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Tag: trends

The Trend Cycle

Alana Pockros talked to designers and others in the publishing community about trends in book cover design for the AIGA blog Eye on Design:

The guiding principle of like that book but different cover design has existed for decades. In the 1960s, the late book designer Paul Bacon pioneered the “Big Book Look,” which we might associate with Philip Roth’s Portnoy’s Complaint or Joan Didion’s The White Album: type-driven covers with large author names and ample negative space  that rely more on hue and font than imagery. Philip DiBello and Devin Washburn, founders of the design studio No Ideas, believe we’re currently seeing an evolution of the Big Book Look. “[There’s] a wave of similar covers that play with type intertwined with a key visual in a striking way,” they suggested. In The Look of the Book, Peter Mendelsund and David Alworth’s 2020 monograph, the authors call this mutative style “the interchangeable, big-type, colorful cover.” It’s a look Mendelsund and Alworth first noticed on the 2015 novel, Fates and Furies, and the style they see as the progenitor of the tired “it will work well as a thumbnail on Amazon” rationale. 

It is always interesting to hear designers talk about how they view the process and why we get certain trends. But the post itself, entitled “The Endless Life Cycle of Book Cover Trends”, is a variation on the well-worn, trend-focused ‘why do book covers look the same?’ article that has appeared in various guises over the years. Pokros herself references a New York Times article from 1974(!) that explains that jackets must be identifiable on television, and a Vulture piece from 2019 that postulates that book covers are now being designed for Amazon and Instagram. You could also read this post on Eye on Design from 2019 about the ubiquity of stock images, or this The New Yorker piece on design by committee from 2013, or this story in The Atlantic from 2012 (it’s e-readers fault!) among others.

It’s not that they’re necessarily wrong. There are clearly trends and tropes in book cover design as there are in any other kind of design (and pointing them out is fun — I do it frequently!). And there are lots of designs that aren’t great. That’s true of everything. It’s just that on the whole, book covers (like movie posters) don’t all look the same. Not really. Sure, books in the same genre frequently do. Covers sharing similar traits helps readers identify what kind of books they are buying. It doesn’t mean they are B-A-D. Perhaps part of what gets people so twitchy about high-profile literary fiction covers looking familiar is that they don’t like to think of certain kinds of literary fiction as genres?

I don’t know… I’m one of the marketing people whose fault this usually is.

I guess if you really want to get into it, trends in book covers often reflect trends in publishing itself. When similar books intended to appeal to similar readers are published by similar people at similar imprints that are part of similar, very large publishing conglomerates, maybe the issue isn’t really that they have similar covers?

Anyway TL: DR, if you’re seeing a lot of covers that look the same maybe it says more about the kind of books we are exposed to in our daily lives than about the range of covers that are actually out there?

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Cross It Out

I’ve been thinking about covers that feature one form of redacted text or another for a while, but this post has been sitting in my drafts folder gestating for far too long so I’m publishing now, as-is, because otherwise it is unlikely to ever see the light of day! 

The covers of Censoring an Iranian Love Story, designed by Peter Mendelsund, and Nineteen Eighty-Four, designed by David Pearson, are classics of the genre:

I thought that this kind of bar redaction (is there a technical term for it?) might be a relatively new — post-The 9-11 Commission Report — phenomena, but (friend of the blog) Richard Weston, AKA Acejet170, recently posted this 1974 Penguin cover for Academic Freedom by Anthony Arblaster, designed by Omnific, on Instagram:

In a lovely design touch, the redacted words appear on the back cover:

Related to bar redaction is the strike-through. One of my favourite examples is Barnbrook‘s cover design for How to Run a Government by Michael Barber, published by Allen Lane. 

How to Run a Government by Michael Barber; design by Barnbrook (Allen Lane / March 2015)

I’ve been seeing the straight strike-through used a lot recently. It does a neat job of doing two things at once. It allows you to not say something, while also emphasizing that you are pointedly not saying it.   

I’ve seen it mostly used for nonfiction (as above), but Janet Hansen recently used the strike for the cover of Amitava Kumar’s novel Immigrant, Montana

Immigrant, Montana by Amitava Kumar; design Janet Hansen (Knopf / July 2018)

Black text on a white background with a red strike-through is its own sub-genre:

In fact, using red — be it more artistic blocks, strikeouts or scribbles — is a popular way to highlight what is being crossed out:

And generally the hand-drawn strike-through or scribble seems to be the most popular way to cross something out … 

Hope A Tragedy by Shalom Auslander; design by John Gall (Riverhead Books / January 2012)

All Our Names by Dinaw Mengestu; design by Isabel Urbina Peña (Knopf / March 2014)

If you have (constructive) thoughts on the matter, and/or other examples, please leave them in the comments. 

The Last Word by Hanif Kureishi; design by Jaya Miceli (Scribner / March 2015)

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Beasts!

beasts
Lions and tigers and bears! Oh my! I’m kicking off a new series today on animal book covers. The first post is on ‘beasts’ — mostly ‘wild’ beasts, but one or two more domesticated (and dead) animals may have nosed their way in. Other posts series will look at birds, bugs, reptiles and amphibians, and quite possibly sea creatures and farm animals (unless someone pays me a large amount of money to stop before that). Thanks to all the designers, ADs, publicists and others who have been helping me with images and credits. If you notice that some information about a cover is missing, please let me know.

KENNEDY_American-gabrielle-bordwin
American Spirit by Dan Kennedy; design by Gabrielle Bordwin (New Harvest / May 2013)

animals-of-my-own-kind-drummond
Animals of My Own Kind by Harry Thurston; design by David Drummond (Vehicule Press / April 2010)

Untitled
Annabel by Kathleen Winter; design by Bill Douglas (Anansi / June 2010)

beasts-jacob-covey
Beasts! by Jacob Covey; design by Jacob Covey / Unflown (Fantagraphics / February 2007)

bedside-book-of-beasts-richardson
The Bedside Book of Beasts by Graeme Gibson; design by Scott Richardson (Doubleday Canada / October 2009)

brothers-beasts
Brothers & Beasts edited Kate Bernheimer; design by Isaac Tobin; illustration by Lauren Nassef (Wayne State University Press / January 2008)

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Caribou by Charles Wright; design by Jeff Clark / Quemadura (FSG / March 2014)


Charm and Strange by Stephanie Kuehn; design by Sharon King-Chai (Electric Monkey / June 2013)

chronic city
Chronic City by Jonathan Lethem; design by Miriam Rosenbloom (Faber & Faber / December 2009)

Company-of-Liars
Company of Liars by Karen Maitland; design by gray318 (Penguin / January 2008)

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Doppler by Erlend Loe; design by Nicolas Cheetham (Anansi / October 2012)

eeeee-kelly-blair
Eeeee Eee Eeee by Tao Lin; design by Kelly Blair (Melville House / April 2007)

ExtinctionClub
The Extinction Club by Jeffrey Moore; design by Michel Vrana (Hamish Hamilton Canada / April 2010)

feral
Feral by George Monbiot; design by Jim Stoddart (Penguin / May 2013)


The Good Suicides by Antonio Hill; design by Christopher Brand (Crown / June 2014)


Gottland: Mostly True Stories from Half of Czechoslovakia by Mariusz Szczygiel; design by Christopher King (Melville House / May 2014)

Penguin-Goya-Hi_res
Goya’s Dog by Damian Tarnopolsky; design by David Gee (Penguin Canada / August 2007)

Hope A Tragedy
Hope A Tragedy by Shalom Auslander; design by John Gall (Riverhead Books / January 2012)

baskervilles
The Hound of the Baskervilles by Arthur Conan Doyle; design by Emily Mahon; illustration by SHOUT (Modern Library / October 2002)

9780141034324
Hound of the Baskervilles by Arthur Conan Doyle; design by Coralie Bickford-Smith; illustration by Despotica (Penguin / March 2008)

JOYLAND-Haunt-Hi_res
How I Came to Haunt My Parents by Natalee Caple; design by David Gee (ECW / May 2011)

hunger
Hunger by Lincoln Townley; design by Matt Johnson (Simon & Schuster / May 2014)

jaguars-eels
Jaguars and Electric Eels by Alexander Von Humboldt; design by David Pearson; illustration by Victoria Sawdon (Penguin / February 2007)

Knife Throwing Through Self-Hypnosis
Knife Throwing Through Self-Hypnosis by Robin Richardson; design by Natalie Olsen / Kisscut Design (ECW / September 2013)

jamrachs-menagerie
Jamrach’s Menagerie by Carol Birch; design by gray318 (Canongate / March 2011)

jungle-book
The Jungle Book by Rudyard Kipling; design by Alice Stevenson (Penguin India / 2014)

leopard
The Leopard by Giuseppe Tomasi Di Lampedusa; illustration by Hans Tillman (Vintage / September 2007)

TEARSoftheGIRAFFE_B2
Tears of the Giraffe by Alexander McCall Smith; design by Mark Ecob (Abacus / August 2003)

me-and-the-devil
Me and the Devil by Nick Tosches; design by Keith Hayes (Little Brown & Co / December 2012)

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Mr. Fox by Helen Oyeyemi design by Helen Yentus with Jason Booher (Riverhead / September 2011)

978-0-7710-0833-7
Morning in the Burned House by Margaret Atwood; design by Kelly Hill (McClelland & Stewart / September 2009)

natural-acts-fulbrook
Natural Acts by David Quammen; design by John Fulbrook III (W. W. Norton / May 2009)

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The Night Guest by Fiona McFarlane; design by Charlotte Strick; illustration by Ariana Nehmad Ross (Faber & Faber / October 2013)

Layout 1
Off Course by Michelle Huneven; design by Rodrigo Corral; photograph by Gregori Maiofis (FSG / March 2014)

orphan-master
The Orphan Masters Son by Adam Johnson; design by Lynn Buckley (Random House / January 2012)

panther
Panther by David Owen; design by gray318 (Constable and Robinson / May 2015)

pastoralia-rodrigo-corral
Pastoralia by George Saunders; design by Rodrigo Corral (Riverhead / June 2001)


The Psychopath Test by Jon Ronson; design by Matt Dorfman (Riverhead / December 2011)

sharp-teeth-dean
Sharp Teeth by Toby Barlow; design by Susan Dean; illustration Natasha Michaels (William Heinemann / August 2007)

short-history-bill-douglas
A Short History of Progress by Ronald Wright; design by Bill Douglas (Anansi / October 2004)

9781447268963
Station Eleven by Emily  St. John Mandel; design by Nathan Burton (Picador / September 2014)

stories-ii
Stories II by T. C. Boyle; design by Greg Heinimann (Bloomsbury / October 2013)

tattooed-soldier
The Tattooed Soldier by Hector Tobar; design by Jim Tierney (Picador / October 2014)

tell-the-wolves
Tell the Wolves I’m Home by Carol Rifka Brunt; Roberto de Vicq de Cumptich (Dial Press / June 2012)

this-book
This Book Will Save Your Life by A. M. Homes; design by Paul Buckley (Penguin / April 2007)

Tiger-in-Eden
Tigers in Eden by Chris Flynn; design by W.H. Chong (Text Publishing Co. / October 2013)

The Tiger's Wife-Tea Obreht
The Tiger’s Wife by Téa Obreht; design by James Paul Jones; illustration Wuon Gean Ho (Phoenix / March 2011)

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Tooth and Claw by T. C. Boyle; design by Paul Buckley (Penguin / September 2005)


The Transcriptionist by Amy Rowland; design by Keith Hayes (Algonquin Books / May 2014)

9780143125020
The Unchangeable Spots of Leopards by Kristopher Jansma; design by Alison Forner (Penguin / March 2014)

Wolves-tpb
Wolves by Simon Ings; design and Illustration by Jeffrey Alan Love (Gollancz / January 2014)

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Lost in the Plot: Maps on Book Covers

maps

Who doesn’t like a good map? From sophisticated charts to intricate, idiosyncratic drawings to directions drawn on the back of napkin, maps explain the world two-dimensionally. They are flights of imagination anchored in our knowledge of the world — much like books themselves.

This post is a collection of book covers which use maps as parts of their design. I started this working on it months ago (my earlier post collecting arrows on books covers was originally an offshoot of this one), but it turned out to be surprisingly difficult to find enough interesting covers. I think I’ve finally got there — even if I had to cheat a little to include a couple of floor plans! I hope you agree…

abolitionist-geographies
Abolitionist Geographies by Martha Schoolman; design by David Drummond (University of Minnesota Press / October 2014)

MapA
AOTM
All Over the Map by Michael Sorkin; design by Dan Mogford (Verso / July 2011)

american-smoke-hc
sinclair-americansmoke-map
American Smoke Iain Sinclair; design by Nathan Burton (Hamish Hamilton / November 2013)

Astray
Astray by Emma Donoghue; design by Keith Hayes (Little Brown & Co. / October 2012)

bleeding-london
Bleeding London by Geoff Nicholson; design by Jamie Keenan (Harbour Books / September 2014)

boy-bear-boat
A Boy and a Bear in a Boat by Dave Shelton; design by Dave Shelton (David Fickling Books / January 2012)

akerman-cartographies
Cartographies of Travel and Navigation edited by James R. Akerman design by Isaac Tobin (University of Chicago Press / October 2006)

coat-route
The Coat Route by Meg Lukens Noonan; design by Allison Colpoys (Scribe / January 2014)

A Darker Shade final for Irene
A Darker Shade of Magic by V. E. Schwab; design by Will Staehle (Tor / February 2015)

(This unused comp is even mappier!)

delmore-schwartz
Delmore Schwartz: A Critical Reassessment by Alex Runchman; design by Palgrave Design Team (Palgrave Macmillan / May 2014)

dogfish-memory
Dogfish Memory by Joseph A. Dane; design by Jason Ramirez (Countryman Press / June 2011)

eat-the-city
Eat the City by Robin Shulman; cover art by Christopher Silas Neal (Crown / July 2012)

fatal-strain-isaac-tobin
The Fatal Strain by Alan Sipress; design by Isaac Tobin (Penguin / September 2011)

from-here-to-there
From Here to There by Kris Harzinski; design by Deb Wood (Princeton Architectural Press / September 2010)

1493
1493 by Charles C. Mann; design by Darren Wall (Granta / September 2011)

ghost-map
The Ghost Map by Steve Johnson; design by Ben Gibson (Riverhead / November 2007)

Gun-Machine
Gun Machine by Warren Ellis; design by Oliver Munday (Little Brown & Co / January 2013)

Hackney-front Hackney-full
Hackney, That Rose-Red Empire by Iain Sinclair; design by Nathan Burton; map by David Atkinson (Hamish Hamilton / February 2009)

9781847084576
Harlem is Nowhere by Sharifa Rhodes-Pitt; design Friederike Huber (Granta / August 2011)

Attachment-1
The Hobbit by J. R. R. Tolkien; design Adam Busby / Buzz Studios (unused / February 2013) 1

the-imperial-map
The Imperial Map edited by James R. Akerman; design by Isaac Tobin (University of Chicago Press / March 2009)

Infidelities
infidelities_Final
Infidelities by Kirsty Gunn; design by Darren Wall (Faber & Faber / November 2014)


La Isla del Tesoro (Treasure Island) by Robert Louis Stevenson; design by Raúl Arias (Bolchiro February 2013)

KCP_B paperback
Kimberly’s Capital Punishment by Richard Milward; design by Luke Bird (Faber & Faber / August 2013)

9781846144172
London Underground by Design by Mark Ovenden; design by Matthew Young (Particular Books / June 2013)

Project1:Layout 5
Project1:Layout 5
Map of the Invisible World by Tash Aw; design by Anna Morrison (Fourth Estate / April 2009)

map-thief
Map Thief by Michael Blanding; design by Stephen Brayda (Gotham Books / July 2014)

9781616890339_cfl
Maps by Paula Scher; design by Pentagram; cover art Paula Scher (Princeton Architectural Press / October 2011)

(these Paula Scher Maps mini-journals are also rather nice)

dig-fly-go-isaac-tobin
No Dig, No Fly, No Go by Mark Monmonier; design by Isaac Tobin (University of Chicago Press / May 2010)

norfolk-mystery
The Norfolk Mystery by Ian Samson; design by Jo Walker (Fourth Estate / June 2014)

n-w
N-W by Zadie Smith; design by Gray318 (Hamish Hamilton / September 2012)

on-the-map
On the Map by Simon Garfield; design by Roberto de Vicq de Cumptich (Gotham Books / December 2012)

on-the-map
On the Map by Simon Garfield; design by Nathan Burton (Profile Books / October 2012)

9780374533298
Portrait of the Mother as a Young Woman by Friedrich Christian Delius; design by Charlotte Strick (FSG / January 2012)

rats
Rats by Robert Sullivan; design by Whitney Cookman; cover art by Peter Sis (Bloomsbury / April 2004)

rivers-of-london
Rivers of London by Ben Aaronovitch; design by Patrick Knowles; cover illustration Stephen Walter (Gollancz / January 2011)

ring-of-steel
Ring of Steel by Alexander Watson; design by Antonio Colaco (Allen Lane / August 2014)

second-world-war
The Second World War by Antony Beevor; design by Steve Marking (Little Brown & Co / June 2012)

seen-reading
Seen Reading by Julie Wilson; design by Natalie Olsen / Kisscut Design (Freehand Books / April 2012)

9781846270642
The Snow Tourist by Charlie English; cover art by Mike Topping / Despotica (Portobello Books / November 2008)

untitled
Thick as Thieves by Peter Spiegelman; design by Nathan Burton (Quercus/September 2011)

Transnationalism
Transnationalism edited by Michael D. Behiels and Reginald C. Stuart; design by Michel Vrana (McGill-Queens University Press / October 2010)

treasure-island
Treasure Island by Robert Louis Stevenson; design by Coralie Bickford-Smith, cover illustration by Mick Brownfield (Penguin / May 2008)

villages-britain
Villages of Britain by Clive Aslet; design by Sarah Greeno (Bloomsbury / October 2010)

wilderness-of-error
A Wilderness of Error by Errol Morris; design by Pentagram (Penguin / September 2012)

zone-marvellous
Zone of the Marvellous by Martin Edmond; design by Keely O’Shannessy (Auckland University Press / September 2009)

And I don’t think we can end this post without mentioning the amazing Book Map print by Manchester-based studio Dorothy:

dorothy-book-map
The map — loosely based on a turn of the century map of London — is made up from the titles of over 600 books from the history of English Literature. Buy it here.

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A Book on a Book on a Book

Booher_History

The brilliant Jason Booher, whose cover for A History of Histories featured in my previous post, kindly just sent me his original design for the book. I think this could be the meta-cover to end all meta-covers. Sadly, the editor decided it might be a little too much of a good thing.

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Books on Book Covers

9781594203367B (1)
It started, innocently enough, with a tweet from my friend Steven Beattie, book review editor of Canada’s Quill & Quire magazine, about the cover of The Most Dangerous Book, Kevin Birmingham’s new ‘biography’ of Ulysses by James Joyce, designed by Ben Wiseman (Penguin June 2014).

steven-tweet

That sparked a conversation with designer David Gee and Joseph Sullivan of The Book Design Review about books on book covers. Joe wrote a  a post on the subject in 2009 on the subject, and I rather naïvely thought it would be easy (EASY!) to post a few contemporary examples of the trend, completely underestimating what an undertaking such a project would become.

What follows is an attempt to showcase some of different ways designers incorporate books into their cover designs. Along side covers from the past five years, I’ve included some earlier examples from Joe’s post, and this post about ‘meta-covers’ from HTML Giant. Many of the images of the older titles are small (and some are just not very good), but where I have been able to source a larger image, I’ve included it at full (or close to full) size. I’m indebted to the Book Cover Archive, which is still an invaluable resources after all this time, Ferran Lopez‘s (also mothballed) Jacket Museum, and all the designers and book folk who sent me cover images, and helped me in numerous other ways. Thank you. This isn’t comprehensive survey but, to be honest, I had to stop somewhere…

Front and Center

seven-hundred-penguins-full
Seven Hundred Penguins; design David Pearson / illustration Clare Skeats (Penguin Sept 2007)

cover
Cover by Peter Mendelsund; design by Peter Mendelsund (powerHouse Books August 2014)


Kapitalismus und Hautkrankheiten by Jasmin Ramadan; design by Books We Made (Klett-Cotta Verlag April 2014)

The Knowledge
The Knowledge by Lewis Dartnell; design by Kris Potter (Penguin April 2014)
priceless
Priceless by William Poundstone; design by Jennifer Carrow (Hill & Wang January 2010)

publish-your-photography-book
Publish Your Photography Book by Darius D. Himes & Mary Virginia Swanson; design by David Chickey & Masumi Shibata (Princeton Architectural Press March 2011)

yarn-whisperer
The Yarn Whisperer by Clara Parkes; design by John Gall (Abrams September 2013)

Cut, Torn, Ripped or Otherwise Defaced or Damaged


The Arsonist by Sue Miller; design by Greg Heinimann (Bloomsbury June 2014)

BNP-Cover-Hi-Res-770x1024
Best New Poets 2013, guest editor Brenda Shaughnessy; design by Atomicdust (Meridian January 2014)

9780312426323
Christine Falls by Benjamin Black; series design by Keith Hayes (Picador January 2008)


Half World by Scott O’Connor; design by Christopher Lin (Simon & Schuster February 2014)

9780887849565_HR
Heaven is Small by Emily Schultz; design by Ingrid Paulson (House of Anansi )

(And if your not Canadian, you may not know that this is a riff on Ingrid’s design for the hardcover of Heaven is Small, featured in this list.)

keep-egan
The Keep by Jennifer Egan; design by John Gall (Knopf August 2006)

Last-Winter-of-Dani-Lancing-US-front-cover
The Last Winter of Dani Lancing by P. D. Viner; design by Oliver Munday (Crown October 2013)

9781846144479
Mess; series art and design by Keri Smith (Penguin September 2010)



The Psychopath Test by Jon Ronson; design by Matt Dorfman (Riverhead December 2011)

deBotton-RFA-JACKET
Religion for Atheists by Alain de Botton; design by Matt Dorfman (Pantheon June 2012)

(This is what the cover looks like under the jacket if you’re curious)

9781476744834
Salinger by David Shields and Shane Salerno; design by Christopher Lin (Simon & Schuster September 2013)

9780765331939
What Makes This Book So Great by Jo Walton; design by Jamie Stafford-Hill (Tor January 2014)

Three-Quarters, or a Bit on the Side

81PiOD3q5aL
 The Eyre Affair by Jasper Fforde; cover art by Thomas Allen, series design by Jaya Miceli (Penguin 2011)

And those of you with a good memory will remember Chip Kidd used also art by Thomas Allen for a series of James Ellroy titles publisher by Vintage in the US:

fahrenheit-451
Fahrenheit 451 by Ray Bradbury; design by Matt Owen (Simon & Schuster January 2012)

9781594486173
Fiction Ruined My Family by Jeanne Darst; design by Alex Merto (Riverhead September 2011)

most-dangerous-book-UK
The Most Dangerous Book by Kevin Birmingham; adapted from the US cover with additional design by Jessie Price (Head of Zeus June 2014)

proust
Marcel Proust’s Search for Lost Time by Patrick Alexander; design by Jamie Keenan (Vintage March 2010)

ECW-Real Made Up 2007
The Real Made Up by Stephen Brockwell; design by David A. Gee (ECW October 2007)

Stoner (paperback) Stoner by John Williams; design by Julia Connolly (Vintage July 2012)

9780802122148 An Unnecessary Woman by Rabih Alameddine; design by Roberto de Vicq de Cumptich (Grove April 2014)

And while it’s not an actual book, let’s give Tom Davie of studiotwentysix2 a round of applause for his famous novel redesign print (which you can buy here).

Open Books and Page Turners

book-was-there
Book Was There by Andrew Piper; design by Andrea Guinn (University of Chicago Press November 2012)

4271789674_c18e499686_o
Erotic Poems by E. E. Cummings; design by Gabriele Wilson (Liveright February 2010)

9781770892484
How Should a Person Be? by Sheila Heti; design by Rebecca Seltzer (Henry Holt & Co. June 2012)

journey-with-two-maps
A Journey with Two Maps by Eavan Boland; design by Chin-Yee Lai (W. W. Norton October 2011)

john-dies-at-the-end
John Dies at the End by David Wong; design by Rob Grom (Thomas Dunne October 2009)

A-Life-In-Books
A Life in Books by Warren Lehrer; cover art by Warren Lehrer in collaboration with Jonathan Rosen (Goff Books October 2013)

medium-is-the-massage
The Medium is the Massage by Marshall McLuhan & Quentin Fiore; design by Yes Studio (Penguin September 2008)

dangerous-book
A Most Dangerous Book by Christopher B. Krebs; design by Mark Melnick (W. W. Norton June 2011)

the-novel
The Novel: A Biography by Michael Schmidt; design by Graciela Galup (Belknap Press April 2014)

9780691145648
Philology by James Turner; design by Kara Davison / Faceout Studio (Princeton University Press, May 2014)

pox-and-the-covenant
The Pox and the Covenant by Tony Wilson; design by Jason Gabbert (Sourcebooks April 2010)

what-to-look-for

What to Look For in Winter 
by Candia McWilliam; design by Richard Ljoenes (Harper March 2012)

Where I'm Reading From (1)
Where I’m Reading From by Tim Parks; design by James Paul Jones (Harvill Secker November 2014)

The_World
The World by Bill Gaston; design by Kathleen Lynch / Black Kat Design (Penguin August 2013)

9780452298460
Writers Between the Covers by Shannon McKenna Schmidt and Joni Rendon; design by Lucy Kim (Plume October 2013)

Shelves, Sides, Spines, and Stacks

penguin-by-design
Penguin by Design by Phil Baines; design by David Pearson (Penguin May 2005)

worm-holes
Wormholes by John Fowles; design by Carin Goldberg (Little, Brown & Co. 1997)

bad-teeth
Bad Teeth by Dustin Long; design by Rex Bonomelli (New Harvest May 2014)

BIL-Full
The Broadview Introduction to Literature; series design by Michel Vrana (Broadview August 2013)

BIL-Split

First Novel - Nicholas Royle
First Novel by Nicholas Royle; design by Suzanne Dean (Jonathan Cape February 2014)

how-to-be-a-heroine
How To Be A Heroine by Samantha Ellis; designed by James Paul Jones (Chatto & Windus January 2014)

how-to-read-literature
How to Read Literature by Terry Eagleton; design uncredited1 (Yale University Press Jun 2013)

junior-officers-club
The Junior Officers’ Reading Club by Patrick Hennessey; design by David Wardle (Penguin June 2009)

ajax-penumbra-1969
Ajax Penumbra 1969 by Robin Sloan; design by Irene Pineda (Atlantic Books June 2014)

rise-and-fall
The Rise & Fall of the Great Powers by Tom Rachman; design by Roberto de Vicq de Cumptich (Dial June 2014)

Stoner (hardback)
Stoner by John Williams; design by Julia Connolly (Vintage November 2013)

9781623568719
Vagina by Emma L. E. Rees; design by Alice Marwick (Bloomsbury August 2013)

why-i-read
Why I Read by Wendy Lesser; design by Rodrigo Corral (Farrar, Straus & Giroux (January 2014)

year-of-henry-james
The Year of Henry James by David Lodge; design by Nathan Burton (Vintage May 2014)

year-of-reading-dangerously
The Year of Reading Dangerously by Andy Miller; design by Jo Walker (Fourth Estate May 2014)

And then there’s this…

The FUTURE

you-are-not-a-gadget
You Are Not a Gadget by Jaron Lanier; design by Olly Moss (Penguin January 2010)

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Memento Mori

Book of Skulls cover

The threat of death… A warning… A memento mori…

A comprehensive visual history of the human skull is surely an entire Steven Heller book in the making (I guess we’ll just have to make do with a Wikipedia page for now). But as Faye Dowling’s contemporary compendium The Book of Skulls1 makes plain, what was once taboo — terrifying even — has become a pop culture phenomenon. Images of skulls now appear in art, design, fashion, and illustration. Apparently we like to be reminded we are all going to die. Even book covers are not immune. Here are a few recent examples that caught my eye:


Actors Anonymous by James Franco; design by Lynn Buckley (New Harvest October 2013)

darkmans
Darkmans by Nicola Barker; design by Leo Nickolls (Fourth Estate March 2008)

dark-stranger

A Dark Stranger by Julien Gracq; design by David Pearson (Pushkin Press December 2013)

everyone-loves-a-trainwreck
Everyone Loves a Good Train Wreck by Eric G. Wilson; design by  Rodrigo Corrall, hand-lettering by Jennifer Carrow, photograph by Simon Lee (FSG March 2012)

fiend-christopher-brand
Fiend by Peter Stenson; design by Christopher Brand (Crown July 2013)

Hamlet Doctrine
The Hamlet Doctrine by Simon Critchley & Jamieson Webster; design by David A. Gee (Verso September 2013)

How_the_Dead_Live
How the Dead Live by Derek Raymond; design by Christopher King (Melville House October 2011)

isla-del-tesoro-raul-arias
La Isla del Tesoro (Treasure Island) by Robert Louis Stevenson; design by Raúl Arias (Bolchiro February 2013)

interns-handbook
The Intern’s Handbook by Shane Kuhn; design by Roberto de Vicq de Cumptich (Simon & Schuster April 2014)

the_invention_of_murder
The Invention of Murder by Judith Flanders; design by Ervin Serrano (Thomas Dunne July 2013)

junky
Junky by William Burroughs; artwork by Martha Rich (Penguin April 2012)

mr-peanut
Mr. Peanut by Adam Ross; design by Peter Mendelsund (Knopf June 2010)

piratas-de-lo-publico
Piratas de lo público by Antón Losada; design by Javier Jaén (Deusto November 2013)

questionable-shape-9781780745855
A Questionable Shape by Bennett Sims; design by Holly MacDonald (Oneworld June 2014)

9780805091298

The Return by Michael Gruber; design by Chris Sergio (Henry Holt & Co. September 2013)


Royauté by Alexie Morin design by Catherine D’Amours (Le Quartanier October 2013)

scarborough
The Scarborough by Michael Lista; design by David Drummond (Véhicule Press September 2014)

SETE
Sete by Albero Riva; design by Manuele Scalia (Mondadori May 2011)

Shovel-Ready
Shovel Ready by Adam Sternbergh; design by Will Staehle (Random House February 2014)


The Sisters Brothers by Patrick Dewitt, design by Dan Stiles (Ecco May 2011)

slaughterhouse
Slaughterhouse Five by Kurt Vonnegut; design by Lynn Buckley; illustrations and hand-lettering by Kurt Vonnegut (Dial Press 2009)

tequila-sunset-tony-lyons-estuary-english
Tequila Sunset by Sam Hawken; design by Tony Lyons at Estuary English (Serpent’s Tail December 2013)

Trainspotting
Trainspotting by Irvine Welsh; design by Sarah-Jane Smith (Vintage March 2013)

viva-la-muerte

¡Viva La Muerte! by Rafael Núñez and Elena Núñez González ; design by Manuel Estrada (Marcial Pons Historia March 2014).

Engulfed-in-Flames-chip-kidd
When You Are Engulfed in Flames by David Sedaris; design by Chip Kidd (Little Brown & Co. July 2008)

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Getting to the Point: Arrows in Book Cover Design

arrows
As I was collecting images for my recent posts on triangles and book covers, I started thinking about the use of triangle’s directional cousin, the arrow. Inspired by a vintage cover design by Elaine Lustig and Jay Maisel, I thought I’d gather a selection of recent book covers that use arrows as part of their design.

I’ve spent far too long on this already, but I am sure I have forgotten some corkers. Please let me know what I’ve missed in the comments. I also have to say thanks to all the designers who helped me with this, especially Catherine Casalino, Richard Green, and (the very patient) Jason Ramirez who all dug deep into their archives for me.


The Accidental Universe by Alan Lightman; design by Pablo Delcán (Pantheon January 2014)

Act-of-Love
The Act of Love by Howard Jacobson; design by Catherine Casalino (Simon & Schuster March 2009)

orgasmatron
Adventures in the Orgasmatron by Christopher Turner; design by Marina Drukman (Farrar, Straus & Giroux June 2011)

anti-fragile
Antifragile by Nassim Nicholas Taleb; design by Jamie Keenan (Random House November 2012)

arc-of-war
The Arc of War by Jack S. Levy & William R. Thompson; design by Isaac Tobin (University of Chicago Press October 2011)

arrow-of-god
Arrow of God by Chinua Achebe;  art by Edel Rodriguez (Penguin January 2010)

9781250002495
The Bug by Ellen Ullman; design by Jamie Keenan (Picador February 2012)

Buried-on-Avenue
Buried on Avenue B by Peter de Jonge; design by Ian Koviak / The Book Designers (HarperCollins October 2012)

Busted
Busted by Edmund L. Andrews; design by Gray318 (W. W. Norton July 2009)

caribou-island
Caribou Island by David Vann; design by Nathan Burton (Viking February 2011)

dealmaking
Dealmaking by Guhan Subramanian; design by Ben Wiseman (W. W. Norton October 2011)

debt-delusion
The Debt Delusion by Mehdi Hasan; design by James Paul Jones (Vintage Digital July 2011)

enchanted-wanderer
The Enchanted Wanderer by Nikolai Leskov; design by Peter Mendelsund (Knopf March 2013)


Six Easy Pieces by Richard P. Feynman (Penguin July 2011)

The Meaning of it All by Richard P. Feynman (Penguin September 2007)

Design by Jim Stoddart; model design & construction by Andy Bridge


Give Me Everything You Have by James Lasdun; design by Julia Connolly (Vintage February 2014)

how-we-got-to-now
How We Got to Now by Steven Johnson; design by David A. Gee (Riverhead September 2014)

Hush Hush cover art 1
Hush Hush by Steven Barthelme; design by Christopher Brian King (Melville House October 2012)

one-on-one
One on One by Craig Brown; design by Jo Walker (Fourth Estate September 2011)

9780374146689
Paris, I Love You But You’re Bringing Me Down by Rosecrans Baldwin; design by Rodrigo Corral Design (Farrar, Straus & Giroux April 2012)

9781780742458
The Particle at the End of the Universe by Sean Carroll;  design by Shepherd Studio (Oneworld May 2013)1

borges
The Perpetual Race of Achilles and the Tortoise by Jorge Luis Borges; design by We Made This (Penguin August 2010)

rebound_final
Rebound by Stephen J. Rose; design by Jason Ramirez (St. Martin’s Press May 2010)

rise-and-fall
The Rise & Fall of the Great Powers by Tom Rachman; design by Roberto de Vicq de Cumptich (Dial June 2014)

survivor
Survivor by Chuck Palahniuk; design by Rodrigo Corral Design (W. W. Norton April 2010)


Dwight Yoakam by Don McLeese (Texas Tech University Press April 2012)

If I Was a Highway by Michael Ventura and Butch Hancock (Texas Tech University Press Feb 2011)

Design by Lindsay Starr

warlord
Warlord by Carlo d’Este; design by Richard Green (Allen Lane April 2009)

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