After Australia edited by Michael Mohammed Ahmad; design by Design by Committee (Affirm Press / May 2020)
A Burning by Megha Majumdar; design by Tyler Comrie (Knopf / June 2020)
The cover of the UK edition, which will not be published until 2021(!), was designed by Craig Fraser. It has a very vintage Faber feel… maybe it’s just the type?
The Dragons, the Giant, and the Women by Wayétu Moore; design by Kimberly Glyder (Graywolf / June 2020)
Inner Coast by Donovan Hohn; design by Sarahmay Wilkinson (W.W. Norton / June 2020)
The Margot Affair by Sanaë Lemoine; design by Elena Giavaldi (Hogarth / June 2020)
The Myth of the American Dream by D. L. Mayfield; design by David Fassett (IVP / May 2020)
News Parade by Jospeh Clark; design by Matt Avery (University of Minnesota Press / May 2020)
Night, Sleep, Death, the Stars by Joyce Carol Oates; design by Jamie Keenan (Fourth Estate / June 2020)
The cover of the US edition, published by Ecco, was designed by Sara Wood:
Nothing is Wrong and Here is Why by Alexandra Petri; design by Jim Tierney (W.W. Norton / June 2020)
(I really don’t know how I feel about this cover)
The Prettiest Star by Carter Sickels; design by Luke Bird (Hub City Press / May 2020)
Luke wrote about the design process behind the cover at Literary Hub.
Real Queer America by Samantha Allen; design by Lucy Kim (Back Bay Books / June 2020)
The Second Home by Christina Clancy; design Olga Grlic; art by Elizabeth Lennie (St. Martin’s Press / June 2020)
Set the Night on Fire by Mike Davis & Jon Wiener; design by Matt Dorfman (Verso / April 2020)
Soot by Dan Vyleta; design by Mark Swan (Weidenfeld & Nicolson / February 2020)
Soot is the sequel to Dan’s novel Smoke (which I liked a lot). The cover of the UK edition was also designed by Mark:
Surviving Autocracy by Masha Gessen; design by Jason Booher (Riverhead Books / June 2020)
This reminded me of the cover of the similarly themed American Manifesto by Bob Garfield, designed by Richard Ljoenes and published earlier this year by Counterpoint….
The Vanishing Half by Brit Bennett; design by Lauren Peters-Collaer (Riverhead / June 2020)
Comments closed