Books, Design and Culture
I’m not exactly sure how the ideas in these videos by Dentsu London and BERG relate to books and print, but I’m pretty sure they do in some tangential way.
There’s a lovely sense of how new media can connect and adapt old media in interesting, unobtrusive ways, and it seems much more human-shaped than the rather linear idea that a new technologies must replace or destroy existing ones:
(via Russell Davies)
Comments closedI posted this documentary short about baker Chad Robertson, co-founder of Tartine Bakery & Café in San Francisco and author of Tartine Bread, on the Raincoast Books blog yesterday. I wanted to share it here as well because there is definitely something inspiring about Chad’s process, enthusiasm, and dedication to his craft. And he’s a surfer…
(Disclosure: Tartine Bread is published by Chronicle Books, who are distributed in Canada by my employer Raincoast Books)
4 CommentsA nice short video about Dieter Rams’ design philosophy and the recent exhibition of his work at the Design Museum London:
What has this got to do with books? Well, it’s a timely reminder to care about what we make…
(video via Coudal Partners’ Fresh Signals)
1 CommentGroup Thinkery — Book-designing, tuba-playing Christopher Tobias has launched a new blog to discuss books, design, and publishing. Group Thinkery is also on Twitter.
I came across the stellar portfolio of High Design’s David High — which includes this rather brilliant cover for The Management Myth for W.W. Norton — earlier this week thanks to a tweet from the chaps at FaceOut Books. Go take a look.
Luck — In another one of those long, fascinating Agents and Editors Q&As from Poets and Writers that are always well worth your time, Jonathan Galassi, president and publisher of Farrar, Straus and Giroux, looks back at his career and comments on the current state of the industry:
One of the really hard lessons was realizing how much of a crapshoot publishing is—how you can love something and do everything you can for it, and yet fail at connecting it to an audience. Maybe you misjudged it. Maybe it didn’t get the right breaks. One of the hardest things to come to grips with is how important the breaks are. There’s luck in publishing, just like in any human activity… That was one of the hardest lessons: how difficult it is to actually be effective… Writing is its own reward. It has to be. I really believe that. This is a part of publishing that’s really hard to come to grips with. But publishers can’t make culture happen the way they want it to happen… We can huff and puff and pay money and advertise and everything else, but in the end, if the readers don’t come, we can’t do anything about it.
The lovely-looking limited edition, hand-made Done Walking With My Regular Shoes by recent graduate Stina Johansson. The cover design is screen-printed onto canvas (via DesignWorkLife).
Andy designing — The New Directions blog looks at the book designs of Andy Warhol:
Andy Warhol worked for New Directions as a book designer off and on for almost 10 years. Our editor-in-chief recalls James Laughlin telling her an Andy Warhol anecdote:
“He was a very strange looking man. But all the secretaries loved him because he would sneak little origami creatures on their desks when they weren’t looking. One time as he was walking out of the office he looked bashfully over at a secretary goggling at him and said ‘I like you. You’re so hirsute.’ Her reply? A very soft and giggly ‘thank you.’”
Personalization — Steven Heller talks to Rick Smolan about The Obama Time Capsule, a book that can be customized by the reader before it is printed:
I wondered if there was a way to create a book that wove together all these amazing images with each individual book buyer’s own story, photos and even their children’s artwork, so that every single copy was unique. I intentionally didn’t want to do a trade book edition because part of the goal was to have no books in warehouses, no print run, no books printed that might have to be later pulped and destroyed, no books shipped over by container ship from China or Korea (where all the big coffee table books are printed). The idea was to do the book of the future 10 years ahead of its time.
In this particular instance the customization of the book sounds a little gimicky to me, but possibilities it opens up seem pretty endless…
And lastly… Not being very quick on the uptake (what, you noticed?) I just came across the winners of The Strand bookstore’s Eye on The Strand photography contest. The Grand Prize was awarded to Josh Robinson for ‘Strand Shadows’ (above) and the contest exhibition, which opened on July 15th, will run through August 26, 2009 at the Pratt Institute CCPS Gallery, located at 144 West 14th Street, New York. I’m also rather fond of Cary Conover’s ‘Upside Down’ which took second place:
More Ideas, Less Stuff — London-based graphic designer Ben Terrett of the Really Interesting Group and Noisy Decent Graphics is in The Guardian today talking about Things Our Friends Have Written On The Internet 2008, a limited-edition newspaper that collected together interesting stuff from the internet, and the idea of ‘unproduct’, or creating more value but producing less stuff:
Originally coined by the designer Matt Jones and built upon by the strategist Russell Davies, among others, unproduct is basically maximum idea, minimum stuff… More than anything, unproduct is a new way of thinking about things. A new model. So is making something and giving it away. So are joint ventures. We’ve got people building stuff quickly, trying out new ideas, often for free. We have clients and agencies taking risks and more importantly sharing those risks. We’re creating maximum ideas and minimum stuff.
When people start talking to me about e-books, I have to confess there’s a small part of my brain that begins to shut down because I just don’t find them intrinsically interesting (inevitable and utilitarian yes, fun and interesting, no). But I love the idea of applying unproduct-type principles to publishing.
Sadly I don’t own a copy of Things Are Friends Have Written on the Internet 2008, but I gather that on the last page Russell Davies and Ben Terrett say: “2009 feels like a year for printing and making real stuff in the real world. Its going to be exciting”.
I hope so. I think this is fantastic.
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