Sarah Shatz: Françoise MoulySarah Shatz: Françoise Mouly
It’s Nice That has a great interview with the remarkable Françoise Mouly, co-founder of comics anthology Raw, editorial director of TOON Books, and, of course, art editor at TheNew Yorker:
“One of the things we had at Raw which I have tried to keep is not having a house style, it doesn’t all look alike. Raw really was the sum of its parts but you can’t say that Raw magazine was Joost Swarte or Charles Burns or Sue Coe.
“At The New Yorker when I came in there was a house style, a nice cat-on-the-windowsill type watercolour and you could look at the covers and see the common denominator. I have tried to never let it settle into, ‘Oh that’s a New Yorker cover’ except in the approach.”
“Cartooning has an edge on all other media. You don’t need anything else such as canvas and paint, or camera and actors: the road to expression is only a sheet of paper and a pencil away.”
Writing at the MIT Technology Review, David Rotman looks at the impact of automation and digital technology on jobs with reference to a number of recent books related to the subject including Rise of the Robots: Technology and the Threat of a Jobless Futureby Martin Ford, The Great Divide by Joseph Stiglitz, and The Second Machine Age by Erik Brynjolfsson and Andrew McAfee. But if you find that all too depressing to contemplate — and who doesn’t? — you can at least enjoy the wonderful Joost Swarte illustrations that accompany article …
The New Yorker has posted a lovely series of cartoons about reading by Argentinian cartoonist Liniers. Henrietta — along with her cat Fellini and teddy bear Mandlebaum — is a regular character from Liniers newspaper comic strip Macanudo.