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New Book Covers by Luke Pearson

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Working with art director Richard Bravery, illustrator Luke Pearson has created new covers for Kyril Bonfiglioli’s Charlie Mortdecai novels published by Penguin. You can read more about the process at Creative Review.

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This is not Luke’s first cover for Penguin. He also provided artwork for their recent reissue of Lucky Jim by Kingsley Amis (also AD’ed by Richard Bravery):

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You can read my 2013 Q & A with Luke here. (And if you haven’t picked up a copy of Luke’s new Hilda book, you really should you know!)

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Book Covers of Note June 2014

Well, this seems to have become a regular thing doesn’t it? I have to confess that I still haven’t quite figured out exactly what covers to include in these monthly posts, only that they’re recent and I like them. It’s even harder to decide what to leave out. Anyway, I hope you enjoy this month’s selection. Leave your thoughts in the comments…
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Abroad by Katie Crouch; design by Rodrigo Corral (FSG June 2014)

archetype
Archetype by M. D. Waters; design by Jaya Miceli (Plume June 2014)

empathy-exams
The Empathy Exams by Leslie Jamison; design by Tom Darracott (Granta June 2014)

Foxes-on-the-trampoline
Foxes on the Trampoline by Charlotte Boulay; design Steve Attardo (HarperCollins April 2014)

falling-out-of-time-kelly-blairFalling Out of Time by David Grossman; design by Kelly Blair (Jonathan Cape February 2014)

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Half Bad by Sally Green; design by Tim Green / Faceout Studio (Viking March 2014)

Iceland-sahreThe Iceland by Sakutaro Hagiwara; design by Paul Sahre (New Directions June 2014)

lullaby
The Lullaby of Polish Girls by Dagmara Dominczyk; design by Alex Merto, photograph Eleanor Hardwick (Spiegel & Grau February 2014)

mount-londonMount London by Tom Chivers & Martin Kratz; design by Ben Anslow (Penned in the Margins May 2014)

OutlawsOutlaws by Javier Cercas; design by David Mann (Bloomsbury June 2014)

Nightwork
Night Work by Jáchym Topol; design by Bobby Evans / Telegramme Studio (Portobello Books May 2014)

secret-world-of-oilThe Secret World of Oil by Ken Silverstein; design by Matt Dorfman (Verso May 2014)

Sick RoseThe Sick Rose or; Disease and the Art of Medical Illustration by Richard Barnett; design by Daniel Streat / Barnbrook Studios (Thames & Hudson June 2014)

good-suicides-brand
The Good Suicides by Antonio Hill; design by Christopher Brand (Crown June 2014)

thirty-girlsThirty Girls by Susan Minot; design by Kate Gaughran (4th Estate February 2014)

the-vacationersThe Vacationers by Emma Straub; design by Janet Hansen (Riverhead May 2014)

7 Comments

Books We Made

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I just came across the book covers of Munich-based Stephanie and Tom Ising, also known as Books We Made. There’s some lovely work in their portfolio:

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You can also find Books We Made on Facebook.

(via Coudal / The Fox is Black)

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Tom Gauld’s Library

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Tom Gauld.

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Conflict in Literature

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Grant Snider.

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Getting to the Point: Arrows in Book Cover Design

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As I was collecting images for my recent posts on triangles and book covers, I started thinking about the use of triangle’s directional cousin, the arrow. Inspired by a vintage cover design by Elaine Lustig and Jay Maisel, I thought I’d gather a selection of recent book covers that use arrows as part of their design.

I’ve spent far too long on this already, but I am sure I have forgotten some corkers. Please let me know what I’ve missed in the comments. I also have to say thanks to all the designers who helped me with this, especially Catherine Casalino, Richard Green, and (the very patient) Jason Ramirez who all dug deep into their archives for me.


The Accidental Universe by Alan Lightman; design by Pablo Delcán (Pantheon January 2014)

Act-of-Love
The Act of Love by Howard Jacobson; design by Catherine Casalino (Simon & Schuster March 2009)

orgasmatron
Adventures in the Orgasmatron by Christopher Turner; design by Marina Drukman (Farrar, Straus & Giroux June 2011)

anti-fragile
Antifragile by Nassim Nicholas Taleb; design by Jamie Keenan (Random House November 2012)

arc-of-war
The Arc of War by Jack S. Levy & William R. Thompson; design by Isaac Tobin (University of Chicago Press October 2011)

arrow-of-god
Arrow of God by Chinua Achebe;  art by Edel Rodriguez (Penguin January 2010)

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The Bug by Ellen Ullman; design by Jamie Keenan (Picador February 2012)

Buried-on-Avenue
Buried on Avenue B by Peter de Jonge; design by Ian Koviak / The Book Designers (HarperCollins October 2012)

Busted
Busted by Edmund L. Andrews; design by Gray318 (W. W. Norton July 2009)

caribou-island
Caribou Island by David Vann; design by Nathan Burton (Viking February 2011)

dealmaking
Dealmaking by Guhan Subramanian; design by Ben Wiseman (W. W. Norton October 2011)

debt-delusion
The Debt Delusion by Mehdi Hasan; design by James Paul Jones (Vintage Digital July 2011)

enchanted-wanderer
The Enchanted Wanderer by Nikolai Leskov; design by Peter Mendelsund (Knopf March 2013)


Six Easy Pieces by Richard P. Feynman (Penguin July 2011)

The Meaning of it All by Richard P. Feynman (Penguin September 2007)

Design by Jim Stoddart; model design & construction by Andy Bridge


Give Me Everything You Have by James Lasdun; design by Julia Connolly (Vintage February 2014)

how-we-got-to-now
How We Got to Now by Steven Johnson; design by David A. Gee (Riverhead September 2014)

Hush Hush cover art 1
Hush Hush by Steven Barthelme; design by Christopher Brian King (Melville House October 2012)

one-on-one
One on One by Craig Brown; design by Jo Walker (Fourth Estate September 2011)

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Paris, I Love You But You’re Bringing Me Down by Rosecrans Baldwin; design by Rodrigo Corral Design (Farrar, Straus & Giroux April 2012)

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The Particle at the End of the Universe by Sean Carroll;  design by Shepherd Studio (Oneworld May 2013)1

borges
The Perpetual Race of Achilles and the Tortoise by Jorge Luis Borges; design by We Made This (Penguin August 2010)

rebound_final
Rebound by Stephen J. Rose; design by Jason Ramirez (St. Martin’s Press May 2010)

rise-and-fall
The Rise & Fall of the Great Powers by Tom Rachman; design by Roberto de Vicq de Cumptich (Dial June 2014)

survivor
Survivor by Chuck Palahniuk; design by Rodrigo Corral Design (W. W. Norton April 2010)


Dwight Yoakam by Don McLeese (Texas Tech University Press April 2012)

If I Was a Highway by Michael Ventura and Butch Hancock (Texas Tech University Press Feb 2011)

Design by Lindsay Starr

warlord
Warlord by Carlo d’Este; design by Richard Green (Allen Lane April 2009)

4 Comments

Gerhard Steidl Interview — The Talks

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The Talks has a nice new interview with German art book publisher Gerhard Steidl:

Most of the publishing houses in the world are owned by shareholder companies and their interest is to make profit. My publishing house is a private business. I founded it in 1968 and it is still owned by me. It is a family business. It is a Manufaktur and we don’t set any limits on cost. A Steidl book is always made in Germany, in Göttingen, in Düstere Straße 4 and there is a guy, Gerhard Steidl, who is hands on. So, believe it or not, I oversee every sheet that tumbles out of our press. This craftsmanship and this know-how we bring to every one of our babies, our books, makes a huge difference compared to the production processes of other companies.

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Steidl was, of course, the subject of the 2010 documentary How to Make a Book with Steidl:

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Tim O’Brien Redesign — Cardon Webb

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I love Cardon Webb’s bold typographic design of the Tim O’Brien reprints for Broadway Books:

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William Burroughs Series — Roberto de Vicq de Cumptich

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Roberto de Vicq de Cumptich recently redesigned a series of classic William S. Burroughs novels for Grove Atlantic with rather splendid “acid colors and Blue Note jazz graphics”:

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The books in the series include Junky, Naked LunchThe Adding Machine, Nova ExpressThe Ticket That Exploded, and, published this month, The Soft Machine.

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Book Covers of Note May 2014

Another month, another selection of beautiful book covers…

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The Axeman’s Jazz by Ray Celestin; design by Jo Thomson (Mantle May 2014)


The Bees by Laline Paull; design by Steve Attardo (Ecco May 2014)

DorothyMustDie
Dorothy Must Die by Danielle Paige; design by Ray Shapell (HarperCollins April 2014)

enlightenment

Enlightenment 2.0 by Joseph Heath; design by David A. Gee (HarperCollins April 2014)

goodbye-to-all-that

Goodbye To All That by Robert Graves; design by Matthew Young (Penguin May 2014)

Karate-Chop
Karate Chop by Dorthe Nors; design by Carol Hayes (Graywolf February 2014)

lunch-at-the-shop

Lunch at the Shop: The Art and Practice of the Midday Meal by Peter Miller; design by John Gall (Abrams April 2014)

one-and-only
The One and Only by Emily Giffin; design by Jennifer Heuer (Ballantine May 2014)

other-language

The Other Language by Francesca Marciano; design by Ben Wiseman (Pantheon April 2014)

raising-hell

Raising Expectations (and Raising Hell) by Jane McAlevey; design by Gray318 (Verso Books May 2014)

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Vanishing by Gerard Woodward; design by Jamie Keenan (Picador UK March 2014)

young-skins

Young Skins: Stories by Colin Barrett; design by James Paul Jones (Jonathan Cape March 2014)

2 Comments

Tremble Before Me, For I Am the Novel!

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Oh, go on then…

(Tom Gauld)

 

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Nicholson Baker: “Wrapping Sentences Around Things”

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This made a couple of people in my Twitter feed very, very happy today — author Nicholson Baker talking about writing, design and the influence of his parents, who both studied at Parsons School of Design in New York, at Lingua Franca: The 2014 D-Crit Conference at the School of Visual Arts last week:

As Michael Bierut noted on Twitter, Nicholson Baker’s father was a graphic designer who worked for the great Erik Nitsche! Who knew?

(via @acejet170)

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