I am terribly late to this, but Rachel Mead, author of My Life in Middlemarch, profiled Margaret Atwood for The New Yorker earlier this month. Atwood’s dystopian novel The Handmaid’s Tale has just been released as a TV series starring Elizabeth Moss: … Continue reading →
I have to confess that I haven’t seen the TV adaptation of Philip K. Dick’s The Man in the High Castle, but I found Aaron Bady’s discussion of the series — and how it differs from the book — at The New Yorker, quite … Continue reading →
A decade after its first release, Vulture looks back at the terrifying new relevance of Alfonso Cuarón’s 2006 film (based loosely on a novel by P. D. James), Children of Men: Children of Men is having a remarkable resurgence — not just because of its … Continue reading →
Julie Phillips long profile of author Ursula K. Le Guin for The New Yorker is wonderful: Starting in the nineteen-eighties, [Le Guin] published some of her most accomplished work—fiction that was realist, magic realist, postmodernist, and sui generis. She wrote the Borgesian feminist parable “She … Continue reading →
A new Penguin Modern Classic edition of Mortal Engines by Polish science fiction writer Stanislaw Lem is available in the UK this week. Art directed by Jim Stoddart, this is the third of Lem’s books in the Penguin Modern Classics … Continue reading →
Andrew F. Sullivan, author of ultra-violent urban noir WASTE, reviews Ben Wheatley’s adaptation of High-Rise by J.G. Ballard for TIFF.Net: Wheatley and Ballard point to a pattern—a dissolution of social order that cannot be prevented by technology or progress. Even … Continue reading →
Following on from their horror classics series selected by Guillermo Del Toro, Penguin US is publishing six hardcover science fiction and fantasy classics this fall with introductions from Neil Gaiman, and (more importantly!) brilliant typographic covers by Brooklyn-based Spanish designer Alex … Continue reading →
Although the early reviews have not been especially kind to the Ben Wheatley film adaptation of J.G. Ballard’s High-Rise, the trailer looks amazing. The Anthony Royal Architecture website is also a nice touch. I can’t wait.