greathead; design by Nicole Seeback Ruggiero (Henry Holt / October 2024)

The cover of the UK edition of The Book of George, available from Atlantic Books in January 2025, was designed by Holly Battle.

On the Calculation of Volume Book I and Book II by Solvej Balle; design by Matt Dorfman (New Directions / November 2024)

The Coiled Serpent by Camilla Grudova; design by Jaya Nicely (Unnamed Press / October 2024)

The cover of the UK edition, published in November 2023 by Atlantic Books, was also designed by Holly Battle.

The Driving Machine by Witold Rybczynski; design by Jared Bartman (W.W. Norton / October 2024)

An Earthquake is a Shaking of the Surface of the Earth by Anna Moschovakis; design by Gregg Kulick (Soft Skull / November 2024)

First Law of Holes by Meg Pokrass; design by Steven Seighman (Dzanc / September 2024)

Sorry I missed this last month when I was complaining about not having enough covers from independent publishers (sigh). But also birds + polka dots…

Hold Everything by Dobby Gibson; design by Alban Fischer (Graywolf / October 2024)

Invisible Kitties by Yu Yoyo; design by Steven Brayda; art by Yu Yoyo (HarperVia / October 2024)

Ixelles by Johannes Anyuru; design by Jonathan Pelham (Two Lines Press / October 2024)

The Living Statue by Günter Grass; design by Pablo Delcan (New Directions / October 2024)

This feels very familiar, but I can’t put my finger on why. The best I’ve got is that it looks like a poster for a theatre production. It feels very European. The austerity of it gives late 1980s-90s vibes. I don’t know. I think it’s great.

Mojave Ghost by Forrest Gander; design by Giacomo Girardi / Rodrigo Corral; lettering by Adriana Tonello (New Directions / October 2024)

Music and Joy by Daniel K. L. Chua; design by Sarah Schulte (Yale University Press / August 2024)

Paper Boat by Margaret Atwood; design by Suzanne Dean; paper art by Nathan Ward (Chatto & Windus / October 2024)

Remarkably, the design incorporates a template for paper boat that can be cut from the dust jacket and stuck together.

The cover of the Canadian edition of Paper Boat, published by McClelland & Stewart, was designed by Kelly Hill using art by Paul Klee. The cover for the US edition published by Knopf was designed by Janet Hansen. The photograph is by Ruven Afanador. It’s interesting to me that it was the US decided to use a portrait on the cover. I mean it’s a beautiful photograph and Margaret Atwood is very distinctive looking, but I would imagine she would be more recognizable to Canadians than to Americans? Anyway, it’s not often you see three entirely different approaches in the UK, US and Canada for a poetry collection.

Paper of Wreckage by Susan Mulcahy and Frank DiGiacomo; design by Claire Sullivan (Atria Books / October 2024)

It’s quite something that they got “Wanker” into the subtitle.

Perris, California by Rachel Stark; design by Holly Macdonald (New River Books / September 2024)

The Silver Snarling Trumpet by Robert Hunter; design and illustration by Nathaniel Deas (Hachette / October 2024)

Tell Me Something, Tell Me Anything, Even It It’s a Lie by Steve Wasserman; design by David Drummond (Heyday Books / October 2024)

I knew exactly who designed this cover the moment I saw it!

The Unfinished Harauld Hughes by Richard Ayoade; portrait by James Lloyd (Faber / October 2024)

If anyone can tell me who the designer is on this, I’d greatly appreciate it.

Way Home by Josephine Ensign; design by Tobias Design (John Hopkins University Press / November 2024)

We All Shine On by Elliot Mintz; Design by Vi-An Nguyen; photography by Nishi F. Saimaru (Dutton / October 2024)

Women’s Hotel by Daniel M. Lavery; design by Stephen Brayda; illustration by Thibaud Herem (Harpervia / October 2024)

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Midweek Miscellany

The elegant new cover design for The Secret of Contentment by William B. Barclay, designed by Christopher Tobias.

Melancholy Technology — Tom McCarthy, whose novel C is on the long-list for the Man Booker Prize, on technology and the novel:

Technology and melancholia: an odd coupling, you might think. Yet it’s one that has deep conceptual roots. For Freud, all technology is a prosthesis: the telephone (originally conceived as a hearing aid) an artificial ear, the camera an artificial eye, and so on. Strapping his prosthetic organs on, as Freud writes in Civilisation and its Discontents, man becomes magnificent, “a kind of god with artificial limbs” – “but” (he continues) “those organs have not grown on to him and they still give him much trouble at times”. To put it another way: each technological appendage, to a large degree, embodies an absence, a loss.

There Might Be Typos On The Internet — Lori Fradkin on life as a copy editor for The Awl :

Once you train yourself to spot errors, you can’t not spot them. You can’t simply shut off the careful reading when you leave the office. You notice typos in novels, missing words in other magazines, incorrect punctuation on billboards… Another downside of the job is that only your mistakes are apparent. The catches are basically invisible. No one will look at an edited article and think, I am certain that, once upon a time, there was a double quote where there should have been a single, and a wise person fixed the issue for my benefit. But if you let a “their” slip through in the place of a “there,” you are a complete moron. And if you are working online, commenters will let you know so.

For Sur — The folks at We Made This on their contribution to the Penguin Great Ideas V series:

We did a bit of research into Borges’ writings, and learnt that he’d been one of the founding contributors to the Argentine literary journal Sur, which was published regularly from 1931 until around 1966… he magazine has a very distinctive (and typographically bonkers) masthead, and fortunately the name ‘Sur’ isn’t a million miles from the name ‘Borges’, so basing our design on it felt like a rather tasty solution.

Design Space — Design consultant Theo Rosendorf, author of  The Typographic Desk Reference, talks about his work and his office space with Herman Miller:

Typography plays a major role in the practice beyond simply picking a font or knowing a particular brand’s guidelines. Every typeface has unique requirements in that it has to be set just so. It’s up to the graphic designer to understand what a particular typeface wants. We work within those bounds to let type communicate as it was intended. Everything else follows.

And speaking of typography…

Brockmann in Motion —  Vít Zemčík animates a print design masterpiece. Zemčík made this beautiful 12 second short during the International Typography Workshop in Czieszyn.

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