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Art Works For Aid

awfa-needs-your-art1

In response to the refugee crisis currently unfolding in Europe, designer and illustrator Nina Tara has set up Art Works For Aid.

Nina is asking artists, illustrators, designers and photographers to donate small works of art to be sold at auction to raise funds for organizations such as Human Relief Foundation helping refugees.

Current contributors include book designers such as Nathan Burton, Suzanne Dean, Jon Gray (Gray318), Jennifer HeuerJamie Keenan, and Henry Sene Yee, as well as illustrators like Petra BörnerRob Ryan, and Ralph Steadman.

If you would like to help by buying an artwork, the first AforA auction is today. If you’re a ‘creative’ and you would like to donate a work of art just send an email to Nina.

You can find more information about the initiative on the AforA blog, and see images of some of the work that has already been donated on the AforA Facebook page.

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Books Covers of Note January 2015

January’s selections include some of this month’s new releases plus a few stragglers from 2014 that were undeservedly overlooked last year:

against-the-country
Against the Country by Ben Metcalf; design and illustration by Leanne Shapton (Random House / January 2015)

bad-character-novel
A Bad Character by Deepti Kapoor; design by Janet Hansen (Knopf / January 2015)

Brave New World
Brave New World by Aldous Huxley; design by Scot Bendall & Richard Carey / La Boca (Vintage / November 2014)

fifty-mice
Fifty Mice by Daniel Pyne; design by Alex Merto (Blue Rider Press / December 2014)

first-bad-man
The First Bad Man by Miranda July; design by Mike Mills (Scribner / January 2015)

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GB84 by David Peace; design by Christopher King (Melville House / November 2014)

hall-of-small-mammals
Hall of Small Mammals by Thomas Pierce; design by Grace Han; cover art by Kate Bergin (Riverhead / January 2015)

9781250052216
The Heart Does Not Grow Back by Fred Venturini; design by Henry Sene Yee (Picador / November 2014)

I-THINK-YOURE-TOTALLY-WRONG
I Think You’re Totally Wrong: A Quarrel by David Shields and Caleb Powell; design by Chip Kidd (Knopf / January 2015)

mermaids-in-paradise

Mermaids in Paradise by Lydia Millet; design by Chris Welch Design (W. W. Norton / November 2014)

9780241004968
Trouble in Paradise By Slavoj Žižek; design by Richard Green (Allen Lane / November 2014)

unbecoming
Unbecoming by Rebecca Scherm; design by Paul Buckley (Viking / January 2015)

schafferzf
The Veiled Sun by Paul Schaffer; design by David Drummond (Véhicule Press / January 2015)

weathering
Weathering by Lucy Wood; design by Greg Heinimann (Bloomsbury / January 2015)

X
X by Ilyasah Shabazz with Kekla Magoon; design by Matt Roeser (Candlewick Press / January 2015)

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Book Covers of Note October 2014

It’s October and the fall book season is in full swing. It’s kind of bonkers in the trade from now until Christmas, so this is the second to last (if not the actual last) cover round-up for 2014. I think I can probably squeeze in one more next month, but then we will be well into ‘covers of the year’ territory so we’ll have to see. I also have more posts in the Beasts! series (and goodness know what else) to fit in somehow! While I figure that out, however, here is this month’s collection of notable book covers…

Lerner 1004
10:04 by Ben Lerner; design by Scott Richardson (McClelland & Stewart / September 2014)

puny-sorrows
All My Puny Sorrows by Miriam Toews; design by Helen Crawford-White / Studio Helen (Faber & Faber / June 2014)

Book of Strange New Things
The Book of Strange New Things by Michel Faber; art direction and design Rafi Romaya;  illustration Yehrin Tong (Canongate / October 2014)

9781472116666
The Bookshop Book by Jen Campbell; design by Leo Nickolls (Constable / October 2014 )

broken-monsters-keith-hayes
Broken Monsters by Lauren Beukes; design by Keith Hayes (Mulholland Books / September 2014)

charming-billy
Charming Billy by Alice McDermott; design by Henry Sene Yee; illustration by Bill Mudron  (Picador / October 2014)

flings-oliver-munday
Flings by Justin Taylor; design by Oliver Munday (Harper / August 2014)

I-Am-China
I Am China by Xiaolu Guo; design Emily Mahon; photograph Masha Sardari (Nan A. Talese / September 2014)

fields-of-blood
Fields of Blood by Karen Armstrong; design by Oliver Munday (Knopf / October 2014)

intervals-in-cinema
The Intervals of Cinema by Jacques Rancière; design by Jessica Svendsen (Verso / October 2014)

Limonov by Emmanuel Carrère; design by Yang Kim and Tyler Comrie (FSG / October 2014)
Limonov by Emmanuel Carrère; design by Yang Kim and Tyler Comrie (FSG / October 2014)

Limonov by Emmanuel Carrère; design by Richard Green (Allen Lane / September 2014)
Limonov by Emmanuel Carrère; design by Richard Green (Allen Lane / September 2014)

a-man-lies-summer
A Man Lies Dreaming by Lavie Tidhar; design by Ben Summers (Hodder / October 2014)

mr-gwyn
Mr. Gwyn by Alessandro Baricco; design by Sunra Thompson (McSweeney’s / July 2014)

9781846140273-isabelle-de-cat
Napoleon the Great by Andrew Roberts; design by Isabelle De Cat (Penguin / October 2014)

annotated-lovecraft
The New Annotated H. P. Lovecraft edited by Leslie S. Klinger; design by gray318 (W. W. Norton / October 2014)

notre-duplex
Notre Duplex by Éléonore Létourneau; design by David Drummond (Éditions XYZ / August 2014)

not-that
Not That Kind of Girl by Lena Dunham; design by CHIPS (Random House / September 2014)


Playing for the Commandant by Suzy Zail; design by Matt Roeser (Candlewick / October 2014)

radio-benjamin
Radio Benjamin edited by Lecia Rosenthal; design by Isaac Tobin (Verso / October 2014)

specter-of-capital
Specter of Capital by Joseph Vogl; design by Anne Jordan (Stamford University Press / October 2014)

white-van
The White Van by Patrick Hoffman; design by Walter Green (Grove Atlantic / September 2014)

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Beasts! Reptiles and Amphibians

As a Friday follow-up to Tuesday’s post on wild beasts, here’s a look at reptiles and amphibians on book covers:

alligator-bill-douglas

Alligator by Lisa Moore; design by Bill Douglas (House of Anansi Press / September 2005)

andalucian-friend
The Andalucian Friend by Alexander Söderberg; design by Ben Wiseman (Crown / May 2014)

Ashland Final
Ashland by Gil Adamson; design by David Gee (ECW / April 2011)

bitter-drink
Bitter Drink by F. G. Haghenbeck; design by David Drummond (Amazon / July 2012)


Boy, Snow, Bird by Helen Oyeyemi; design by Helen Yentus (Riverhead / March 2014)

CanneyRow800
Cannery Row by John Steinbeck; design by Kathryn MacNaughton (Penguin / January 2012)

city-of-snakes
City of Snakes by Darren Shan; design by Catherine Casalino ( Grand Central / June 2011)

Cold Blood
Cold Blood by Richard Kerridge; design by James Paul Jones (Chatto & Windus / May 2014)

Crime
Crime by Irvine Welsh; design by Matt Broughton (Vintage / August 2009)


Fatal Eggs by Mikhail Bulgakov; design by Nathan Burton (Alma Classics / July 2014)

9780312425579
The Devil’s Horn by Michael Segell; design by Henry Sene Yee (Picador / August 2006)

frog-music
Frog Music by Emma Donoghue; design by Keith Hayes (Little Brown & C0. / April 2014)

good-angel
The Good Angel of Death by Andrey Kurkov; illustration by Pablo Amargo (Vintage / August 2010)

hard-light
The Hard Light of Day by Rod Moss; design by Sandy Cull / gogoGingko (University of Queensland Press / October 2011)

heaven
The Heaven of Animals by James Poissant; design by Roberto de Vicq de Cumptich (Simon & Schuster / March 2014)

david-high
In the Valley of the Kings by Terrence Holt; design by David High (W. W. Norton / September 2009)

Buchanan-Smith LLC
Life Ascending by Nick Lane; design by Buchanan-Smith LLC (W. W. Norton / June 2009)

mad-hope-ingrid-paulson
Mad Hope by Heather Birrell; design by Ingrid Paulson (Coach House Books  / April 2012)

NO1LADIES
The No. 1 Ladies Detective Agency by Alexander McCall Smith; design by Mark Ecob (Abacus / June 2003)

9781770893740_HR
No Pain Like This Body by Harold Sonny Ladoo; design by Brian Morgan; illustration Jillian Tamaki (Anansi / September 2013)

paradise
Paradise Lost by John Milton;  design by Emily Mahon; illustration by Silja Goetz (Modern Library / November 2008)

dead-frog-tierney
Poking a Dead Frog by Mike Sacks; design by Jim Tierney (Penguin / June 2014)

sixth-extinction
The Sixth Extinction by Elizabeth Kolbert; design by David Mann (Bloomsbury / February 2014)

snake-charmer
The Snake Charmer by Jamie James; design by Paul Buckley (Hyperion / July 2008)


The String Diaries by Stephen Lloyd Jones; design by Keith Hayes (Mulholland Books / July 2014)

9780099555834
Swamplandia by Karen Russell; illustration by Stacey Rozich; art direction James Paul Jones (Vintage / March 2012)

Birds and Bugs are next!

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Recent Covers of Note March 2014

9781408857229
The Arsonist by Sue Miller; design by Greg Heinimann

barcelona-shadows
Barcelona Shadows by Marc Pastor; design by Clare Skeats

beauty
Beauty by Frederick Dillen; design by Christopher Lin

Mabey Dreams
Dreams of the Good Life by Richard Mabey; illustration by Millie Marotta; design Samantha Johnson / Coralie Bickford-Smith

fantomes_fument_c1
Les fantômes fument en cachette by Miléna Babin; design by David Drummond

frog music
Frog Music by Emma Donoghue; design by Katie Tooke; illustration Emma Farrarons

give-me-everything-you-have
Give Me Everything You Have by James Lasdun; design by Julia Connolly

9780374175344
The Improbability Principle by David J. Hand; design by Oliver Munday

metamorphosis
Metamorphosis by Franz Kafka; design by Jamie Keenan

13068415704_287b75914a_b
The New New Thing by Michael Lewis; design by Darren Haggar

on-the-reproduction-of-capitalism
On the Reproduction of Capitalism by Louis Althusser; design by Neil Donnelly

9780374209148-gabriele-wilson
The Orchard of Lost Souls by Nadifa Mohamed; design by Gabriele Wilson

swan-gondola-9781780744902
The Swan Gondola by Timothy Schaffert; design by Alex Merto

9781250039569
The Trip to Echo Spring by Oliva Laing; design by Henry Sene Yee

why-we-took-the-car-design-allison-colpoys
Why We Took the Car by Wolfgang Herrndorf; design by Allison Colpoys

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50 Memorable Covers From the Last Four Years

The Casual Optimist turned 4 years old at the end of last week. While not exactly a historic achievement, the blog has lasted the length of a presidency and exactly 3 years, 11 months longer than I thought it would. In order to celebrate this minor triumph, I thought I would post some memorable book covers from the last 4 years. It was going to be 10 covers, then it was 20… It quickly became 25, then it was 30… by 30 I figured I might as well do 40… I missed 40 and had to cap it at 50. It was just for fun and not meant to be a definitive survey — it’s just 50 covers that have stuck in my mind. Let me know what you would’ve included in the comments. Leave a comment or send me an email if I am missing details or have incorrectly attributed something.

The keen-eyed among you will also notice that there are no covers from 2012. I’m keeping my powder dry. You can expect a post of my favourite covers of the year in the not too distant future. You can let me know your picks for 2012 in the comments as well. In the meantime, I’m going on vacation so this will be my last post for a while.

So here you go — 50 great covers with some occasional notes. Enjoy…

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My Favourite Covers of 2010

At the end of last year, Joseph Sullivan, curator of the late lamented The Book Design Review, asked me to write about my favourite covers of 2010. I’d always stayed away from such posts in the past because it was Joseph’s thing (his 2009 list is here). But since it was Joe who was doing the asking and The BDR was on “indefinite hiatus,” how could I not?

For various reasons, the list I compiled didn’t get used in the end, and it has sat in my drafts folder for about year now. I now have a list of my favourite covers of 2011, but before I post it I thought I would share that original list from 2010, if only for a bit of context.

I’ve made a few minor alterations to the list I sent to Joe — mostly to better accommodate the series designs and to fully utilise 12 months of regret and hindsight — but it is more or less intact, in spirit at least.

I’ve included the short introduction I wrote for the original piece to explain my process (or lack thereof…).

(Hindsight = 20/20: Apparently I like negative space. A LOT).

The Top 10 Book Covers of 2010

Selecting an annual top 10 of anything — film, music, books — is fraught with difficulty. Not only do you have to sift through all things you have seen, heard, and read over the course of a year (assuming you can remember them all), you must somehow take into account all the things you meant to get to and didn’t (where does one even start?). Worse, you are haunted by the awful, inevitable realization that there were any number of incredible things so outside your usual cultural range that they didn’t even register on your consciousness — the “unknown unknowns,” to borrow Donald Rumsfeld’s immortal phrase. Fate usually decides that you will discover at least one previously unknown work of brilliance exactly 24-hours after you publicly declare your favourites…

Then, having grappled with (ignored) all those thorny issues (and plunged on regardless), there is further problem of what actually constitutes good (let alone “great”) book cover design. Part science, part art (part pleasing interested parties), good book cover design is slippery and alchemical. How does one judge? Using what criteria? Ask 10 designers and you will surely get 10 differently nuanced answers.

I have not read all the books on this list, so I cannot claim authority on appropriateness of every cover to its subject (surely an significant consideration, and yet who would want to limit their list only to the books they had read?), so my criteria, such as they were, included the quality of the overall design — the composition, image selection and typography — as well as originality, swagger and the indefinable  je ne sais quoi essential in my opinion to really great covers.

And with that complete abdication from any claim to comprehensiveness or authority, I introduce my picks for the top 10 book covers of the last year with apologies to all the designers — particularly outside of North America and the UK — whose amazing work I have missed, forgotten, or otherwise neglected.

The covers are presented in alphabetically by title.

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Humiliation | Henry Sene Yee

Just too good not to share, here’s an unused comp for Humiliation by Wayne Koestenbaum  designed by Henry Sene Yee for Picador’s Big Ideas // Small Books series. The photograph is by Jon Shireman.

You can see the final cover and read details the design process on his Henry’s blog.

And for the sake of full disclosure, Picador are distributed in Canada by my employer Raincoast Books. 

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Richard Price Paperbacks | Henry Sene Yee

Columbine and A Wall in Palestine: cover designs by Henry Sene Yee

Henry Sene Yee is a designer and art director at Picador USA. The very of his best work (and all of it is good) — his cover designs for Columbine by Dave Cullen and A Wall in Palestine by René Backmann to pick two recent examples — combine judiciously selected and smartly cropped photographs with bold typographic choices.

Given the poignancy of the images he chooses and the respect he gives to them within his compositions — the room he gives them to breath —  it isn’t surprising that Henry is a photographer himself, regularly capturing scenes of daily life in his beloved New York through a lens.

Photo by Henry Sene Yee

The author Richard Price, who has also written for the HBO series The Wire, was born in and raised in the Bronx. Several of his novels, including Clockers and Freedomland (both adapted to movies), are set in the in fictional town of Dempsy, New Jersey.

Photo by Henry Sene Yee

Over the last couple of years Henry, who also happened to grow up in New Jersey, has designed covers for Picador’s recent reissues of Price’s novels.

Bringing his understanding of photography and type to the designs Henry has, like Price himself, avoided the expected crime fiction clichés.

As fan of Price’s work as well as Henry’s, I thought I would take to the opportunity to ask the designer how he approached the covers.

Here is his reply:

Lush Life: cover design by Aaron Artessa

It started when Picador published the paperback edition of Richard Price’s bestseller Lush Life. Because of its success, the FSG cover was reproduced in ads and displayed prominently in bookstores. Repackaging the cover for paperback would not take advantage of the public familiarity with it so it was decided to keep the original jacket design [by Aaron Artessa].

Clockers final cover by Henry Sene Yee

Clockers: unused designs by Henry Sene Yee

Clockers, probably Price’s most well known backlist was also acquired by us and was reprinted to coincide. It was designed as a stand alone. I couldn’t see how I would or need to relate it to Lush Life.

Bloodbrothers final cover by Henry Sene Yee

It was followed by his next backlist title Bloodbrothers, which was also designed as a stand alone. That book’s themes reminded me of photographer Bruce Davidson’s beautiful 1970s NYC Subway photos. I found this great Davidson photograph from his gang series and kept the colors simple.

The Breaks final cover by Henry Sene Yee

We later acquired The Breaks and Ladies’ Man and I had no intention to follow any previous Price’s look since there was none. Photo research found some great images similar in look to the Davidsons. My two favorite photos happen to both be horizontal and the initial layouts looked similar to Bloodbrothers. I tried to distinguish them by using different colors in the background, type. But in the end, it was just distracting from the great photos. So I decided to have them match Bloodbrothers, keeping the type and same palette of black, warm gray duotones, cream and warm red.

Ladies man final cover by Henry Sene Yee

The Breaks and Ladies Man: unused designs by Henry Sene Yee

Thanks Henry!

Disclosure: As of Fall 2011, book published by Picador will be distributed to independent bookstores and libraries in Canada by my employer Raincoast Books as part of a new distribution arrangement with Macmillan US. For the record, Henry and I discussed featuring his work on The Casual Optimist several times well before details of this deal was known to either of us.

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Picador Spring 2011 Covers

Picador have just posted all their Spring 2011 covers to Facebook. There’s some lovely work. Here are a few favourites:

The Fever: Cover design by LeeAnn Falciani

Watching the World Change: Cover design by Henry Sene Yee • Cover photograph by Patrick Witty

Winterland: Cover design by Keith Hayes • Cover photograph by eyespy/GettyImages

(Thanks Henry).

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Midweek Miscellany

Finding a Cover for The Girl With the Dragon Tattoo — A WSJ article and slideshow on the cover design process for the bestselling novel by Steig Larsson:

For three months, Peter Mendelsund, a senior designer at Knopf, prepared nearly 50 distinct designs…  Mr. [Sonny] Mehta ultimately endorsed the vivid yellow jacket with the swirling dragon design: “It was striking and it was different.”

Peter Mendelsund has some further thoughts about the cover, Wittgenstein, David Foster Wallace, and design in a great post on his blog JACKET MECHANICAL:

Due to many factors (the mechanisms of the approval process; design’s fundamentally commercial aspects…) when one examines the field of design, one cannot help but come to the conclusion that good design must be, above all, likeable.

Design is too intimately entangled with matters of taste (to use Wittgenstein’s word) to be demanding enough to be Art. I have to say that in my years in the field, I’ve yet to be made to cry by a work of design. I’ve yet to be forced to view the world differently due to a work of design. I’ve yet to be really, truly gripped by a work of design. I know it’s deeply self-defeating to say this, yet, the best design has only ever evoked in me the feeling of “that’s cool.”

And on the subject of book cover design…

Creative Problem Solving — Macmillan Designers and art directors Susan Mitchell, Charlotte Strick, and Henry Sene Yee discuss the state of book cover design at FSG‘s new Work in Progress blog:

We’re interpreting or packaging other people’s ideas. If someone gives me a manuscript, I interpret it. That’s problem solving… I’m not just here to create something beautiful. Sometimes I’m here to be a plumber. I love that aspect—I can fix things. I’ll make it balance, whatever it is.

Still Reading? — Patrick Kingsley on the art of slow reading for The Guardian:

Still reading? You’re probably in a dwindling minority. But no matter: a literary revolution is at hand. First we had slow food, then slow travel. Now, those campaigns are joined by a slow-reading movement – a disparate bunch of academics and intellectuals who want us to take our time while reading, and re-reading. They ask us to switch off our computers every so often and rediscover both the joy of personal engagement with physical texts, and the ability to process them fully.

Also in The Guardian

Unwanted — A 12-page comic strip tale of unwanted immigrants by Joe Sacco, author of Safe Area Gorazde, Footnotes in Gaza, and Palestine

…And on a not unrelated note: Publishing Perspectives looks at comics and graphic novels in the Middle East and how they are pushing at cultural boundaries.

And finally…

Bob Stein of The Institute for the Future of the Book interviewed by On The Media:

The western version of the printing press is invented in 1454. It takes 50 years for page numbers to emerge. It took humans that long to figure out that it might be useful to put numbers onto the pages.

What is slightly curious about this interview is that Stein acknowledges the essentially unpredictable messiness of the future, and yet it doesn’t seem to stop him…

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Something for the Weekend

Two stunningly beautiful, and sadly unused, designs by Henry Sene Yene with photographs by Jon Shireman for Picador’s BIG IDEAS // small books series. Picador decided not to publish the book. You can see Henry’s other designs for the series here.

A Meaningful Publisher — Forbes profiles the fantastic NYRB Classics (via Sarah Weinman):

While the series hasn’t published a bestseller, and is unlikely to do so, readers care about NYRB Classics and are loyal to it. This is a monumental accomplishment at a moment when cultural loyalty is extremely fickle. Frank and Kramer did it using a frills-free, deceptively simple editorial strategy: give readers good books consistently, respect them, engage them, and they’ll stick with you.

Rough Healer — Jamie Byng, publisher at Canongate, on musician, poet, and author Gil Scott-Heron in The Guardian.

The Ultimate Online Bookclub — A little late to the party, but Viv Groskop discovers Twitter is the place to share book opinions and gossip (and stalk authors apparently) in The Telegraph (via Source Books publisher Dominique Raccah on Twitter of course!):

Twitter allows you to discuss books and authors with other fans online without having to set up a blog or invent some dodgy chat room identity. If you “follow” the right people… you soon discover that Twitter brings you compelling snippets from publicists, book fanatics, bloggers and authors themselves. With reading recommendations galore, it is the book addict’s paradise.

The New Narrative — Creative Nonfiction magazine is seeking interesting stand-alone narrative nonfiction blog posts (2000 words or less) to reprint in their next issue. Nominate something from your own blog, or from a friend’s. Closing date is this Monday (April 26, 2010).

And finally…

A Fan of the Form — Author and publisher Dave Eggers talks to On The Media about the McSweeney’s newspaper Panorama:

I like the curatorial, the calmness, the authority of a daily paper. But I do think that it’s a time to make the paper form more robust and more surprising and beautiful and expansive. People still want to read long form literary journals and nonfiction, etc., and so why can’t the print medium do that and be that home and leave the Internet to do the more quick thinking and quick reacting things?

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