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Notable Book Covers of 2023

At the turn of the year, writer and activist Cory Doctorow coined the term “enshitification.” Although he was specifically describing the process of online services getting worse for users, it was hard not to see it everywhere in 2023.

In his annual look at the year’s best book covers for the New York Times, art director Matt Dorfman recounts a friend describing 2023 as a “year of survival”, a year of “no growth, no withering, just getting by.”

This year saw a centuries-old business contending with rounds of buyouts and layoffs, alongside an endless news cycle involving two brutal wars from which no authors, friends, enemies or strangers were immune from accountability for any unrehearsed sentiment they might voice in passing. Add to this the ongoing concern about how artificial intelligence will affect a business historically dependent upon human creativity — yet through it all, there was still the matter of making books, and their covers, to get on with.

I read Matt’s piece the same day I read an article by Kyle Chayka in the New Yorker about his search for an epochal term to “evoke the panicky incoherence of our lives of late.” The suggestions range from the bland ‘Long 2016,’ to the incredibly ominous-sounding ‘Chthulucene,’ the Lovecraftian ‘New Dark Age,’ and the frankly terrifying and plausible ‘Jackpot’ from William Gibson’s 2014 novel The Peripheral.

This was the context of life and work in 2023.

Matt notes some designers found inspiration in the zeitgeist. He’s not wrong. But, ironically perhaps, I feel less optimistic about the overall picture than he does.

At the risk of repeating what I’ve written in the past couple of years, it’s like we’re stuck in a holding pattern, circling the same design ideas. Trends have stuck around. A lot of covers feel safe. Some of this was the books themselves. I’m not sure exactly how many celebrity memoirs is too many, but I’m pretty sure we reached that point and sailed right past it in 2023. No doubt some of it is sales and marketing departments sanding down all the edges and demanding the tried and true (see Zachary Petit’s alternative best of 2023 piece on killed covers for Fast Company). But I would not be surprised if it designers were just getting caught up in the churn — too many books, too many covers, and too much other stuff to worry about.

Or maybe it’s just me.

One of the themes of the year was nostalgia, which I’m sure can also be put down to the present being pretty fucking awful. It was apparent across almost all genres, including literary fiction, but nowhere more so than in the resurgent supernatural suspense and horror categories. There were creative stylistic mashups with retro vibes, along side fastidious Stranger Things-like homages to the 1980s and Stephen King.

One genuinely pleasant surprise was the number of interesting covers from Canadian publishers this year. They’ve been quietly risk-averse in recent years, so it was nice to see a few bolder design choices getting approved. I was happy to see a Canadian cover was one of the top picks on Literary Hub’s (very, very long) list of the best covers of 2023.  

There were other things to cheer this year too.

Spine continued to give space to designers to talk about their work in a way I’ve never been able to do consistently here. You can find their 2023 cover picks here.

David Pearson started the Book Cover Review, a website for short reviews of book covers.

Zoe Norvell’s I Need A Book Cover, a resource for book cover inspiration as well as place for authors and publishers to connect with designers, also went live.

Steve Leard launched Cover Meeting, a podcast series of in-depth interviews with cover designers (including David and Zoe among others). As Mark Sinclair notes in his piece on book cover design this year for Creative Review, Steve’s conversations shed light on wider concerns in the industry as well as each designer’s individual process. Have a listen if you haven’t already.

Thanks for reading.

The Adult by Bronwyn Fischer; design by Kate Sinclair (Random House Canada / May 2023)

Also designed by Kate Sinclair:

The Annual Banquet of The Gravediggers’ Guild by Mathias Énard; design by John Gall (New Directions / December 2023)

I like John’s cover for Kairos by Jenny Erpenbeck, also published by New Directions, a lot too.

Bariloche by Andrés Neuman; design by Alban Fischer (Open Letter / March 2023)

The Bee Sting by Paul Murray; design by Na Kim (Farrar, Straus & Giroux / August 2023)

Also designed by Na Kim:

Beijing Sprawl by Xu Zechen; design by Andrew Walters (Two Lines Press / June 2023)

Berlin by Bea Setton; design by Emily Mahon; cover image by Nataša Denić (Penguin Books / May 2023)

Also designed by Emily Mahon:

B.F.F. by Christie Tate; design by Ben Wiseman (Avid Reader Press / February 2023)

Blue Hunger by Viola Di Grado; design by Myunghee Kwon (Bloomsbury / March 2023)

Breaking and Entering by Don Gillmor; design by Michel Vrana; photograph by Joe Cohen (Biblioasis / August 2023)

Bright Young Women by Jessica Knoll; design by Kaitlin Kall (Simon & Schuster / September 2023)

Brutes by Dizz Tate; design by Nicole Caputo (Catapult / February 2023)

Caret, Pilcrow and Cedilla by Adam Mars-Jones; design by Jonathan Pelham (Faber / August 2023)

I also really liked Jonny’s cover design for the UK edition of Tremor by Teju Cole, published by Faber.

Cat Prince by Michael Pedersen; design by Gray318 (Little, Brown / July 2023)

The Circle by Katherena Vermette; design by Jennifer Griffiths; art by KC Adams (Hamish Hamilton Canada / September 2023)

Chrysalis by Anna Metcalfe; design by Jack Smyth (Granta / May 2023)

The Complete Works of Álvaro de Campos by Fernando Pessoa; design by Peter Mendelsund (New Directions / July 2023)

The Details by Ia Genberg translated by Kira Josefsson; design Stephen Brayda; illustration Najeebah Al-Ghadban (Harpervia / August 2023)

A Dictator Calls by Ismail Kadare; design by Matt Broughton (Vintage / August 2023)

The Employees by Olga Ravn; design by Paul Sahre (New Directions / February 2023)

Excavations by Hannah Michell; design by Arsh Raziuddin (One World / July 2023)

The Girls’ Guide to Hunting and Fishing by Melissa Bank; design by Annie Atkins (Penguin / May 2023)

Glaciers by Alexis M. Smith; design by Beth Steidle (Tin House / July 2023)

Good Men by Arnon Grunberg; design by Anna Jordan (Open Letter / May 2023)

Greek Lessons by Han Kang; design by Anna Kochman (Hogarth / April 2023)

Hangman by Maya Binyam; design by Alex Merto; art by Belkis Ayón (Farrar, Straus & Giroux / August 2023)

Also designed by Alex Merto:

Hope by Andrew Ridker; design by Tyler Comrie; photograph by Melissa Ann Pinney (Viking / July 2023)

Tyler Comrie’s cover for Time Without Keys by Ida Vitale, published by New Directions, is also very nice.

House Woman by Adorah Nworah; design by Jaya Nicely (Unnamed Press / June 2023)

I have Some Questions for You by Rebecca Makkai; design by Elizabeth Yaffe (Viking / February 2023)

The Illiterate by Ágota Kristóf; design by Oliver Munday (New Directions / April 2023)

Also designed by Oliver Munday:

Island City by Laura Adamczyk; design by Jennifer Heuer (FSG Originals / March 2023)

The Joy of Consent by Manon Garcia; design by Jaya Miceli (Belknap Press / October 2023)

Also designed by Jaya Miceli:

Julia by Sandra Newman; design by Luke Bird (Mariner / October 2023)

Also designed by Luke Bird:

The Last Bookseller by Gary Goodman; design by Kimberly Glyder (University of Minnesota Press / October 2023)

The Librarianist by Patrick DeWitt; design by Allison Saltzman (Ecco / July 2023)

The Love of Singular Men by Victor Heringer; design by Pablo Delcan (New Directions / September 2023)

Lucky Dogs by Helen Schulman; design by Janet Hansen; photograph by Christopher Brand (Knopf / June 2023)

Also designed by Janet Hansen:

Our Migrant Souls by Héctor Tobar; design by Rodrigo Corral (MCD / May 2023)

Poverty by Matthew Desmond; design by Christopher Brand (Crown / March 2023)

Prophet by Helen MacDonald and Sin Blache; design by Dan Mogford; lettering by Martin Naumann (Vintage / August 2023)

Really Good, Actually by Monica Heisey; design by Mumtaz Mustafa; art by Sari Shryack (William Morrow & Co / January 2023)

Ripe by Sarah Rose Etter; design by Natalia Olbinski; art by Angela Faustina (Scribner / July 2023)

The Sea Elephants by Shastri Akella; design by Dave Litman (Flatiron Books / July 2023)

Shy by Max Porter; design by Carlos Esparza (Graywolf / May 2023)

Someone Who Isn’t Me by Geoff Rickly; design by Jesse Reed; art by Jesse Draxler (Rose Books / July 2023)

Sublunar by Harald Voetmann; design by Jamie Keenan (New Directions / August 2023)

Also designed by Jamie Keenan:

The Sullivanians by Alexander Stille; design by June Park (Farrar, Straus & Giroux / June 2023)

Also designed by June Park:

To Battersea Park by Philip Hensher; design by Jo Thomson (Fourth Estate / March 2023)

Tunnel 29 by Helena Merriman; design by Pete Garceau (PublicAffairs / January 2023)

Also designed by Pete Garceau:

The Vunerables by Sigrid Nunez; design by Lauren Peters-Collaer (Riverhead / November 2023)

Also designed by Lauren Peter-Collaer:

While Supplies Last by Anita Lahey; design by David Drummond (Signal Editions / April 2023)

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Book Covers of Note, February 2023

I hope you’re all safe and well. Here are the book covers that caught the attention this month…

B.F.F. by Christie Tate; design by Ben Wiseman (Avid Reader Press / February 2023)

Big Swiss by Jen Beagin; design Jaya Miceli; art by Anna Weyant (Scribner / February 2023)

Brutes by Dizz Tate; design by Nicole Caputo (Catapult / February 2023)

Couplets by Maggie Millner; design by June Park (Farrar, Straus & Giroux / February 2023)

The cover of the UK edition of Couplets was designed by Kishan Rajani for Faber. It’s interesting that both covers use vertical type.

Dominion (50th Anniversary Edition) by Tom Holland; design by David Pearson (Abacus / February 2023)

8 Rules of Love by Jay Shetty; design by Rodrigo Corral (Simon & Schuster / January 2023)

The Employees by Olga Ravn; design by Paul Sahre (New Directions / February 2023)

The back cover is also rad… (thanks to Erik at New Directions for sending it over!)

I have Some Questions for You by Rebecca Makkai; design by Elizabeth Yaffe (Viking / February 2023)

The Laughter by Sonora Jha; design by Alicia Tatone; art by Vartika Sharma (Harpervia / February 2023)

River Sing Me Home by Eleanor Shearer; design by Vi-An Nguyen; illustration by Jessica Cruickshank (Berkley Books / January 2023)

Sam by Allegra Goodman; design by Donna Cheng; photograph by Mariam Sitchinava (Dial Press / January 2023)

I’m not sure exactly why, but I just assumed this was a UK cover when I first saw it (despite it literally having “New York Times Bestselling Author” in all-caps at the top!).

The Shutter of Snow by Emily Holmes Coleman; design by Pete Adlington; illustration by Bill Bragg (Faber / February 2023)

Sing, Nightingale by Marie Hélène Poitras; translated by Rhonda Mullins ; design by Ingrid Paulson (Coach House / February 2023)

For some reason this makes me think of the ‘weird nature’ (including animals with human eyes!) in Annihilation by Jeff Vandermeer, which is still one of my favourite novels of the last 10 years…

True Life by Adam Zagajewski; design by Jeff Clark (Farrar, Straus & Giroux / February 2023)

Tunnel 29 by Helena Merriman; design by Pete Garceau (PublicAffairs / January 2023)

I also saw Pete Garceau’s cover for School House Burning by Derek W. Black recently, which snuck past me when it was published by PublicAffairs in September 2020 but still seems terribly au courant…

Wolfish by Erica Berry; design by Keith Hayes; illustration by Rokas Aleliunas (Flatiron / February 2023)

Coincidentally, Rokas Aleliunas’s website is casualpolarbear.com.

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Book Covers of Note, March 2020

This feels a bit like blogging at the end of world, but I am taking my joy where I can get it these days. I hope you can find at least a couple of minutes respite from the stress by scrolling through a few nice book covers.

Normally I link titles to the Book Depository because they ship internationally, but I won’t be doing that this month. Please try — more than ever — to support your local independent bookstore instead. Amazon does not need your money.

In Canada, many independent stores are offering free local delivery. Some may still be offering curbside pick-up, although that no longer seems to be the case in Toronto and Montreal. If you are in the US, you can also check out bookshop.org, which allows you to order online and support local stores. LitHub posted some other tips on how to help (US) bookstores here. I know there are some fundraisers for booksellers doing the rounds too. If anyone has collected them together in one place or can point to other useful resources, please let me know — I’ll be more than happy to post the links.1

Stay safe. Read books.

Actress by Anne Enright; design by Evan Gaffney (W. W. Norton / March 2020)

The Age of Innocence and The House of Mirth by Edith Wharton; design by Tristan Offit (Scribner / January 2020)

Companions by Katie M. Flynn; design by Laywan Kwan (Scout Press / March 2020)

Days of Distraction by Alexandra Chang; design by Allison Saltzman; illustration by gg (Ecco / March 2020)

The Discomfort of the Evening by Marieke Lucas Rijneveld; design by Pete Adlington (Faber & Faber / March 2020)

Girl, Woman, Other by Bernardine Evaristo; design by Richard Bravery; illustration by Karan Singh (Penguin / March 2020)

I believe Penguin are reissuing Bernardine Evaristo’s backlist with similarly bold covers.

The hardcover of Girl, Woman, Other, also designed by Richard Bravery, features an illustration by Ali Campbell:

Heavy by Dan Franklin; design by Luke Bird (Constable / March 2020)

Hurricane Season by Fernanda Melchor; design Jamie Keenan (New Directions / March 2020)

Inferno by Catherine Cho; design by Greg Heinimann (Bloomsbury / March 2020)

The Inland Sea by Madeleine Watts; design by Anna Morrison (Pushkin Press / March 2020)

I think this fits with the new psychedelia trend that I mentioned last year.

Ledger by Jane Hirshfield; design by John Gall (Knopf / March 2020)

My word, it’s good to have John Gall designing covers for Knopf again.

Michael Kohlhaas by Heinrich von Kleist; design by Paul Sahre (New Directions / March 2020)

Our Revolution by Honor Moore; design by Robin Bilardello (W. W. Norton / March 2020)

We Inherit What the Fires Left by William Evans; design by David Litman (Simon & Schuster / March 2020)

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Notable Book Covers of 2019

2019 has felt interminable. It has also felt like there are never enough hours in the day to keep up. You can’t talk to me about TV shows or movies. I haven’t seen any.

When it comes to books, I’m fortunate enough to work in the industry. But what hope do casual readers have of finding the good stuff when the same few titles dominate the conversation and there is so much else competing for their attention?

The Testaments by Margaret Atwood and Daisy Jones and the Six by Taylor Jenkins Reid were inescapable this year.

Daisy Jones and the Six had a glamorous, louche 1970s look. The US and UK editions, designed by Caroline Teagle Johnson and Lauren Wakefield respectively, took slightly different directions with the type, but the photograph (a stock image apparently) felt ideally suited to social media.

The Testaments was everywhere and, like the recent Vintage Classics reissue of The Handmaid’s Tale, the cover illustration was unmistakably by Noma Bar. We live in an age where every cult movie and TV show gets a ‘minimalist’ poster now, and I found that The Testaments looked too familiar for me to find it engaging. It didn’t help that the cover of the 2017 US reissue of the The Handmaid’s Tale by Swedish illustrator by Patrik Svenson had already featured a similar 3/4s silhouette. Nevertheless, it was perhaps a bolder cover choice than I’m giving it credit for. If nothing else, it showed that bright green on book covers — once cursed and reviled — is suddenly all the rage!

In terms of trends, 2019 felt more like a continuation of previous years rather than a break with the past. There was a kind of conservatism to a lot of the covers I saw. My sense was that highly polished designs that looked comfortingly familiar were being approved over riskier ones that stood out from the crowd. The most interesting covers often came from small publishers, especially New Directions who seem to be giving a bit more creative license to the designers they work with (some of whom have 9-5s at much bigger publishers!).

Big centred blocks of utilitarian white type over elaborate backgrounds continued to be a mainstay. It’s the book cover as poster, and it works at any size, so I don’t think it’s going away any time soon.

Handwriting and hand-lettering remained popular too, although my sense is that enthusiasm is starting to wane as publishers are opting for greater legibility and designers are turning back to vintage type styles to give a sense of authenticity and craft. (I’m willing to admit the evidence might not back me up on this, however!)

Fun, swishy 1970s-inspired serifs like Benguiat Caslon revival Cabernet are back. People keep trying to make ITC Avant Garde — another iconic 1970s typeface — happen again too. I don’t think it works for the most part, but I can see why designers think it’s cool in a coked-up New York way. Warren Chappell’s earnest calligraphic sans serif Lydian, originally released in 1938, continued its unlikely rise as a go-to literary typeface. It even got an explainer at Vox.

Black and white portrait photography has been the staple of biographies and classics for years, so it was interesting to see closely cropped black and white photographs used on the covers of a couple of new literary novels this year. This isn’t entirely new obviously. Black and white photography has long been used to signify that something is “art” (as opposed to, say, “pornography”). But I think the latest iteration of trend was started by Cardon Webb‘s 2015 cover for A Little Life by Hanya Yanagihara which used a black and white photograph by the late Peter Hujar.

Coincidentally the cover of the US edition of Garth Greenwell’s new novel Cleanness, publishing early 2020, was designed by Thomas Colligan and uses contemporary black and white photograph by Jack Davison. (The UK edition, designed by Ami Smithson fits this trend a little less neatly, but features black and white photograph by Mark McKnight)

Something that I didn’t anticipate was the use of contemporary landscape and figure painting on the covers of some the big literary releases of the year. Like black and white photography, it felt almost pre-digital — a grasp at traditional values of craft. I don’t know if I would go as far as to say it is a rejection of post-modernism. But maybe it is? I don’t know. Discuss amongst yourselves.

Thank you to all the designers and art directors who’ve been in touch and helped me identify covers for my posts. I’m sorry if I haven’t replied to your message. It’s been a year.

The Affairs of the Falcóns by Melissa Rivero; design Allison Saltzman; lettering Boyoun Kim (Ecco / April 2019)

Also designed by Allison Saltzman:

All the Lives We Ever Lived by Katharine Smyth; design by Michael Morris (Crown / January 2019)

Aug 9 —  Fog by Kathryn Scanlan; design by Na Kim (Farrar Straus & Giroux MCD / June 2019)

Also designed by Na Kim:

Baron Wenkheim’s Homecoming by László Krasznahorkai ; design by Paul Sahre (New Directions / September 2019)

Berta Isla by Javier Marías; design by Kelly Blair (Knopf / August 2019)

Also designed by Kelly Blair:

Big Bang by David Bowman; design by Jamie Keenan (Corsair / August 2019)

Black Leopard Red Wolf by Marlon James; design Helen Yentus; art by Pablo Gerardo Camacho (Riverhead / February 2019)

Brilliant, Brilliant, Brilliant Brilliant Brilliant by Joel Golby; design by Linda Huang (Anchor / March 2019)

The cover of the UK edition, published by HarperCollins imprint Mudlark in February, was designed by Bill Bragg and is also very good:

The Case Against Reality by Donald Hoffman; design by Sarahmay Wilkinson (W. W. Norton / August 2019)

Also designed by Sarahmay Wilkinson:

Categorically Famous by Guy Davidson; design by Michel Vrana (Stanford University Press / June 2019)

Also designed by Michel Vrana:

The Colonel’s Wife by Rosa Liksom; design by Kimberly Glyder (Graywolf / December 2019)

Also designed by Kimberly Glyder:

Dead Astronauts by Jeff Vandermeer; design Rodrigo Corral (MCD / December 2019)

Also designed by Rodrigo Corral:

Doxology by Nell Zink; design Jack Smyth (Fourth Estate / August 2019)

Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk; design by Alex Merto (Riverhead / August 2019)

Driving in Cars with Homeless Men by Kate Wisel; design Catherine Casalino (University of Pittsburgh Press / October 2019)

Also designed by Catherine Casalino:

The Dry Heart by Natalia Ginzburg; design by Pablo Delcan (New Directions / July 2019)

Also designed by Pablo Delcan:

The Dutch House by Ann Patchet; design by Robin Bilardello; painting by Noah Saterstrom (HarperCollins / September 2019)

Even That Wildest Hope by Seyward Goodhand; design by Megan Fildes (Invisible Books / September 2019)

The Factory by Hiroko Oyamada; design by Janet Hansen; photography by Arthur Woodcroft (New Directions / October 2019)

Also designed by Janet Hansen:

The Five by Hallie Rubenhold; design by Jo Thomson (Transworld / February 2019)

Follow Me To Ground by Sue Rainsford; design and illustration Beci Kelly (Transworld / August 2019)

Follow This Thread by Henry Eliot; design by Elena Giavaldi (Three Rivers Press / March 2019) 

Holy Lands by Amanda Sthers; design by Tree Abraham (Bloomsbury / January 2019)

Also designed by Tree Abraham:

Humiliation by Paulina Flores; design by Nicole Caputo (Catapult / November 2019)

Also designed by Nicole Caputo:

Indelible in the Hippocampus by Shelly Oria; design by Sunra Thompson (MacSweeney’s / September 2019)

Lanny by Max Porter; design by Jonny Pelham (Faber & Faber / March 2019)

Learning from the Germans by Susan Neiman; design by Tom Etherington (Allen Lane / August 2019)

Tom Etherington is also the designer of Penguin magazine The Happy Reader:

Life Support by Julia Copus; design by Helen Crawford-White (Head of Zeus / April 2019)

The Light That Failed by Ivan Krastev and Stephen Holmes; design by Richard Green (Allen Lane / October 2019)

Malina by Ingeborg Bachman; design by Peter Mendelsund (New Directions / June 2019)

Mind Fixers by Anne Harrington; design by Matt Dorfman (W.W. Norton / April 2019)

Mothers by Chris Power; design by Grace Han (Farrar, Straus & Giroux / January 2019)

Also designed by Grace Han:

Mouthful of Birds by Samanta Schweblin; design by Stephen Brayda (Riverhead / January 2019)

Muscle by Alan Trotter; design by Gray318 (Faber & Faber / February 2019)

Also designed by Gray318:

Never a Lovely So Real by Colin Asher; design by Jonathan Bush (W. W. Norton / April 2019)

Not Working by Josh Cohen; design by Matthew Young (Granta / January 2019)

Also designed by Matthew Young:

One Day by Gene Weingarten; design by David Litman (Blue Rider / October 2019)

Also designed by David Litman:

Our Women on the Ground edited by Zahra Hankir; design by Rosie Palmer; hand lettering by Lily Jones (Harvill Secker / August 2019)

Red at the Bone by Jacqueline Woodson; design by Jaya Miceli (Riverhead / September 2019)

Also designed by Jaya Miceli:

Safe Houses I Have Known by Steve Healey; design by Alban Fischer (Coffee House Press / September 2019)

Also designed by Alban Fischer:

Say Say Say by Lila Savage; design by Jennifer Carrow (Knopf / July 2019)

Sonnets to Orpheus by Rainer Maria Rilke; design by Anne Jordan & Mitch Goldstein (Open Letter Books / December 2019)

Sweet Days of Discipline by Fleur Jaeggy; design by Oliver Munday (New Directions / August 2019)

Oliver Munday wrote about designing the cover for New Directions at Literary Hub earlier this year.

He also designed a lot my favourite covers this year…

Turbulence by David Szalay; design by Lauren Peters-Collaer (Scribner / July 2019)

The Unwanted by Michael Dobbs; design by Tyler Comrie (Knopf / April 2019)

Also designed by Tyler Comrie:

The Volunteer by Salvatore Scibona; design by Rachel Willey (Penguin / March 2019)

Also designed by Rachel Willey:

The Water Dancer by Ta-Nehisi Coates; design Greg Mollica; art Calida Garcia Rawles (One World / September 2019)

The White Death by Gabriel Urza; design by Joan Wong (Nouvella / June 2019)

A Year Without a Name by Cyrus Grace Dunham; design by Lucy Kim (Little Brown & Co. / October 2019)

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Design Matters with Paul Sahre

Graphic designer and book cover designer Paul Sahre talks about his work and his recent memoir, Two-Dimensional Man, with Debbie Millman on Design Matters

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Notable Book Covers of 2017

Since 2010, I’ve posted an annual survey of the year in book covers. The post has expanded and developed over the past 7 years, but essentially it is a collection of the covers published in the previous 12 months that I found interesting or noteworthy in some way. As with the previous couple of years, the 2017 list is organized by covers (alphabetical by title), and by designer so that I can show a greater variety of work, and no one designer or studio dominates. 

Thank you to everyone who has supported the blog this year, and special thanks to all the designers, art directors, authors, publishers, and fellow design enthusiasts who have helped me with covers and design credits. My sincere apologies to the designers and publishers not on this year’s list and whose covers I have overlooked in the past 12 months. 

A post looking back on the YA covers of 2017 is to follow.    


Adult Fantasy by Briohny Doyle design by Laura Thomas (Scribe / July 2017)



Age of Anger by Pankaj Mishra; design by Matthew Young (Allen Lane / February 2017)



The Age of Perpetual Light by Josh Weil; design by Nick Misani (Grove Press / September 2017)



All We Saw by Anne Michaels; design by Janet Hansen; photograph by Jouke Bos (Knopf / October 2017)

Also designed by Janet Hansen:



Always Happy Hour by Mary Miller; design by Elena Giavaldi; art by Lee Price (Liveright / January 2017)

Also designed by Elena Giavaldi:



The Angry Chef by Anthony Warner; design by Steven Leard (Oneworld / June 2017)



Black Moses by Alain Mabanckou; design by Gray318 (Serpent’s Tail / April 2017)

Also designed by Gray318:



The Book of Disquiet by Fernando Pessoa; design by Peter Mendelsund (New Directions / August 2017)

Also designed by Peter Mendelsund:



The Cutaway by Christina Kovac; design by Laywan Kwan (Atria / March 2017)

Also designed by Laywan Kwan:



Don’t Save Anything by Jame Salter; design by Zoe Norvell (Counterpoint / November 2017)



England Your England by George Orwell; design by David Pearson (Penguin Modern Classics / March 2017)

Also designed by David Pearson:



English Uprising by Paul Stocker; design by Jamie Keenan (Melville House / September 2017)

Also designed by Jamie Keenan:



The Experiment by Eric Lee; design by David A. Gee (Zed Books / September 2017)

Also designed by David Gee:



The Fall of Lisa Bellow by Susan Perabo; design by Alison Forner (Simon & Schuster / March 2017)



The Futures by Anna Pitoniak; design by Lauren Harms (Lee Boudreaux Books / January 2017)

Also designed by Lauren Harms:



Ghachar Ghochar by Vivek Shanbhag; design by Luke Bird (Faber & Faber / April 2017)

Also designed by Luke Bird:



The Good People by Hannah Kent; design by Rachel Vale (Picador / February 2017)



The Handmaid’s Tale by Margaret Atwood; art direction by Christopher Moisan; illustration by Patrik Svensson (Houghton Mifflin Harcourt / April 2017)

This HMH cover was my favourite of the new editions of The Handmaid’s Tales, but Noma Bar’s cover for Vintage UK was also nice.



The Hearts of Men by Nickolas Butler; design by Allison Saltzman (Ecco / March 2017)

Also designed by Allison Saltzman: 



Heating & Cooling by Beth Ann Fennelly; design by Alex Merto; photograph by Gregory Reid (W.W. Norton / December 2017)

Also designed by Alex Merto:



Her Body and Other Parties by Carmen Maria Machado; design by Kimberly Glyder (Graywolf / October 2017)

Also designed by Kimberly Glyder:



Hollow by Owen Egerton; design by Matt Dorfman (Counterpoint / July 2017)

Also designed by Matt Dorfman:



How Will I Know You? by Jessic Treadway; design by Catherine Casalino; illustration by Henrietta Harris (Grand Central Publishing / August 2017)



I Am, I Am, I Am by Maggie O’Farrell; design by Yeti Lambregts (Tinder Press / August 2017)

Also designed by Yeti Lambregts:



The Idiot by Elif Batuman; design by Suzanne Dean; illustration by Aino-Maija Metsola (Jonathan Cape / June 2017)

Also designed by Suzanne Dean:



The Idiot by Elif Batuman; design by Oliver Munday (Penguin / March 2017)

Also designed by Oliver Munday:



Insomniac Dreams: Experiments with Time by Vladimir Nabokov compiled and edited by Gennady Barabtarlo; design by Chris Ferrante (Princeton University Press / December 2017)

Also designed by Chris Ferrante:



Jerusalem Ablaze by Orlando Ortega-Medina; design by La Boca (Cloud Lodge Books / January 2017)

Also designed by La Boca: 



Jerzy by Jerome Charyn; design by Alban Fischer (Bellevue Literary Press / March 2017)



Little Deaths by Emma Flint; design by Justine Anweiler (Picador / January 2017)

Also designed by Justine Anweiler:



Lotus by Lijia Zhang; design by Adly Elewa (Henry Holt / January 2017)



Manly Health and Training by Walt Whitman; design by Richard Ljoenes (Regan Arts / February 2017)



Midlife: A Philosophical Guide by Kieran Setiya; design by Amanda Weiss (Princeton University Press / October 2017)



Narcissism for Beginners by Martine McDonagh; design by Tree Abraham (Unbound / March 2017)



Nicotine by Gregor Hens; design by John Gall (Other Press / January 2017)



One Day We’ll All Be Dead and None of This Will Matter by Scaachi Koul; design by C.S. Richardson (Doubleday Canada / March 2017)

Scott was also responsible for my favourite of the (many) Ninety Eighty-Four redesigns this season. 



The Parcel by Anosh Irani; design by Allison Colpoys (Scribe / September 2017)

Also designed by Allison Colpoys:



Priestdaddy by Patricia Lockwood; design by Rachel Willey (Riverhead / May 2017)

Also designed by Rachel Willey:



A Separation by Katie Kitamura; design by Jaya Miceli (Riverhead / February 2017)

Also designed by Jaya Miceli:



Sex & Rage by Eve Babitz; design by Kelly Winton (Counterpoint / July 2017)


Strange Heart Beating by Eli Goldstone; design by Jo Walker (Granta / May 2017)

Also designed by Jo Walker:



Swimmer Among the Stars by Kanishk Tharoor; design by Tyler Comrie (Farrar, Straus and Giroux / March 2017)

Also designed by Tyler Comrie:



The Tea Girl of Hummingbird Lane by Lisa See; design by Lauren Peters-Collaer (Scribner / March 2017)

Also designed by Lauren Peters-Collaer:



Vengeance is Mine, All Others Pay Cash by Eka Kurniawan; design by Erik Carter (New Directions / August 2017)

Also designed by Erik Carter:



Virgin and Other Stories by April Ayers Lawson; design by James Paul Jones (Granta / January 2017)

Also designed by James Paul Jones: 



We All Love the Beautiful Girls by Joanne Proulx; design by Jennifer Griffiths (Viking / August 2017)

Also designed by Jennifer Griffiths:



Why I’m No Longer Talking to White People About Race by Reni Eddo-Lodge; design by Greg Heinimann (Bloomsbury / June 2017)

Also designed by Greg Heinimann:



Why Poetry by Matthew Zapruder; design by Sara Wood (Ecco / August 2017)

Also designed by Sara Wood:



Would Everybody Please Stop? by Jenny Allen; design by Na Kim (Sarah Crichton Books / June 2017)

Also designed by Na Kim:



The World Goes On by László Krasznahorkai; design by Paul Sahre (New Directions / November 2017)

The cover of Sahre’s “graphic memoir” Two Dimensional Man is also great. 



Writing Not Writing by Tom Fisher; design by  Anne Jordan and Mitch Goldstein (University of Iowa Press / July 2017)(University of Iowa Press / July 2017)

Also designed by Anne Jordan and Mitch Goldstein:



The Zoo of the New edited by Nick Laird & Don Paterson; design by Richard Green (Particular Books / March 2017)

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Book Covers of Note, November 2017

It’s my last monthly cover round-up of the year! Watch out for my review of 2017 next month… 


After Me Comes the Flood by Sarah Perry; design by Pete Dyer (Serpents Tail / November 2017)


Basket of Deplorables by Tom Rachman; design by Josh Durham, Design by Committee (Text / September 2017)


Bonfire by Krysten Ritter; design by Will Staehle (Crown Archetype / November 2017)


Don’t Save Anything by Jame Salter; design by Zoe Norvell (Counterpoint / November 2017)


Dunbar by Edward St Aubyn; design by Julia Connolly; illustration Peter Strain (Hogarth / October 2017)


The Giving Light by Gavin Corbett; design by Niall McCormack (Cló Hi Tone / November 2017)

Niall also designs the excellent covers for Gorse journal. The latest issue, Gorse #9, is out this month:


Go, Went, Gone by Jenny Erpenbeck; design by Rodrigo Corral (New Directions / September 2017)


Gravel Heart by Abdulrazak Gurnah; design by Greg Heinimann (Bloomsbury / May 2017)

How Will I Know You? by Jessic Treadway; design by Catherine Casalino; illustration by Henrietta Harris (Grand Central Publishing / August 2017)

The cover of How Will I Know You? reminded me of Lynn Buckley’s 2016 cover design for Sex Object by Jessica Valenti…  

And I’m starting to think that faceless women might be a thing… 


Over the Plain Houses by Julia Franks; design Meg Reid; illustration by Jody Edwards (Hub City Press / September 2017)


The Parcel by Anosh Irani; design by Allison Colpoys (Scribe / September 2017)



The Poems of Dylan Thomas; design by Jamie Keenan (New Directions / November 2017)


Release by Patrick Ness; design by Erin Fitzsimmons; photograph by Andrew Yuzko (Harper Teen / September 2017)


Sing Unburied Sing by Jesmyn Ward; design by David Mann (Bloomsbury / November 2017)


They Can’t Kill Us Until They Kill Us by Hanif Willis-Abdurraqib; design Two Dollar Radio (Two Dollar Radio / November 2017)


Time of Gratitude by Gennady Aygi; design by Eileen Baumgartner (New Directions / December 2017)


Toi Aussi Mon Fils by Jonathan Pedneault; design by David Drummond (Les Éditions XYZ / November 2017)


The Trauma Cleaner by Sarah Krasnostein; design by W. H. Chong (Text / October 2017)


Ultraluminous by Katherine Faw; design by Rodrigo Corral; lettering June Park (FSG / December 2017)


Where the Past Begins by Amy Tan; design by Allison Saltzman (Ecco / October 2017)


The World Goes On by László Krasznahorkai; design by Paul Sahre (New Directions / November 2017)

Speaking of Paul Sahre, his “graphic memoir” Two Dimensional Man was publishing by Abrams in September:

AND… speaking of László Krasznahorkai (as I know you all were), the cover of the UK edition of The World Goes On was designed by Harry Haysom:

It’s part of a series of abstract covers by Haysom for the Profile Books editions of Krasznahorkai:

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Jason Booher Interviewed at The Perch

Last Magazine design Jason Booher

Jason Booher, designer and art director of Blue Rider Press and Plume, talks to Penguin Random House blog The Perch about the book cover design process:

A design can be thought of as a set of constraints or parameters. In book design, these consist of things like the conceptual literary content of the book, what makes the book unique in the context of other similar books or all books, how the author is (or is not) known, the expectations of the book from the point of view of the author/editor/sales force/readers, the context of book jacket in the contemporary moment, the context of book jackets in the last 10 (or even 20) years, visual pop culture. Or something that is obvious and not obvious is working with type is very difficult. And it perhaps the most specialized thing that graphic designers bring to that general problem solving into form.

Jason also describes how he approaches a book cover:

There’s a combination of reading the manuscript, and listening to the editor talk about the book. As an art director, I have to dip into almost all the of the books to see what they are like before deciding to whom to give each title. As a designer (if I’m working on that title’s jacket) it’s always different with every book. But as a general process I will read the book, and think and sketch, and sketch, and reread, work though a number of ideas, throw most of them out, stay with others, reread, take a walk (much harder when you are also the art director), try to come up with something new. Those are the first steps.

And how he works with other designers:

When I work with a freelancer (as well as with my in-house designers), I like to see what they come up with without any input from me. Not only are you more likely to get something special and surprising, something you couldn’t have thought of yourself (which is why art directors work with a variety of freelancers in addition to their in-house staff), but you are sending a signal of trust. If a designer knows what “kind” of design they are expected to deliver, they might not push very far or hard. But if they take ownership of being the first arbiters of what the package of the book might be, there is more of a chance for something brilliant. I’m just trying to maximize the talent I have working with me.

With my in house staff, it is similar but there might also be a concept that is floating that we will work with. Or occasionally I’ll work with one designer or my whole team to come up with  ideas together. That’s an exception though, and cover design is generally a sole enterprise in the initial stages. Then it becomes a collaboration when I see comps, and goes from there.

Read the whole interview here.

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Notable Book Covers for 2015

Back in 2014, there were signs that book cover design was maybe, just maybe, having a moment. Suzanne Dean was on the BBC. Peter Mendelsund was on… well, everything. But if 2015 has felt a little quiet by comparison, there were still plenty of reasons to be cheerful. This year’s list includes over 120 covers by 60 designers, and there is little doubt in my mind that this really is a golden time for book design.

Thank you to all the art directors, designers, and publicists who have supported the blog this year, and who make posts like this possible. Thanks too, to my local bookstore TYPE for letting me browse their shelves.

Act of God design Janet Hansen
Act of God by Jill Ciment; design by Janet Hansen (Pantheon / March 2015 )

Also designed by Janet Hansen:


Almost Famous Women design by Na Kim
Almost Famous Women by Megan Mayhew Bergman; design by Na Kim (Scribner / July 2015)


angry-youth-comix
Angry Youth Comix by Johnny Ryan; design by Keeli McCarthy (Fantagraphics / February 2015)


Beatlebone design Rafi Romaya
Beatlebone by Kevin Barry; design by Rafi Romaya (Canongate / October 2015)


Beauty is a Wound design John Gall
Beauty is a Wound by Eka Kurniawan; design by John Gall (New Directions / September 2015)


boo-design-isabel-urbina-pena
Boo by Neil Smith; design by Isabel Urbina Peña (Vintage / May 2015)


Book of Numbers design Suzanne Dean cover illustration Carnovsky
Book of Numbers by Joshua Cohen; design by design Suzanne Dean; illustration Carnovsky (Harvill Secker / June 2015)

(Oliver Munday’s cover design for the US edition of the Book of Numbers published by Random House is also great.)

Also designed by Suzanne Dean:


boring-girls-design-david-gee
Boring Girls by Sara Taylor; design by David A. Gee (ECW Press  / April 2015)

Also designed by David A. Gee:


Bream Gives Me Hiccups design Jean Jullien
Bream Gives Me Hiccups design by Jean Jullien (Grove Atlantic / September 2015)


Capitalist Unconscious design Keetra Dean Dixon
The Capitalist Unconscious: Marx and Lacan by Samo Tomšič; design Keetra Dean Dixon (Verso / December 2015)


Complete Stories design by Paul Sahre
The Complete Stories by Clarice Lispector; design by Paul Sahre (New Directions / August 2015)


curiosity design by Sonia Shannon
Curiosity by Alberto Manguel; design by Sonia Shannon (Yale University Press / March 2015)


Dismantling design Zoe Norvell
Dismantling by Brian DeLeeuw; design by Zoe Norvell (Plume / April 2015)

Also designed by Zoe Norvell:


Drinking in America Rex Bonomelli
Drinking in America by Susan Cheever; design by Rex Bonomelli (Twelve Books / October 2015)


Double Life of Liliane
The Double Life of Liliane by Lily Tuck; design by Abby Weintraub (Grove Atlantic / September 2015)


Early Stories of Truman Capote design David Pearson
Early Stories of Truman Capote; design by David Pearson (Penguin / November 2015)

Also designed by David Pearson:


Etta-front final
Etta and Otto and Russell and James by Emma Hooper; design by Gray318 (Penguin / January 2015)

Also designed by Gray318:


Fear of Dying design Olga Grlic
Fear of Dying by Erica Jong; design by Olga Grlic (St. Martin’s Press / September 2015)


field-notes-from-a-catastrophe
Field Notes from a Catastrophe by Elizabeth Kolbert; design by Patti Ratchford; illustration by Eric Nyquist (Bloomsbury / February 2015)

Eric’s illustrated cover for The Best American Non-Required Reading 2015 is also spectacular.


First Book Amanda Weiss

The First Book by Jesse Zuba; design by Amanda Weiss (Princeton University Press / November 2015)

Also designed by Amanda Weiss:


fox and the star
The Fox and the Star, written, illustrated and designed by Coralie Bickford-Smith (Particular Books / August 2015)

Also designed by Coralie Bickford-Smith:


Generation design by Harriet Sleigh
Generation by Paula McGrath; design by Harriet Sleigh (JM Originals / July 2015)


hall-of-small-mammals
Hall of Small Mammals by Thomas Pierce; design by Grace Han; cover art by Kate Bergin (Riverhead / January 2015)


hausfrau
Hausfrau by Jill Alexander Essbaum; design by Gabrielle Bordwin (Random House / March 2015)


Hotels of North America design by Keith Hayes
Hotels of North America by Rick Moody; design by Keith Hayes (Little, Brown & Co. / November 2015)


how-to-run-a-government-design-barnbrook
How to Run a Government by Michael Barber; design by Barnbrook (Allen Lane / March 2015)


i-am-sorry
I Am Sorry to Think I Raised a Timid Son by Kent Russell; design by Peter Mendelsund; hand lettering by Janet Hansen; photography by George Baier IV (Knopf / March 2015)

Also designed by Peter Mendelsund:


italians
The Italians by John Hooper; design by Nicholas Misani (Viking / January 2015)

Also designed by Nick Misani:


kl-design-alex-merto
KL by Nikolaus Wachsmann; design by Alex Merto (Farrar, Straus & Giroux / April 2015)

Also designed by Alex Merto:


A Manual for Cleaning Women design
A Manual for Cleaning Women by Lucia Berlin; design by Justine Anweiler; photography Jonathan Simpson (Picador UK / September 2015)

Also designed by Justine Anweiler:


The Mare design by Oliver Munday
The Mare by Mary Gaitskill; design by Oliver Munday (Pantheon / November 2015)

Also designed by Oliver Munday:


Mislaid design by Allison Saltzman
Mislaid by Nell Zink; design by Allison Saltzman (Ecco / May 2015)


Modern Romance design by Jay Shaw photograph by ruvan wijesooriya
Modern Romance by Aziz Ansari; design by Jay Shaw; photograph by Ruvan Wijesooriya (Penguin / June 2015)


motorcycles ive loved design by rachel willey
Motorcycles I’ve Loved by Lily Brooks-Dalton; design by Rachel Willey (Riverhead / April 2015)

Also designed by Rachel Willey:


munich-airport
Munich Airport by Greg Baxter; design by Anne Twomey (Twelve Books / January 2015)


muse design by gabriele wilson
Muse by Jonathan Galassi; design by Gabriele Wilson (Knopf / June 2015)


musical-brain
The Musical Brain by César Aira; design by Rodrigo Corral and Zak Tebbal (New Directions / March 2015)

This is actually a rather special lenticular cover that imitates the effect of flashing neon.

Also from Rodrigo Corral:


Of-Beards-and-Men-design-Isaac-Tobin
Of Beards and Men by Christopher Oldstone-Moore; design Isaac Tobin (University of Chicago Press / December 2015)


9780691165073
One Day in the Life of the English Language by Frank L. Cioffi; design by Chris Ferrante (Princeton University Press / March 2015)


Only Street in Paris design by Strick&Williams
The Only Street in Paris by Elaine Schiolino; design by Strick&Williams (W.W. Norton / November 2015)

Also from Strick&Williams:


on-the-way-design-alban-fischer
On the Way by Cyn Vargas; design by Alban Fischer (Curbside Splendor / April 2015)

Also designed by Alban Fischer:


Paulina and Fran illustration Kaethe Butcher typography Nina LoSchiavo
Paulina and Fran by Rachel B. Glaser; illustration Kaethe Butcher; typography Nina LoSchiavo (Harper Perennial / September 2015)


PawPaw design by Kimberly Glyder
PawPaw by Andrew Moore; design by Kimberly Glyder (Chelsea Green / September 2015 )

Also designed by Kimberly Glyder:


poser
The Poser by Jacob Rubin; design by Will Staehle (Viking / March 2015)

Also designed by Will Staehle:


Pretty Is design Lucy Kim
Pretty Is by Maggie Mitchell; design by Lucy Kim (Henry Holt / July 2015)


Real Life Rock design by Rich Black
Real Life Rock by Greil Marcus; design by Rich Black (Yale University Press / October 2015)


Racism design by Daniel Gray
Racism by Mike Cole; design by Daniel Benneworth-Gray (Pluto Press / November 2015)


The Racer design by James Paul Jones
The Racer by David Millar; design by James Paul Jones; photograph by Nadav Kander (Yellow Jersey / October 2015)

Also designed by James Paul Jones:


Secret Chord Jaya Miceli
The Secret Chord by Geraldine Brooks; design by Jaya Miceli (Viking / October 2015)


so-youve-been-publicly-shamed
So You’ve Been Publicly Shamed by Jon Ronson; design by Matt Dorfman (Riverhead / March 2015)


sphinx design by Anna Zylicz
The Sphinx by Anne Garréta; design by Anna Zylicz (Deep Vellum / May 2015)

Also designed by Anna Zylicz:


Syriza design by Jamie Keenan
Syriza: Inside the Labyrinth by Kevin Ovenden; design by Jamie Keenan (Pluto Press / September 2015)

Also designed by Jamie Keenan:


Trans Design and illustration Joanna Walsh
Trans by Juliet Jacques; Design and illustration by Joanna Walsh (Verso / September 2015)


utopia-of-rules
The Utopia of Rules by David Graeber; design by Christopher Brian King (Melville House / February 2015)


Vegetarian design Tom Darracott
The Vegetarian by Han Kang; design by Tom Darracott (Portobello / January 2015)


Veiled Sun design by David Drummond
The Veiled Sun by Paul Schaffer; design by David Drummond (Véhicule Press / January 2015)

Also designed by David Drummond:


weathering
Weathering by Lucy Wood; design by Greg Heinimann (Bloomsbury / January 2015)

Also designed by Greg Heinimann:


9780241972762
Whisky Tango Foxtrot by David Shafer; design by Richard Bravery (Penguin / June 2015)

Richard’s white, black, and orange cover for London Overground by Iain Sinclair published by Hamish Hamilton is also fun.


woman-who-read-too-much-design-anne-jordan
The Woman Who Read Too Much by Bahiyyih Nakhjavani; design by Anne Jordan & Mitch Goldstein (Stanford University Press / April 2015)

Also designed by Anne Jordan & Mitch Goldstein:


why-information-grows-design-richard-green
Why Information Grows by Cesar Hidalgo; design by Richard Green (Allen Lane / June 2015)

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Book Covers of Note September 2015

Something of a bumper post this month — a real mix of approaches, and a number YA titles to boot. Enjoy!

Complete Stories design by Paul Sahre
The Complete Stories by Clarice Lispector; design by Paul Sahre (New Directions / August 2015)

Consumed design David A Gee
Consumed by David Cronenberg; design by David A. Gee (Penguin Canada / September 2015)

Cooking as Fast as I Can design Janet Hansen
Cooking as Fast as I Can by Cat Cora; design by Janet Hansen (Scribner / September 2015)

Criminal Alphabet design by Edward Bettison
The Criminal Alphabet by Noel ‘Razor’ Smith; design by Edward Bettison (Penguin / August 2015)

Cut Both Ways design Erin Fitzsimmons
Cut Both Ways by Carrie Mesrobian; design by Erin Fitzsimmons (HarperCollins / September 2015)

Dumplin design by Aurora Parlagreco illus Daniel Stolle
Dumplin’ by Julie Murphy; design by Aurora Parlagreco; illustration by Daniel Stolle (Balzer + Bray / September 2015)

Everything Everything design N C Sousa
Everything Everything by Nicola Yoon; design by N. C. Sousa (Delacorte / September 2015)

Fake Fruit Front
Fake Fruit Factory by Patrick Wensink; design by Alban Fischer (Curbside Splendor / September 2015)

Fear of Dying design Olga Grlic
Fear of Dying by Erica Jong; design by Olga Grlic (St. Martin’s Press / September 2015)

Generation design by Harriet Sleigh
Generation by Paula McGrath; design by Harriet Sleigh (JM Originals / July 2015)

Love Love design Jennifer Heuer
Love Love by Sung J. Woo; design by Jennifer Heuer (Soft Skull / September 2015)


Undermajordomo Minor by Patrick deWitt; design by Dan Stiles (AnansiGranta / September 2015)

A Manual for Cleaning Women design Justine Anweiler
Manual for Cleaning Women full
A Manual for Cleaning Women by Lucia Berlin; design by Justine Anweiler; photography Jonathan Simpson (Picador UK / Septembr 2015)

(You can read about the design process for this cover here)

cover-50 (1)
The Man Who Remembered the Moon by David Hull; design by David Drummond (Dumgrad Books / September 2015)

New Time and Space design Palgrave
The New Time and Space by John Potts; design by Palgrave Macmillan (Palgrave Macmillan / September 2015)

Night Owls design Leo Nickolls
Night Owls by Jenn Bennett; design by Leo Nickolls (Simon & Schuster / September 2015)

rooms design Jeffrey Alan Love
Rooms by Lauren Oliver; cover art by Jeffrey Alan Love (Ecco / September 2015)

Same City design by Simon Pates
The Same City by Luisgé Martín; design by Simon Pates (Hispabooks / September 2015)

Seven Brief Lessons design Coralie Bickford Smith
Seven Brief Lessons on Physics by Carlo Rovelli; design by Coralie Bickford-Smith (Allen Lane / September 2015)

Symphony design by Matt Roeser
Symphony for the City of the Dead by M. T. Anderson; design by Matt Roeser; illustration by Kikuo Johnson (Candlewick / September 2015)

Syriza design by Jamie Keenan
Syriza: Inside the Labyrinth by Kevin Ovenden; design by Jamie Keenan (Pluto Press / September 2015)

Unbuttoning America design by Kimberly Glyder
Unbuttoning America by Ardis Cameron; design by Kimberly Glyder; illustration by Al Moore (Cornell University Press / May 2015)1

Vengeance Road illustration Teagan White
Vengeance Road by Erin Bowman; illustration by Teagan White (Houghton Mifflin Harcourt / September 2015)

Wallflower design David Drummond
Wall Flower by Rita Kuczynski; design by David Drummond (University of Toronto Press / August 2015)

Written in the Blood design by Alex Merto
Written in the Blood by Stephen Lloyd Jones; design by Alex Merto (Mulholland Books / May 2015)

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Paul Sahre at New Directions

satantango

“I started out doing posters for the theater. It’s almost the same thing as a book cover: the promise of an experience. It has to show you what you’re in for, without spelling it out.”

Designer Paul Sahre discusses his work with Mieke Chew for the New Directions blog:

I have a ridiculous one-of-a-kind book collection, which has a lot of fantastic reference material: books on how to make balsa wood airplanes, to encyclopedias of infectious rashes from the Vietnam War era. You never know what you’re going to find. Sometimes while you’re reading a book you just start looking at things. If you’re stumped, that’s one way to do it. I used to need to “make it happen” more. I’d go to the library and pull books off the shelves randomly without looking, and then I’d just look. It could be a book on the geography of the great lakes and there’s something in there visually that makes you go, “Oh yeah! I can use this.” So much design research now is Google image searches. I never go there for material because that’s where everyone else is going.

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Book Covers of Note June 2014

Well, this seems to have become a regular thing doesn’t it? I have to confess that I still haven’t quite figured out exactly what covers to include in these monthly posts, only that they’re recent and I like them. It’s even harder to decide what to leave out. Anyway, I hope you enjoy this month’s selection. Leave your thoughts in the comments…
9780374100360
Abroad by Katie Crouch; design by Rodrigo Corral (FSG June 2014)

archetype
Archetype by M. D. Waters; design by Jaya Miceli (Plume June 2014)

empathy-exams
The Empathy Exams by Leslie Jamison; design by Tom Darracott (Granta June 2014)

Foxes-on-the-trampoline
Foxes on the Trampoline by Charlotte Boulay; design Steve Attardo (HarperCollins April 2014)

falling-out-of-time-kelly-blair
Falling Out of Time by David Grossman; design by Kelly Blair (Jonathan Cape February 2014)

9780670016785B
Half Bad by Sally Green; design by Tim Green / Faceout Studio (Viking March 2014)

Iceland-sahre
The Iceland by Sakutaro Hagiwara; design by Paul Sahre (New Directions June 2014)

lullaby
The Lullaby of Polish Girls by Dagmara Dominczyk; design by Alex Merto, photograph Eleanor Hardwick (Spiegel & Grau February 2014)

mount-london
Mount London by Tom Chivers & Martin Kratz; design by Ben Anslow (Penned in the Margins May 2014)

Outlaws
Outlaws by Javier Cercas; design by David Mann (Bloomsbury June 2014)

Nightwork
Night Work by Jáchym Topol; design by Bobby Evans / Telegramme Studio (Portobello Books May 2014)

secret-world-of-oil
The Secret World of Oil by Ken Silverstein; design by Matt Dorfman (Verso May 2014)

Sick Rose
The Sick Rose or; Disease and the Art of Medical Illustration by Richard Barnett; design by Daniel Streat / Barnbrook Studios (Thames & Hudson June 2014)

good-suicides-brand
The Good Suicides by Antonio Hill; design by Christopher Brand (Crown June 2014)

thirty-girls
Thirty Girls by Susan Minot; design by Kate Gaughran (4th Estate February 2014)

the-vacationers
The Vacationers by Emma Straub; design by Janet Hansen (Riverhead May 2014)

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