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Notable YA Covers of 2021

These posts are such a last minute scramble I don’t usually offer much in the way of commentary. It is hard to ignore, however, how many of my selections this year are illustrated. This may be a reflection of my personal preferences. Certainly, it isn’t new. As I mentioned in my look back at the year’s adult covers, the trends in 2021 felt very much like a continuation of the previous couple of years. Even so, I was struck by the sophistication and the range of YA illustrations this year. There are some illustrators whose work appears here more than once, but I don’t get the sense that there is a dominant style across category. It seems to depend very much on the specifics of the genre and the age range of the readership. That said, there is, perhaps, a common theme of ornate detail and decoration.

I am also finding it harder to differentiate between covers for more mature YA readers and adult covers of the same genre these days. If the cover blurbs and other identifiers (“A Novel”) didn’t give it away, the combination of the typography, colour palette, and the apparent age of the protagonist depicted used to give me a clue. Now it seems to me that there is a blurring of the lines, and I’ve had to check a couple of times recently to be sure of the intended readership age. I’d be curious to know if this is intentional on the part of publishers.

Anyway, there are some fantastic covers this year. Buzzfeed has a really decent list with design and illustration credits too if you’re looking for a second opinion (not that they need any clicks from me!). You can find my 2020 list here if you are interested.

Happy New Year!

All Of Us Villains by Amanda Foody and Christine Lynn Herman; design by Will Staehle (Tor Teen / November 2021)

Bad Girls Never Say Die by Jennifer Mathieu; design by Kerri Resnick (Roaring Brook Press / October 2021)

Before We Disappear by Shaun David Hutchinson; design by Jessie Gang; illustration by Valentina Remenar (Harperteen / September 2021)

Black Birds in the Sky by Brandy Colbert; art and design Natasha Cunningham (Balzer & Bray / October 2021)

Cazadora by Romina Garber; design by Kerri Resnick; illustation by Daria Hlazatova (Wednesday Books / August 2021)

The cover of Lobizona was on last year’s list:

City of Rust by Gemma Fowler; design by Steve Wells; illustration by Karl James Mountford (Chicken House / March 2021)

The Coming Storm by Regina M. Hansen; cover art by Tran Nguyen (Atheneum Books for Young Readers / June 2021)

Dark Rise by C. S. Pacat; design by Laura Mock; illustration by Magdalena Pagowska (Quill Tree Books / September 2021)

Drawn That Way by Elissa Sussman; design by Sarah Creech; lettering and illustration by art lettering Francesca Protopapa (Simon & Schuster Books for Young Readers / September 2021)

Dustborn by Erin Bowman; design by Mary Claire Cruz; illustration by Matt Griffin (Clarion / April 2021)

Aside from generally being a terrific SFF illustrator, I believe Matt Griffin illustrated the cover of Ace Books’ deluxe hardcover edition of Dune by Frank Herbert a couple of years ago, so he seems like an inspired choice here.

The Falling Girls by Hayley Krischer; design by Samira Iravani; illustration by Sarah Maxwell (Razorbill / October 2021)

Fat Chance, Charlie Vega by Crystal Maldonado; design by Chelsea Hunter; illustration Ericka Lugo (Holiday House / February 2021)

Fire with Fire by Destiny Soria; design by Mary Claire Cruz; illustration by Viv Tanner (Clarion / June 2021)

The Firekeeper’s Daughter by Angeline Boulley; design by Richard Deas; illustration Moses Lunham (Henry Holt & Company / March 2021)

(Sorry — I couldn’t find a cover image without the roundel. If anyone at Macmillan would like to send me one, I’ll be happy to replace it)

The Forest of Stolen Girls by June Hur; illustration Pedro Tapa (Feiwel & Friends / April 2021)

The Gilded Ones by Namina Forna; design Ray Shappell; cover art by Tarajosu (Delacorte Press / February 2021)

Iron Widow by Xiran Jay Zhao; design by Talia Abramson; illustration Ashley Mackenzie (Penguin Teen / September 2021)

Lies Like Wildfire by Jennifer Lynn Alvarez; design by Casey Moses; cover art Mishko (Delacorte / September 2021)

Love is for Losers by Wibke Brueggemann; design by Rachel Vale (Macmillan Children’s Books / January 2021)

The cover of the US edition, published by ‎ Farrar, Straus and Giroux (BYR) in February, was designed by Aurora Parlagreco with an illustration by Sally Nixon. I like it a lot too. It’s interesting to see the contrast between the UK and US markets.

Me (Moth) by Amber McBride; design and illustration by Richard Deas (Feiwel & Friends / August 2021)

Muse by Brittany Cavallaro; design by David Curtis; illustration by Florian Schommer (Katherine Tegen Books / February 2021)

Namesake by Adrienne Young; design by Kerri Resnick; photograph by Sveltana Belyaeva (Wednesday Books / March 2021)

Fable, the other half of this cover, was published in September 2020 and featured in last year’s YA cover round-up.

Oculta by Maya Motayne; design by Aurora Parlagreco and Jenna Stempel-Lobell; art by Mark Van Leeuwen (Balzer & Bray / April 2021)

The cover of Nocturna, the previous book in the series, was featured in my 2019 YA round-up.

The Ones We’re Meant To Find by Joan He; design Aurora Parlagreco; illustration Aykut Aydogdu (Roaring Brook Press / May 2021)

Red Wolf by Rachel Vincent; design Alice Wang; illustration Dan Burgess (Harperteen / July 2021)

The River Has Teeth by Erica Waters; design by Jenna Stempel-Lobell; illustration by Chervelle Fryer (Harperteen / July 2021)

Six Crimson Cranes by Elizabeth Lim; design Alison Impey; cover art by Tran Nguyen; lettering by Alix Northrup (Alfred A. Knopf BYR / July 2021)

Skin of the Sea by Natasha Bowen; cover art by Jeff Manning (Random House BYR / November 2021)

Smoke by Darcy Woods; design Ray Shappell; lettering and photography Agustina Gastaldi Ferrario (Crown BYR / June 2021)

Soul Lanterns by Shaw Kuzki; design Carol Ly; illustration Shoko Ishida (Delacorte / March 2021)

A Spindle Splintered by Alix E. Harrow; design David Curtis (Tordotcom / October 2021)

(I’m not sure that this is actually YA technically speaking, but it fits better on this list than the other one)

Terciel & Elinor by Garth Nix; design David Curtis; illustration Ashley Mackenzie (Katherine Tegen Books / November 2021)

The Theft of Sunlight by Intisar Khanani; cover art Jenny Zemanek (Harperteen / March 2021)

This goes very nicely with the cover of Thorn, the author’s previous book, published in hardcover last year.

This Poison Heart by Kalynn Bayron; design by Jet Purdie; illustration by Raymond Sébastien (Bloomsbury YA / June 2021)

This Will Be Funny Someday by Katie Henry; design David Curtis (Katherine Tegen Books / January 2021)

Tides of Mutiny by Rebecca Rode; design Leo Nickolls (Jimmy Patterson / September 2021)

The Verdigris Pawn by Alysa Wishingrad; design by Laura Mock ; illustration Júlia Sardà (HarperCollins / July 2021)

Yes, this is middle-grade and not YA, but I really like the lettering and I love Júlia Sardà’s illustrations so I’m allowing it.

When You Look Like Us by Pamela N. Harris; design David Dewitt; illustration Shane Ramos (Quill Tree Books / January 2021)

Within These Wicked Walls by Lauren Blackwood; design Kerri Resnick; illustration Palesa (Wednesday Books / October 2021)

(Another cover image with a roundel. Apologies. At least it is somewhat less obtrusive here.)

Yolk by Mary H. K. Choi; design Lizzy Bromley; cover art by gg (Simon & Schuster Books for Young Readers / March 2021)

The covers of Emergency Contact and Permanent Record by Mary H.K. Choi designed by Lizzy Bromley with art by gg have featured in previous year’s lists.

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Book Covers of Note January 2018

I was sure that 2018 would be different from 2017, and yet here we are… Happy New Year! 


The Age of Caesar by Plutarch; translation by Pamela Mensch; design by Catherine Casalino (W.W. Norton / January 2018)


The Book of Joan by Lidia Yuknavitch; design by Rafi Romaya; illustration by Florian Schommer (Canongate / January 2018)


Bloody January by Alan Parks; design by Chris Gale (Canongate / December 2017)

(I’m including this partly because I spend a lot of my professional life trying to explain the difference between the cover needs of Canada/US and the UK. This is a rare genre cover that — it seems to me at least — does a decent job for both sides of the Atlantic) 


Getting Off by Erica Garza; design by Zoe Norvell (Simon & Schuster / January 2018)


The Gist of Reading by Andrew Elfenbein; design by  Anne Jordan and Mitch Goldstein (Stanford University Press / January 2018)


Green by Sam Graham-Felsen; design by June Park (Random House / January 2018)


Heart Spring Mountain by Robin MacArthur; design by Sara Wood (Ecco / January 2018)


I Am Thunder by Muhammad Khan; design by Rachel Vale (Pan Macmillan / January 2018)


The Immortalists by Chloe Benjamin; design and illustration by Sandra Chiu (G.P. Putnam’s Sons / January 2018)

This cover seems rather on trend to me. It is very nicely done all the same. 

(Something about the shape and colour of the leaves on black background also reminds me of the illustrations in Jon Klassen’s picture book This Is Not My Hat). 


The Job of the Wasp by Colin Winnette; design by Michael Salu (Soft Skull Press / January 2018)


The Ministry of Nostalgia by Owen Hatherley; design by Keith Dodds (Verso / January 2017)

OK. So I’m a year late on this cover. But I saw it recently on Twitter. The cover of the hardcover edition of The Ministry of Nostalgia designed by Andy Pressman was included in my January 2016 post and my annual round-up of notable covers that year.   

Interestingly, the new cover for The Ministry of Nostalgia reminds me of Matthew Young‘s refresh of Pelican Books.

Being Ecological by Timothy Morton (Pelican / January 2018) is a recent example: 


The Music Shop by Rachel Joyce; design by Kimberly Glyder (Random House / January 2018)


Neon in Daylight by Hermione Hoby; design by Strick&Williams; photography by Marc Yankus (Catapult / January 2018)


Nice Try, Jane Sinner by Lianne Oelke; art and lettering by Colin Mercer (Houghton Mifflin Harcourt / January 2018)


Peach by Emma Glass; design by David Mann (Bloomsbury / January 2018)

David’s cover was adapted for the US edition by Patti Ratchford:


A Very British Coup by Chris Mullin; design by Dan Mogford (Serpent’s Tail / 2018)


The Woman in the Window by A. J. Finn; design by Elsie Lyons (William Morrow / January 2018)

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Notable Book Covers of 2017

Since 2010, I’ve posted an annual survey of the year in book covers. The post has expanded and developed over the past 7 years, but essentially it is a collection of the covers published in the previous 12 months that I found interesting or noteworthy in some way. As with the previous couple of years, the 2017 list is organized by covers (alphabetical by title), and by designer so that I can show a greater variety of work, and no one designer or studio dominates. 

Thank you to everyone who has supported the blog this year, and special thanks to all the designers, art directors, authors, publishers, and fellow design enthusiasts who have helped me with covers and design credits. My sincere apologies to the designers and publishers not on this year’s list and whose covers I have overlooked in the past 12 months. 

A post looking back on the YA covers of 2017 is to follow.    


Adult Fantasy by Briohny Doyle design by Laura Thomas (Scribe / July 2017)



Age of Anger by Pankaj Mishra; design by Matthew Young (Allen Lane / February 2017)



The Age of Perpetual Light by Josh Weil; design by Nick Misani (Grove Press / September 2017)



All We Saw by Anne Michaels; design by Janet Hansen; photograph by Jouke Bos (Knopf / October 2017)

Also designed by Janet Hansen:



Always Happy Hour by Mary Miller; design by Elena Giavaldi; art by Lee Price (Liveright / January 2017)

Also designed by Elena Giavaldi:



The Angry Chef by Anthony Warner; design by Steven Leard (Oneworld / June 2017)



Black Moses by Alain Mabanckou; design by Gray318 (Serpent’s Tail / April 2017)

Also designed by Gray318:



The Book of Disquiet by Fernando Pessoa; design by Peter Mendelsund (New Directions / August 2017)

Also designed by Peter Mendelsund:



The Cutaway by Christina Kovac; design by Laywan Kwan (Atria / March 2017)

Also designed by Laywan Kwan:



Don’t Save Anything by Jame Salter; design by Zoe Norvell (Counterpoint / November 2017)



England Your England by George Orwell; design by David Pearson (Penguin Modern Classics / March 2017)

Also designed by David Pearson:



English Uprising by Paul Stocker; design by Jamie Keenan (Melville House / September 2017)

Also designed by Jamie Keenan:



The Experiment by Eric Lee; design by David A. Gee (Zed Books / September 2017)

Also designed by David Gee:



The Fall of Lisa Bellow by Susan Perabo; design by Alison Forner (Simon & Schuster / March 2017)



The Futures by Anna Pitoniak; design by Lauren Harms (Lee Boudreaux Books / January 2017)

Also designed by Lauren Harms:



Ghachar Ghochar by Vivek Shanbhag; design by Luke Bird (Faber & Faber / April 2017)

Also designed by Luke Bird:



The Good People by Hannah Kent; design by Rachel Vale (Picador / February 2017)



The Handmaid’s Tale by Margaret Atwood; art direction by Christopher Moisan; illustration by Patrik Svensson (Houghton Mifflin Harcourt / April 2017)

This HMH cover was my favourite of the new editions of The Handmaid’s Tales, but Noma Bar’s cover for Vintage UK was also nice.



The Hearts of Men by Nickolas Butler; design by Allison Saltzman (Ecco / March 2017)

Also designed by Allison Saltzman: 



Heating & Cooling by Beth Ann Fennelly; design by Alex Merto; photograph by Gregory Reid (W.W. Norton / December 2017)

Also designed by Alex Merto:



Her Body and Other Parties by Carmen Maria Machado; design by Kimberly Glyder (Graywolf / October 2017)

Also designed by Kimberly Glyder:



Hollow by Owen Egerton; design by Matt Dorfman (Counterpoint / July 2017)

Also designed by Matt Dorfman:



How Will I Know You? by Jessic Treadway; design by Catherine Casalino; illustration by Henrietta Harris (Grand Central Publishing / August 2017)



I Am, I Am, I Am by Maggie O’Farrell; design by Yeti Lambregts (Tinder Press / August 2017)

Also designed by Yeti Lambregts:



The Idiot by Elif Batuman; design by Suzanne Dean; illustration by Aino-Maija Metsola (Jonathan Cape / June 2017)

Also designed by Suzanne Dean:



The Idiot by Elif Batuman; design by Oliver Munday (Penguin / March 2017)

Also designed by Oliver Munday:



Insomniac Dreams: Experiments with Time by Vladimir Nabokov compiled and edited by Gennady Barabtarlo; design by Chris Ferrante (Princeton University Press / December 2017)

Also designed by Chris Ferrante:



Jerusalem Ablaze by Orlando Ortega-Medina; design by La Boca (Cloud Lodge Books / January 2017)

Also designed by La Boca: 



Jerzy by Jerome Charyn; design by Alban Fischer (Bellevue Literary Press / March 2017)



Little Deaths by Emma Flint; design by Justine Anweiler (Picador / January 2017)

Also designed by Justine Anweiler:



Lotus by Lijia Zhang; design by Adly Elewa (Henry Holt / January 2017)



Manly Health and Training by Walt Whitman; design by Richard Ljoenes (Regan Arts / February 2017)



Midlife: A Philosophical Guide by Kieran Setiya; design by Amanda Weiss (Princeton University Press / October 2017)



Narcissism for Beginners by Martine McDonagh; design by Tree Abraham (Unbound / March 2017)



Nicotine by Gregor Hens; design by John Gall (Other Press / January 2017)



One Day We’ll All Be Dead and None of This Will Matter by Scaachi Koul; design by C.S. Richardson (Doubleday Canada / March 2017)

Scott was also responsible for my favourite of the (many) Ninety Eighty-Four redesigns this season. 



The Parcel by Anosh Irani; design by Allison Colpoys (Scribe / September 2017)

Also designed by Allison Colpoys:



Priestdaddy by Patricia Lockwood; design by Rachel Willey (Riverhead / May 2017)

Also designed by Rachel Willey:



A Separation by Katie Kitamura; design by Jaya Miceli (Riverhead / February 2017)

Also designed by Jaya Miceli:



Sex & Rage by Eve Babitz; design by Kelly Winton (Counterpoint / July 2017)


Strange Heart Beating by Eli Goldstone; design by Jo Walker (Granta / May 2017)

Also designed by Jo Walker:



Swimmer Among the Stars by Kanishk Tharoor; design by Tyler Comrie (Farrar, Straus and Giroux / March 2017)

Also designed by Tyler Comrie:



The Tea Girl of Hummingbird Lane by Lisa See; design by Lauren Peters-Collaer (Scribner / March 2017)

Also designed by Lauren Peters-Collaer:



Vengeance is Mine, All Others Pay Cash by Eka Kurniawan; design by Erik Carter (New Directions / August 2017)

Also designed by Erik Carter:



Virgin and Other Stories by April Ayers Lawson; design by James Paul Jones (Granta / January 2017)

Also designed by James Paul Jones: 



We All Love the Beautiful Girls by Joanne Proulx; design by Jennifer Griffiths (Viking / August 2017)

Also designed by Jennifer Griffiths:



Why I’m No Longer Talking to White People About Race by Reni Eddo-Lodge; design by Greg Heinimann (Bloomsbury / June 2017)

Also designed by Greg Heinimann:



Why Poetry by Matthew Zapruder; design by Sara Wood (Ecco / August 2017)

Also designed by Sara Wood:



Would Everybody Please Stop? by Jenny Allen; design by Na Kim (Sarah Crichton Books / June 2017)

Also designed by Na Kim:



The World Goes On by László Krasznahorkai; design by Paul Sahre (New Directions / November 2017)

The cover of Sahre’s “graphic memoir” Two Dimensional Man is also great. 



Writing Not Writing by Tom Fisher; design by  Anne Jordan and Mitch Goldstein (University of Iowa Press / July 2017)(University of Iowa Press / July 2017)

Also designed by Anne Jordan and Mitch Goldstein:



The Zoo of the New edited by Nick Laird & Don Paterson; design by Richard Green (Particular Books / March 2017)

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Book Covers of Note April 2017

This edition of ‘book covers of note’ is brought to you entirely by Gray318 who designed the covers of all the books published this month. OK, that’s an exaggeration, but Jon did design FOUR of the covers on my list — all different, all brilliant. How no one has published a monograph of his work yet is beyond me. Anyway… This month’s post also includes covers by David Pearson, Erik Carter, Scott Richardson, Kimberly Glyder, Katie Tooke, Rachel Vale and more… 


Black Moses by Alain Mabanckou; design by Gray318 (Serpent’s Tail / April 2017)


England Your England by George Orwell; design by David Pearson (Penguin Modern Classics / March 2017)


The Fortunate Brother by Donna Morrissey; design by Pete Adlington (Canongate / April 2017)


Ghachar Ghochar by Vivek Shanbhag; design by Luke Bird (Faber & Faber / April 2017)

And, just FYI, after 6 years at Faber & Faber, Luke has decided to set up his own studio should you wish to hire him (and on the basis of this cover alone, why wouldn’t you?).


The Good People by Hannah Kent; design by Rachel Vale (Picador / February 2017)


The Handmaid’s Tale by Margaret Atwood; art direction by Christopher Moisan; illustration by Patrik Svensson (Houghton Mifflin Harcourt / April 2017)

This is just the latest in a number of striking covers for The Handmaid’s Tale  rare bookseller and author Rebecca Romney recently compiled a list


The Hate U Give by Angie Thomas; design by Jenna Stempel; illustration Debra Cartwright (Balzer + Bray / February 2017)

The cover of the UK edition of The Hate U Give, published by Walker this month, was designed by Maria Soler.

It’s interesting that both designs have acrostic titles. I wonder if this was in the brief?  


Home and Away by Karl Ove Knausgaard and Fredrik Ekelund; design by Alex Merto (Farrar, Straus & Giroux / January 2017)

The cover of the British edition, published by Harvill Secker in November 2016, was designed by Matt Broughton. 


Let Go My Hand by Edward Docx; design by Katie Tooke (Picador / April 2017)


Literature Class by Julio Cortázar; design by Rodrigo Corral and Zak Tebbal (New Directions / March 2017)


Locus Solus by Raymond Roussel; design by Erik Carter (New Directions /March 2017)


The Night Ocean by Paul La Farge; design by Will Staehle (Penguin / March 2017)


Nineteen Eighty-Four by George Orwell; design by C. S. Richardson (Penguin Canada / March 2017)

In the US, Houghton Mifflin Harcourt have also published a new edition of Nineteen Eighty-Four. The cover — which owes a wee debt to Peter Mendelsund’s eye motif covers for the Schocken editions of Kafka (in my very humble opinion) — was designed by Mark Robinson.

You can see a few other recent covers for Nineteen Eighty Four here


Out of Line by Barbara Lynch; design by Delcan & Company; photography by George Baier IV (Atria / April 2017)


The Redemption of Galen Pike by Carys Davies; design by Zoe Norvell (Biblioasis / April 2017)


Six Stories by Matt Wesolowski; design by Mark Swan (Orenda / March 2017)


Sorry to Disrupt the Peace by Patty Yumi Cottrell; design by Sunra Thompson (McSweeney’s / March 2017)

The jacket has a really nice metallic finish in real life. The bright green cover under the jacket is also really nice. 


Sound System by Dave Randall; design by Jamie Keenan (Pluto Press / April 2017)


Spaceman of Bohemia by Jaroslav Kalfar; design by Allison Warner (Little Brown & Co. / March 2017)


Sympathy by Olivia Sudjic; design by Gray318 (Houghton Mifflin Harcourt / April 2017)


To Be a Machine by Mark O’Connell; design by Gray318; robot/photograph by Marco Fernandes (Granta / April 2017)


The Teeth of the Comb & Other Stories by Osama Alomar; design by Erik Carter (New Directions / April 2017)


Us&Them by Bahiyyih Nakhjavani; design by Anne Jordan and Mitch Goldstein (Stanford University Press / April 2017)


Voices from the Jungle: Stories from the Calais Refugee Camp; design by Gray318 (Pluto Press / April 2017)


Wait Till You See Me Dance by Deb Olin Unferth; design by Kimberly Glyder (Graywolf / March 2017)


White Tears by Hari Kunzru; design by Peter Mendelsund (Knopf / March 2017)

The cover of the UK edition, published this month by Hamish Hamilton, was designed by Richard Bravery.

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