A short interview with Tom McCarthy, author of Remainder and C, in The Guardian.
Heart of Darkness — William Deresiewicz on Harold Bloom and his new book The Anatomy of Influence: Literature as a Way of Life:
I started to develop the Heart of Darkness theory of the Yale English department. Conrad’s novel is about colonialism and racism and the shadowed reaches of the human heart, but it is also a dissection of bureaucracy. My first clue came when I realized that my chairman was a perfect double for the manager of the Central Station, that creepy functionary who has “no genius for organizing, for initiative, or for order even,” who “could keep the routine going—that’s all.” But what clinched it was the recognition of the role that Bloom played in the paradigm. Bloom was Mr. Kurtz… Bloom, like Kurtz, ignored the rules and was strong enough to impose his own. Bloom, like Kurtz, was the shadowy genius who had sequestered himself in his private domain and was managing to produce, by methods however “unsound,” more material than all his colleagues put together… Bloom, like Kurtz, was a legend, a rumor, a vaguely malevolent presence (or absence) to be spoken of in awed and envious tones. What was not to like?
Paying For It — Nicholas Carr, author of The Shallows, on paywalls and the transformation of the newspaper business:
The newspapers that will survive, and perhaps even thrive, in the years to come will be those that are able to offer the most distinctive products and to tailor those products to a variety of consumption modes, spanning payment methods and devices, in a way that maximizes revenues and optimizes readership. And because an online news site is not a perfect substitute for a printed paper for either readers or advertisers – I cancelled my paper subscription a couple of years ago but ended up resubscribing after realizing that I was missing something – print editions will likely remain a crucial element in the mix indefinitely.
Browsing or Browsers? – The Economist neatly summarizes the effects of digitization on publishing:
Perhaps the biggest problem, though, is the gradual disappearance of the shop window. Brian Murray, chief executive of HarperCollins, points out that a film may be released with more than $100m of marketing behind it. Music singles often receive radio promotion. Publishers, on the other hand, rely heavily on bookstores to bring new releases to customers’ attention and to steer them to books that they might not have considered buying. As stores close, the industry loses much more than a retail outlet. Publishers are increasingly trying to push books through online social networks. But Mr Murray says he hasn’t seen anything that replicates the experience of browsing a bookstore.
And on a related note, The Toronto Review of Books, edited by former bookselling colleague Jessica Duffin Wolfe, launched this week.
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