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Tag: pricing

Something for the Weekend

Punching Through the Din — designer Jim Northover on the exhibition of Saul Bass movie posters at Kemistry in London.

This is the End — Sarah Weinman on chronicling the end of the chain bookstore era:

But maybe what really happened was as simple as this: chain bookstores were never supposed to last as long as they did, and have reached their natural end point after twenty years. Publishing in general has enough struggle with scale, either being too small and prone to great risk and failure, or too big and beholden to larger entities who want greater and greater annual profits. Whatever possessed us to think bookstores could operate this way? Why is the art of bookselling supposed to be conflagrated with abundance, with excess and with millions of square feet?

And on a somewhat related note…

The Cost of Keeping Authors Alive –Boyd Tonkin for The Independent (via MobyLives):

Dirt-cheap e-books benefit the very rich – and the very dead. They might also help new authors to find a foothold and win an audience – although, on that logic, newcomers should think about showcasing their work for nothing. Many do. But the almost-free digital novel hammers another nail into the coffin of a long-term literary career. Who cares? Readers should, if they cherish full-time authors who craft not safe genre pieces but distinctive book after distinctive book that build into a unique body of work.

(see also: Margaret Atwood at TOC)

Kick Ass Annie — An interview with Anne Koyama, the founder and operator of Toronto-based Koyama Press, at Design Feaster:

I look at all kinds of artwork, films, architecture, photography and typography. I subscribe to a lot of art/artist’s blogs. I like to walk around cities and try to really see the details of things around me (which is more difficult than you may think for someone possessed of a short attention span). I carry a little point-and-shoot camera often. Of course, all of the artists I work with inspire me and I seem to find a few artists each week that I’d like to work with if I had the funds.

And lastly…

Meet the Classics — A Brazilian ad campaign to promote Penguin Classic Books (via This Isn’t Happiness).

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Doctorow at Bloomsbury

Whether you agree with him or not, this is an interesting — if scatter-gun — talk by Cory Doctorow on publishing, e-books, pricing, and DRM (and more) at UK publisher Bloomsbury:

There are some additional notes (and a couple of corrections!) at Cory Doctorow’s website.

(via Ted Striphas’ The Late Age of Print)

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The Discussion That Will Not Die!

Tales from the Crypt Bronte

Now the dust has almost settled on the Amazon-Macmillan dispute, John Sargent, CEO of Macmillan, laid out their new position on availability, pricing and the (much discussed) agency model yesterday:

We will price our e-books at a wide variety of prices. In the ink-on-paper world we publish new books in different formats (hardcover, trade paperback, and mass market paperback) at prices that generally range from $35.00 to $5.99. In the digital world we will price each book individually as we do today… For physical books, the majority of new release hardcovers are published in cheaper paperback versions over time. We will mirror this price reduction in the digital world.

This follows hot on the heels Motoko Rich’s second stab at explaining the issues around pricing for The New York Times (her previous — fairly woeful — attempt is here):

Publishers argue that it would be difficult to sustain a vibrant business on much lower prices. Margins would be squeezed, and it would become more difficult to nurture new authors…“You’re less apt to take a chance on an important first novel if you don’t have the profit margin on the volume of the big books,” said Lindy Hess, director of the Columbia Publishing Course, a program that trains young aspirants for jobs in the publishing industry. “The truth about this business is that, with rare exceptions, nobody makes a great deal of money.”

This echoes similar points made by Lydia Dishman’s in an earlier article, “The Case Against Dirt-Cheap E-Books”, at BNET:

If massive sales are the only aim, content is devalued to the point of creating digital pulp. Maybe no one old enough to remember real pulp fiction (not the Tarantino film) is reading this, but the only thing that lives on from that era are histories of the pulp fiction genre, not the actual books, which by definition were cheaply produced and contained even “cheaper” content. Pulp’s inherently ephemeral — not exactly a stable foundation for a new business model.

Pricing seems to be the issue that just will not go away right now, and none of the points raised here are new. But I guess the upside is that there is now some more informed discussion going on and publishers are beginning to take it seriously. That, and John Sargent giving other CEO’s a free lesson in communications and transparency.

(Image from R. Sikoryak‘s Masterpiece Comics published by Drawn & Quarterly)

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Keep Calm and Carry On?

There is nothing quite like pricing to get book people’s pulses racing and the recent price war in the US — and the American Booksellers Association’s open letter to the Department of Justice — certainly has everyone and their mother all aflutter.

We have plenty of pricing issues of own in Canada. The unique challenges of publishing here (big geography + small population) and the fluctuating US dollar make Canadian pricing particularly fraught. But we haven’t really seen the same kind of problems as the US or the supermarket price wars that have plagued the UK.

As The Toronto Star helpfully points out, Canada is different. But it is not simply a matter of being more polite than Americans (or nicer than the British) — what makes us different is that we are a small book market dominated by a single retailer. Dropping the gloves with Canada’s Chief Booklover hardly seems worth the effort.

Nevertheless, Canadian consumers keep a keen eye on the US and a sustained price war south of the border would inevitably put pressure on bookstores in Canada (including Chapters-Indigo). It would be foolish to ignore what is going on.

The most emotive issue is, of course, the detrimental impact of price wars on already struggling independent bookstores. As HarperStudio’s Bob Miller notes:

The short-term results of this price war are some losses for Wal-Mart and Amazon, and some brisk sales for the publishers whose books have been chosen. But the “road kill” here are the accounts who can’t afford to participate in the race—traditional booksellers.

Clearly though, publishers like Miller are worried too. It has been a particularly difficult 18 months in US publishing, and the thought of additional pressure on prices and discounts is, for many, terrifying. We seem to be lurching from one crisis to the next.

But, is this really anything more than another storm in the tempestuous book industry teacup?

To some extent I agree with Mark and The New Yorker that twitchy book people are exaggerating the effects of this price war. We are, after all, only talking about ten books. This isn’t going to wreck publishing just yet. In the short term it will be good for sales, and as long as Amazon, Wal-Mart and Target are willing to take the losses, the publishers will be laughing all the way to the bank.

But there will clearly be problems down the road if this continues, and I think Michael Hyatt, CEO of Thomas Nelson, is on to something when he suggests that the strategy behind the price war is actually damaging for everyone publishers, authors, booksellers, mass retailers, and consumers (although Dennis Johnson at Moby Lives isn’t totally convinced by Hyatt’s solutions).

If there are going to be ‘winners’ in this, it is only going to be the big retailers and it will not be long before they demand more books and deeper discounts. Publishers will have to run the risk of crippling returns if the discounted books don’t sell, and will be increasingly reluctant to bet on creative projects. Corners will be cut in the effort to produce cheaper books that are short-term ‘sure things’.

Without over-stating it, I am also troubled that such discounts set the expectation that all books should be less than $10 (and if you’re skeptical about setting expectations with arbitrary numbers, you might want to read Nudge).

In the end, you get what you pay for. Books — good books — take time and they take money, whether they are printed or distributed digitally. If a book costs less than $10, then you can expect publishers  — and self-publishers for that matter — to churn out a lot of poorly researched, quickly written, hurriedly edited, badly designed and cheaply produced books. And, as Don Linn, former Senior VP and Publisher at Taunton Books, points out, this will certainly hurt authors first:

When content’s price and value is pushed below a sustainable level for publishers… writers will suffer. They will be forced to make the economic choice to write less to finance their careers. It’s not enough to say glibly that ‘writers have to write so they will’ or that self-publishing will be their salvation. When content’s value drops, self-published content’s value drops as well.

Of course, publishers need to take responsibility here. Too often publishers dump bad books into stores in pursuit of a fast-buck, and they only have themselves to blame when stores demand big discounts up front and readers don’t actually want to pay full price for them.

And I think it is too easy to say that books (paper or digital) need to be cheaper and more ‘timely’. Sure. But I’m willing to bet that readers are also willing to seek out and to pay for books that surprise and delight (and that format isn’t the real issue).

It is difficult for publishers to think about the long-term (especially if shareholders are involved), but if we are seriously worried about pricing, then perhaps the place to start is publish books that are worth the price tag?

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Midweek Miscellany, September 2nd, 2009

Watching Gideon — A nice new cover design with some great typography from Nate Salciccioli. Read my Q & A with Nate here.

A Manifesto for Slow Communication — An excerpt from The Tyranny of E-Mail by John Freeman, AKA acting editor of Granta, in the Wall Street Journal:

Slow communication will preserve these threads and our ability to sensibly choose to use faster modes when necessary. It will also preserve our sanity, our families, our relationships and our ability to find happiness in a world where, in spite of the Internet, saying what we mean is as hard as it ever was. It starts with a simple instruction: Don’t send.

And on the topic of slow communication…

On Feeding — an older, but lovely, post from A Working Library on the difference between unread books and an unread RSS reader (via booktwo.org):

those two sights—the stack of books and the unread count in my feed reader—evoke dramatically different responses. To the books, I feel excitement, eagerness… The act of reading is always unfinished…

Yet my feed reader—also always unfinished—evokes within me a dread… I grow weary as the unread count increases, as it fills up with new articles before I can skim the old ones. In it’s timeliness—most blog posts have short half-lives and so must be read now—and the mathematical precision with which the reader measures its contents, I am stripped of my eagerness to read and filled, instead, with despair. Instead of a thing to enjoy, it makes reading a thing to get done with… It’s reading made efficient.

The minimal design of the A Working Library site is really nice too by the way.

Book Cover Design in India 1964-1984 at A Journey Round My Skull.

Prix Fixe — Arnaud Nourry, chief executive of French publishing group Hachette Livre, makes some interesting comments on e-book pricing in the Financial Times, notably that publishers are “very hostile” to Amazon’s pricing strategy:

“On the one hand, you have millions of books for free where there is no longer an author to pay and, on the other hand, there are very recent books, bestsellers at $9.99, which means that all the rest will have to be sold at between zero and $9.99,” Mr Nourry said…

There was a “muscular” debate in the industry in the US, he added. Retailers were paying publishers more than $9.99 for each e-book, so were selling them at a loss: “That cannot last . . . Amazon is not in the business of losing money. So, one day, they are going to come to the publishers and say: ‘by the way, we are cutting the price we pay’. If that happens, after paying the authors, there will be nothing left for the publishers.”

Mike Shatzkin has written an interesting follow-up piece about pricing.

Noury also makes more interesting observations about consolidation in the industry in a separate article in the FT, which seem very prescient in light of Disney’s acquisition of Marvel this week.

And finally…

46 Essential Rock Reads — A list to argue over on the LA Times‘ Jacket Copy blog.

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