used-books

Michael Cho‘s cover for the Best American Comics annual 2010 published by Houghton Mifflin Harcourt. Fantastic.

Undefined — The Caustic Cover Critic interviews illustrator and designer Alice Smith:

After sketching ideas, I make compositions using inks and pens to bring collages together, the pen marks might have disappeared in the finished composition, but it’s the pen marks and the rough sketch that helps bring it together. I use old imagery for ethereal effect, playing with visual alchemy and nostalgia. And the quality of printing pre 1950s, photoengravre and proper litho is so much nicer than the pixel fuzz and dots of newer digital printing.

Alice’s portfolio is here.

Scraps of Paper — An interview with superstar designer Rodrigo Corral in Metropolis magazine:

[T]he parts of the process that are unique and special really come from the individual designer’s experience. I think about the people who might read this article, and assuming some will be design students or younger people just getting into book design, I have to say that in order to come up with ideas—which, aside from a solid understanding of typography and typographical context is the most important part of all of this—you have to have an understanding of what has come before and what is current. I’ve spent years in used bookstores and magazine shops looking, admiring, and collecting, and this is all a part of the “design process.” The things I have stored in my brain and all that is still out there to see and learn are all part of the process.

Bought and Discarded — Simon Akam explores the sidewalk booksellers of New York for More Intelligent Life:

What wasn’t clear was what it meant to have a big presence on secondhand stalls. Was it an honour for a book, or a slur on its author’s reputation? Which was more significant—the fact that so many copies had been bought by someone, or the fact that they had since been offloaded again? To add insult to injury, were the titles I encountered in droves lying on the stalls because today’s reading public chose not to pick them up, even at a much reduced price? I needed to find out whether the champions of my survey were much loved, or doubly scorned.

And finally…

The Road: Scenes From the Post-Print Apocalypse by Peter Kuper for the New York Times (via The Ephemerist).

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