Books, Design and Culture
In this really lovely video, designer, author and artist Coralie Bickford-Smith explains how to become an illustrator (even if you are shy!):
Coralie’s latest book, The Song of the Tree, was published in the UK last month.
This feels a bit like blogging at the end of world, but I am taking my joy where I can get it these days. I hope you can find at least a couple of minutes respite from the stress by scrolling through a few nice book covers.
Normally I link titles to the Book Depository because they ship internationally, but I won’t be doing that this month. Please try — more than ever — to support your local independent bookstore instead. Amazon does not need your money.
In Canada, many independent stores are offering free local delivery. Some may still be offering curbside pick-up, although that no longer seems to be the case in Toronto and Montreal. If you are in the US, you can also check out bookshop.org, which allows you to order online and support local stores. LitHub posted some other tips on how to help (US) bookstores here. I know there are some fundraisers for booksellers doing the rounds too. If anyone has collected them together in one place or can point to other useful resources, please let me know — I’ll be more than happy to post the links.1
Stay safe. Read books.
Actress by Anne Enright; design by Evan Gaffney (W. W. Norton / March 2020)
The Age of Innocence and The House of Mirth by Edith Wharton; design by Tristan Offit (Scribner / January 2020)
Companions by Katie M. Flynn; design by Laywan Kwan (Scout Press / March 2020)
Days of Distraction by Alexandra Chang; design by Allison Saltzman; illustration by gg (Ecco / March 2020)
The Discomfort of the Evening by Marieke Lucas Rijneveld; design by Pete Adlington (Faber & Faber / March 2020)
Girl, Woman, Other by Bernardine Evaristo; design by Richard Bravery; illustration by Karan Singh (Penguin / March 2020)
I believe Penguin are reissuing Bernardine Evaristo’s backlist with similarly bold covers.
The hardcover of Girl, Woman, Other, also designed by Richard Bravery, features an illustration by Ali Campbell:
Heavy by Dan Franklin; design by Luke Bird (Constable / March 2020)
Hurricane Season by Fernanda Melchor; design Jamie Keenan (New Directions / March 2020)
Inferno by Catherine Cho; design by Greg Heinimann (Bloomsbury / March 2020)
The Inland Sea by Madeleine Watts; design by Anna Morrison (Pushkin Press / March 2020)
I think this fits with the new psychedelia trend that I mentioned last year.
Ledger by Jane Hirshfield; design by John Gall (Knopf / March 2020)
My word, it’s good to have John Gall designing covers for Knopf again.
Michael Kohlhaas by Heinrich von Kleist; design by Paul Sahre (New Directions / March 2020)
Our Revolution by Honor Moore; design by Robin Bilardello (W. W. Norton / March 2020)
We Inherit What the Fires Left by William Evans; design by David Litman (Simon & Schuster / March 2020)
2 CommentsHere’s designer Chip Kidd talking about the enduring appeal of books for TED’s Small Thing Big Idea series:
I posted Chip’s 2012 TED Talk on book design here. But apparently he also did a talk on “the art of first impressions” in 2015 that I missed somehow:
If you’re a fan of #bookfacefriday on Instagram, you will likely enjoy this short film made in collaboration with the public library in the German city of Erlangen…
Meh. February. At least it’s almost over (and the book covers are good).
The Bear by Andrew Krivak; design by Alban Fischer (Bellevue Literary Press / February 2020)
(I read an ARC of The Bear last year (full disclosure: the folks that pay me distribute Bellevue Literary Press in Canada), and haven’t really stopped talking about it since, so I may as well mention here too. It’s very sincere, and reminiscent of the kind of Cold War science fiction in which war and environmental catastrophe have led to the end of civilization. It is not dystopian though. It reads rather like beautiful melancholy fable. I liked it a lot.)
Black Sunday by Tola Rotimi Abraham; design Nicole Caputo (Catapult / February 2020
Losing Eden by Lucy Jones; design by Tom Etherington (Allen Lane / February 2020)
The Lost Book of Adana Moreau by Michael Zapata; design by John Gall (Hanover Square Press / February 2020)
One for the meta-covers list (and does the use of Lydian on the cover of a book on the cover of book count as ironic?)
The Mercies by Kiran Millwood Hargrave; design by Lucy Kim (Little Brown & Co / February 2020)
The cover of the UK edition published by Picador was designed by Katie Tooke I believe (and if anyone can tell me who the did the illustration — based on traditional Norwegian folk art rosemaling — I would be grateful!)
Minor Feelings by Cathy Park Hong; design by Na Kim (One World / February 2020)
The cover of UK edition, which Profile Books is publishing next month, was designed by Steve Panton:
Pallbearing Stories by Michael Melgaard; design by Alysia Shewchuk (House of Anansi / February 2020)
Rendang by Will Harris; design by David Pearson (Granta / February 2020)
A Tall History of Sugar by Curdella Forbes; design by Gill Heeley (Canongate / February 2020)
The cover of the US edition, published last year by Akashic Books, was designed by Christian Fuenfhausen…
This Brilliant Darkness by Jeff Sharlet; design by Sarahmay Wilkinson (W.W. Norton / February 2020)
Too Much by Rachel Vorona Cote; design by Jennifer Carrow (Grand Central / February 2020)
Verge by Lidia Yuknavitch; design by Rachel Willey (Riverhead / February 2020)
Whistleblower by Susan Fowler; design by Catherine Casalino (Viking / February 2020)
Nice type.
Weather by Jenny Offill; design by John Gall (Knopf / February 2020)
There haven’t been very many John Gall covers on the blog recently, so it’s a delight to post two in the same month. And this really is a most Gallian of John Gall covers.
The cover of the UK edition of Weather, published by Granta, was designed by Gray318…
The previous post about the latest cover of the NYT Magazine reminded me that Tom Gauld‘s cartoons for New Scientist magazine (like the one above, although maybe not actually the one above because it’s new!) are going to be available in book form. Department of Mind-Blowing Theories will be available in April!
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Well, this looks like fun!
Antiquarian booksellers are part scholar, part detective and part businessperson, and their personalities and knowledge are as broad as the material they handle. They also play an underappreciated yet essential role in preserving history. THE BOOKSELLERS takes viewers inside their small but fascinating world, populated by an assortment of obsessives, intellects, eccentrics and dreamers.
According to their Facebook page, the film is in theatres next month.
(via Kottke and others)
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I’m obviously on a bit of a John le Carré kick at the moment as I am currently reading his latest book Agent Running in the Field1. The cover features art by Matt Taylor who has illustrated a quite number of le Carré covers for Penguin Random House and art director Paul Buckley over years. I’ve shared a few of them here before, but since I posted David Pearson’s recent redesign of the George Smiley novels, I thought it would be nice to pull Matt’s versions together too. I believe Gregg Kulick had a hand in the design and type.
Matt has also illustrated the covers for le Carré’s non-Smiley novels too. There’s quite a lot of them!
(Matt’s also did an illustration for The Russia House, but only the audio edition of the book appears to be available from Penguin Random House in the US. In the UK, Penguin uses the same illustration for their cover, although the type is in line with their other Modern Classic editions)
Comments closedIt’s been a while since I did a post of David Pearson series design, so I am delighted to share his brilliant new covers for the Penguin UK editions of John le Carré’s George Smiley novels, available this month. The design is a collaboration with Nick Asbury who wrote the copy for the covers (I talked to Nick to ages ago about his Corpoetics book if you’re interested).
The small type is the lovely looking Gill Sans Nova, recently designed by George Ryan for Monotype as a contemporary digital typeface derived from Eric Gill’s original work. The large type is Stephenson Blake Condensed Sans, which is not available digitally and was pieced together from different sources by David himself. I’m sure it was a total pain in the ass to do, but it’s a pleasing contrast and well worth the effort, I think you’ll agree! Jim Stoddart was the clever AD here.
A very quick post this month as it is almost next month (again)…
Agency by William Gibson; design by Gray318 (Berkley / January 2020)
Jon also designed the new cover for the Berkley reprint edition Gibson’s previous novel The Peripheral.
The cover of the UK edition of Agency, published by Viking this month, was designed by Chris Bentham:
The Art of War by Sun Tzu; design by Jaya Miceli (W. W. Norton / January 2020)
A Beautiful Crime by Christopher Bolen; design by Milan Bozic (HarperCollins / January 2020)
Cleanness by Garth Greenwell; design by Thomas Colligan; photograph by Jack Davison (Farrar, Straus & Giroux / January 2020)
As I mentioned in my 2019 round-up, the cover of the UK edition, published by Picador this month, was designed by Ami Smithson and features black and white photograph by Mark McKnight.
Dark Mother Earth by Kristian Novak; design by Kimberly Glyder (Amazon Crossing / January 2020)
Follow Me To Ground by Sue Rainsford; design by Jaya Miceli; collage by Toon Joosen (Scribner / January 2019)
The cover of the UK edition, published by Transworld last year, was designed by Beci Kelly.
The Hand on the Wall by Maureen Johnson; design by Leo Nickolls (Katherine Tegen Books / January 2020)
Leo also designed the covers to the previous books in the series…
Long Bright River by Liz Moore; design by Gregg Kulick (Riverhead / January 2020)
Oligarchy by Scarlett Thomas; design by Kelly Winton (Counterpoint / January 2020)
The cover of the UK edition, published by Canongate this month, was design by Gray318:
Small Days and Nights by Tishani Doshi; design by Sarahmay Wilkinson (W. W. Norton / January 2020)
Threshold by Rob Doyle; design by Greg Heinimann (Bloomsbury / January 2020)
Greg also designed the covers for This is the Ritual and Here Are the Young Men by Rob Doyle:
Uncanny Valley by Anna Wiener; design by Rodrigo Corral (MCD / January 2020)
Walk the Wild With Me by Rachel Atwood; design by Leo Nickolls (DAW / December 2019)
The Yearling by Marjorie Kinnan Rawlings; design by Kimberly Glyder (Scribner / January 2020)
Comments closedThere is a bit of story to this post. The short version is that I started it in 2018 to celebrate 10 years of the blog. When that deadline went whooshing past, I thought I would rework it for the end of 2019 as a look back at the decade. Now in 2020, with the risk of another deadline coming and going before I get it exactly right, I am just going to post this as it is — a collection of covers from the past 10 years1 that I quite like!
The Disappearing Spoon by Sam Kean, design by Will Staehle (Little Brown & Co. / July 2010)
Ethics of Interrogation by Michael Skerker, designed by Isaac Tobin (University of Chicago Press / May 2010)
Filthy English by Peter Silverton, design by Dan Mogford (Portobello / October 2010)
The Imperfectionists by Tom Rachman, designed by Roberto de Vicq (Random House / 2010)
No Country for Old Men by Cormac McCarthy, design by David Pearson (Picador / December 2010)
Super Sad True Love Story by Gary Shteyngart, designed by Rodrigo Corral Design (Random House / September 2010)
A Visit From the Goon Squad by Jennifer Egan; design by Barbara deWilde (Knopf / June 2010)
Amerika by Franz Kafka, design by Peter Mendelsund (Schocken / August 2011)
Adventures in the Orgasmatron by Christopher Turner; design by Marina Drukman (Farrar, Straus & Giroux June 2011)
Fever by Sonia Shah; design by LeeAnn Falciani (Picador / June 2011)
The First Husband by Laura Dave, designed by Jaya Miceli (Penguin / May 2011)
The Information by James Gleick, designed by Peter Mendelsund (Pantheon March 2011)
Mr. Fox by Helen Oyeyemi design by Helen Yentus with Jason Booher (Riverhead / September 2011)
The Psychopath Test by Jon Ronson, design by Matt Dorfman (Riverhead Books / May 2011)
After Freud Left edited by John Burnham; designed by Isaac Tobin (University of Chicago Press / May 2012)
The Dubliners by James Joyce; design by Apfel Zet (Penguin / May 2012)
Everyone Loves a Good Train Wreck by Eric G. Wilson; design by Rodrigo Corrall, hand-lettering by Jennifer Carrow, photograph by Simon Lee (FSG March 2012)
The Flame Alphabet by Ben Marcus; design by Peter Mendelsund (Knopf / January 2012)
Hope: A Tragedy: A Novel by Shalom Auslander; design by John Gall (Riverhead / January 2012)
May We Be Forgiven by A. M. Homes; designed by Alison Forner (Viking / September 2012)
NW by Zadie Smith; design by Gray318 (Hamish Hamilton / September 2012)
First Novel by Nicholas Royle; design by Suzanne Dean; photography Stephen Banks (Cape / February 2013)
The Flamethrowers by Rachel Kushner; design by Charlotte Strick (Scribner / April 2013)
The Hamlet Doctrine by Simon Critchley & Jamieson Webster; design by David A. Gee (Verso September 2013)
Lionel Asbo by Martin Amis; design by Jamie Keenan (Vintage / May 2013)
Middle C by William Gass; Design by Gabriele Wilson (Knopf / March 2013)
Nineteen Eighty-Four by George Orwell; design by David Pearson (Penguin / January 2013)
The Wasteland by T.S. Eliot; design by Jamie Keenan (Liveright Classics / September 2013)
What the Family Needed by Steven Amsterdam; design by Jennifer Heuer (Riverhead / March 2013)
All Our Names by Dinaw Mengestu; design by Isabel Urbina Peña (Knopf / March 2014)
The Book of Heaven by Patricia Storace; design by Linda Huang (Pantheon / February 2014)
California by Edan Lepucki; design Julianna Lee (Little Brown & Co. / July 2014)
Fourth of July Creek by Smith Henderson; design by Allison Saltzman; illustration by Bryan Nash Gill (Ecco / June 2014)
Love Me Back by Merritt Tierce; design by Emily Mahon; illustration by Rizon Parein(Doubleday / September 2014)
Metamorphosis by Franz Kafka; design by Jamie Keenan (W. W. Norton / February 2014)
My Life in Middlemarch by Rebecca Mead; design by Elena Giavaldi (Crown / January 2014)
On Such a Full Sea by Chang-Rae Lee; design by Helen Yentus; lettering Jason Booher (Riverhead / January 2014)
Your Face in Mine by Jess Row; design by Oliver Munday (Riverhead / August 2014)
The Complete Stories by Clarice Lispector; design by Paul Sahre (New Directions / August 2015)
Hotels of North America by Rick Moody; design by Keith Hayes (Little, Brown & Co. / November 2015)
A Manual for Cleaning Women by Lucia Berlin; design by Justine Anweiler; photography Jonathan Simpson (Picador UK / September 2015)
Motorcycles I’ve Loved by Lily Brooks-Dalton; design by Rachel Willey (Riverhead / April 2015)
Munich Airport by Greg Baxter; design by Anne Twomey (Twelve Books / January 2015)
One Day in the Life of the English Language by Frank L. Cioffi; design by Chris Ferrante (Princeton University Press / March 2015)
Weathering by Lucy Wood; design by Greg Heinimann (Bloomsbury / January 2015)
The Woman Who Read Too Much by Bahiyyih Nakhjavani; design by Anne Jordan & Mitch Goldstein (Stanford University Press / April 2015)
Addlands by Tom Bullough; design by Jenny Grigg (Granta / June 2016)
The Children’s Home by Charles Lambert; design by Jaya Miceli (Scribner / January 2016)
Dialogue by Robert McKee; design by Catherine Casalino (Twelve Books / July 2016)
How Propaganda Works by Jason Stanley; design by Chris Ferrante (Princeton University Press / May 2016)
Imagine Me Gone by Adam Haslett; design by Keith Hayes (Little, Brown & Co. / May 2016)
Moonglow by Michael Chabon; design by Adalis Martinez (Harper / November 2016)
The Start of Something by Stuart Dybek; design Suzanne Dean; cover art by Marion de Man (Jonathan Cape / November 2016)
The Summer That Melted Everything by Tiffany McDaniel; design by Allison Colpoys (Scribe / August 2016)
The Wonder by Emma Donoghue design by Kimberly Glyder (Little, Brown & Co. / September 2016)
The Age of Perpetual Light by Josh Weil; design by Nick Misani (Grove Press / September 2017)
All We Saw by Anne Michaels; design by Janet Hansen; photograph by Jouke Bos (Knopf / October 2017)
Heating & Cooling by Beth Ann Fennelly; design by Alex Merto; photograph by Gregory Reid (W.W. Norton / December 2017)
Jerzy by Jerome Charyn; design by Alban Fischer (Bellevue Literary Press / March 2017)
Priestdaddy by Patricia Lockwood; design by Rachel Willey (Riverhead / May 2017)
A Separation by Katie Kitamura; design by Jaya Miceli (Riverhead / February 2017)
Virgin and Other Stories by April Ayers Lawson; design by James Paul Jones (Granta / January 2017)
We All Love the Beautiful Girls by Joanne Proulx; design by Jennifer Griffiths (Viking / August 2017)
Bullshit Jobs by David Graeber; design by David Litman (Simon & Schuster / May 2018)
Cherry by Nico Walker; design by Janet Hansen (Knopf / August 2018)
The Comedown by Rebekah Frumkin; design by Rachel Willey (Henry Holt / April 2018)
Evening in Paradise by Lucia Berlin; design by Na Kim (Farrar, Straus and Giroux / November 2018)
The Female Persuasion by Meg Wolitzer; design by Ben Denzer (Riverhead Books / April 2018)
Liveblog by Megan Boyle; design by Nicole Caputo (Tyrant Books / September 2018)
There There by Tommy Orange; design by Suzanne Dean; art by Bryn Perrott (Harvill Secker / July 2018)
Aug 9 — Fog by Kathryn Scanlan; design by Na Kim (Farrar Straus & Giroux MCD / June 2019)
The Dutch House by Ann Patchet; design by Robin Bilardello; painting by Noah Saterstrom (HarperCollins / September 2019)
Lanny by Max Porter; design by Jonny Pelham (Faber & Faber / March 2019)
Malina by Ingeborg Bachman; design by Peter Mendelsund (New Directions / June 2019)
Muscle by Alan Trotter; design by Gray318 (Faber & Faber / February 2019)
Sweet Days of Discipline by Fleur Jaeggy; design by Oliver Munday (New Directions / August 2019)
The Unwanted by Michael Dobbs; design by Tyler Comrie (Knopf / April 2019)
2 CommentsI always feel a bit guilty about this post. Readers seem to like it, but I don’t actually see a lot of young adult books day-to-day, so I am far too reliant on the covers people put in front of me to make it a really representative list. To make matters worse, it is now very late and very rushed. Nevertheless, there are some really great YA (and middle-grade!) covers here that I wanted to share. Feel free to tell me about all the ones I missed in the comments! Happy New Year!
All American Muslim Girl by Nadine Jolie Courtney; design by Cassie Gonzales; illustration by Carmi Grau (Farrar Straus & Giroux BYR / November 2019)
All the Bad Apples by Moïra Fowley-Doyle; design by Lindsey Andrews; photograph by Ines Rehberger (Kathy Dawson / October 2019)
The Arrival of Someday by Jen Malone; design by Jessie Gang; art by Sophia Drevenstam; lettering by Molly Jacques (HarperTeen / June 2019)
The Beholder by Anna Bright; design Michelle Taormina; art by Vault49 (HarperTeen / July 2019)
Brief Chronicle of Another Stupid Heartbreak by Adi Alsaid; design by Bora Tekogul (Inkyard Press / April 2019)
Butterfly Yellow by Thanhhà Lại; design Jenna Stempel-Lobell; art by Xuan Loc Xuan (HarperCollins / September 2019)
Children of Virtue and Vengeance by Tomi Adeyemi; design by Richard Deas, Mallory Grigg, and Kathleen Breitenfeld; art by Sarah Jones (Henry Holt / December 2019)
Courting Darkness by Robin LaFevers; design Whitney Leader-Picone; art by Billelis (HMH Books for Young Readers / February 2019)
The Dark Lord Clementine by Sarah Jean Horwitz; design Carla Weise; art Michelle Lamoreaux (Algonquin Young Readers / October 2019)
The Exact Opposite of Okay by Laura Steven; design Jenna Stempel-Lobell (HarperTeen / June 2019)
The Field Guide to the North American Teenager by Ben Philippe; design Michelle Cunningham; art by Christina Allen (Balzer & Bray / January 2019)
Forward Me Back to You by Mitali Perkins; design by Cassie Gonzales; illustration by Christian Northeast (Farrar Straus & Giroux BYR / April 2019)
Frankly in Love by David Yoon; design by Owen Gildersleeve (G. P. Putnam / September 2019)
The Girl the Sea Gave Back by Adrienne Young; design by Kerri Resnick; art by Larry Rostant (Wednesday Books / September 2019)
Girls on the Verge by Sharon Biggs Waller; design by Katie Klimowicz; lettering by The Letterettes (Henry Holt / April 2020)
Good Enough by Jen Petro-Roy; design by Liz Dresner; cover art by art Romy Blümel (Feiwel & Friends / February 2019)
The Grace Year by Kim Liggett; design by Kerri Resnick; illustration Hsiao Ron Cheng (Wednesday Books / October 2019)
The Great Unknowable End by Kathryn Ormsbee; design by Chloe Foglia; illustration by Carolina Rodriguez Fuenmayor; lettering by Danielle Davis (Simon & Schuster / March 2019)
Heroine by Mindy McGinnis; design by Erin Fitzsimmons (Katherine Tegen Books / March 2019)
Hold Still by Nina LaCour; design Samira Iravani; cover art by Adams Carvalho (Penguin / February 2019)
How to Make Friends with the Dark by Kathleen Glasgow; design Jennifer Heuer; art by Anders Rokkum (Delacorte / April 2019)
I Hope You Get This Message by Farah Naz Rishi; design by Erin Fitzsimmons; illustration by Adams Carvalho (HarperTeen / October 2019)
Hurricane Season by Nicole Melleby; design Carla Weise; art by David Litchfield (Algonquin / May 2019)
King of Scars by Leigh Bardugo; design by Ellen Duda; art by Billelis (Imprint / January 2019)
The Kingdom by Jess Rothenberg; design Helen Crawford-White (Macmillan / July 2019)
Kingdom of Souls by Rena Barron; design by Jenna Stempel-Lobell; art by Adeyemi Adegbesan (HarperTeen / September 2019)
Last Meeting of the Gorilla Club by Sara Nickerson; design Maria Fazio; illustration by Maeve Norton (Dutton Books for Young Readers / August 2019)
Let’s Call it a Doomsday by Katie Henry; design by David Curtis (Katherine Tegen / August 2019)
Maximillian Fly by Angie Sage; design David Curtis; art by Red Nose Studio (Katherine Tegen / July 2019)
Merrybegot by Julie Hearn; design and illustration by Karl James Mountford (Oxford University Press / April 2019)
The Missing Season by Gillian French; design David Curtis (HarperTeen / May 2019)
Nocturna by Maya Motayne; design by Aurora Parlagreco and Jenna Stempel-Lobell; art by Mark Van Leeuwen (Balzer & Bray / May 2019)
Of Ice and Shadows by Audrey Coulthurst; design Michelle Taormina; art by Yippiehey (Balzer & Bray / August 2019)
Other Words for Home by Jasmine Warga; design Jenna Stempel-Lobell ; art by Anoosha Syed (Balzer & Bray / May 2019)
Permanent Record by Mary H. K. Choi; design by Lizzy Bromley; illustration by gg (Simon & Schuster / September 2019)
Romanov by Nadine Brandes; design by Faceout Studio / Jeff Miller (Thomas Nelson / May 2019)
A Question of Holmes by Brittany Cavallaro; design by Katie Fitch; art by Dan Funderburgh (Katherine Tegen / March 2019)
Shadows of Winterspell by Amy Wilson; design Helen Crawford-White (Macmillan / JOctober 2019)
Six Goodbyes We Never Sent by Candace Ganger; design Kerri Resnick; illustration by Cannaday Chapman (Wednesday Books / September 2019)
The Speed of Falling Objects by Nancy Richardson Fischer; design Kai & Sunny (Inkyard Press / October 2019)
The Starlight Watchmaker by Lauren James; design by Helen Crawford-White (Barrington Stoke / July 2019)
The Strangers by Margaret Peterson Haddix; design Aurora Parlagreco; art by Anne Lambelet (Katherine Tegen / April 2019)
This Might Hurt A Bit by Doogie Horner; design by Sarah Creech; illustration by Adams Carvalho (Simon Pulse / June 2019)
The Tiger at Midnight by Swati Teerdhala; design by David Curtis; art by Michael Marsicano (Katherine Tegen / April 2019)
The Waking Forest by Alyssa Wees; design Leo Nickolls (Delacorte / March 2019)
We Are the Lost and Found by Helene Dunbar; design Nicole Hower; illustration by Adams Carvalho (Sourcebooks / September 2019)
We the Set the Dark on Fire by Tehlor Kay Mejia; design by Molly Fehr; art by Cristina Pagnoncelli (Katherine Tegen / February 2019)
Wilder Girls by Rory Power; design by Regina Flath; art by Aykut Aydogdu (Delacorte / July 2019)
With the Fire on High by Elizabeth Acevedo; design by Erin Fitzsimmons; art by Erick Davila (HarperTeen / May 2019)
York: Clockwork Ghost by Laura Ruby; design by Aurora Parlagreco; art Jie Ma (Walden Pond / June 2019)
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