Skip to content

Month: May 2009

Somthing for the Weekend, May 8th, 2009

Anything But Saintly — More pulp goodness seen at The Old-Timey Paperback Book Covers Flickr pool.

The Decline and Fall of Books — Nicholas Clee, editor of Book Brunch, dons “The End is Nigh” sandwich-board in The Times:

A Gutenberg-style revolution is not… expected in the next few months. But if you are a lover of well-stocked bookshops, then you should enjoy them while you can.

Poets Ranked by Beard Weight — Or why I <3 the internet (via eightface).

Penguin Automaton made by artist-maker Wanda Sowry to celebrate Penguin’s 70th anniversary and available from Art Meets Matter . Apparently winding the handle “causes the Penguin to drink from a mug, its flippers to waggle and a piece of 70th Birthday cake to rise magically from the table” (via the lovely tweeps at New Directions ).

Good Typography is Invisible, Bad Typography is Everywhere — Stephanie Orma talks to five acclaimed designers about the art of type in the SF Examiner. Interesting to see some conflicting/contrasting opinions in the mix…

7 Habits of Highly Effective People I Know — A nice list from Noisy Decent Graphics Ben Terrett.

Comments closed

Bigger May Be Better, But Old Problems Persist

Amazon launched the new large-screen Kindle DX in the US on Wednesday. The device, apparently aimed at newspaper readers and the textbook market was met with much fanfare in the New York Times (who had leaked the announcement earlier in the week), the Financial TimesPublishers Weekly and elsewhere.

Despite the immediate gadget-lust, the hype was also met with  skepticism (and more than certain amount of unlinkable ambivalence). The DX’s $489 price tag, ‘blah’ design, lack of colour and Amazon’s decision to release the new device so soon after launching the Kindle 2 have been common complaints.

But for all these (fixable) flaws, what really nags at me about the Kindle is that whilst I can see what’s in it for Amazon, I just can’t see what’s in it for me the reader. With each launch it seems that readers continue to be secondary to  Amazon’s business strategy.

I’m unlikely to buy a Kindle because, all things being equal, I’m always going to choose a paper book over an electronic one. If  convenience is the primary concern, then I’m going to read an e-book on the phone I carry in my jacket pocket.

The Kindle DX won’t change my habits either. I already read newspapers on my laptop and I don’t want to carry 2 large devices. If I was a student, I’d want to my textbooks on my laptop too — if only because of the 2 magic words: “copy” and “paste”.

Comments closed

Midweek Miscellany, May 6th, 2009

Vintage awesomeness — Hella Haase cover seen at the Vintage Paperbacks (Non-Penguin) Flickr Pool.

Make it Good — Jacket copy matters according to a Publishing Trends survey:

Flap copy is especially important for fiction. And title and cover impact are closely related to the impact of jacket copy. If the flap copy defies the expectation created by the cover and title—if, for instance, the cover of the book leads the reader to expect a thriller but the flap copy identifies it as horror—readers are less likely to buy it.

The Common Addiction to MediocrityGuy Kawasaki talks to Hartmut Esslinger, founder of frog design and professor at the University for Applied Arts in Vienna (lessons here for the book industry for sure):

Excellent products require more then just a good designer or a good design agency—they require humanistic and cultural vision, courage and discipline in execution.

Which leads quite nicely to Nora Young‘s podcast great conversation with filmmaker Gary Hustwit, director of Objectified and Helvetica, on CBC Radio’s Spark.

Thrift-Store Philosophy — some nice vintage book cover design finds at the always excellent Ward-O-Matic.

Instant Gratification — An interesting Q&A with Patrick Brown of Vroman’s bookstore in Pasadena (PW‘s Bookseller of the Year in 2008) on The Big Bad Book Blog:

People greatly underestimate how important browsing is for physical purchases, largely, I think, because it’s lacking in the online world. People come to an ecommerce site already knowing what they want to buy (for the most part). This isn’t so in our store, where people frequently come in for one book and end up leaving with a book that caught their eye on the way to the section or waiting in line at the register. The other thing we provide that I think is invaluable is a physical place for literary culture to happen.

Well-Aimed Typewriter Keys — After 70 years, Little, Brown and Co. have unveiled a new logo  designed by  Lance Hidy.

The Book Depository — who have a great range of books and offer free shipping world wide (and have this great live map), has launched an affiliate program. Can I humbly request someone develop a wordpress widget for it please?

And lastly, The New Yorker‘s The Book Bench blog has a sneak preview of the new Dan Clowes book.

Comments closed

Why Not? Or How We Live-Tweeted Fall 09

Why Not?

One the things that really stuck with me from Michael Tamblyn’s 6 Projects That Could Change Publishing For Ever presentation at the BookNet Tech Forum in March was the idea that publishers have to “place lots of little bets quickly.”

It tied into another idea that’s been kicking around recently about reframing ‘Why?’ questions into ‘Why Not?’ questions. That is to say, whenever we — publishers, book distributors et al — ask “why would we do this?” we should flip the question on it head and ask “why wouldn’t we?”.

This doesn’t mean we should pursue every idea that someone puts forward. Sometimes there will be good reasons not to try something — “it costs too much” and “it’s illegal and/or evil” are perfectly valid reasons that spring to mind to nix something (and no doubt there are  plenty more). But, in my experience, reframing the ‘why?’ question encourages people (me included) to think creatively and be more positive about ideas/projects we might otherwise dismiss out of hand.

#rainfall09

This is all a roundabout way of explaining how I ended up twittering from the  Raincoast Books Fall 09 Sales Conference last week.

Before we got under way on the first morning, a few of the early birds were laughing about using Raincoast’s Twitter account to micro-blog the presentations as they happened. Although it started as a joke, the near-inevitable “why would we?” and “who cares?” questions came up, and that raised the stakes. I turned the questions around and couldn’t actually think of any good reasons why we shouldn’t ‘live tweet’ the conference. I had my laptop, wireless access and a power source, so it seemed easy enough to do. And I figured people would tell me pretty quickly if they were bored and I should stop.

Decision made.

We quickly adopted #rainfall09 (an identifying reference tag for twitter posts or ‘tweets’ which was accidentally shortened to #rainfall on more than one occasion) and,  with some help from my colleague Siobhan, I covered all 3 days of the conference in a series of posts of 140 characters or less.

To people who live their lives online and are accustomed to social media rather than the slightly conservative book publishing world, the response to all this is probably a very sarcastic “big whup”. But sales conferences are not usually open and inclusive, and, needless to say, there was a degree of skepticism and resistance to overcome. Certainly it was experiment for us, if not, admittedly, a very large one. And  we were, as far as I’m aware (and someone please correct me if I am wrong), the first publisher/book distributor to Twitter their entire conference.

20/20

With the benefit of hindsight, the drawbacks were predictable. It was very intensive and time-consuming and I found it was difficult — at least initially —  to interact with the people actually in the room and tweet. I’m sure I missed a lot of nuance and I passed on more than few book samples with the barest of glances. We probably over-tweeted and lost a few followers as a consequence.

That all said, the positive outcomes vastly outweighed the problems. The feedback was overwhelmingly positive. We learnt as we went along — becoming better organized and tweeting less — and we gained far, far more followers than we lost over the 3-day period. Our posts were re-tweeted. Followers asked questions and made requests. We raised awareness of Raincoast, the publishers we work with, and the books we distribute. And we were able to connect with reviewers and bloggers we weren’t previously aware of.

I would do some things differently next time for sure. But, ultimately, it was definitely worth doing.

If you are thinking about live-tweeting your conference, here are my 5 Tips:

  1. Be Prepared — Whilst Twitter is great for spontaneity,  making sure you can set-up  your laptop with internet access, and a power source is essential (our conference days were 10 hours straight). And knowing the books (at least a little) in advance, definitely helps — I was often scrambling to find additional information on particular titles and bookmarking a few pages in my browser in advance would have been a plus.
  2. Be selective — Raincoast Books is primarily a distributor. We have something like a thousand titles a season from a variety of publishers. It is impossible to tweet about all of them, and it became quickly apparent it isn’t desirable to try. Our followers just wanted the highlights.
  3. Link — Readers also wanted links to more details if a title caught their eye. I had publisher websites and google open in separate tabs at all times. Even so, linking wasn’t always possible. Put your marketing materials online early and encourage your authors to update their sites (and join Twitter!).
  4. Be creative — If you can’t get your marketing material for your key titles online before conference, or something comes out of left-field, use the resources you do have to find an interesting work-around. When we had some very immediate reader interest in a book called The Quotable Douchebag and there was no information available online, the publisher Quirk Books quickly threw up a blog post with details.
  5. Tool-Up — Twitter management tools like TweetDeck and HootSuite are always useful for professional Twittering, but being able to quickly monitor replies, retweets, and references, not to mention conveniently shorten URLs was essential during conference.

Did you follow @RaincoastBooks or #rainfall09 last week? If so, how did you think it went? What could we do better next time? Leave a comment below or email me.

Note: This is my personal blog, and this post is my personal opinion. Neither reflect the opinion or official policy of Raincoast Books.

Illustrations from the Inspired Magazine Social Bird Icon Set (From the top: Chimero’s Birdie by Frank Chimero, Burdy by Tad Carpenter, and Jacque by Jessica Gonacha).

2 Comments