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Tag: matt dorfman

The Rest of the Best

When it comes to choosing the year’s best book covers, it seems that everyone is at it these days…

“These covers are challenging without being impenetrable and playful without being precious — none of which is an easy task for a designer. If good design might lure us into an experience that makes us smarter, then we’ve hit the jackpot when the book allows us to spend time within the head space of a stranger.”     

I always look forward to Matt Dorfmann’s selections for the New York Times Book Review. Matt is the NYTBR‘s art director and a cover designer in his own right so he knows what he’s talking about, and his choices are always interesting. If I am honest, I think this is the list the designers (American designers at least) really pay attention to. And it’s worth noting that half of Matt’s choices this year were designed by women. 

Slate’s list of Best Book Jackets of 2016 includes notes from the designers about each cover.  

Vyki Hendy and Eric Wilder have chosen  — with input from designers Erin Fitzsimmons and Stuart Bache — 25 of the year’s covers for SPINE Magazine

Jarry Lee chose 32 “of the most beautiful book covers of 2016” for BuzzFeed.

And last but not least, Paste’s selections includes “a few novelette and short story covers.

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Matt Dorfman American Illustration Interview

Knockout design by Matt Dorfman

Robert Newman interviews mighty Matt Dorfman, illustrator, book cover designer and art director for The New York Times Book Review, for American Illustration:

I’m a big disciple of using abstraction to highlight emotional conditions. To that end, I love the kitchen sink perversion of psych artists like Victor Moscoso, Martin Sharp, Tadanori Yokoo and Keiichi Tanaami. As a teen I swiped a copy of I Seem To Be A Verb by R. Buckminster Fuller and Quentin Fiore from one of my dad’s shelves (and I still have it) and I credit that book with revealing to me—loudly—how vital books can be if they’re conceived with passion and energy. And I probably owe the Johns Heartfield and Baldessari some money.

At least once a month, a circumstance will arise either in work or in life in which I reflexively ask myself, without premeditation: “What would Ian MacKaye do?” This has been happening since I was 15. There’s probably something to it.

(Matt is one of the many, many people I would love to interview for the blog… )

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Book Covers of Note August 2015

The entire book industry isn’t on vacation. It only seems that way. 1 Here’s August’s book covers of note…

Aesthetics of Middlebrow Fiction design Palgrave
The Aesthetics of Middlebrow Fiction by Tom Perrin; design Palgrave Macmillan (Palgrave Macmillan / August 2016)

Ally Hughes design by Darren Booth
Ally Hughes Has Sex Sometimes by Jules Moulin; design by Darren Booth (Dutton / August 2015)

Almost Famous Women design by Na Kim
Almost Famous Women by Megan Mayhew Bergman; design by Na Kim (Scribner / July 2015)

Among the Ten Thousand design Strick&Williams
Among the Ten Thousand Things by Julia Pierpoint; design by Strick&Williams (Random House / July 2015)

Barbara the Slut design by Rachel Willey
Barbara the Slut by Lauren Holmes; design by Rachel Willey (Riverhead / August 2015)

Barbarian Days design Darren Haggar
Barbarian Days by William Finnegan; design by Darren Haggar (Penguin / July 2015)

Black Hole design Matt Dorfman
Black Hole by Bucky Sinister; design by Matt Dorfman (Soft Skull / August 2015)

Capitalism in the Web design by Anne Jordan
Capitalism in the Web of Life by Jason W. Moore; design by Anne Jordan and Mitch Goldstein (Verso / August 2015)

Death by Video Game design by Steve Panton
Death by Video Game by Simon Parkin; design by Steve Panton (Serpent’s Tail / August 2015)

Dust That Falls From Dreams design Oliver Munday
The Dust That Falls From Dreams by Louis de Bernières; design by Oliver Munday (Pantheon / August 2015)

Genghis Khan design James Paul Jones
Genghis Khan by Frank McLynn; design by James Paul Jones (Bodley Head / July 2015)

And because it’s always interesting to see US and UK covers side by side…

Infinite Home US
Infinite Home by Kathleen Alcott; design by Alex Merto (Riverhead / August 2015)

infinite home
Infinite Home by Kathleen Alcott; design by Stuart Bache (Borough Press / July 2015)

Katrina After the Flood design by Julius Reyes
Katrina by Gary Rivlin; design by Julius Reyes (Simon & Schuster / August 2015)

Landline design Olga Grlic handlettering Jim Tierney
Landline by Rainbow Rowell; design by Olga Grlic; hand-lettering by Jim Tierney (St. Martin’s Press / July 2015)

Memoirs of a Dipper design by Gray318
Memoirs of a Dipper by Nell Leyshon; design by Gray318 (Fig Tree / June 2015)

Narcisa design by Milan Bozic
Narcisa by Jonathan Shaw; design Milan Bozic (Harpercollins / March 2015)

New American Stories design by Peter Mendelsund.
New American Stories edited by Ben Marcus; design by Peter Mendelsund (Vintage / July 2015)

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Street Poison by Justin Gifford; design by Michael J. Windsor (Doubleday / August 2015)

Vegetarian design Tom Darracott
The Vegetarian by Han Kang; design by Tom Darracott (Portobello / January 2015)

Terf_9780385679725_jkt_all_r3.indd
Wicked and Weird by Rich Terfry; design by Scott Richardson (Doubleday Canada / August 2015)

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Book Covers of Note June 2015

I don’t know where last month went, but somehow it’s June already and it’s time for another selection of recent book covers:

General Theory of Oblivion design by Julia Connolly
A General Theory of Oblivion by José Eduardo Agualusa; design by Julia Connolly (Harvill Secker / June 2015)

the-hourglass-factory-design-melissa-four
The Hourglass Factory by Lucy Ribchester; design by Melissa Four (Simon & Schuster / January 2015)

how music got free design James Paul Jones
How Music Got Free by Stephen Witt; design by James Paul Jones (The Bodley Head / June 2015)

in the beginning illustration Robert Frank Hunter
In the Beginning was the Sea by Tomás González; cover illustration by Robert Frank Hunter (Pushkin / May 2015)

intimacy idiot design spencer kimble
Intimacy Idiot by Isaac Oliver; design by Spencer Kimble (Scribner / June 2015)

lesser beasts design by Nicole Caputo
Lesser Beasts by Mark Essig; design by Nicole Caputo (Basic Books / May 2015)

LivingInTheSound
Living in the Sound of the Wind by Jason Wilson; design by Leo Nickolls (Constable / June 2015)

London Overground design by Richard Bravery
London Overground by Iain Sinclair; design by Richard Bravery (Hamish Hamilton / June 2015)

lucky alan design ben wiseman
Lucky Alan and Other Stories by Jonathan Lethem; design by Ben Wiseman (Doubleday / February 2015)

manhattan mayhem design by Timothy ODonnell
Manhattan Mayhem edited by Mary Higgins Clark; design by Timothy O’Donnell (Quirk Books / June 2015)

motorcycles ive loved design by rachel willey
Motorcycles I’ve Loved by Lily Brooks-Dalton; design by Rachel Willey (Riverhead / April 2015)

muse design by gabriele wilson
Muse by Jonathan Galassi; design by Gabriele Wilson (Knopf / June 2015)

professor in the cage design by matt dorfman
The Professor in the Cage by Jonathan Gottschall; design by Matt Dorfman (Penguin / April 2015)

ResistanceIsFutile_R.indd
Resistance is Futile by Jenny Colgan; design by Hannah Wood; illustration by Pietari Posti (Orbit / May 2015)

rise design by greg heinimann
Rise by Karen Campbell; design by Greg Heinimann (Bloomsbury / March 2015)

thank you goodnight design Kimberly Glyder
Thank You, Goodnight by Andy Abramowitz; design by Kimberly Glyder (Simon & Schuster / June 2015)

tongues of men or angels design by Jamie Keenan
The Tongues of Men or Angels by Jonathan Trigel; design by Jamie Keenan (Little Brown / May 2015)

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The Water Knife by Paolo Bacigalupi; design by Oliver Munday (Knopf / May 2015)

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When the Doves Disappeared by Sofi Oksanen; design by Kelly Blair (Knopf / February 2015)

world does not exist design david gee
Why the World Does Not Exist by Markus Gabriel; design by David Gee (Polity / June 2015)

The White Company design James Paul Jones
The White Company by Arthur Conan Doyle; design by James Paul Jones (Vintage / June 2015)

wonder garden art and design thomas doyle
The Wonder Garden by Lauren Acampora; art and design by Thomas Doyle (Grove Press /May 2015)

why-information-grows-design-richard-green
Why Information Grows by Cesar Hidalgo; design by Richard Green (Allen Lane / June 2015)

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Books on Book Covers

9781594203367B (1)
It started, innocently enough, with a tweet from my friend Steven Beattie, book review editor of Canada’s Quill & Quire magazine, about the cover of The Most Dangerous Book, Kevin Birmingham’s new ‘biography’ of Ulysses by James Joyce, designed by Ben Wiseman (Penguin June 2014).

steven-tweet

That sparked a conversation with designer David Gee and Joseph Sullivan of The Book Design Review about books on book covers. Joe wrote a  a post on the subject in 2009 on the subject, and I rather naïvely thought it would be easy (EASY!) to post a few contemporary examples of the trend, completely underestimating what an undertaking such a project would become.

What follows is an attempt to showcase some of different ways designers incorporate books into their cover designs. Along side covers from the past five years, I’ve included some earlier examples from Joe’s post, and this post about ‘meta-covers’ from HTML Giant. Many of the images of the older titles are small (and some are just not very good), but where I have been able to source a larger image, I’ve included it at full (or close to full) size. I’m indebted to the Book Cover Archive, which is still an invaluable resources after all this time, Ferran Lopez‘s (also mothballed) Jacket Museum, and all the designers and book folk who sent me cover images, and helped me in numerous other ways. Thank you. This isn’t comprehensive survey but, to be honest, I had to stop somewhere…

Front and Center

seven-hundred-penguins-full
Seven Hundred Penguins; design David Pearson / illustration Clare Skeats (Penguin Sept 2007)

cover
Cover by Peter Mendelsund; design by Peter Mendelsund (powerHouse Books August 2014)


Kapitalismus und Hautkrankheiten by Jasmin Ramadan; design by Books We Made (Klett-Cotta Verlag April 2014)

The Knowledge
The Knowledge by Lewis Dartnell; design by Kris Potter (Penguin April 2014)
priceless
Priceless by William Poundstone; design by Jennifer Carrow (Hill & Wang January 2010)

publish-your-photography-book
Publish Your Photography Book by Darius D. Himes & Mary Virginia Swanson; design by David Chickey & Masumi Shibata (Princeton Architectural Press March 2011)

yarn-whisperer
The Yarn Whisperer by Clara Parkes; design by John Gall (Abrams September 2013)

Cut, Torn, Ripped or Otherwise Defaced or Damaged


The Arsonist by Sue Miller; design by Greg Heinimann (Bloomsbury June 2014)

BNP-Cover-Hi-Res-770x1024
Best New Poets 2013, guest editor Brenda Shaughnessy; design by Atomicdust (Meridian January 2014)

9780312426323
Christine Falls by Benjamin Black; series design by Keith Hayes (Picador January 2008)


Half World by Scott O’Connor; design by Christopher Lin (Simon & Schuster February 2014)

9780887849565_HR
Heaven is Small by Emily Schultz; design by Ingrid Paulson (House of Anansi )

(And if your not Canadian, you may not know that this is a riff on Ingrid’s design for the hardcover of Heaven is Small, featured in this list.)

keep-egan
The Keep by Jennifer Egan; design by John Gall (Knopf August 2006)

Last-Winter-of-Dani-Lancing-US-front-cover
The Last Winter of Dani Lancing by P. D. Viner; design by Oliver Munday (Crown October 2013)

9781846144479
Mess; series art and design by Keri Smith (Penguin September 2010)



The Psychopath Test by Jon Ronson; design by Matt Dorfman (Riverhead December 2011)

deBotton-RFA-JACKET
Religion for Atheists by Alain de Botton; design by Matt Dorfman (Pantheon June 2012)

(This is what the cover looks like under the jacket if you’re curious)

9781476744834
Salinger by David Shields and Shane Salerno; design by Christopher Lin (Simon & Schuster September 2013)

9780765331939
What Makes This Book So Great by Jo Walton; design by Jamie Stafford-Hill (Tor January 2014)

Three-Quarters, or a Bit on the Side

81PiOD3q5aL
 The Eyre Affair by Jasper Fforde; cover art by Thomas Allen, series design by Jaya Miceli (Penguin 2011)

And those of you with a good memory will remember Chip Kidd used also art by Thomas Allen for a series of James Ellroy titles publisher by Vintage in the US:

fahrenheit-451
Fahrenheit 451 by Ray Bradbury; design by Matt Owen (Simon & Schuster January 2012)

9781594486173
Fiction Ruined My Family by Jeanne Darst; design by Alex Merto (Riverhead September 2011)

most-dangerous-book-UK
The Most Dangerous Book by Kevin Birmingham; adapted from the US cover with additional design by Jessie Price (Head of Zeus June 2014)

proust
Marcel Proust’s Search for Lost Time by Patrick Alexander; design by Jamie Keenan (Vintage March 2010)

ECW-Real Made Up 2007
The Real Made Up by Stephen Brockwell; design by David A. Gee (ECW October 2007)

Stoner (paperback) Stoner by John Williams; design by Julia Connolly (Vintage July 2012)

9780802122148 An Unnecessary Woman by Rabih Alameddine; design by Roberto de Vicq de Cumptich (Grove April 2014)

And while it’s not an actual book, let’s give Tom Davie of studiotwentysix2 a round of applause for his famous novel redesign print (which you can buy here).

Open Books and Page Turners

book-was-there
Book Was There by Andrew Piper; design by Andrea Guinn (University of Chicago Press November 2012)

4271789674_c18e499686_o
Erotic Poems by E. E. Cummings; design by Gabriele Wilson (Liveright February 2010)

9781770892484
How Should a Person Be? by Sheila Heti; design by Rebecca Seltzer (Henry Holt & Co. June 2012)

journey-with-two-maps
A Journey with Two Maps by Eavan Boland; design by Chin-Yee Lai (W. W. Norton October 2011)

john-dies-at-the-end
John Dies at the End by David Wong; design by Rob Grom (Thomas Dunne October 2009)

A-Life-In-Books
A Life in Books by Warren Lehrer; cover art by Warren Lehrer in collaboration with Jonathan Rosen (Goff Books October 2013)

medium-is-the-massage
The Medium is the Massage by Marshall McLuhan & Quentin Fiore; design by Yes Studio (Penguin September 2008)

dangerous-book
A Most Dangerous Book by Christopher B. Krebs; design by Mark Melnick (W. W. Norton June 2011)

the-novel
The Novel: A Biography by Michael Schmidt; design by Graciela Galup (Belknap Press April 2014)

9780691145648
Philology by James Turner; design by Kara Davison / Faceout Studio (Princeton University Press, May 2014)

pox-and-the-covenant
The Pox and the Covenant by Tony Wilson; design by Jason Gabbert (Sourcebooks April 2010)

what-to-look-for

What to Look For in Winter 
by Candia McWilliam; design by Richard Ljoenes (Harper March 2012)

Where I'm Reading From (1)
Where I’m Reading From by Tim Parks; design by James Paul Jones (Harvill Secker November 2014)

The_World
The World by Bill Gaston; design by Kathleen Lynch / Black Kat Design (Penguin August 2013)

9780452298460
Writers Between the Covers by Shannon McKenna Schmidt and Joni Rendon; design by Lucy Kim (Plume October 2013)

Shelves, Sides, Spines, and Stacks

penguin-by-design
Penguin by Design by Phil Baines; design by David Pearson (Penguin May 2005)

worm-holes
Wormholes by John Fowles; design by Carin Goldberg (Little, Brown & Co. 1997)

bad-teeth
Bad Teeth by Dustin Long; design by Rex Bonomelli (New Harvest May 2014)

BIL-Full
The Broadview Introduction to Literature; series design by Michel Vrana (Broadview August 2013)

BIL-Split

First Novel - Nicholas Royle
First Novel by Nicholas Royle; design by Suzanne Dean (Jonathan Cape February 2014)

how-to-be-a-heroine
How To Be A Heroine by Samantha Ellis; designed by James Paul Jones (Chatto & Windus January 2014)

how-to-read-literature
How to Read Literature by Terry Eagleton; design uncredited1 (Yale University Press Jun 2013)

junior-officers-club
The Junior Officers’ Reading Club by Patrick Hennessey; design by David Wardle (Penguin June 2009)

ajax-penumbra-1969
Ajax Penumbra 1969 by Robin Sloan; design by Irene Pineda (Atlantic Books June 2014)

rise-and-fall
The Rise & Fall of the Great Powers by Tom Rachman; design by Roberto de Vicq de Cumptich (Dial June 2014)

Stoner (hardback)
Stoner by John Williams; design by Julia Connolly (Vintage November 2013)

9781623568719
Vagina by Emma L. E. Rees; design by Alice Marwick (Bloomsbury August 2013)

why-i-read
Why I Read by Wendy Lesser; design by Rodrigo Corral (Farrar, Straus & Giroux (January 2014)

year-of-henry-james
The Year of Henry James by David Lodge; design by Nathan Burton (Vintage May 2014)

year-of-reading-dangerously
The Year of Reading Dangerously by Andy Miller; design by Jo Walker (Fourth Estate May 2014)

And then there’s this…

The FUTURE

you-are-not-a-gadget
You Are Not a Gadget by Jaron Lanier; design by Olly Moss (Penguin January 2010)

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Book Covers of Note June 2014

Well, this seems to have become a regular thing doesn’t it? I have to confess that I still haven’t quite figured out exactly what covers to include in these monthly posts, only that they’re recent and I like them. It’s even harder to decide what to leave out. Anyway, I hope you enjoy this month’s selection. Leave your thoughts in the comments…
9780374100360
Abroad by Katie Crouch; design by Rodrigo Corral (FSG June 2014)

archetype
Archetype by M. D. Waters; design by Jaya Miceli (Plume June 2014)

empathy-exams
The Empathy Exams by Leslie Jamison; design by Tom Darracott (Granta June 2014)

Foxes-on-the-trampoline
Foxes on the Trampoline by Charlotte Boulay; design Steve Attardo (HarperCollins April 2014)

falling-out-of-time-kelly-blair
Falling Out of Time by David Grossman; design by Kelly Blair (Jonathan Cape February 2014)

9780670016785B
Half Bad by Sally Green; design by Tim Green / Faceout Studio (Viking March 2014)

Iceland-sahre
The Iceland by Sakutaro Hagiwara; design by Paul Sahre (New Directions June 2014)

lullaby
The Lullaby of Polish Girls by Dagmara Dominczyk; design by Alex Merto, photograph Eleanor Hardwick (Spiegel & Grau February 2014)

mount-london
Mount London by Tom Chivers & Martin Kratz; design by Ben Anslow (Penned in the Margins May 2014)

Outlaws
Outlaws by Javier Cercas; design by David Mann (Bloomsbury June 2014)

Nightwork
Night Work by Jáchym Topol; design by Bobby Evans / Telegramme Studio (Portobello Books May 2014)

secret-world-of-oil
The Secret World of Oil by Ken Silverstein; design by Matt Dorfman (Verso May 2014)

Sick Rose
The Sick Rose or; Disease and the Art of Medical Illustration by Richard Barnett; design by Daniel Streat / Barnbrook Studios (Thames & Hudson June 2014)

good-suicides-brand
The Good Suicides by Antonio Hill; design by Christopher Brand (Crown June 2014)

thirty-girls
Thirty Girls by Susan Minot; design by Kate Gaughran (4th Estate February 2014)

the-vacationers
The Vacationers by Emma Straub; design by Janet Hansen (Riverhead May 2014)

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Recent Covers of Note February 2014 Edition

It’s almost March and I’ve just realised that I haven’t posted very many book covers this year. To make up for this lapse, here are ten of my favourite covers from the last few months:

all-our-names
All Our Names by Dinaw Mengestu; design by Isabel Urbina Peña

book-of-heaven
The Book of Heaven by Patricia Storace; design by Linda Huang

corpse-exhibition
The Corpse Exhibition by Hassan Blasim; design by Jason Ramirez

the-erl-king
The Erl King by Michel Tournier; design by Leo Nickolls

my-life-middlemarch
My Life in Middlemarch by Rebecca Mead; design by Elena Giavaldi

the-news
The News: A User’s Manual by Alain de Botton; design by Matt Dorfman

such-a-full-sea
On Such a Full Sea by Chang-Rae Lee; design by Helen Yentus, lettering Jason Booher

half-world
Half World by Scott O’Connor; design by Christopher Lin

silence-once-begun
Silence Once Begun by Jesse Ball; design by Peter Mendelsund

visionist
The Visionist by Rachel Urquhart; design by Keith Hayes

If you’d like to see more book covers, you can follow my Pinterest board or check out the ‘Book Design’ category at The Accidental Optimist.

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Favourite Covers of 2011

After posting my long overdue picks for 2010 last week, here are my selections for my favourite book covers of 2011.

I’m currently reading Where The Stress Falls a collection of writing by Susan Sontag published in 2001. In an essay about art she quotes Paul Valéry on the painter Corot. “One must always apologize for talking about painting” he says. I know just what he means. I feel the same way about book design. Perhaps even more than a painting, what you see is what you get with a book jacket. If you have to explain why it works, it probably doesn’t. Or you’re talking to the wrong crowd. But there’s something else too. I also feel like I need to apologize for not knowing more; for producing reductive lists like this one; for being, well, so presumptuous…

The 2011 list has changed a few times in the last few days and would likely be different again if you asked me tomorrow — not for lack of quality you understand, but simply because narrowing the list down to a manageable number and deciding which should be in the final ‘top 10’ was just plain hard. This isn’t a definitive survey of book covers in 2011 by any means (sorry!) it’s simply a list of the book jackets that caught my eye this year — designs I thought that were beautiful, a bit different, audacious, a bit out of the ordinary, a bit worthwhile…  I’m grateful to all the designers who created these covers, who gave me suggestions and helped me source the images. Once again, I’ve been struck by their generosity. Nevertheless I have surely I’ve missed some great covers. Tell me what they are in the comments.

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Midweek Miscellany

Half Crazy — Matt Dorfman on his great book cover design for The Psychopath Test by Jon Ronson, published by Riverhead Books:

Riverhead did not skimp on the production touches for this one. They sprung for a combination gritty matte finish (which covers the white paper portions of the jacket) and a shiny gloss for the yellow/magenta “crazy” half, thereby giving your sense of touch a noticeable edge if you find yourself blindly scanning your shelf for this book in a dark room (which I have done).

The Intimate Orwell — Simon Leys reviews Diaries by George Orwell, edited by Peter Davison, and George Orwell: A Life in Letters also edited and annotated by Davison, for the NYRB:

From the very start, literature was always Orwell’s first concern. This is constantly reflected in his correspondence: since early childhood “I always knew I wanted to write.” This statement is repeated in various forms, all through the years, till the end. But it took him a long time (and incredibly hard work) to discover what to write and how to write it. (His first literary attempt was a long poem, eventually discarded.) Writing novels became his dominant passion—and an accursed ordeal: “writing a novel is agony.” He finally concluded (some would say accurately), “I am not a real novelist.” And yet shortly before he died he was still excitedly announcing to his friend and publisher Fredric Warburg, “I have a stunning idea for a very short novel.”

Investigative Self-Repair — Author James Lasdun (It’s Beginning to Hurt) reviews Edward St. Aubyn’s latest semi-autobiographical Patrick Melrose novel At Last for The Guardian:

This act of investigative self-repair has all along been the underlying project of these extraordinary novels. It is the source of their urgent emotional intensity, and the determining principle of their construction. Not much gets into these books that doesn’t bear directly on Patrick’s predicament. Exposition is kept to a minimum; there are few descriptive passages, no digressions. For all their brilliant social satire, they are closer to the tight, ritualistic poetic drama of another era than the expansive comic fiction of our own.

And finally…

The General Specialist — Designer, illustrator, and letterer Jessica Hische talks to Method & Craft:

I love learning about new things whether or not they directly connect to how I earn a living and I think that this desire to pay attention to related industries is one of the reasons why I’m a figure in the design community. It’s by learning about many things that you’re able to understand specialization—that design is broken into countless micro-industries. If you don’t understand the differences between them (or acknowledge that they exist), there is no way for you to find your own specialized niche with in it.

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